December 2020 Virtual Concert

Total Page:16

File Type:pdf, Size:1020Kb

December 2020 Virtual Concert DECEMBER 2020 VIRTUAL CONCERT OPERA BIRMINGHAM SOUNDS OF THE SEASON 2020 CONTENTS CLICK TITLES BELOW TO JUMP TO THE PAGE BOARD OF DIRECTORS OPERA BIRMINGHAM STAFF INDIVIDUAL CONTRIBUTORS CORPORATE, FOUNDATION, AND GOVERNMENT CONTRIBUTORS TRIBUTE GIFTS TITLE PAGE PROGRAM AND SPECIAL THANKS MEET THE ARTISTS ADVERTISERS OPERA BIRMINGHAM SOUNDS OF THE SEASON 2020 THE HILL OPERA CENTER 3601 Sixth Avenue South 205-322-6737 BOARD OF DIRECTORS Patricia Pritchett Wilson Green Teresa B. Percy PRESIDENT VICE-PRESIDENT TREASURER Abbott Jones Rusha Smith Kathryn Ottensmeyer RECORDING SECRETARY CORRESPONDING SECRETARY IMMEDIATE PAST PRESIDENT Tom Barnett Dr. F. Cleveland Kinney LIFE MEMBERS Babs Buchanan Dr. Julius E. Linn Jr. Jane M. Hinds Andrew Collins Martha Pezrow Patty McDonald Dr. Daniel Dahl T. Brooks Proctor Patricia T. Scofield Dr. Andrew Duxbury Kenneth O. Simon Dorinda Smith Michael J. Freeman Carol Ann Smith, Esq. Mary K. Jackson Hon. J. Scott Vowell OPERA BIRMINGHAM SOUNDS OF THE SEASON 2020 RETURN TO CONTENTS OPERA BIRMINGHAM STAFF KEITH A. WOLFE-HUGHES GENERAL DIRECTOR LYNNE HUTTON AMY GILBERT RICHARDSON ELEANOR P. WALTER DIRECTOR OF DEVELOPMENT DIRECTOR OF OPERATIONS DIRECTOR OF MARKETING AND AND PRODUCTION COMMUNITY ENGAGEMENT CAROLYN PEVEY MARK B. MOORE DANIEL SEIGEL BOOKKEEPER GRAPHIC DESIGNER CHORUSMASTER Opera Birmingham is a member of ABOUT THE OPERA Opera Birmingham, the only professional opera company in northern and central Alabama, was founded as the Birmingham Civic Opera in 1955. OPERA Opera Birmingham presents mainstage productions, as well as a variety AMERICA of concerts and recitals featuring renowned artists such as Angela Brown, MOVING OPERA FORWARD Renee Fleming, Elizabeth Futral, and Nathan Gunn. OPERA BIRMINGHAM SOUNDS OF THE SEASON 2020 RETURN TO CONTENTS CONTRIBUTORS INDIVIDUAL ANGEL VP Funds Chris Chrisenberry The Hon. & Mrs. J. Scott Vowell Dr. and Mrs. Brian Christine Mrs. Betty Healey* Dr. Andrea and Mr. Goodloe White Malcolm Clark Dorinda and John Smith Keith and Kevin Wolfe-Hughes Ms. Jo G. Classé Mr. and Mrs. John Clemmensen FOUNDER’S CIRCLE OPERA CLUB CIRCLE Naomi Coffey Dr. Tania Coric Anonymous Mrs. William M. Acker Ms. Anna Cooper Cox Mr. and Mrs. Brent Uptain Victor and Michelle Adamo Lindsey Craig Terry Adamson Paula Crockard IMPRESARIO CIRCLE Kirk Alford Joseph Davis Dr. Eduardo Arciniegas Mr. Kelly Allison Mr. and Mrs. Glenn Davis Mr. Tom Barnett Chelsea Anderson Jack Demedicis Dr. William Baxley Mrs. John Anderson Mrs. Catherine T. Dent Mr. and Mrs. Gene Bone Dr. Rita J. Armitage Sean Drummond Dr. and Mrs. James A. Briley Mr. and Mrs. John Armstrong Danielle Dunbar Ms. Babs Buchanan William & Janet Armstrong Mr. Thomas Duncan Mrs. Nanci Chazen Ms. Lynn Ault Mrs. Karen Duncan Dr. Samuel A. (Tad) Cherry III Mr. and Mrs. Walter W. Bailey Kristy Dutton Mr. Andrew J. Collins Mrs. Lois Baker Drs. Susan and Morgan Eiland Drs. Daniel Carl Dahl and Terri Steele Ashley Bates Mrs. Barbara G. Fant Dr. Andrew Duxbury Ms. Sue B. Watkins Sonia Fargue Ms. Wanda Elkourie Mrs. Robert Bauman Rachel S. Ferguson Dr. and Mrs. Fred Elsas Michelle Benton Mr. Will Ferniany Mr. and Mrs. James Emison Sandrah Swetkovich-Berglund Dr. & Mrs. Richard Finch Michael J. and MaryAnne Freeman Mr. Thomas Bloetscher Joe Forbes