Houston's 2Nd Transit
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City of Houston, Texas Comprehensive Annual Financial Report For the Fiscal Year Ended June 30, 2017 Chris B. Brown, City Controller In Memoriam This report was produced in memory of former Houston City Council Member Peter Hoyt Brown. Our city is a better place because Peter cared for it and all its citizens. OFFICE OF THE CITY CONTROLLER – 114 YEARS OF HOUSTON HISTORY CITY OF HOUSTON, TEXAS CompreheNsive ANNual FiNaNcial Report for the fiscal year eNded JuNe 30, 2017 Prepared by: Chris B. BrowN, City CoNtroller Carl Medley, Deputy City CoNtroller CITY OF HOUSTON, TEXAS COMPREHENSIVE ANNUAL FINANCIAL REPORT For the Year Ended June 30, 2017 Page Part I - Introductory Section Office of the City Controller ii City Controller ii Organization Chart for the Office of the City Controller iii Elected Officials iv Organization Chart for City Government v Transmittal Letter vii Certificate of Achievement for Excellence in Financial Reporting xiv Part II - Financial Section Independent Auditor's Report 1 Management's Discussion and Analysis - (unaudited) 5 Basic Financial Statements: Government-wide Financial Statements: Statement of Net Position 16 Statement of Activities 18 Fund Financial Statements: Balance Sheet - Governmental Funds 20 Statement of Revenues, Expenditures and Changes in Fund Balances - Governmental Funds 22 Reconciliation of the Statement of Revenues, Expenditures, and Change in Fund Balance of Governmental Funds to the Statement of Activities 24 Statement of Net Position - Proprietary Funds 26 Statement of Revenues, Expenses and Changes in Fund Net Position - Proprietary Funds 30 Statement of Cash Flows - Proprietary Funds 32 Statement of Fiduciary Net Position 36 Statement of Changes in Fiduciary Net Position 37 Notes to the Basic Financial Statements 39 (See this section for Table of Content of the Notes) Required Supplementary Information (unaudited): Required Supplementary Information - General Operating Fund - Budgeted & Actual (unaudited) 127 Required Supplementary Information (Reconciliation) - General Fund Budget vs. -
Congressional Record United States Th of America PROCEEDINGS and DEBATES of the 109 CONGRESS, FIRST SESSION
E PL UR UM IB N U U S Congressional Record United States th of America PROCEEDINGS AND DEBATES OF THE 109 CONGRESS, FIRST SESSION Vol. 151 WASHINGTON, THURSDAY, JUNE 23, 2005 No. 85 House of Representatives The House met at 10 a.m. The SPEAKER. State your inquiry. ANNOUNCEMENT BY THE SPEAKER The Chaplain, the Reverend Daniel P. Mr. LAHOOD. Mr. Speaker, I have no- The SPEAKER. The Chair will recog- Coughlin, offered the following prayer: ticed at least one occasion when a nize up to 10 Members on each side for Eternal God, guide and protector of Member announced he was opposed to a 1-minute speeches. Your people, grant us unfailing respect measure when he sought to offer a mo- for Your holy name and for Your holy f tion to recommit but then voted ‘‘yes’’ presence in the people we meet today. GITMO on passage of the bill. Consecrate the work of this Congress. (Ms. PRYCE of Ohio asked and was Raise up statesmen here and abroad Mr. Speaker, is that regular order? given permission to address the House who will recognize Your holy will in The SPEAKER. As Members are for 1 minute and to revise and extend the waves of history and the will of the aware, the first element of priority in her remarks.) people whom they serve. recognition for a motion to recommit Ms. PRYCE of Ohio. Mr. Speaker, I May the peace and prosperity of this is whether the Member seeking rec- rise today on behalf of our military. It Nation be secured, while our attention ognition is opposed to the main meas- has been 4 years since terrorists killed is expanded and genuine concern for ure. -
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Wrecks and Redemption: Houston’S Built Environment LETTER from the EDITOR
