GRILLZ: the Interesting and Complex Life of a Commodity
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Mike Jones What Ya Know About
What Ya Know About Mike Jones What ya know about switching lanes holding wood grain What ya know about switching lanes holding wood grain What ya know about switching lanes holding wood grain What ya, what ya know about, what ya, what ya know about What ya know about that candy paint with butter guts V-V-S, princess cuts with purple stuff up in my cup I'm grippin on that grain man, switching lane to lane man In my Rover Range man, like Collie on them heaven thang I'm in the parking lot with my candy apple drop Hop inside, press a button, watch my top pass out See I'm a hustler on my grind, the four vogues fit for reclining Watch me smile and show my grill so y'all can see that I'm a shine 2 8 1, 3 3 oh, eight zero zero fo' Thats my cell phone number hit me up on the low I'm from the city of the clutch where the music screwed up I'm switching lanes, holding grain, about to tear the curb up, baby What ya know about some vogue tires and 84's Candy paint red cherry blossom drippin off the door I'm from the place where our smiles stay iced out Diamonds in our mouth, baby jammin on this Swishahouse I'm Paul Wall the peoples champ, the trunk popper I'm something like a chick magnet catching all the boppers We used to ride choppers back in 9-8 Still jammin grey tapes in this Lone Star state I'm from the place we be sippin on prescription cough syrup It's some icy white shoes and a tall tee shirt I got the trunk on crack with neon lights in the back We still jammin Robert Davis what ya know about that baby Pulling up holding, got the top folding -
Nelly F/ Paul Wall, Ali & Gipp
Nelly Grillz mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: Grillz Country: UK Released: 2006 MP3 version RAR size: 1159 mb FLAC version RAR size: 1586 mb WMA version RAR size: 1471 mb Rating: 4.4 Votes: 468 Other Formats: MMF AHX VQF WMA FLAC AAC AU Tracklist Hide Credits Grillz (Dirty) A1 4:30 Featuring – Ali & Gipp, Paul Wall Grillz (Clean) A2 4:30 Featuring – Ali & Gipp, Paul Wall A3 Grillz (Instrumental) 4:30 Nasty Girl (New Edit (Explicit)) B1 4:52 Featuring – Avery Storm, Jagged Edge , Diddy* Tired (Album Version (Explicit)) B2 3:17 Featuring – Avery Storm Companies, etc. Pressed By – Orlake Records Credits Mastered By – NAWEED* Barcode and Other Identifiers Label Code: LC 01846 Rights Society: BIEM/SABAM Matrix / Runout: WMCST 40453-A- NAWEED OR Matrix / Runout: WMCST 40453-B- OR Other versions Category Artist Title (Format) Label Category Country Year Nelly F/ Nelly F/ Paul MCST 40453 Paul Wall, Wall, Ali & Gipp - Universal MCST 40453 UK 2006 Ali & Gipp Grillz (12") Nelly Feat. Paul Nelly Feat. Wall, Ali & Gipp - none Paul Wall, Urban none Germany 2006 Grillz (12", Ali & Gipp Promo) Universal, Fo' Reel Entertainment, Nelly F/ Nelly F/ Paul B0005897-11, Derrty Ent., B0005897-11, Paul Wall, Wall, Ali & Gipp - US 2005 UNIR 21532-1 Universal, Fo' Reel UNIR 21532-1 Ali & Gipp Grillz (12") Entertainment, Derrty Ent. Nelly feat. Nelly feat. Paul Universal, Fo' Reel Paul Wall Wall & Ali & UNIR 21532-1 Entertainment, UNIR 21532-1 US 2005 & Ali & Gipp - Grillz Derrty Ent. Gipp (12", Promo) Nelly F/ Paul Nelly F/ Wall, Ali & Gipp - NGRILLZVP1 Paul Wall, Universal NGRILLZVP1 Europe 2006 Grillz (12", Ali & Gipp Promo) Related Music albums to Grillz by Nelly Nelly Feat. -
Vinyl, Digital & MP3 Internet Music Pool
S.U.R.E. DJ COALITION Vinyl, Digital & MP3 Internet Music Pool “EAR 2 THA Headphone” THE BI-MONTHLY E-MAIL PUBLICATION THAT DEALS SOLELY WITH MP3 SERVICED TO S.U.R.E.’S MEMBERSHIP WITHIN THE LAST SIX WEEKS. THE VARIOUS CHARTS PROVIDE DJ’S WITH AN INSIGHT TO UNRELEASED AND CURRENT TITLES THAT ARE CIRCULATING ON THE STREETS AND AVAILABLE FOR THEM TO PROGRAM. VOLUME # 2 / ISSUE # 2 / MARCH 15 - 31 2007 NEW & HOT S.U.R.E.SHOTS! Ahmir – Right To Left - Echo Paul Wall – I’m Throwed - Asylum Slim Thug – Problem Wit Dat - Geffen Crime Mob – 2nd Look – BME / Reprise Young Chris – Coast To Coast – Def Jam TOP TUNES IN