Mr. Christopher Gagliano Dr. Graham Boettcher Lauren Fowler Drs. Sandra Gianturco and Nadezhda Bogdan Mr. & Mrs. Thomas H. Fox Jr. William Bradley Mr. Nicholas Bouler III Robert M. Gambrell Jr. Mrs. Deane Giles Savannah Bracewell Mr.and Mrs. Robert Gibson Mr. and Mrs. Michael Gooldrup Ms. Carolyn Bradley Elizabeth Goodrich Mr. Wilson Green Bob and Annette Brady Deborah Gordon Ms. Lida Hill Dr. Tom Broker and Dr. Louise Chow Katherine Green Mrs. Jane M. Hinds Lella Bromberg Drs. Gonzalo & Raquel Gurmendi Mrs. Mary K. Jackson Robin Brown Jack Hall Martin Jeiven Sean Brown Ms. Judith Hayes Hand Drs. Amy and John Johnstone Mrs. Beverly Buccleugh Mr. Edward Hardin Abbott Jones Ms. Katherine G. Buchanan Tallulah Hargrove Dr. F. Cleveland Kinney Dr. and Mrs. G. William Bugg Judge & Mrs. Bernard Harwood Dr. Julius E. Linn Jr. Victoria & Wilton Bunch Mr. & Mrs. William R. Hawkins Mr. and Mrs. John J. McMahon Jr. Di Bush Lindsay Hendley Dr. Emily Omura Ms. Camile Buttrus Mr. Bill Hereford Hobby Presley and Katy Ottensmeyer Mr. Jerry Campbell Bethany Herrod Teresa B. Percy Matthew Cantor Dr. and Mrs. T. H. Hiett Mrs. Patricia Pritchett Mrs. Anne Carey George Hight T. Brooks Proctor Mary Alice Carmichael Mrs. Ann B. Hillhouse Mr. and Mrs. C. Lee Reeves Ms. Gerda L. Carmichael Dr. and Mrs. Tom Hines Mr. and Mrs. Steve Reich John Carney Takiyah Hood Mrs. George Scofield Stephen Carter Dr. Paul Houghtaling Mr. and Mrs. Scott Selman Ms. Margaret Casey Dr. Celia Slaughter Huston Ms. Carol Ann Smith Mrs. Howard W. Cater Amy Hutchison Don Howarth and Mr. Patrick Cather Lynne Hutton Suzelle Smith Foundation Ms. Teresa Chandler Stephen Hyde Ms. Rusha C. Smith Sam Chappell Mr. and Mrs. Fred Ingram Dr. and Mrs. Chandler Smith Mr. James D. Sokol and Kenneth Jackson Mr. James T. Stephens Ms. Lydia C. Cheney Dr. Bond Johnson Won Cho Dr. Edward and Mildred Allen Taub *In Memoriam OPERA BIRMINGHAM SOUNDS OF THE SEASON 2020 RETURN TO CONTENTS CONTRIBUTORS INDIVIDUAL Carden Johnston Carol Nunnelley Anna Steul Josh Jones Mr. Bryan Olson Ann Steves Mr. and Mrs. Terrance Joyce Molly Ottsen Leon Storie Mr. and Mrs. Andrew Keith Msgr P Lang Frederick Stroup Ken Kimmerly Clay Palmer Ms. Lidia Sztul Donald Klem Ms. Barbara Patterson Mr. and Mrs. Terrence Taft Frances J Knox Anne Payton David Talley Warren Laird Meagan and Darrius Peace Dr. James Taylor Clarence D. Lamon Jr and Mrs. Beverly Phillips Mr. Samuel Tenenbaum Jr. Carolyn Evans Amanda Pigue Holly Terrell Frances Lawlor Mrs. Barbara Piper Louise Tharaud Dr. and Mrs. Thomas LeCroy Judi Pochran Sarah J. Thomas Ms. Joyce Lehmeyer Trudy and Cliff Porter Tommy & Penny Thompson Mrs. Kirsten Leonard Ferris Mr. and Mrs. J. Fred Powell Ms. Diane Tucker Ms. Julie Levinson-Gabis Susan Pretnar Mr. Edward R. Uehling Sherry B. Loper Mr. and Mrs. Rick Price Mr. Sidney Vance Melissa Ludlum Clifton Quinn Nicole Vanden Heuvel Mr. Henry S. Lynn Jr. Mr. Raymond Quintero Ms. Kendall Waggoner Dr. Walter L. Maddox Joyce Ratliff Brenda Wagner Jill Mange Mrs. James Reddinger Mr. and Mrs. Bryson Waldo Mr. and Mrs. Merrill Mann Sally Reilly Daniel Walker Mrs. Patti Manning Irene Reising Mr. Peter Walsh and Ms. Linda Vernon Ms. Lauren Marino Edward and Joan Reisinger Eleanor & Whitten Walter Mr. Roger Marlin Mr. James Robinett Scott and Kelley Walton Michael Maus Mr. Keith Rogers Mr & Mrs. James Warnock Clay McCollum Ms. Janet Rooney Daryl