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The George Wright Forum
The George Wright Forum The GWS Journal of Parks, Protected Areas & Cultural Sites volume 34 number 3 • 2017 Society News, Notes & Mail • 243 Announcing the Richard West Sellars Fund for the Forum Jennifer Palmer • 245 Letter from Woodstock Values We Hold Dear Rolf Diamant • 247 Civic Engagement, Shared Authority, and Intellectual Courage Rebecca Conard and John H. Sprinkle, Jr., guest editors Dedication•252 Planned Obsolescence: Maintenance of the National Park Service’s History Infrastructure John H. Sprinkle, Jr. • 254 Shining Light on Civil War Battlefield Preservation and Interpretation: From the “Dark Ages” to the Present at Stones River National Battlefield Angela Sirna • 261 Farming in the Sweet Spot: Integrating Interpretation, Preservation, and Food Production at National Parks Cathy Stanton • 275 The Changing Cape: Using History to Engage Coastal Residents in Community Conversations about Climate Change David Glassberg • 285 Interpreting the Contributions of Chinese Immigrants in Yosemite National Park’s History Yenyen F. Chan • 299 Nānā I Ke Kumu (Look to the Source) M. Melia Lane-Kamahele • 308 A Perilous View Shelton Johnson • 315 (continued) Civic Engagement, Shared Authority, and Intellectual Courage (cont’d) Some Challenges of Preserving and Exhibiting the African American Experience: Reflections on Working with the National Park Service and the Carter G. Woodson Home National Historic Site Pero Gaglo Dagbovie • 323 Exploring American Places with the Discovery Journal: A Guide to Co-Creating Meaningful Interpretation Katie Crawford-Lackey and Barbara Little • 335 Indigenous Cultural Landscapes: A 21st-Century Landscape-scale Conservation and Stewardship Framework Deanna Beacham, Suzanne Copping, John Reynolds, and Carolyn Black • 343 A Framework for Understanding Off-trail Trampling Impacts in Mountain Environments Ross Martin and David R. -
Optimization-Based Approximate Dynamic Programming
OPTIMIZATION-BASED APPROXIMATE DYNAMIC PROGRAMMING A Dissertation Presented by MAREK PETRIK Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY September 2010 Department of Computer Science c Copyright by Marek Petrik 2010 All Rights Reserved OPTIMIZATION-BASED APPROXIMATE DYNAMIC PROGRAMMING A Dissertation Presented by MAREK PETRIK Approved as to style and content by: Shlomo Zilberstein, Chair Andrew Barto, Member Sridhar Mahadevan, Member Ana Muriel, Member Ronald Parr, Member Andrew Barto, Department Chair Department of Computer Science To my parents Fedor and Mariana ACKNOWLEDGMENTS I want to thank the people who made my stay at UMass not only productive, but also very enjoyable. I am grateful to my advisor, Shlomo Zilberstein, for guiding and supporting me throughout the completion of this work. Shlomo's thoughtful advice and probing questions greatly influenced both my thinking and research. His advice was essential not only in forming and refining many of the ideas described in this work, but also in assuring that I become a productive member of the research community. I hope that, one day, I will be able to become an advisor who is just as helpful and dedicated as he is. The members of my dissertation committee were indispensable in forming and steering the topic of this dissertation. The class I took with Andrew Barto motivated me to probe the foundations of reinforcement learning, which became one of the foundations of this thesis. Sridhar Mahadevan's exciting work on representation discovery led me to deepen my un- derstanding and appreciate better approximate dynamic programming. -
Daft Punk Collectible Sales Skyrocket After Breakup: 'I Could've Made