THE BIG APPLE! Musiq Soul Child – Buddy - Atlantic Mims – This Is Why I’m Hot - Capitol Wayne Wonder - Gonna Lve You - VP Consequence – Callin’ Me - Columbia Pretty Ricky – On The Hotline - Atlantic PRIME CHART MOVERS! Young Buck – Haters – G Unit Mike Jones – Mr Jones – Warner Brick & Lace – Never Never - Geffen Timbaland – Give It To Me – Interscope Kelly Rowland ft Eve – Like This - Columbia TOP TURNTABLE ADDS! Clyde Carson – 2 Step - Capitol Notch – Guaya Guaya – Machete Rich Boy – Boy Looka Here - Interscope Ms Triniti – Bongce Along – Unseen Lab Fabolous ft Young Jeezy – Diamond – Def Jam THE TOP INDIES RELEASES! Rizz – Ready 4 It – The Outfit Em J ft Beenie Man – Get Loose – Emjay Sugar Kaine – Just Another Booty Song - Kolor Drag On ft Tahmeik – Ok Daddy - B Boy Records Euricka ft Calvin Richardson – On My Own - Echo HOT PROMOTIONAL CD’S! Vi ft Glc – Hurta - Mathaus D Lee – TNA – Trump Tight Carl Henry – Encore – Cesoul K Janai – Checkin Me – Blaq Roc J Peezy – This Old School – APB B.O.B – Heavy Breather – Atlantic Papa Reu - “Cellular – R E Umuzik Mardi Gra – Freak Off – Klique City Ill Nature – U Know What’s Up – I.N. -
Mista Mathew Flew Da Coupe Mp3, Flac, Wma
Mista Mathew Flew Da Coupe mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: Flew Da Coupe Country: US Released: 2012 MP3 version RAR size: 1679 mb FLAC version RAR size: 1921 mb WMA version RAR size: 1328 mb Rating: 4.5 Votes: 726 Other Formats: AU RA AA VQF ASF MP1 MPC Tracklist Hide Credits Intro 1 Featuring – Michael "5000" Watts Stand Up 2 Featuring – Hot Sleep, Rob G. 3 Tic Toc On My Watch 4 Im'a Holla We Break Necks 5 Featuring – Black Attack , Hot Sleep Ride Like A Boss 6 Featuring – E.S.G. , Hot Sleep 7 Put Dat On Everythang Swagga 2 Kill 8 Chorus – Lurch Boy 9 Who's Next 2 Plex 10 Grind Hard Wardrobe Fly 11 Featuring – 20 Twin Paid In Full 12 Featuring – Coota Bang, Milton. B Diz Is 4 Da Club 13 Featuring – Dakta Payne, Day-Day Scream Loud 14 Featuring – Black Attack We Hope You Bout It 15 Featuring – Juvenile Married 2 Da Game 16 Featuring – Low G 17 I Wanna Glow I'm On It 18 Featuring – Milton. B 19 You Don't Want That 20 Funds Running Low Sqeezing Grain 21 Featuring – C-Stone*, E.S.G. Hardest Thang Coming 22 Featuring – Hot Sleep, Lester Roy [BONUS] Ride Like A Boss (Swishahouse Remix) 23 Remix – Michael "5000" Watts Companies, etc. Recorded At – Every Corner Records Mixed At – Every Corner Records Mastered At – Every Corner Records Copyright (c) – Every Corner Records Credits Executive-Producer – Hot Sleep, Mista Mathew Producer – Hot Sleep (tracks: 2, 4 6, 7, 10, 11, 13, 19-22), Low G (tracks: 15), Lurch Boy (tracks: 5,8, 9, 11, 17, 18), Michael "5000" Watts (tracks: 1, 23) Barcode and Other Identifiers Barcode: 700261851884 Related Music albums to Flew Da Coupe by Mista Mathew 1. -
February 18, 2002 TABLE of CONTENTS DUKE DAYS EVENTS CALENDAR
■ P*f* M PJ PU.17 PtVMMia Exilarlno artistic firms mm —I»pumn— From boy bands lo 'Oawson s A professional artist presents a collection George Mason University s defense sparks a 72- JMU students discuss thei including intricate m 'Burning King of Fire' 64 comeback win over ]MU in a crucial confer- toward today's pop culture. at the Mitten Gallery. ence game. James Madison University Today: Sunny rN(h:«a REEZE * Low: 22 THEVol. i '', /sM(C ><S Father dies Habitat after D-hall Black Panther Party myths dispelled heart attack Co-founder speaks on party origins; Malcolm X assassination struggles BY DAVID CI.EMENTSON Black Panther Party in 1966 The father of two students senior writer to raise died Thursday after suffering in Oakland, Calif. According a heart attack in D-hall. There are two things that to Jacqueline Walker, associ- William Tarrant III. 49, Bobby Scale, co-founder and ate professor of history, funds collapsed in D-hall around 7 former chairman of the Black many viewed the Black Panther Party, said he really Panthers as a violent, revolu- BY BRANDON HUC.III \K\ fin Thursday, according to contributing writer hates: myths and the assassi- tionary organization aimed Director of University This semester, the |MU Communications Fred nation of Malcolm X. at overthrowing the federal "1 don't care for myths government in an armed chapter of Habitat lor Hilton. People on the scene Humanity will help two and rescue squad paramedics and all that stuff," Seale told Marxist rebellion. 150 people in the 1SAT Health "They called me a hood- underpnvdeged local families administered CPR. -