Washington Mark McCoy Mr. and Mrs. Herbert Rossmeisl Jr. Ms. Cornelia W. Watts Wanda McCutcheon Mrs. Emily Rushing Ms. Aimee Weaver Ms. Dorothy McDaniel Andrew Russell Ms. Martha Weber Patty McDonald Mr. H. Brant Sanders Mr. and Mrs. Douglas A. Westfall Christine McLaughlin Janice Sandy Mrs. Joanne W. Weston James Mcmullan Mr. Kenneth Sansom Mr. and Mrs. James White III Ms. Faye McWhorter Dr. Stephen G. Schaeffer Elizabeth White Ms. Deborah Medenica Winston Schepps Mr. John T. Wideman Kimberly Moore Daniel Seigel Mr. Evan Williams Dr. and Mrs. Paul Mosteller Ms. Ferne R. Seigel Susan Wirt Mr. and Mrs. Leonard Mueninghoff Waid and Babbie Shelton Terri Wittmeier Mrs. Anita Mure Mr. Larry Short Lee Woehle Cynthia Mwenja Ames Smith Eric Wolff Daniel Neer George H. Smith Joy Wood Ms. Soody Nelson Mr. and Mrs. David Smith Mr. Stanley Woodall Stanley M. Nelson Ms. Catherine H. Smith Mr. and Mrs. Stephen Yoder Mrs. Alex W. Newton Mr. Phillip Smith and Ms. Janis T. Zeanah Mr. Stephen Niemeyer Mrs. Beverly Von Der Pool Mr. John Norris Mr. and Mrs. Richard Sprague Thank you for your support. This donor list represents gifts made to Opera Birmingham between October 3, 2019 and November 9, 2020. We want to reflect all giving accurately, and deeply regret any errors or omissions. Please contact Lynne Hutton, Director of Development, at [email protected] or 205-322-6737 with any corrections. Thank you! THERE IS ROOM FOR YOUR NAME TOO! SHOW YOUR SUPPORT: OperaBirmingham.org/give [email protected] 205-322-6737 click to give OPERA BIRMINGHAM SOUNDS OF THE SEASON 2020 RETURN TO CONTENTS CONTRIBUTORS CORPORATE, FOUNDATION, AND GOVERNMENT Alabama State Council on the Arts The Huisking Foundation National Endowment for the Arts Jemison Investment Company Bradley Arant Jones Family Fund Bush Hills Music Club Maynard Cooper Charitable Foundation The Caring Foundation of Blue Cross & Blue Shield of Medical Properties Trust Alabama Andrew W. Morris & Ingeborg M. Johnson Fund The Daniel Foundation Opera America Day Family Foundation Poarch Band of Creek Indians Dunn-French Foundation UAB Health System The Estate of Wilma Geels Viva Health aka Triton Health Mike and Gillian Goodrich Foundation VP Funds HERO Foundation WANT TO TAKE ADVANTAGE OF A SIMPLE WAY TO HELP OPERA BIRMINGHAM AND RECEIVE TAX BENEFITS IN RETURN? If you are 70 ½ or older, you are able to reduce taxes by making a Qualified Charitable Distribution from your IRA. Your gift will be put to use right away and you can experience the joy of watching your philanthropy at work. Jump-start your legacy today by speaking with your Financial Professional for the details. If you have any questions or to make a gift today, please call: (205) 322-6737 or go to www.OperaBirmingham.org Thank you for your support. This donor list represents gifts made to Opera Birmingham between October 3, 2019 and November 9, 2020. We want to reflect all giving accurately, and deeply regret any errors or omissions. Please contact Lynne Hutton, Director of Development, at [email protected] or 205-322-6737 with any corrections. Thank you! THERE IS ROOM FOR YOUR NAME TOO! SHOW YOUR SUPPORT: OperaBirmingham.org/give [email protected] 205-322-6737 click to give OPERA BIRMINGHAM SOUNDS OF THE SEASON 2020 RETURN TO CONTENTS CONTRIBUTORS TRIBUTE GIFTS GIFTS IN MEMORY GIFTS IN HONOR Jesse Bean Jerry Levin and Sis Levin Nanci Chazen by Mrs.
