DOCSLIB.ORG

Dypdykk I Musikkhistorien - Del 22: Psykedelia (12.11.2018 - TNB) Oppdatert 10.12.2018

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Dypdykk I Musikkhistorien - Del 22: Psykedelia (12.11.2018 - TNB) Oppdatert 10.12.2018 Dypdykk i musikkhistorien - Del 22: Psykedelia (12.11.2018 - TNB) Oppdatert 10.12.2018 Spilleliste pluss noen ekstra lyttetips: Symphonie phantastique / Berlioz La mer / Debussy Exotica Exploring the unknown (1955) / Walter Schumann ; Leith Stevens Quiet village (Exotica (1957) / Martin Denny) The wanderer (Eden’s island (1960) / Eden Ahbez) Pionerer This is it (1962) Alan Watts Peggy pistol The acid test (1966) / Ken Kesey The Velvet Underground & Nico (1966) / The Velvet Underground & Nico Tomorrow never knows Revolver (1966) / The Beatles Roller coaster The psychedelic sounds of The 13th Floor Elevators (1966) / The 13th Floor Elevators Pet sounds (1966) / The Beach Boys Eight miles high Fifth Dimension (1966) / The Byrds Part 1 The Beat of the Earth (1967) / The Beat of the Earth Turn on! : music hip at heart (1967) / Christian Yoga Church Freakbeat The Rubble collection volumes 1-20 Garage Nuggets : original artyfacts from the first psychedelic era 1965-1968 1967 White summer (Little games (1967) / Yardbirds) Porpoise mouth ; Section 43 (Electric music for the mind and body (1967) / Country Joe & The Fish) Are You Experienced (1967) / The Jimi Hendrix Experience Why am I so short? (Soft Machine 1 (1967) / Soft Machine) (Surrealistic pillow (1967) / Jefferson Airplane) Sold to the highest bidder (The Electric Prunes (1967) / The Electric Prunes) Forever changes (1967) / Love Sgt. Pepper's Lonely Hearts Club Band (1967) / The Beatles Their Satanic Majesties Request (1967) / The Rolling Stones Break on through (to the other side) The Doors (1967) / The Doors Smell of incence ; Overture (Volume 2 (1967) / The West Coast Pop Art Experimental Band) Flight from Ashiya (Tangerine dream (1967) / Kaleidoscope) The piper at the gates of dawn (1967) / Pink Floyd 1968 S.F. Sorrow (1968) / The Pretty Things My white bicycle (Tomorrow (1968) / Tomorrow) Psykedelisk folk & Acid folk The river song ; The Entertaining of a Shy Girl ; Get thy bearings (The Hurdy Gurdy man (1968) / Donovan) The mad hatter song (The 5000 spirits of the layers of the onion (1967) The Incredible String Band) Stone circle (Alchemy (1969) / Third Ear Band) The prisoner (First utterance (1971) / Comus) Jam bands / impro The eleven Live/Dead (1969) / Grateful Dead Calvary Happy trails (1969) / Quicksilver Messenger Service LSD Underground 12 (1966) / LSD Underground 12 In the arena ; Suppose they give a war and no one comes (Volum 2 (1967) / The West Coast Pop Art Experimental Band) Funk, jazzrock, storband Cosmic daddy dancer Live at the scene (2011) / The Free Spirits Uskudar (Gençlik İle Elele (1973) / Mustafa Özkent Ve Orkestrası) Slutten av 60-tallet og begynnelsen av 70-tallet Laughing (If I could remember my name (1971) / David Crosby) Kak (1969) / Kak Mind odyssey (1969) / Aggregations Pussy plays (1969) / Pussy Garden Of Earthly Delights ; Metempsychosis (Arzachel (1969) / Arzachel) Echigo Tsutsuishi Oyashirazu (Kokkyou Junreika (1973) / J.A. Caesar) Sør-Amerika Brasil Ave, Lucifer (A divina comedia (1970) / Mutantes) Assim Assado - Lunática (1974) Love, Peace & Poetry : Brazilian Psychedelic Music (2002) Peru The Roots Of Chicha (Psychedelic Cumbias From Peru) Mexico Love, Peace & Poetry : Mexican Psychedelic Music (2003) Chile Love, Peace & Poetry : Chilean Psychedelic Music (2004) Skandinavia Norge Get dreamy (1967) / Dream Have You Seen Your Father’s Face ; A day in the life (Norsk suite (2012, innspilt 1969) / Rain) Sverige (Mecki Mark Men (1967) / Mecki Mark Men) Sanningens Silverflod (Djungelns lag (1972) / Träd Gräs och Stenar) Viriditas Framtiden är ett svävande skepp, förankrat i forntiden (1972) / Älgarnas Trädgård Gånglåt efter Lejsme Per Larsson, Malung (Arbete och Fritid (1973) / Arbete och Fritid) Danmark Erkigsinek Sapïnarama / Uro ; Erkasûtekarnek / Bekymring (Sumut (1973) / Sume) Europa Smile please Fartwind - Complete Discography 1967–1979 (2017) / Novaks Kapelle L’idole des jaunes [Stella] ; Nevrose [Jaques Densean] Freak Out Total Vol. 3: Québec-France-Belgique 1968-1973 Psyche Jello (2008) Afrika Zambia Home town (We intend to cause havoc! (2012) / Witch) Asia Tyrkia Hamsi ; Vahşi Çiçek (Anadolu pop (1973) / Mogollar) Rue De L´Oriant E.5. Şark Yolu ; Kapalı Çarşı (Dum-Tek (1975) / Mogollar) Binboganin kizi [Baris Manco & Mogollar] Istanbul 70 (2012) Love, Peace & Poetry : Turkish Psychedelic Music (2003) Japan Den'en Ni Shisu (1974) / J.A. Seazer Blind Baby Has Its Mothers Eyes / Les Rallizes Denudes Satori, part 1 (Satori (1971) / Flower Travellin' Band) Indonesia We’ve gotta work it out (Hard beat (2011) / Aka) Indonesia & Malaysia Temasah Ria​ [Joyful Party] Pop yeh yeh : Psychedelic rock from Singapore and Malaysia 1964-1970 Psykedelia etter gullalderen Tokyo flashback : P.S.F. Psychedelic Sampler vol. 1-6 Tangle Edge Ozric Tentacles Electric (III (2015) / Föllakzoid) Anbefalt litteratur Psychedelia : 101 iconic underground rock albums / Richard Morton Jack Psychedelia : an ancient culture a modern way of life / Patrick Lundborg Psychedelic popular music : a history through musical topic theory / William Echard The turkish psychedelic music explosion : Anadolu psych 1965-1980 / Daniel Spicer .
Load more

Recommended publications
  • UNIVERS ZERO Title: RELAPS
    Bio information: UNIVERS ZERO Title: RELAPS (Archives 1984 – 1986) (Cuneiform Rune 280) Cuneiform publicity/promotion dept.: (301) 589-8894 / fax (301) 589-1819 email: joyce [-at-] cuneiformrecords.com [Press & world radio]; radio [-at-] cuneiformrecords.com [North American radio] www.cuneiformrecords.com FILE UNDER: ROCK / CHAMBER ROCK / EXPERIMENTAL / CLASSICAL “…one of the most important groups of the 1980s ..Univers Zero conceptualize the Europe of the late 20th Century... dense, desperate and dark; …above all beautiful and dramatic, strongly marked by the cultural traditions of Europe…Univers Zero may be classified somewhere between Bach and Bartok, Magma and Stravinsky…They represent something new, monumental, and important… a stirring lament over a European continent in physical and cultural decay … a rare, intense, and magnanimous piece of work, and it is absolutely compulsory for everyone who’s...played their Magma records to shreds, and/or who would have wanted there to be a bit more electric bass and drums on Bartok’s string quartets.” – Thomas Hylland Eriksen, Puls [Norway], Feb 1989 “Univers Zero…forged a genre of music that might appropriately be dubbed post-rock, had the term not been coined 15 years too late. …the Belgian’s craft at calculated pomp and nervous precision make Godspeed You! Black Emperor’s apocalyptic grandiosity seem like a Michael Bay movie in comparison. …” – Popmatters [USA] “UZ’s music was an antecedent for the kind of instrumental and stylistic interspersion considered normal today by groups including Bang on a Can and Alarm Will Sound. Henry Cow’s complex, abstruse writing meets Bartok, Stravinsky, Messiaen and Ligeti, but with hints of early music, especially in UZ’s use of spinet and harmonium.