Music to Your Teeth
Play-A-Grill: Music to Your Teeth Aisen Caro Chacin Design and Technology Department 6 E 16th St. Parsons The New School for Design New York, NY 10003 USA [email protected] ABSTRACT 2. ORIGIN This paper is an in depth exploration of the fashion object and 2.1 Experiments and Inspiration device, the Play-A-Grill. It details inspirations, socio-cultural This concept was inspired by an interactive installation at the implications, technical function and operation, and potential Exploratorium Museum in San Francisco called Sound Bite that applications for the Play-A-Grill system. displayed bone vibration hearing through a rod [8]. A user could Keywords slide a straw over a rod, and through biting it and closing her Digital Music Players, Hip Hop, Rap, Music Fashion, Grills, ears, could hear any four different types of music. The clearest Mouth Jewelry, Mouth Controllers, and Bone Conduction sound came from a hip hop music sample. This experience spun Hearing. an ongoing conversation in my mind about bone conduction and its applications. 1. INTRODUCTION 2.2 Hearing Through Teeth Play-A-Grill, (see Figure 1) combines a digital music player Bone conduction hearing has been used since the 1880’s in with the mouth piece jewelry known as a grill, which is usually commercial products to aid hearing loss, except in patients associated with hip hop and rap music genres. Grills are almost suffering from damage to their auditory nerves. Rhode’s always made of precious metal, most notably gold or platinum. Audiophone (see Figure 2), also known as the acoustic fan, was They are completely removable, and worn as a retainer. -
No Bitin' Allowed a Hip-Hop Copying Paradigm for All Of
20 Tex. Intell. Prop. L.J. 115 Texas Intellectual Property Law Journal Fall, 2011 Article NO BITIN’ ALLOWED: A HIP-HOP COPYING PARADIGM FOR ALL OF US Horace E. Anderson, Jr.a1 Copyright (c) 2011 Intellectual Property Law Section of the State Bar of Texas; Horace E. Anderson, Jr. I. History and Purpose of Copyright Act’s Regulation of Copying 119 II. Impact of Technology 126 A. The Act of Copying and Attitudes Toward Copying 126 B. Suggestions from the Literature for Bridging the Gap 127 III. Potential Influence of Norms-Based Approaches to Regulation of Copying 129 IV. The Hip-Hop Imitation Paradigm 131 A. Structure 131 1. Biting 131 2. Beat Jacking 133 3. Ghosting 135 4. Quoting 136 5. Sampling 139 B. The Trademark Connection 140 C. The Authors’ Rights Connection 142 D. The New Style - What the Future of Copyright Could Look Like 143 V. Conclusion 143 VI. Appendix A 145 VII. Appendix B 157 VIII. Appendix C 163 *116 Introduction I’m not a biter, I’m a writer for myself and others. I say a B.I.G. verse, I’m only biggin’ up my brother1 It is long past time to reform the Copyright Act. The law of copyright in the United States is at one of its periodic inflection points. In the past, major technological change and major shifts in the way copyrightable works were used have rightly led to major changes in the law. The invention of the printing press prompted the first codification of copyright. The popularity of the player piano contributed to a reevaluation of how musical works should be protected.2 The dawn of the computer age led to an explicit expansion of copyrightable subject matter to include computer programs.3 These are but a few examples of past inflection points; the current one demands a similar level of change. -
Paul Wall, Game Over (Flip) Freestyle