BILLBOARD COUNTRY UPDATE APRIL 13, 2020 | PAGE 4 OF 19 ON THE CHARTS JIM ASKER [email protected] Bulletin SamHunt’s Southside Rules Top Country YOURAlbu DAILYms; BrettENTERTAINMENT Young ‘Catc NEWSh UPDATE’-es Fifth AirplayFEBRUARY 25, 2021 Page 1 of 37 Leader; Travis Denning Makes History INSIDE Daft Punk Collectible Sales Sam Hunt’s second studio full-length, and first in over five years, Southside sales (up 21%) in the tracking week. On Country Airplay, it hops 18-15 (11.9 mil- (MCA Nashville/Universal Music Group Nashville), debutsSkyrocket at No. 1 on Billboard’s lion audience After impressions, Breakup: up 16%). Top Country• Spotify Albums Takes onchart dated April 18. In its first week (ending April 9), it earned$1.3B 46,000 in equivalentDebt album units, including 16,000 in album sales, ac- TRY TO ‘CATCH’ UP WITH YOUNG Brett Youngachieves his fifth consecutive cording• Taylor to Nielsen Swift Music/MRCFiles Data. ‘I Could’veand total Made Country Airplay No.$100,000’ 1 as “Catch” (Big Machine Label Group) ascends SouthsideHer Own marks Lawsuit Hunt’s in second No. 1 on the 2-1, increasing 13% to 36.6 million impressions. chartEscalating and fourth Theme top 10. It follows freshman LP BY STEVE KNOPPER Young’s first of six chart entries, “Sleep With- MontevalloPark, which Battle arrived at the summit in No - out You,” reached No. 2 in December 2016. He vember 2014 and reigned for nine weeks. To date, followed with the multiweek No. 1s “In Case You In the 24 hours following Daft Punk’s breakup Thomas, who figured out how to build the helmets Montevallo• Mumford has andearned Sons’ 3.9 million units, with 1.4 Didn’t Know” (two weeks, June 2017), “Like I Loved millionBen in Lovettalbum sales. -
In Defense of Rap Music: Not Just Beats, Rhymes, Sex, and Violence
In Defense of Rap Music: Not Just Beats, Rhymes, Sex, and Violence THESIS Presented in Partial Fulfillment of the Requirements for the Master of Arts Degree in the Graduate School of The Ohio State University By Crystal Joesell Radford, BA Graduate Program in Education The Ohio State University 2011 Thesis Committee: Professor Beverly Gordon, Advisor Professor Adrienne Dixson Copyrighted by Crystal Joesell Radford 2011 Abstract This study critically analyzes rap through an interdisciplinary framework. The study explains rap‟s socio-cultural history and it examines the multi-generational, classed, racialized, and gendered identities in rap. Rap music grew out of hip-hop culture, which has – in part – earned it a garnering of criticism of being too “violent,” “sexist,” and “noisy.” This criticism became especially pronounced with the emergence of the rap subgenre dubbed “gangsta rap” in the 1990s, which is particularly known for its sexist and violent content. Rap music, which captures the spirit of hip-hop culture, evolved in American inner cities in the early 1970s in the South Bronx at the wake of the Civil Rights, Black Nationalist, and Women‟s Liberation movements during a new technological revolution. During the 1970s and 80s, a series of sociopolitical conscious raps were launched, as young people of color found a cathartic means of expression by which to describe the conditions of the inner-city – a space largely constructed by those in power. Rap thrived under poverty, police repression, social policy, class, and gender relations (Baker, 1993; Boyd, 1997; Keyes, 2000, 2002; Perkins, 1996; Potter, 1995; Rose, 1994, 2008; Watkins, 1998). -
1. Summer Rain by Carl Thomas 2. Kiss Kiss by Chris Brown Feat T Pain 3
