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Sigrid Burton Exhibit Catalogue
SIGRID BURTON SIGRID BURTON: NEW PAINTINGS “Sigrid Burton: A Personal Odyssey” Catalogue Essay by William C. Agee Professor of Art History, Hunter College Forward by Cinnie Gaasch Curator, Rockerfeller Arts Center Gallery Michael C. Rockefeller Arts Center Gallery State University of New York, College at Fredonia February 16 through March 16, 2001 For Betye Monell Burton Preceding page: Abondanza (for Max), 40 x 60 inches, 1993-2000, oil on canvas FOREWARD In her recent paintings Sigrid Burton travels to many worlds, both near Designed by the architectural firm I.M. Pei and Partners and built in 1969, the Michael C. Rockefeller Arts Center is a major cultural center for western New York and northwestern Pennsylvania. Housing a 1,200-seat concert hall, two theatres and two art galleries, the Rockefeller Arts Center serves as a showcase for the students and faculty in Fredonia’s arts programs and as a venue for national and international touring artists. More than 200 events are presented each year by the center and some 23 academic departments, student organizations, and community groups. In fulfilling its commitment to bring nationally recognized artists to its broad community, the Rockefeller Arts Center Gallery is pleased to present the paintings of Sigrid Burton. The students of Art Forum, as participants in a curatorial program, selected Burton’s work for exhibition this year. Support for the exhibition is provided by friends of the Rockefeller Arts Center and the Student Association through Arts Forum. The exhibition was organized by Katherine T. Carter & Associates. We look forward to sharing her work with the community of the New York State University in Fredonia. -
November 2005 CAA News
NEWS EXPANDED BOSTON CONFERENCE BEGINS ONE Newsletter of the College Art Association Volume 30, Number 6 November 2005 DAY EARLY! SEE PAGE 15 CAA’s Career-Development Programs Career-development programs are a main component of CAA’s Annual Conference. Michael Aurbach, professor of art at Vanderbilt University in Nashville, Tenn., and CAA president from 2002 to 2004, From the Executive describes some of CAA’s career-develop- 2 Director ment activities at the conference and beyond. 4 CAA Offers MFA and PhD Fellowships he 2006 CAA Annual Conference Mentors Needed for CAA in Boston marks the tenth anniver- Conference T sary of the Career Development 5 Participate in Mentoring and Artists’ Portfolio Mentoring Sessions. Sessions These two mentoring sessions provide Good Business is the Best assistance for those seeking positions as 6 Art: Artist in the educators, curators, and visual-arts Marketplace professionals and offer guidance and If Not Teaching, Then criticism to artists on the documentation Photo: Emily J. Gomez 8 and presentation of their work. Richard Heipp (left) of the University of Florida mentors an What? What began as an experiment in 1997 artist member at the 2005 Annual Conference in Atlanta. 9 Did You Know? CAA at the New York conference has since Standards and Guidelines become an invaluable feature of the annual meeting. For those first workshops, approximately four 10 A Career in Art: An Inter- hundred people stood in line during the first few hours of the sign-up period. Since then, mentors view with Chuck Close have served thousands of young artists and scholars. -
CAA News, Dedi- of Teaching Art Cated to Art Pedagogy
NEWS Newsletter of the College Art Association Volume 30, Number 5 September 2005 Building the Literature of Art Pedagogy Robert Bersson, professor emer- itus of art and art history at Contents James Madison University in 2 From the Executive Director Harrisonburg, Virginia, and a member of the CAA Education 4 Postmodern Art and Learning Committee, introduces this spe- 6 Inspiring Pedagogy: The Art cial issue of CAA News, dedi- of Teaching Art cated to art pedagogy. 7 Problem-Based Learning in the Art-History Survey looked high. I looked low. I Course poured through books and 9 CAA Teaching Award Ijournals. I consulted the Winners Speak World Wide Web. The amount 10 Developing a Reflective of writing on art pedagogy is Teaching Practice astonishingly small. It might be From Edification to Engage- argued that most of it is con- 12 ment: Learning Design in tained within two volumes, the Museums first being the Fall 1995 Art Journal, published by our own 14 Pedagogy Sessions at the professional organization. In 2006 Conference that thematic issue, entitled 16 Annual Conference Update “Rethinking the Introductory 19 Copyright Clearance: A Art History Survey,” the guest Publisher’s Perspective editor Bradford R. Collins Academic Freedom and the writes: 22 Academic Bill of Rights “This issue of the Art Journal CAA Names 2005 Fellows Teaching art in seventeenth-century Holland: Jan Steen, The Drawing is the first of what is hoped will 25 Lesson, 1665, oil on panel, 19 3/8 x 16 1/4 in. J. Paul Getty Museum, Los be a number of issues dedicated 28 Advocacy Update Angeles, 83.PB.388. -