Paul Wall, Game Over (Flip) Freestyle I'm just sayin' though..its Paul Wall people's champ the future Paul Wall and Mike Jones comin' soon the chick magnet..in stores baby what they talk bout Ya boy Paul Wall check me out djpaulwall.com whomikejones.com its goin' down we in the swishahouse we live baby know talk bout...its Paul Wall I got Mickael Watts sittin' here wit me sup baby.. sup T. Farris G-dash where ya at sup slice, sup B red Swishahouse baby...swishahouse.com what it do its Paul Wall I'm the people's champ i'm on the grind wit Mike Jones who look like stamps i'm givin' haters cramps like its the time of the month cuz we spendin' money on cars while they wastin' more months i'm tryin' come in this game so my grind is heavy i'm bouncin' on 24's in SS chevy holla at pimp-c me and my partner T. Farris baby I be on the grind lately from Milwaukee to Ka Lae alot fellas hate me cuz I be layin' it on they lady i'm just a chick magnet baby its all gravy i'm the peoples townsmen, dj kobe gettin' bank like agent cody Michael Watts chopped it slowly thats the reason I'm one and only i'm still tippin' on four fours to prove to you I'm really doe hit crawface wit his hoes I'm in a Lincoln on those vouges buy some skates drop the top in the club I shock and rock hoes bop so the ball the block I'm on the grind try in a knot i'm climbin' up the ladder of sucess slowly some of my homies turn phonie and turn on me let me out they broke and lonely thinkin' I'll falled off but Michael Watts open the door and let me back in the house its Paul Wall Paul Wall {*3X*} Paul Wall - Game Over (Flip) Freestyle w Teksciory.pl. -
The Peter Beste and Lance Scott Walker Houston Rap Collection by Stacey Lavender
From thE archivES The Peter Beste and Lance Scott Walker Houston Rap Collection By Stacey Lavender rom hip hop mu- Collections began collecting GET INSIDER ACCESS Fsic’s earliest days, “Texas tatted on my arm, primary source materials Houston has contrib- on the genre in 2010 when to the Most Exclusive Texas History Club in the Nation uted greatly to the curator Julie Grob estab- genre’s development. got Houston on my back lished Houston Hip Hop as a In the 1990s Hous- collecting area. Since 1897, a select group of very special people have made a pledge to ton icon DJ Screw Cause I love the city I’m from, The newest accession, keep Texas history alive. They have been driven by the belief that without an gave us “chopped and acquired in the spring of understanding of our history, every generation must start over. They are a proud screwed,” arguably hands up if you feel that” 2015, is the Peter Beste and the city’s most nota- Lance Scott Walker Houston group. Like the defenders of the Alamo, they stand up while others stand down. ble contribution, but – Slim Thug, “Houston” Rap Collection, which con- Like Sam Houston, they lead rather than follow. They are helping to preserve the Houston can claim tains materials gathered and important lessons from the past so that our children and their children will have many others. A handful of Houston-area rappers, like produced during the creation of Beste and Walker’s book something to look forward to and learn from. Geto Boys, Bun B and Pimp C of UGK, and Paul Wall, Houston Rap. -
Song Title Artist Genre
Song Title Artist Genre - General The A Team Ed Sheeran Pop A-Punk Vampire Weekend Rock A-Team TV Theme Songs Oldies A-YO Lady Gaga Pop A.D.I./Horror of it All Anthrax Hard Rock & Metal A** Back Home (feat. Neon Hitch) (Clean)Gym Class Heroes Rock Abba Megamix Abba Pop ABC Jackson 5 Oldies ABC (Extended Club Mix) Jackson 5 Pop Abigail King Diamond Hard Rock & Metal Abilene Bobby Bare Slow Country Abilene George Hamilton Iv Oldies About A Girl The Academy Is... Punk Rock About A Girl Nirvana Classic Rock About the Romance Inner Circle Reggae About Us Brooke Hogan & Paul Wall Hip Hop/Rap About You Zoe Girl Christian Above All Michael W. Smith Christian Above the Clouds Amber Techno Above the Clouds Lifescapes Classical Abracadabra Steve Miller Band Classic Rock Abracadabra Sugar Ray Rock Abraham, Martin, And John Dion Oldies Abrazame Luis Miguel Latin Abriendo Puertas Gloria Estefan Latin Absolutely ( Story Of A Girl ) Nine Days Rock AC-DC Hokey Pokey Jim Bruer Clip Academy Flight Song The Transplants Rock Acapulco Nights G.B. Leighton Rock Accident's Will Happen Elvis Costello Classic Rock Accidentally In Love Counting Crows Rock Accidents Will Happen Elvis Costello Classic Rock Accordian Man Waltz Frankie Yankovic Polka Accordian Polka Lawrence Welk Polka According To You Orianthi Rock Ace of spades Motorhead Classic Rock Aces High Iron Maiden Classic Rock Achy Breaky Heart Billy Ray Cyrus Country Acid Bill Hicks Clip Acid trip Rob Zombie Hard Rock & Metal Across The Nation Union Underground Hard Rock & Metal Across The Universe Beatles -