Recommended publications
  • Mozart Magic Philharmoniker
    THE T A R S Mass, in C minor, K 427 (Grosse Messe) Barbara Hendricks, Janet Perry, sopranos; Peter Schreier, tenor; Benjamin Luxon, bass; David Bell, organ; Wiener Singverein; Herbert von Karajan, conductor; Berliner Mozart magic Philharmoniker. Mass, in C major, K 317 (Kronungsmesse) (Coronation) Edith Mathis, soprano; Norma Procter, contralto...[et al.]; Rafael Kubelik, Bernhard Klee, conductors; Symphonie-Orchester des on CD Bayerischen Rundfunks. Vocal: Opera Così fan tutte. Complete Montserrat Caballé, Ileana Cotrubas, so- DALENA LE ROUX pranos; Janet Baker, mezzo-soprano; Nicolai Librarian, Central Reference Vocal: Vespers Vesparae solennes de confessore, K 339 Gedda, tenor; Wladimiro Ganzarolli, baritone; Kiri te Kanawa, soprano; Elizabeth Bainbridge, Richard van Allan, bass; Sir Colin Davis, con- or a composer whose life was as contralto; Ryland Davies, tenor; Gwynne ductor; Chorus and Orchestra of the Royal pathetically brief as Mozart’s, it is Howell, bass; Sir Colin Davis, conductor; Opera House, Covent Garden. astonishing what a colossal legacy F London Symphony Orchestra and Chorus. Idomeneo, K 366. Complete of musical art he has produced in a fever Anthony Rolfe Johnson, tenor; Anne of unremitting work. So much music was Sofie von Otter, contralto; Sylvia McNair, crowded into his young life that, dead at just Vocal: Masses/requiem Requiem mass, K 626 soprano...[et al.]; Monteverdi Choir; John less than thirty-six, he has bequeathed an Barbara Bonney, soprano; Anne Sofie von Eliot Gardiner, conductor; English Baroque eternal legacy, the full wealth of which the Otter, contralto; Hans Peter Blochwitz, tenor; soloists. world has yet to assess. Willard White, bass; Monteverdi Choir; John Le nozze di Figaro (The marriage of Figaro).
    [Show full text]
  • English Translation of the German by Tom Hammond
    Richard Strauss Susan Bullock Sally Burgess John Graham-Hall John Wegner Philharmonia Orchestra Sir Charles Mackerras CHAN 3157(2) (1864 –1949) © Lebrecht Music & Arts Library Photo Music © Lebrecht Richard Strauss Salome Opera in one act Libretto by the composer after Hedwig Lachmann’s German translation of Oscar Wilde’s play of the same name, English translation of the German by Tom Hammond Richard Strauss 3 Herod Antipas, Tetrarch of Judea John Graham-Hall tenor COMPACT DISC ONE Time Page Herodias, his wife Sally Burgess mezzo-soprano Salome, Herod’s stepdaughter Susan Bullock soprano Scene One Jokanaan (John the Baptist) John Wegner baritone 1 ‘How fair the royal Princess Salome looks tonight’ 2:43 [p. 94] Narraboth, Captain of the Guard Andrew Rees tenor Narraboth, Page, First Soldier, Second Soldier Herodias’s page Rebecca de Pont Davies mezzo-soprano 2 ‘After me shall come another’ 2:41 [p. 95] Jokanaan, Second Soldier, First Soldier, Cappadocian, Narraboth, Page First Jew Anton Rich tenor Second Jew Wynne Evans tenor Scene Two Third Jew Colin Judson tenor 3 ‘I will not stay there. I cannot stay there’ 2:09 [p. 96] Fourth Jew Alasdair Elliott tenor Salome, Page, Jokanaan Fifth Jew Jeremy White bass 4 ‘Who spoke then, who was that calling out?’ 3:51 [p. 96] First Nazarene Michael Druiett bass Salome, Second Soldier, Narraboth, Slave, First Soldier, Jokanaan, Page Second Nazarene Robert Parry tenor 5 ‘You will do this for me, Narraboth’ 3:21 [p. 98] First Soldier Graeme Broadbent bass Salome, Narraboth Second Soldier Alan Ewing bass Cappadocian Roger Begley bass Scene Three Slave Gerald Strainer tenor 6 ‘Where is he, he, whose sins are now without number?’ 5:07 [p.