    [Show full text]
  • THE SHARED INFLUENCES and CHARACTERISTICS of JAZZ FUSION and PROGRESSIVE ROCK by JOSEPH BLUNK B.M.E., Illinois State University, 2014
    COMMON GROUND: THE SHARED INFLUENCES AND CHARACTERISTICS OF JAZZ FUSION AND PROGRESSIVE ROCK by JOSEPH BLUNK B.M.E., Illinois State University, 2014 A thesis submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Master in Jazz Performance and Pedagogy Department of Music 2020 Abstract Blunk, Joseph Michael (M.M., Jazz Performance and Pedagogy) Common Ground: The Shared Influences and Characteristics of Jazz Fusion and Progressive Rock Thesis directed by Dr. John Gunther In the late 1960s through the 1970s, two new genres of music emerged: jazz fusion and progressive rock. Though typically thought of as two distinct styles, both share common influences and stylistic characteristics. This thesis examines the emergence of both genres, identifies stylistic traits and influences, and analyzes the artistic output of eight different groups: Return to Forever, Mahavishnu Orchestra, Miles Davis’s electric ensembles, Tony Williams Lifetime, Yes, King Crimson, Gentle Giant, and Soft Machine. Through qualitative listenings of each group’s musical output, comparisons between genres or groups focus on instances of one genre crossing over into the other. Though many examples of crossing over are identified, the examples used do not necessitate the creation of a new genre label, nor do they demonstrate the need for both genres to be combined into one. iii Contents Introduction………………………………………………………………………………… 1 Part One: The Emergence of Jazz………………………………………………………….. 3 Part Two: The Emergence of Progressive………………………………………………….. 10 Part Three: Musical Crossings Between Jazz Fusion and Progressive Rock…………….... 16 Part Four: Conclusion, Genre Boundaries and Commonalities……………………………. 40 Bibliography……………………………………………………………………………….
    [Show full text]
  • Space Rock, the Popular Music Inspired by the Stars Above Us
    SPACE ROCK, THE POPULAR MUSIC INSPIRED BY THE STARS ABOVE US JARKKO MATIAS MERISALO 79222N ASTRONOMICAL VIEW OF THE WORLD PART B S-92.3299AALTO UNIVERSITY 0 TABLE OF CONTENTS Table of contents ................................................................................................................. 1 1. Introduction ................................................................................................................... 2 2. What is space rock and how it was born? ..................................................................... 3 3. The Golden era ............................................................................................................. 5 3.1. Significant artists and songs to remember ................................................................ 5 3.2. Masks and Glitter – Spacemen and rock characters ................................................. 7 4. Modern times .............................................................................................................. 10 5. Conclusions ................................................................................................................. 12 6. References .................................................................................................................. 13 7. Appendices ................................................................................................................. 14 1. INTRODUCTION When the Soviets managed to launch “Sputnik 1”, the first man-made object to the Earth’s orbit in November 1957,
    [Show full text]
  • Singing the Middle Ages: Between Scholars and Trotskyists Livio Giuliano (Università Degli Studi Di Milano)