He Is Called the Originator for Creating the Slowed-Down Tempo Known As
He is called the Originator for creating the slowed-down tempo customized cars that were slow, loud and banging. In the cars were fans known as “chopped and screwed,” an inventive musical language that seeking music — DJ Screw’s homemade underground cassette tapes. At propelled hip hop in a new direction and solidified the city of Houston’s one point he was raking in an estimated $15,000 per day from cassette reputation as an epicenter of rap. sales, sometimes more than that, selling between 10,000 to 15,000 With two turntables on either side of him, DJ Screw would manually copies in a single day. manipulate vinyl albums, slowing down the tempo and maintaining the Often inside the house were any number of SUC members, including glacial pace on recordings that could last over an hour. In 1999, DJ Screw C-Note, Will-Lean and the Botany Boyz, Lil’ Flip, Big Pokey, Big Hawk, said he “let my fingers do the talking.” He would invite his friends, who Big Moe, Fat Pat, Lil’ Keke and others. would later be known as the Screwed Up Click (SUC), to freestyle while he Wall said nothing on the radio stirred the excitement of a Screw tape recorded the final product on his celebrated Screw tapes. with that rap collective on it. “He would just slow down the tempo of everything. It would just take “When you got a new Screw tape or something new from DJ Screw you to a place where it would just put you in a trance,” said Grammy- you’d come share it with everyone and say ‘Hey! Have you heard nominated Houston rapper and UH alum Paul Wall, who was a teenager in the new one? I bet you haven’t heard this one. -
Outkast'd and Claimin' True
OUTKAST’D AND CLAIMIN’ TRUE: THE LANGUAGE OF SCHOOLING AND EDUCATION IN THE SOUTHERN HIPHOP COMMUNITY OF PRACTICE by JOYCELYN A. WILSON (Under the direction of Judith Preissle) ABSTRACT The hiphop community of practice encompasses a range of aesthetic values, norms, patterns, and traditions. Because of its growth over the last three decades, the community has come to include regionallyspecific networks linked together by community members who engage in meaningful practices and experiences. Expressed through common language ideologies, these practices contribute to the members’ communal and individual identity while simultaneously providing platforms to articulate social understandings. Using the constructs of community of practice and social networks, this research project is an interpretive study grounded primarily in the use of lyrics and interviews to investigate the linguistic patterns and language norms of hip hop’s southern network, placing emphasis on the Atlanta, Georgia southern hiphop network. The two main goals are to gain an understanding of the role of school in the cultivation of the network and identify the network’s relationship to schooling and education. The purpose is to identify initial steps for implementing a hiphop pedagogy in curriculum and instruction. INDEX WORDS: Hiphop community of practice, social network, language ideology, hiphop generation, indigenous research, schooling, education OUTKAST’D AND CLAIMIN’ TRUE: THE LANGUAGE OF SCHOOLING AND EDUCATION IN THE SOUTHERN HIPHOP COMMUNITY OF PRACTICE by JOYCELYN A. WILSON B.S., The University of Georgia, 1996 M.A., Pepperdine University, 1998 A Dissertation Submitted to the Graduate Faculty of the University of Georgia in Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY ATHENS, GEORGIA 2007 ã 2007 Joycelyn A.