1. Summer Rain By Carl Thomas 2. Kiss Kiss By Chris Brown feat T Pain 3. You Know What's Up By Donell Jones 4. I Believe By Fantasia By Rhythm and Blues 5. Pyramids (Explicit) By Frank Ocean 6. Under The Sea By The Little Mermaid 7. Do What It Do By Jamie Foxx 8. Slow Jamz By Twista feat. Kanye West And Jamie Foxx 9. Calling All Hearts By DJ Cassidy Feat. Robin Thicke & Jessie J 10. I'd Really Love To See You Tonight By England Dan & John Ford Coley 11. I Wanna Be Loved By Eric Benet 12. Where Does The Love Go By Eric Benet with Yvonne Catterfeld 13. Freek'n You By Jodeci By Rhythm and Blues 14. If You Think You're Lonely Now By K-Ci Hailey Of Jodeci 15. All The Things (Your Man Don't Do) By Joe 16. All Or Nothing By JOE By Rhythm and Blues 17. Do It Like A Dude By Jessie J 18. Make You Sweat By Keith Sweat 19. Forever, For Always, For Love By Luther Vandros 20. The Glow Of Love By Luther Vandross 21. Nobody But You By Mary J. Blige 22. I'm Going Down By Mary J Blige 23. I Like By Montell Jordan Feat. Slick Rick 24. If You Don't Know Me By Now By Patti LaBelle 25. There's A Winner In You By Patti LaBelle 26. When A Woman's Fed Up By R. Kelly 27. I Like By Shanice 28. Hot Sugar - Tamar Braxton - Rhythm and Blues3005 (clean) by Childish Gambino 29. -
A Phenomenological Case Study of College English Students
Old Dominion University ODU Digital Commons Teaching & Learning Theses & Dissertations Teaching & Learning Fall 2019 I Had to Do the Reading: A Phenomenological Case Study of College English Students Jennifer Eleanor Frank Old Dominion University, [email protected] Follow this and additional works at: https://digitalcommons.odu.edu/teachinglearning_etds Part of the Curriculum and Instruction Commons, English Language and Literature Commons, and the Higher Education Commons Recommended Citation Frank, Jennifer E.. "I Had to Do the Reading: A Phenomenological Case Study of College English Students" (2019). Doctor of Philosophy (PhD), Dissertation, Teaching & Learning, Old Dominion University, DOI: 10.25777/6na1-8q73 https://digitalcommons.odu.edu/teachinglearning_etds/59 This Dissertation is brought to you for free and open access by the Teaching & Learning at ODU Digital Commons. It has been accepted for inclusion in Teaching & Learning Theses & Dissertations by an authorized administrator of ODU Digital Commons. For more information, please contact [email protected]. I HAD TO DO THE READING: A PHENOMENOLOGICAL CASE STUDY OF COLLEGE ENGLISH STUDENTS by Jennifer Eleanor Frank B.A. May 2005, George Mason University M.S.Ed. August 2012, Old Dominion University A Dissertation Submitted to the Faculty of Old Dominion University in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY EDUCATION OLD DOMINION UNIVERSITY November 2019 Approved by: Judith Dunkerly-Bean (Director) Helen Crompton (Member) Thomas W. Bean (Member) ABSTRACT Jennifer E. Frank Old Dominion University, 2019 Director: Dr. Judith Dunkerly-Bean The purposes of this qualitative phenomenological case study were to investigate multiple student experiences in a general elective introduction to literature course when music was added as an autonomously structured assignment. -
P. Diddy with Usher I Need a Girl Pablo Cruise Love Will
P Diddy Bad Boys For Life P Diddy feat Ginuwine I Need A Girl (Part 2) P. Diddy with Usher I Need A Girl Pablo Cruise Love Will Find A Way Paladins Going Down To Big Mary's Palmer Rissi No Air Paloma Faith Only Love Can Hurt Like This Pam Tillis After A Kiss Pam Tillis All The Good Ones Are Gone Pam Tillis Betty's Got A Bass Boat Pam Tillis Blue Rose Is Pam Tillis Cleopatra, Queen Of Denial Pam Tillis Don't Tell Me What To Do Pam Tillis Every Time Pam Tillis I Said A Prayer For You Pam Tillis I Was Blown Away Pam Tillis In Between Dances Pam Tillis Land Of The Living, The Pam Tillis Let That Pony Run Pam Tillis Maybe It Was Memphis Pam Tillis Mi Vida Loca Pam Tillis One Of Those Things Pam Tillis Please Pam Tillis River And The Highway, The Pam Tillis Shake The Sugar Tree Panic at the Disco High Hopes Panic at the Disco Say Amen Panic at the Disco Victorious Panic At The Disco Into The Unknown