    TRANS 18 (2014) DOSSIER: VOCAL PERFORMANCE AND TECHNOLOGICAL PRACTICES: NEW PERSPECTIVES IN THE STUDY OF VOCAL MUSIC TRADITION Singing the Middle Ages: Between Scholars and Trotskyists Livio Giuliano (Università degli Studi di Milano) Resumen Abstract A partire dalla rilettura di Notre Dame proposta da Davide Daolmi, In connection with the interpretation of Notre Dame proposed by si indagano le ragioni che hanno permesso l’invenzione moderna Davide Daolmi in this journal, the article analyzes the reasons that dell’esecuzione polifonica del XII-XIII secolo, ripercorrendo gli allowed the modern invention of polyphonic performance of 12th esperimenti promossi nel corso del primo Novecento e and 13th centuries, tracing experiments promoted during the early consolidatisi, in pieno early music revival, verso la fine degli anni 20th century and strengthened in the early music revival in the late Settanta. Le scelte musicali compiute appaiono espressione del Seventies. The musical choices appear as expressions of a cultural mainstream culturale più che dell’evidenza documentaria e mainstream more than documentary evidence: at the beginning the tuttavia, se all’inizio le ragioni musicologiche, pur provvisorie e musicological reasons are references for the first performances (with pregiudiziali sul Medioevo, rimangono riferimento per le prime preconceptions about Middle Age), then the vocal interpretation of esecuzioni, in seguito le proposte vocali del Dopoguerra hanno the second Postwar became extraneous to the historical research preferito una strada slegata dalla ricerca storica (in realtà priva di (moreover lacking of any new contribution) and found aesthetic nuovi apporti) per trovare ragioni e alibi estetici in ambiti alibis in different environment (social, politic, market).
    [Show full text]
  • Freak Emporium
    Search: go By Artist By Album Title More Options... Home | Search | My Freak Emporium | View Basket | Checkout | Help | Links | Contact | Log In Bands & Artists: a b c d e f g h i j k l m n o p q r s t u v w x y z | What's New | DVDs | Books | Top Sellers Browse Over 120 Genres: Select a genre... 60's & 70's Compilations - Blues (9 Email Me about new products in this genre | More Genres products) > LIST ALL | New See Also: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z Year Offer 60's & 70's Euro Folk Rock 60's & 70's UK Folk Rock 60's & 70's Japanese / Korean / Asian Rock and Pop 60's & 70's Compilations - Pop & Rock Search 60's & 70's Compilations - Blues : go! 60's & 70's Acid Folk & Singer/Songwriter Search Entire Catalogue > 60's & 70's Compilations - Psychedelia 60's & 70's Psychedelia 60's & 70's Compilations - Garage, Beat, Freakbeat, Surf, R&B 60's & 70's Prog Rock 60s Texan Psych And Garage Mod / Freakbeat Latest additions & updates to our catalogue: Paint It Black - Various. CD, £12.00 Blues For Dotsie - Various. CD, £12.00 (Label: EMI, Cat.No: 367 2502) (Label: Ace, Cat.No: CDCHD 1115) Fascinating twenty track Everything from Jump to Down Home to Boogie compilation CD of Rolling Stones Woogie babes on this collection of West Coast covers by some of the greatest Blues cut for and by Dootsie Williams.
    [Show full text]
  • Kol Nidre: Variations on a Theme a GREAT JEWISH BOOKS TEACHER WORKSHOP RESOURCE KIT
    Kol Nidre: Variations on a Theme A GREAT JEWISH BOOKS TEACHER WORKSHOP RESOURCE KIT Teachers’ Guide This guide accompanies resources that can be found at: http://teachgreatjewishbooks.org/resource-kits/kol-nidre-variations- theme. Introduction Kol Nidre is a legal formula recited in the evening service that begins the holiday of Yom Kippur, the Jewish day of atonement. This ritual recitation may have been developed in the early medieval period as a response to Jews being forced to convert, either to Christianity or Islam. The text absolves those who recite it from vows in God’s name made under duress, so that the breaking of such vows is not counted as a sin. Its dramatic recitation and musical setting lend it an emotional intensity that has allowed the prayer to develop resonances beyond the stated meaning of the text. The High Holidays—the celebration of the new year on the Jewish calendar, which includes Rosh Hashanah and Yom Kippur—have in general come to signify a return to tradition and to religious duties that may have been neglected over the past year, and Kol Nidre serves as a climactic moment of this return. This kit gathers together examples of the use of Kol Nidre in modern Jewish literature, music, and film, asking students to consider how the prayer has come to stand for adherence to and return to Jewish tradition, and what precisely that return entails. Cover image: Cover of sheet music for an arrangement of Kol Nidre by Solomon Schenker, 1913. Courtesy of the Center for Jewish History, https://www.flickr.com/photos/center_for_jewish_history/4991049347.