Artbookdap Catalog-1.Pdf
Sonia Delaunay, “Five Designs for Children’s Clothing,” 1920. From Sonia Delaunay: Art, Design, Fashion, published by Fundación Colección Thyssen-Bornemisza. See page 18. FEATURED RELEASES 2 Journals 90 Limited Editions 92 Lower-Priced Books 94 Backlist Highlights from Lars Müller 95 Backlist Highlights from Skira 96 Backlist Highlights from Heni & Inventory Press 97 CATALOG EDITOR Thomas Evans ART DIRECTOR SPRING HIGHLIGHTS 98 Stacy Wakefield IMAGE PRODUCTION Art 100 Hayden Anderson, Isabelle Baldwin Photography 130 COPY WRITING Architecture & Design 148 Janine DeFeo, Thomas Evans Art History 166 PRINTING Sonic Media Solutions, Inc. Writings 169 FRONT COVER IMAGE SPECIALTY BOOKS 176 Burt Glinn, “Jay DeFeo in Her Studio,” 1960. From The Beat Scene, published by Reel Art Art 178 Press. See page 41. Group Exhibitions 194 BACK COVER IMAGE Photography 198 Anna Zemánková, untitled pastel, oil and ink drawing, early 1960s. From Anna Zemánková, Backlist Highlights 206 published by Kant. See page 109. Index 215 Bruce Nauman: Disappearing Acts Edited by Kathy Halbreich, Isabel Friedli, Heidi Naef, Magnus Schaefer, Taylor Walsh. Text by Thomas Beard, Briony Fer, Nicolás Guagnini, Kathy Halbreich, Rachel Harrison, Ute Holl, Suzanne Hudson, Julia Keller, Liz Kotz, Ralph Lemon, Glenn Ligon, Catherine Lord, Roxana Marcoci, Magnus Schaefer, Felicity Scott, Martina Venanzoni, Taylor Walsh, Jeffrey Weiss. At 76 years old, Bruce Nauman is widely ac- knowledged as a central figure in contemporary art whose stringent questioning of values such as good and bad remains urgent today. Throughout his 50-year career, he has explored how mutable experiences of time, space, sound, movement and language provide an insecure foundation for our understanding of our place in the world. -
Jungjournal.Pdf
Pots of Color The Art of Sigrid Burton Pots of color pigment for the festival of Holi Untitled, 11.7500 3 10.500 mixed media on paper, 2011 Jung Journal: Culture & Psyche, Volume 8, Number 2, pp. 87–107, Print ISSN 1934-2039, Online ISSN 1934-2047. q 2014 C.G. Jung Institute of San Francisco. DOI: 10.1080/19342039.2014.899828. 88 JUNG JOURNAL: CULTURE & PSYCHE 8: 2 / SPRING 2014 January, 3000 3 4000, oil on canvas, 2011 Pots of Color: The Art of Sigrid Burton 89 Poetry, 1600 3 11.500, mixed media on paper, 2010 90 JUNG JOURNAL: CULTURE & PSYCHE 8: 2 / SPRING 2014 untitled, 2100 3 1500, mixed media on paper, 2005 Pots of Color: The Art of Sigrid Burton 91 untitled, 1800 3 1300, mixed media on paper, 2010 92 JUNG JOURNAL: CULTURE & PSYCHE 8: 2 / SPRING 2014 Which Did Not Happen, 4800 3 7200, oil on canvas, 2011 Pots of Color: The Art of Sigrid Burton 93 Relative Position, 1900 3 1300, mixed media on paper, 2013 94 JUNG JOURNAL: CULTURE & PSYCHE 8 : 2 / SPRING 2014 INTERVIEWS A Conversation with Sigrid Burton KATHERINE OLIVETTI, KATHERINE OLIVETTI (KO): I know that India had a great influence on you artistically. In preparing for our conversation today, I went back through some of the photographs I took when I was in India. I titled the file “Colors of India” because I was so moved by the range of colors everywhere, from the sublime to the, well let’s say, riotous. Some of the images I found in my cache resonated with some of your new work. -
Sigrid Burton 2020 Catalogue