    [Show full text]
  • SPRING 2014 SPELMAN Messenger
    Stacey Dougan, C’98, Raw Vegan Chef ALSO INSIDE: 2013 Reunion THE ALUMNAE MAGAZINE OF SPELMAN COLLEGE VOLUME 124 NUMBER 1 SPRING 2014 SPELMAN Messenger EDITOR All submissions should be sent to: Jo Moore Stewart Spelman Messenger Office of Alumnae Affairs ASSOCIATE EDITOR 350 Spelman Lane, S.W., Box 304 Joyce Davis Atlanta, GA 30314 COPY EDITOR OR Janet M. Barstow [email protected] Submission Deadlines: GRAPHIC DESIGNER Garon Hart Spring Semester: January 1 – May 31 Fall Semester: June 1 – December 31 ALUMNAE DATA MANAGER ALUMNAE NOTES Alyson Dorsey, C’2002 Alumnae Notes is dedicated to the following: EDITORIAL ADVISORY COMMITTEE • Education Eloise A. Alexis, C’86 • Personal (birth of a child or marriage) Tomika DePriest, C’89 • Professional Kassandra Kimbriel Jolley Please include the date of the event in your Sharon E. Owens, C’76 submission. TAKE NOTE! WRITERS S.A. Reid Take Note! is dedicated to the following Lorraine Robertson alumnae achievements: TaRessa Stovall • Published Angela Brown Terrell • Appearing in films, television or on stage • Special awards, recognition and appointments PHOTOGRAPHERS Please include the date of the event in your J.D. Scott submission. Spelman Archives Julie Yarbrough, C’91 BOOK NOTES Book Notes is dedicated to alumnae authors. Please submit review copies. The Spelman Messenger is published twice a year IN MEMORIAM by Spelman College, 350 Spelman Lane, S.W., We honor our Spelman sisters. If you receive Atlanta, Georgia 30314-4399, free of charge notice of the death of a Spelman sister, please for alumnae, donors, trustees and friends of contact the Office of Alumnae Affairs at the College.
    [Show full text]
  • Verdi and Milan Transcript
    Verdi and Milan Transcript Date: Monday, 14 May 2007 - 12:00AM VERDI AND MILAN Professor Roger Parker This talk is about Verdi and Milan, and is in three acts, with a brief prelude and even briefer postlude. You may like to know that, as with most of Verdi's operas, the last act is quite a bit shorter than the first two. Prelude When the eighteen-year-old Verdi moved from provincial Busseto, a town near Parma, to Milan in June 1832, to complete his musical training privately after having been rejected from the Milan Conservatory, he must have felt keenly the change in cultural climate. From a small town in which his reputation had been as a promising church musician, and whose inhabitants he later reviled for their parochialism and petty jealousies, he transferred to one of Italy's major capital cities, an international operatic centre with a rich tradition of intellectual and cultural achievement. At the heart of this culture, and at the heart of the city, stood the Teatro alla Scala, one of the two or three major theatres in Italy. Much later in life Verdi recalled his lessons in Milan as extremely formal and academic: in particular he recalled no reference to the music of the present. But his recollections were written in 1871, some forty years after the events described, and they tell us more about the then-aging Verdi's reactions to an Italy increasingly influenced by 'foreign' opera composers (in particular Meyerbeer and Wagner) than it does about the reality of his own student experiences.