    [Show full text]
  • BEACH BOYS Vs BEATLEMANIA: Rediscovering Sixties Music
    The final word on the Beach Boys versus Beatles debate, neglect of American acts under the British Invasion, and more controversial critique on your favorite Sixties acts, with a Foreword by Fred Vail, legendary Beach Boys advance man and co-manager. BEACH BOYS vs BEATLEMANIA: Rediscovering Sixties Music Buy The Complete Version of This Book at Booklocker.com: http://www.booklocker.com/p/books/3210.html?s=pdf BEACH BOYS vs Beatlemania: Rediscovering Sixties Music by G A De Forest Copyright © 2007 G A De Forest ISBN-13 978-1-60145-317-4 ISBN-10 1-60145-317-5 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, recording or otherwise, without the prior written permission of the author. Printed in the United States of America. Booklocker.com, Inc. 2007 CONTENTS FOREWORD BY FRED VAIL ............................................... XI PREFACE..............................................................................XVII AUTHOR'S NOTE ................................................................ XIX 1. THIS WHOLE WORLD 1 2. CATCHING A WAVE 14 3. TWIST’N’SURF! FOLK’N’SOUL! 98 4: “WE LOVE YOU BEATLES, OH YES WE DO!” 134 5. ENGLAND SWINGS 215 6. SURFIN' US/K 260 7: PET SOUNDS rebounds from RUBBER SOUL — gunned down by REVOLVER 313 8: SGT PEPPERS & THE LOST SMILE 338 9: OLD SURFERS NEVER DIE, THEY JUST FADE AWAY 360 10: IF WE SING IN A VACUUM CAN YOU HEAR US? 378 AFTERWORD .........................................................................405 APPENDIX: BEACH BOYS HIT ALBUMS (1962-1970) ...411 BIBLIOGRAPHY....................................................................419 ix 1. THIS WHOLE WORLD Rock is a fickle mistress.
    [Show full text]
  • Jason Jägel La Machine Molle February 7 - March 27, 2020 Opening Reception Friday February 7, 6-9Pm
    JASON JÄGEL LA MACHINE MOLLE FEBRUARY 7 - MARCH 27, 2020 OPENING RECEPTION FRIDAY FEBRUARY 7, 6-9PM Gallery 16 is pleased to welcome artist Jason Jägel for his second solo exhibition with the gallery, La ​ Machine Molle. Jägel presents a new series of paintings, works on paper and sculptures. There will be an ​ opening reception for the artist on Friday, February 7th, from 6-9pm. ​ ​ La Machine Molle is French for The Soft Machine, the title of a 1961 cut-up novel by American author ​ William S. Burroughs, as well as the name of seminal Canterbury scene band, Soft Machine. After being ​ ​ kicked out of his own band (Soft Machine), Robert Wyatt started a new band which he named Matching ​ Mole, a linguistic pun on the French name for Soft Machine. The images in a new series of paintings refer ​ ​ ​ to the 1972 live performance of Wyatt’s group on the French television program Rockenstock. Jägel broad ​ ​ admiration for Wyatt includes his use of everyday speech, wry humor, and self-referential elements in his lyrics. There is a kinship in the way both Jägel and Wyatt bring together elements of improvisation and lyrical narrative. In his own unique and poetic way, Jason Jägel's work cultivates a strong improvisational component, born out of a form of autobiographical fiction, his love of music, comics, and literary fiction. In the words of Kevin Killian, he is an “ace raconteur” and, above all, Jägel's work tells a story. His compositions often appear as fragments where experiences, dreams, people, places, individual narratives and past experiences intersect and intertwine to create open-ended, conversational stories full of rhythm and flow.
