George Soto 444 E. Tujunga Ave, Apt#108 Burbank, CA 91501 Cell #: (310) 869-2465 Email: [email protected]

SKILLS: Proficient in Premiere Pro CC, Avid Media Composer (certified user), Pro Tools, After Effects, Photoshop, Final Cut Pro 7 Legacy

EMPLOYMENT HISTORY:

DREAMWORKS ANIMATION FAST AND FURIOUS: SPY RACERS AUGUST 2019 - PRESENT Assistant Animatic Editor Assist a team of three lead animatic editors with the initial build for each episode by retiming boards, sound designing, and scoring. Prepare boards with camera moves and replace reference audio with original audio into Adobe Premiere from Storyboard Pro. Set up and cut in board revisions before handing it off to the lead animatic editors. Prepare animatics for shipping by labeling sequences, scenes, and B shots, and exporting assets for production (mp4, xml, AIFF). Frequently communicate with the story department in order to strategize with the other assistant editor on upcoming deadlines to ensure efficient turnaround to the animatic leads. Experience in working from home, using tools and services like VPN and HPRGS client to edit remotely, as well as using G Suite and WebEx to keep in contact with editors and the story department.

TITMOUSE INC. BIG MOUTH – SEASONS 1, 2, & 3 AUGUST 2016 – AUGUST 2019 Animatic Editor / Assistant Editor Build animatics to locked radioplays, and review with directors in time for the internal screening. Address script rewrites and edit notes generated after the screening by cutting in new boards and audio pick ups and/or rerecords. Run edit sessions with the executives to lock animatics. Prep video and audio exports for production to send to track read and sheet timers. Once color animation comes back, address script rewrites and edit notes generated after the take one screening. Export audio tracks for rewrites that require reanimation and submit them to trackread and sheet timers. Run animation dailies for animation director and consistently update edit with approve retakes. Apply color correction to final picture. Fix any last minor animation errors and submit final picture to Point 360 and Netflix for QC approval. Quality control final mixes. Archive all projects and editorial assets for delivery to Netflix.

BRAD NEELY’S HARG NALLIN SCLOPIO PEEPIO JUNE 2015 – APRIL 2016 Assistant Editor / Sound Design Prep and organize projects for lead editor. Fully sound design animatics and prep OMF deliverables for audio mixer. Create scene labels for locked animatic and provide exports of individual scenes to the production for artists to animate. Cut in approved retakes from dailies. Oversee quality control watchdowns of final picture and mix before uploading final deliverables to the network. Archive all projects and editorial assets for delivery to Turner Broadcasting.

CHINA, IL – SEASON 3 JUNE 2014 – APRIL 2015 Assistant Editor / Sound Design Prep and organize projects for lead editor. Consistently migrate assets from production server to editorial server while maintaining identical folder hierarchy and naming conventions. Fully sound design animatics and prep OMF stem deliverables for audio mixer. Assist production in converting Flash animated scenes to Quicktime videos via After Effects. Quality control final mix tracks and prepare cue sheets for production. Oversee quality control watchdowns of final picture and mix before uploading final deliverables to the network. Archive all show projects and editorial assets for delivery to Tuner Broadcasting.

KING STAR KING OCTOBER 2013 – JUNE 2014 Editor / Animatic Editor / Sound Design Assemble and revise radioplays and animatics, from first take to creator-approved locked edit. Provide edit with full sound design and temp music tracks. Operate sound booth and supervise talent records. Track circle takes during records and organize audio. Run animation and comp dailies for production coordinator and show creator, and update edit with approved retakes. Color correct final picture. Oversee quality control pass with production supervisor and showrunner in preparation of exporting final deliverables. Archive all show projects and editorial assets for delivery to Tuner Broadcasting.

Other credits include: : THE DOOMSTAR REQUIEM JUNE 2013 – OCTOBER 2013 Assistant Editor

CHINA, IL – SEASON 2 AUGUST 2012 – JUNE 2013 Assistant Editor / Sound Design

BLACK DYNAMITE – SEASON 1 JUNE 2012 – AUGUST 2012 Assistant Editor

METALOCALPYSE - SEASON 4 AUGUST 2011 – JUNE 2012 Assistant Editor / Sound Designer

EDUCATION: 2013 – Art and Entertainment, Santa Monica City College, Santa Monica. 1999-2004 Bachelor of Arts in Film Production, California State University, Long Beach.