    [Show full text]
  • Katalog EMI Classics Oraz Virgin Classics
    Katalog EMI Classics oraz Virgin Classics Tytuł: Vinci L'Artaserse ICPN: 5099960286925 KTM: 6028692 Data Premiery: 01.10.2012 Data nagrania: styczeń 2012 Main Artists: Diego Fasolis/Philippe Jaroussky/Max Emanuel Cencic/Franco Fagioli/Valer Barna-Sabadus/Yuriy Mynenko/Daniel Behle/Coro della Radiotelevisione svizzera, Lugano/Concerto Köln Kompozytor: Leonardo Vinci 3 CD POLSKA PREMIERA Tytuł: Feelhermony ICPN:5099901770827 KRM:0177082 Data Premiery: 09.10.2012 Data Nagrania: 2012 Main Artists: KROKE, Sinfonietta Cracovia, Anna Maria Jopek, Sławek Berny Kompozytor: KROKE Aranżancje: Krzysztof Herdzin 1 CD Tytuł: Rodgers & Hammerstein at the Movies ICPN: 5099931930123 KTM: 3193012 Data Premiery: 01.10.2012 Data nagrania: styczeń 2012 Main Artists: John Wilson, John Wilson Orchestra, Sierra Boggess, Anna Jane Casey, Joyce DiDonato, Maria Ewing, Julian Ovenden, David Pittsinger, Maida Vale Singers Kompozytor: Rodgers & Hammerstein 1 CD Tytuł: Sound the Trumpet - Royal Music of Purcell and Handel ICPN: 5099944032920 KTM: 4403292 Data Premiery: 15.10.2012 Data nagrania: styczeń 2012 Main Artists: Alison Balsom, The English Concert, Pinnock Trevor Kompozytor: Purcell, Haendel 1 CD Tytuł: Dvorak: Symphony No.9 & Cello Concerto ICPN: 5099991410221 KTM: 9141022 Data Premiery: 08.10.2012 Data Nagrania: styczeń 2012 Main Artists: Antonio Pappano Kompozytor: Antonin Dvorak 2 CD Tytuł: Drama Queens ICPN: 5099960265425 KTM: 6026542 Data Premiery: 01.10.2012 Main Artists: Joyce DiDonato/Il Complesso Barocco/Alan Curtis Kompozytor: Various Artists 1 CD
    [Show full text]
  • Network Notebook
    Network Notebook Fall Quarter 2018 (October - December) 1 A World of Services for Our Affiliates We make great radio as affordable as possible: • Our production costs are primarily covered by our arts partners and outside funding, not from our affiliates, marketing or sales. • Affiliation fees only apply when a station takes three or more programs. The actual affiliation fee is based on a station’s market share. Affiliates are not charged fees for the selection of WFMT Radio Network programs on the Public Radio Exchange (PRX). • The cost of our Beethoven and Jazz Network overnight services is based on a sliding scale, depending on the number of hours you use (the more hours you use, the lower the hourly rate). We also offer reduced Beethoven and Jazz Network rates for HD broadcast. Through PRX, you can schedule any hour of the Beethoven or Jazz Network throughout the day and the files are delivered a week in advance for maximum flexibility. We provide highly skilled technical support: • Programs are available through the Public Radio Exchange (PRX). PRX delivers files to you days in advance so you can schedule them for broadcast at your convenience. We provide technical support in conjunction with PRX to answer all your distribution questions. In cases of emergency or for use as an alternate distribution platform, we also offer an FTP (File Transfer Protocol), which is kept up to date with all of our series and specials. We keep you informed about our shows and help you promote them to your listeners: • Affiliates receive our quarterly Network Notebook with all our program offerings, and our regular online WFMT Radio Network Newsletter, with news updates, previews of upcoming shows and more.
    [Show full text]
  • Dayton Opera Artistic Director Thomas Bankston to Retire at the Conclusion of His 25Th Season with Dayton Opera in June 2021
    Dayton Opera Artistic Director Thomas Bankston to Retire at the Conclusion of His 25th Season with Dayton Opera in June 2021 CONTACT: ANGELA WHITEHEAD Communications & Media Manager Dayton Performing Arts Alliance Phone 937-224-3521 x 1138 [email protected] DAYTON, OH (February 7, 2020) – The Dayton Performing Arts Alliance (DPAA) has announced today that Thomas Bankston, Artistic Director of Dayton Opera, will retire in June 2021, at the conclusion of the newly announced 2020–2021 Celebrate Season, Dayton Opera’s 60th anniversary season. “The coming together of three especially celebratory events in the 2020-21 season – Dayton Opera’s 60th anniversary, my 25th season, and the closing of that season with a world premiere opera production, Finding Wright – seemed like a fitting time at which to bring to a close my 41 year career in the professional opera business. Dayton Opera has been a huge part of my life and will always hold a special place in my heart. Especially all the wonderful friendships and associations I have made with artists, staff and volunteers that will make my retirement a truly bittersweet one,” said Tom Bankston. The 2020–2021 season will mark Bankston’s 25th season providing artistic leadership for Dayton Opera, the longest term of artistic leadership in the company’s history. In 1996, he began his work with the company, sharing his wide-ranging knowledge of the field of opera between Dayton Opera and Cincinnati Opera, the company where in 1982 he began his work as an opera administrator. At the start of the 2001–2002 season, he left Cincinnati Opera and assumed the position of Artistic Director for Dayton Opera on a full-time basis, and then was named General & Artistic Director of Dayton Opera in 2004.