    [Show full text]
  • IPG Spring 2020 Rock Pop and Jazz Titles
    Rock, Pop, and Jazz Titles Spring 2020 {IPG} That Thin, Wild Mercury Sound Dylan, Nashville, and the Making of Blonde on Blonde Daryl Sanders Summary That Thin, Wild Mercury Sound is the definitive treatment of Bob Dylan’s magnum opus, Blonde on Blonde , not only providing the most extensive account of the sessions that produced the trailblazing album, but also setting the record straight on much of the misinformation that has surrounded the story of how the masterpiece came to be made. Including many new details and eyewitness accounts never before published, as well as keen insight into the Nashville cats who helped Dylan reach rare artistic heights, it explores the lasting impact of rock’s first double album. Based on exhaustive research and in-depth interviews with the producer, the session musicians, studio personnel, management personnel, and others, Daryl Sanders Chicago Review Press chronicles the road that took Dylan from New York to Nashville in search of “that thin, wild mercury sound.” 9781641602730 As Dylan told Playboy in 1978, the closest he ever came to capturing that sound was during the Blonde on Pub Date: 5/5/20 On Sale Date: 5/5/20 Blonde sessions, where the voice of a generation was backed by musicians of the highest order. $18.99 USD Discount Code: LON Contributor Bio Trade Paperback Daryl Sanders is a music journalist who has worked for music publications covering Nashville since 1976, 256 Pages including Hank , the Metro, Bone and the Nashville Musician . He has written about music for the Tennessean , 15 B&W Photos Insert Nashville Scene , City Paper (Nashville), and the East Nashvillian .
    [Show full text]
  • Dypdykk I Musikkhistorien - Del 27: Folkrock (25.11.2019 - TFB) Oppdatert 03.03.2020
    Dypdykk i musikkhistorien - Del 27: Folkrock (25.11.2019 - TFB) Oppdatert 03.03.2020 Spilleliste pluss noen ekstra lyttetips: [Bakgrunnsmusikk: ​Resor och näsor (Under solen lyser solen (2001) / Grovjobb)] Starten Beatles og British invasion The house of the rising sun (The house of the rising sun (1964, singel) / Animals) Mr. Tambourine Man (​Mr. Tambourine Man (1965) / Byrds) Candy man ; The Devil's got my woman (Candy man (1966, singel) / Rising Sons) Maggies farm Bob Dylan Live at the Newport Folk Festival USA One-way ticket ; The falcon ; Reno Nevada Celebrations For A Grey Day (1965) / Mimi & Richard Fariña From a Buick 6 (Highway 61 revisited (1965) / Bob Dylan) Sounds of silence (Sounds of silence (1966) / Simon & Garfunkel) Hard lovin’ looser (In my life (1966) / Judy Collins) Like a rolling stone (Live 1966 (1998) / Bob Dylan) 1 Eight miles high (Fifth Dimension (1966) / The Byrds) It’s not time now ; There she is (Daydream (1966) / The Lovin’ Spoonful) Jefferson Airplane takes off (1966) / Jefferson Airplane Carnival song ; Pleasant Street Goodbye And Hello (1967) / Tim Buckley Pleasures Of The Harbor (1967) I Phil Ochs Virgin Fugs (1967) / The Fugs Alone again or (Forever changes (1967) / Love) Morning song (One nation underground (1967) / Pearls Before Swine) Images of april (Balaklava (1968) / Pearls Before Swine) Rainy day ; Paint a lady (Paint a lady (1970) / Susan Christie) Country rock Buffalo Springfield Taxim (A beacon from Mars (1968) / Kaleidoscope) Little hands (Oar (1969) / Skip Spence) Carry on Deja vu (1970) / Crosby, Stills, Nash & Young 2 Britisk Donovan Sunshine superman (1966) The river song ; Jennifer Juniper The Hurdy Gurdy Man (1968) You know what you could be (The 5000 spirits or the layers of the onion (1967) / The Incredible String Band) Astral weeks (1968) / Van Morrison Child star (My People Were Fair And Had Sky In Their Hair..