Sigrid Burton Sigrid Burton TUFENKIAN FINE ARTS PUBLISHING LOS ANGELES, CALIFORNIA 2020 Sigrid Burton Copyright © 2020 Tufenkian Fine Arts Graphic Design by Harry Mesrobian / Gemini Designs Artist portraits and palette photographed by Wayne Shimabukuro Paintings and works on paper photographed by Brett Lund / Art Works Fine Arts Printed by Typecraft Version 200228 modified for digital All rights reserved. No part of this book may be reproduced in any manner in any media, or transmitted by any means whatsoever, electronic or mechanical (including photocopy, film, or video recording, Internet posting, or any other information storage and retrieval system), without prior written permission from the publisher. Published in the United States by Tufenkian Fine Arts Publishing 216 S. Louise St., Glendale, California 91205 Telephone: 818-288-4635 Website: www.tufenkianfinearts.com ISBN 978-0-9989516-4-5 Printed in United States of America for Max Brennan TUFENKIAN FINE ARTS Random Indicators, 2019, 40 x 40 inches, oil on linen Collection: Georgina Erskine, Pasadena, California 4 Table of Contents 7 Foreword 9 Sigrid Burton’s Atmospherics: The Value of Color, by Michael Duncan 16 Two Women Talking About Painting, by Carole Ann Klonarides 21 Plates 44 Biography 48 Resume 54 Acknowledgments 5 Strelitzia (for Max), 2019, 40 x 30 inches, oil on linen, 2019 6 Foreword Caroline Lais-Tufenkian It is with the greatest pleasure that I present Sigrid Burton’s current body of work at Tufenkian Fine Arts. I met Sigrid Burton in 2017 at the opening reception for the Brand 45: National Exhibition of Works On Paper show at the Brand Library & Art Center. -
CAA News Year’S Benefits
NEWS Newsletter of the College Art Association Volume 30, Number 3 May 2005 CAA Improves Membership Schedule Table of Contents AA’s mem- 2 CAA’s Career Services bership 3 Atlanta Conference Highlights Ccycle has in the past operated on 5 ARTspace in Action a calendar-year basis. In 6 Bruce Cole Convocation Address response to your suggestions, Thanks to Mentors we are pleased to announce that we 9 have redesigned and improved the 10 Call for 2007 Session Proposals membership renewal schedule. 11 Curatorial Proposals Sought for Effective July 1, 2005, all CAA 2007 and 2008 Conferences memberships will be on a rolling Member Benefits: Online Member twelve-month basis, much like a mag- Directory azine subscription. Starting in July, a new CAA 12 2005–9 Board Members Elected membership will be effective on 13 Report from the CAA President the first day of the month fol- 14 Intellectual Property Q&A lowing the month in which CAA receives the application 16 Former CAA Fellow: Miwon Kwon and payment, expiring one 17 Advocacy Update year later. 18 Annual Conference Update Thus, no matter when you join, you will receive a full CAA News year’s benefits. CAA will 20 Affiliated Society News remind all members to 22 Solo Exhibitions by Artist Members renew as membership expiration dates Books Published by CAA Members approach. 23 Obituaries Members continue 24 People in the News to receive all of the privileges and benefits of CAA membership for a year, including twelve months of CAA’s publications, access to the Online Career Center, and the oppor- Grants, Awards, & Honors tunity to participate in the Annual Conference. -
July 2005 CAA News
NEWS Newsletter of the College Art Association Volume 30, Number 4 July 2005 Big Changes for Boston Conference he 94th CAA Annual Conference, to be held Contents in Boston from T 2 From the Executive Director Wednesday, February 22, to Saturday, February 25, 2006, at 3 Michael Heizer’s City in the John B. Hynes Veterans Danger Memorial Convention Center, 5 Orphan Copyright Update will introduce three important 6 Advocacy Update changes while remaining true to the expected high standards 8 CAA Revises Tenure Guide- of intellectual and creative lines for Art Historians stimulation. 9 New CAA Publishing Grants First, we have established a Change to caa.reviews new conference grid: sessions Password System begin on Wednesday morn- CAA Seeks Award ing—not Thursday, as before. 10 Nominations Each conference day, from Wednesday through Saturday, 11 CAA Introduces New features morning and after- Website Listings noon sessions; no panels are Did You Know? Member scheduled for Thursday and Benefits The Boston Center for the Arts is hosting the annual CAA exhibition, held at Friday nights. The new grid Annual Conference Update the center’s Mills Gallery, in conjunction with the 2006 CAA Annual does not reduce the number of Conference. sessions and panels, which 12 CAA News continues to provide the same rich core of intellectual, creative, and practical content as before, but 13 Affiliated Society News rather extends the conference for one day. We hope that all participants and attendees will now be 15 Spotlight on SAH able to enjoy special events, exhibition openings, receptions, and opportunities for socializing and networking during the evening hours.