VOLUME 15 • NUMBER 1 • FALL 2017 Wrecks and Redemption: Houston’s Built Environment LETTER FROM THE EDITOR Short-term Memory Loss of Long-term Needs When we conceived the idea for this If you flood, you don’t forget, though. I lived in a house issue almost a year ago, we planned in Beaumont that flooded twice in the 1980s. The first time to focus on examples of industrial I was home with our four children ages eleven to two when accidents and environmental im- rapidly rising water started pushing mud and mulch through provement. That was before Harvey the weep holes about 6:00 p.m. We scrambled to put things hit. Those of us who are Houston up while keeping my toddler out of the water. Still at work, natives, or almost natives, are no my husband contacted the fire department who came to get strangers to flooding but not of this us as night approached. Leaving our dog behind, we waded magnitude. The Washington Post re- in water half way up my chest, and up to the shoulders on ported that Houston and Southeast the older kids, to a high-water vehicle waiting nearby. Some Debbie Z. Harwell, Texas received 19 trillion gallons of neighbors evacuated by boat. During Harvey, as our oldest Editor rain, or a trillion more gallons of daughter sent pictures of her and her family being evacuated water than fills Chesapeake Bay, the largest U.S. estuary. from their Friendswood home and we saw our neighbors’ Harvey was our third 500-year rain event in less than three homes go under water in Kingwood, it brought back many years and, in the end, was deemed a 1,000-year storm. -
Inspiring Readers and Writers
inspiring readers and writers ANNUAL REPORT 2011-2012 Dear Friends and Supporters of Inprint, When I think of the word “synergy,” I think of Inprint. By working together, we create a literary life that is so much greater than our individual efforts. I invite you to keep this in mind as you peruse this 2011-2012 Annual Report, which gives a snapshot of the many ways that we are enriching and enlivening the Houston community. The 2011-2012 Inprint Margarett Root Brown Reading Series was simply amazing, drawing an audience of 2 more than 4,500 and filled with more great moments than one would think possible. Among my favorites: Pulitzer Prize winner Jeffrey Eugenides’ lively presentation of his new novel The Marriage Plot at Wortham Center’s Cullen Theater— the biggest event of his 22-city tour; The great Canadian writer Margaret Atwood (The Year of the Flood) leading a packed house at the Cullen Theater in singing “Hymn to the Mole,” in honor of Mole Day; and The mere presence of the great poet W. S. Merwin, who closed the season at the Alley Theatre with a brilliant reading, demonstrating to all present poetry’s quiet power. We owe endless thanks for making this singular Series possible to The Brown Foundation—the Series is named for Margarett Root Brown, one of its founding directors—Weatherford International, the National Endowment for the Arts, United Airlines, Houston Public Radio, plus all of our fellow season ticket holders. children at Project Row Houses (thanks We also are grateful to the Harris County Department of to the professors Education/Cooperative for After-School at the UH Creative Enrichment (CASE) and Sterling-Turner Writing Program, Foundation), and staff at Methodist who regularly Hospital. -
Annual Report Contemporary Arts Museum Houston 15–16 6 History of CAMH the Contemporary Arts Museum
Annual Report Contemporary Arts Museum Houston 15–16 6 History of CAMH The Contemporary Arts Museum 11 Houston is a leading destination to Letter from the Director experience innovative art. CAMH actively 12 Exhibitions Series encourages public engagement with 22 its exhibitions through its educational Art on the Lawn programs, publications, and online 24 Touring Exhibitions presence. 32 CAMH Publication Program and Publication Archive 40 Education and Public Programming 60 Community Engagement 66 Development 82 Financial Reports 86 Board of Trustees 92 Staff Annual Report for the Fiscal Year July 1, 2015–June 30, 2016 Cover: Opening Reception of THE INTERVIEW: Red, Red Future at the Contemporary Arts Museum Houston, 2016. Photo: Max C. Fields. 2 Annual Report 15–16 Opening Reception of Jennie C. Jones: Compilation at the Contemporary Arts Museum Houston, 2015. Photo: Max C. Fields. Table of Contents 3 4 Annual Report 15–16 Opening Reception of Mark Flood: Gratest Hits at the Contemporary Arts Museum Houston, 2016. Photo: Martin Yaptangco. 5 HISTORY OF CAMH 6 Annual Report 15–16 1948 1950–1960 1970–1980 The Contemporary Arts Museum The success of these first efforts By the close of the 1960s, the Houston was founded in 1948 by a led in 1950 to the building of a Museum’s programs and audiences group of seven Houston citizens to small, professionally equipped had outgrown the 1950 facility, present new art and to document facility where ambitious exhibitions and the trustees secured capital its role in modern life through of the work of Vincent van Gogh, funds and a prominent site on the exhibitions, lectures, and other Joan Miró, Alexander Calder, Max corner of Montrose and Bissonnet activities.