Panic! At The Disco Lying Is The Most Fun A Girl Can Have Panic! At The Disco Ready To Go Pantera Cemetery Gates Pantera Cowboys From Hell Pantera I'm Broken Pantera This Love Pantera Walk Paolo Nutini Jenny Don't Be Hasty Paolo Nutini Last Request Paolo Nutini New Shoes Paolo Nutini These Streets Papa Roach Broken Home Papa Roach Last Resort Papa Roach Scars Papa Roach She Loves Me Not Paper Kites Bloom Paper Lace Night Chicago Died, The Paramore Ain't It Fun Paramore Crush Crush Crush Paramore Misery Business Paramore Still Into You Paramore The Only Exception Paris Hilton Stars Are Bliind Paris Sisters I Love How You Love Me Parody (Doo Wop) That -
Philosophy of Pop Culture Instructor: Claire Pickard
Philosophy of Pop Culture Instructor: Claire Pickard 1. Course Description This course examines the role of popular culture in our lives and its inherent connections to philosophy. By analytically engaging with topics such as social media, selfies, and reality TV, we have the opportunity to think carefully and critically about phenomena that saturate our world and are, perhaps, some of our most enjoyable escapes. This also has the potential to demonstrate the inextricability of philosophy from daily life. The course is structured to address one cultural phenomenon per week; we will start from our own experiences on the subjects and proceed from there. Since one of the major goals of this class is to foster dialogue about our own daily experiences, much of this class will consist of large-group and small-group discussions. Since there often will not be much time spent recapping the readings in lecture form, I expect everyone to come to class having read or watched the material assigned for the day. 2. Class Meetings Class will meet Monday-Thursday from 9:00 – 9:50 a.m. in 303 GER. 3. Office Hours and Contact Information My office hours are Tuesday, 10am – 11:50am in Susan Campbell Hall 232. If you are unavailable during that time, please email me at [email protected] and we can make other arrangements. 4. Course Requirements Final grades will be determined as follows: Participation/ Attendance 20 % Short Reflection Papers (3) 30% First Paper 25 % Second Paper 25 % Participation and Attendance: You are expected to participate actively in this class, which includes attending class, reading all assigned material prior to class, and participating productively and professionally in the discussion. -
Summer Guide 2019
SummerSummer GuideGuide 20192019 MOBILE PARKS AND RECREATION SUMMER WWW.CITYOFMOBILE.ORG/PARKS FACEBOOK.COM/MOBILEPARKS 2019 1 TABLE OF CONTENTS 4 SWIMMING AND WADING POOLS 8 AZALEA CITY GOLF COURSE — 1000 Gailard Drive 8 ART INSTRUCTIONAL CENTER — 200 West Parkway 10 JOSEPH C. DOTCH COMMUNITY CENTER — 3100 Bank Avenue 11 MICHAEL A. FIGURES COMMUNITY CENTER — 658 Donald Street 11 HARMON-THOMAS COMMUNITY CENTER — 1161 Belfast Street 12 HILLSDALE COMMUNITY CENTER — 556 East Felhorn 12 ROBERT HOPE COMMUNITY CENTER — 850 Edwards Street 13 LAUN PARK & NEIGHBORHOOD CENTER — 5401 Windmill 15 MITTERNIGHT PARK & NEIGHBORHOOD CENTER — 5310 Colonial Oaks Drive 16 NEWHOUSE PARK & NEIGHBORHOOD CENTER — 2960 Alston Drive 17 RICKARBY PARK & NEIGHBORHOOD CENTER — 550 Rickarby Street 18 JAMES SEALS COMMUNITY CENTER — 540 Texas Street 19 SPRINGHILL RECREATION CENTER — 1151 Springhill Avenue 20 STOTTS PARK & NEIGHBORHOOD CENTER — 2150 N. Demetropolis Road 21 THOMAS SULLIVAN COMMUNITY CENTER — 351 N. Catherine Street 22 COTTAGE HILL GYMNASTICS CENTER — 1711 Hillcrest Road 23 TENNIS CENTERS — 851 Gaillard Drive 25 THERAPEUTIC & SENIOR ACTIVITIES CENTER (T-SAC) — 261 Rickarby Street 26 MOBILE ADULT CENTER — 1301 Azalea Road 27 CONNIE HUDSON REGONAL SENIOR CENTER — 3201 Hillcrest Road 29 S.A.I.L PROGRAMS 30 YOUTH & ADULT LEAGUE SPORTS / ATHLETIC PROGRAM 31 CALENDAR OF CITY-WIDE EVENTS 32 HOW TO REGISTER 2 MOBILE PARKS AND RECREATION Mayor, City of Mobile William S. Stimpson Senior Director Parks and Recreation Shonnda R. Smith Assistant Director of Operations Parks & Recreation Gerard W. McCants Superintendent of Parks Dan Otto Superintendent of Recreation Shadrach Collins, Jr. Rentals and Permits Facilities are available to be rented for Special Events. -