    [Show full text]
  • Verdi Week on Operavore Program Details
    Verdi Week on Operavore Program Details Listen at WQXR.ORG/OPERAVORE Monday, October, 7, 2013 Rigoletto Duke - Luciano Pavarotti, tenor Rigoletto - Leo Nucci, baritone Gilda - June Anderson, soprano Sparafucile - Nicolai Ghiaurov, bass Maddalena – Shirley Verrett, mezzo Giovanna – Vitalba Mosca, mezzo Count of Ceprano – Natale de Carolis, baritone Count of Ceprano – Carlo de Bortoli, bass The Contessa – Anna Caterina Antonacci, mezzo Marullo – Roberto Scaltriti, baritone Borsa – Piero de Palma, tenor Usher - Orazio Mori, bass Page of the duchess – Marilena Laurenza, mezzo Bologna Community Theater Orchestra Bologna Community Theater Chorus Riccardo Chailly, conductor London 425846 Nabucco Nabucco – Tito Gobbi, baritone Ismaele – Bruno Prevedi, tenor Zaccaria – Carlo Cava, bass Abigaille – Elena Souliotis, soprano Fenena – Dora Carral, mezzo Gran Sacerdote – Giovanni Foiani, baritone Abdallo – Walter Krautler, tenor Anna – Anna d’Auria, soprano Vienna Philharmonic Orchestra Vienna State Opera Chorus Lamberto Gardelli, conductor London 001615302 Aida Aida – Leontyne Price, soprano Amneris – Grace Bumbry, mezzo Radames – Placido Domingo, tenor Amonasro – Sherrill Milnes, baritone Ramfis – Ruggero Raimondi, bass-baritone The King of Egypt – Hans Sotin, bass Messenger – Bruce Brewer, tenor High Priestess – Joyce Mathis, soprano London Symphony Orchestra The John Alldis Choir Erich Leinsdorf, conductor RCA Victor Red Seal 39498 Simon Boccanegra Simon Boccanegra – Piero Cappuccilli, baritone Jacopo Fiesco - Paul Plishka, bass Paolo Albiani – Carlos Chausson, bass-baritone Pietro – Alfonso Echevarria, bass Amelia – Anna Tomowa-Sintow, soprano Gabriele Adorno – Jaume Aragall, tenor The Maid – Maria Angels Sarroca, soprano Captain of the Crossbowmen – Antonio Comas Symphony Orchestra of the Gran Teatre del Liceu, Barcelona Chorus of the Gran Teatre del Liceu, Barcelona Uwe Mund, conductor Recorded live on May 31, 1990 Falstaff Sir John Falstaff – Bryn Terfel, baritone Pistola – Anatoli Kotscherga, bass Bardolfo – Anthony Mee, tenor Dr.
    [Show full text]
  • LTI OCT Newsletter Final Draft
    OCTOBER 2015 Lyric Theatre@Illinois A Conversation between Director and Designer LTI’s Beatrice & Benedict Our second season kicks off with Hector Berlioz’s adaptation of Shakespeare’s Much Ado About Nothing in a delightful French opera, Beatrice & Benedict. To give you a look at how our shows are developed and how Lyric Theatre collaborates with the Krannert Center’s Level 21 program, stage director Michael Foster (’13 DMA Voice Performance) sat down with Regina García, professor of “All the world’s a stage…” theatre and scenic designer, to talk about bringing this enchanting opera to life. LTI’s Shakespeare Season Michael: How did you come to design our production? And what went through by Michael Tilley your mind when you first heard of the New Orleans concept for While most people would readily name Shakespeare the greatest Beatrice & Benedict? playwright in history, perhaps fewer realize that he has also inspired more music than any dramatist or author. Besides the operatic Regina: I was very excited to jump in as settings of his plays by Verdi, Britten, Berlioz, and numerous others, part of the team of Beatrice & Benedict. we have incidental music by Mendelssohn and Sibelius, William Professor Michael Griggs and I realized Walton’s scores for the Olivier films, Tchaikovsky’s overture- that there were several productions that fantasias on Hamlet, The Tempest, and Romeo and Juliet, whose star- needed designers. These shows were crossed lovers inspired six ballets, including Prokofiev’s. large and needed to be designed before (continued on p. 7) the summer. (continued on p. 2) Upcoming Performances Beatrice & Benedict Opera Scenes Concert LTI Studio Showcase Nov.