    [Show full text]
  • Myspace.Com - - 43 - Male - PHILAD
    MySpace.com - WWW.RECORDCASTLE.COM - 43 - Male - PHILAD... http://www.myspace.com/recordcastle Sponsored Links Gear Ink JazznBlues Tees Largest selection of jazz and blues t-shirts available. Over 100 styles www.gearink.com WWW.RECORDCASTLE.COM WWW.RECORDCASTLE.COM is in your extended "it's an abomination that we are in an network. obama nation ... ron view more paul 2012 ... balance the budget and bring back tube WWW.RECORDCASTLE.COM's Latest Blog Entry [ Subscribe to this Blog ] amps" [View All Blog Entries ] Male 43 years old PHILADELPHIA, Pennsylvania WWW.RECORDCASTLE.COM's Blurbs United States About me: I have been an avid music collector since I was a kid. I ran a store for 20 years and now trade online. Last Login: 4/24/2009 I BUY PHONOGRAPH RECORDS ( 33 lp albums / 45 rpms / 78s ), COMPACT DISCS, DVD'S, CONCERT MEMORABILIA, VINTAGE POSTERS, BEATLES ITEMS, KISS ITEMS & More Mood: electric View My: Pics | Videos | Playlists Especially seeking Private Pressings / Psychedelic / Rockabilly / Be Bop & Avant Garde Jazz / Punk / Obscure '60s Funk & Soul Records / Original Contacting WWW.RECORDCASTLE.COM concert posters 1950's & 1960's era / Original Beatles memorabilia I Offer A Professional Buying Service Of Music Items * LPs 45s 78s CDS DVDS Posters Beatles Etc.. Private Collections ** Industry Contacts ** Estates Large Collections / Warehouse finds ***** PAYMENT IN CASH ***** Over 20 Years experience buying collections MySpace URL: www.myspace.com/recordcastle I pay more for High Quality Collections In Excellent condition Let's Discuss What You May Have For Sale Call Or Email - 717 209 0797 Will Pick Up in Bucks County / Delaware County / Montgomery County / Philadelphia / South Jersey / Lancaster County / Berks County I travel the country for huge collections Print This Page - When You Are Ready To Sell Let Me Make An Offer ----------------------------------------------------------- Who I'd like to meet: WWW.RECORDCASTLE.COM's Friend Space (Top 4) WWW.RECORDCASTLE.COM has 57 friends.
    [Show full text]
  • T H E E L E C T R I C P R U N
    THE ELECTRIC PRUNES The James Lowe interview The rock and roll section of Los Angeles' Walk of Fame on the cold annotated concrete of Hollywood Boulevard would be incomplete without a prominent star representing the Electric Prunes. Although they may not have had as many hits as Love, the Seeds, the Doors or the Leaves ­ other homegrown Smogtown combos from the same era ­ the mind­shattering strains of the Prunes' "I Had Too Much To Dream Last Night" is enough to forever assure their place in pop music history. The band had five albums released on Reprise, but only the first two ­ their self­titled debut and Underground ­ are truly representative of the Electric Prunes. The third, Mass In F Minor, was an idea that didn't quite get off the ground, and Lowe hit the bricks soon after its release. By the time album five, Just Good Old Rock And Roll, poked its shaggy head out of the nursery, the band was composed of four guys named Moe ­ with no original members left. Lead singer James Lowe was never content to take the motorway when he could spend all day poking along on roads that aren't even listed on the map. "I wanted to make free­form garage music," he told me recently, explaining why the Mass album convinced him his tenure as a Prune was up. Though still incredulous that anybody could possibly care about music he created thirty years ago, Lowe agreed to shed some light on a band that's been skulking in the dusty corners of the attics of your mind for far too long.
    [Show full text]