    [Show full text]
  • Male Zwischenfächer Voices and the Baritenor Conundrum Thaddaeus Bourne University of Connecticut - Storrs, [email protected]
    University of Connecticut OpenCommons@UConn Doctoral Dissertations University of Connecticut Graduate School 4-15-2018 Male Zwischenfächer Voices and the Baritenor Conundrum Thaddaeus Bourne University of Connecticut - Storrs, [email protected] Follow this and additional works at: https://opencommons.uconn.edu/dissertations Recommended Citation Bourne, Thaddaeus, "Male Zwischenfächer Voices and the Baritenor Conundrum" (2018). Doctoral Dissertations. 1779. https://opencommons.uconn.edu/dissertations/1779 Male Zwischenfächer Voices and the Baritenor Conundrum Thaddaeus James Bourne, DMA University of Connecticut, 2018 This study will examine the Zwischenfach colloquially referred to as the baritenor. A large body of published research exists regarding the physiology of breathing, the acoustics of singing, and solutions for specific vocal faults. There is similarly a growing body of research into the system of voice classification and repertoire assignment. This paper shall reexamine this research in light of baritenor voices. After establishing the general parameters of healthy vocal technique through appoggio, the various tenor, baritone, and bass Fächer will be studied to establish norms of vocal criteria such as range, timbre, tessitura, and registration for each Fach. The study of these Fächer includes examinations of the historical singers for whom the repertoire was created and how those roles are cast by opera companies in modern times. The specific examination of baritenors follows the same format by examining current and
    [Show full text]
  • BEHIND the MUSIC Featuring Nicola Benedetti Larkinsurance.Co.Uk
    ISSUE 5 BEHIND THE MUSIC Featuring Nicola Benedetti larkinsurance.co.uk What’s Inside Cover Story 12-15 4-5 Nicola Benedetti at 30 I had to be tough She has no wish for lavish gifts on her 30th birthday but Lyric baritone Sir Thomas Allen has natural Nicola Benedetti expresses her desire to fathom a way to talent and shares his craft by encouraging formalise her education work young opera hopefuls 26-29 22-25 Land of legends It was serendipity The Gower Festival goes from strength to strength, thanks Annette Isserlis put her heart and soul into to a music-loving team led by Artistic Director Gordon arranging the posthumous birthday concert in Back who has been attracting top musicians to the idyllic honour of Francis Baines – and she planned it peninsula in south-west Wales in her personal woodland Welcome t is fascinating to discover what goes on behind the scenes in the world of top-class music and inside this issue of LARKmusic I hope you will enjoy reading the exclusive features which capture our Iinterviewees’ passion and incredible drive for perfection. The Lark team has been enjoying some wonderful music, attending events from the Francis Baines’ centenary concert to recitals at the Royal College of Music, the Suffolk schools’ Celebration at Snape Maltings and this summer’s Gower Festival – meeting clients and making new friends along the way. Read on for the full stories! Back in the office, it’s been busy with a focus on improving our insurance products and online service so I am pleased to introduce our new Public Liability Cover, as well as highlighting our new quote and buy portal which will make buying insurance cover online even more convenient.
    [Show full text]
  • TRINITY COLLEGE Cambridge Trinity College Cambridge College Trinity Annual Record Annual
    2016 TRINITY COLLEGE cambridge trinity college cambridge annual record annual record 2016 Trinity College Cambridge Annual Record 2015–2016 Trinity College Cambridge CB2 1TQ Telephone: 01223 338400 e-mail: [email protected] website: www.trin.cam.ac.uk Contents 5 Editorial 11 Commemoration 12 Chapel Address 15 The Health of the College 18 The Master’s Response on Behalf of the College 25 Alumni Relations & Development 26 Alumni Relations and Associations 37 Dining Privileges 38 Annual Gatherings 39 Alumni Achievements CONTENTS 44 Donations to the College Library 47 College Activities 48 First & Third Trinity Boat Club 53 Field Clubs 71 Students’ Union and Societies 80 College Choir 83 Features 84 Hermes 86 Inside a Pirate’s Cookbook 93 “… Through a Glass Darkly…” 102 Robert Smith, John Harrison, and a College Clock 109 ‘We need to talk about Erskine’ 117 My time as advisor to the BBC’s War and Peace TRINITY ANNUAL RECORD 2016 | 3 123 Fellows, Staff, and Students 124 The Master and Fellows 139 Appointments and Distinctions 141 In Memoriam 155 A Ninetieth Birthday Speech 158 An Eightieth Birthday Speech 167 College Notes 181 The Register 182 In Memoriam 186 Addresses wanted CONTENTS TRINITY ANNUAL RECORD 2016 | 4 Editorial It is with some trepidation that I step into Boyd Hilton’s shoes and take on the editorship of this journal. He managed the transition to ‘glossy’ with flair and panache. As historian of the College and sometime holder of many of its working offices, he also brought a knowledge of its past and an understanding of its mysteries that I am unable to match.
    [Show full text]