ENDER's GAME by Orson Scott Card Chapter 1 -- Third
ENDER'S GAME by Orson Scott Card Chapter 1 -- Third "I've watched through his eyes, I've listened through his ears, and tell you he's the one. Or at least as close as we're going to get." "That's what you said about the brother." "The brother tested out impossible. For other reasons. Nothing to do with his ability." "Same with the sister. And there are doubts about him. He's too malleable. Too willing to submerge himself in someone else's will." "Not if the other person is his enemy." "So what do we do? Surround him with enemies all the time?" "If we have to." "I thought you said you liked this kid." "If the buggers get him, they'll make me look like his favorite uncle." "All right. We're saving the world, after all. Take him." *** The monitor lady smiled very nicely and tousled his hair and said, "Andrew, I suppose by now you're just absolutely sick of having that horrid monitor. Well, I have good news for you. That monitor is going to come out today. We're going to just take it right out, and it won't hurt a bit." Ender nodded. It was a lie, of course, that it wouldn't hurt a bit. But since adults always said it when it was going to hurt, he could count on that statement as an accurate prediction of the future. Sometimes lies were more dependable than the truth. "So if you'll just come over here, Andrew, just sit right up here on the examining table. -
Open Steinle Cory Kanyecriticism.Pdf
THE PENNSYLVANIA STATE UNIVERSITY SCHREYER HONORS COLLEGE DEPARTMENT OF COMMUNICATION ARTS & SCIENCES “I THOUGHT ABOUT KILLING YOU”: CONSIDERING THE UTILITY OF RHETORICAL AND BIOGRAPHICAL CRITICAL APPROACHES TO KANYE WEST’S YE CORY N. STEINLE SPRING 2020 A thesis submitted in partial fulfillment of the requirements for baccalaureate degrees in Communication Arts and Sciences and Labor and Employment Relations with honors in Communication Arts and Sciences Reviewed and approved* by the following: Bradford Vivian Professor of Communication Arts & Sciences Thesis Supervisor Lori Bedell Associate Teaching Professor in Communication Arts & Sciences Honors Adviser * Signatures are on file in the Schreyer Honors College. i ABSTRACT This paper examines the merits of intrinsic and extrinsic critical approaches to hip-hop artifacts. To do so, I provide both a neo-Aristotelian and biographical criticism of three songs from ye (2018) by Kanye West. Chapters 1 & 2 consider Roland Barthes’ The Death of the Author and other landmark papers in rhetorical and literary theory to develop an intrinsic and extrinsic approach to criticizing ye (2018), evident in Tables 1 & 2. Chapter 3 provides the biographical antecedents of West’s life prior to the release of ye (2018). Chapters 4, 5, & 6 supply intrinsic (neo-Aristotelian) and extrinsic (biographical) critiques of the selected artifacts. Each of these chapters aims to address the concerns of one of three guiding questions: which critical approaches prove most useful to the hip-hop consumer listening to this song? How can and should the listener construct meaning? Are there any improper ways to critique and interpret this song? Chapter 7 discusses the variance in each mode of critical analysis from Chapters 4, 5, & 6. -
C Rators Increase·Tui Tion 12% for 93-94 Year by Bill Farnsworth News Editor New St .Louis Curator Attends First Meeti Ng
Issue 752 UNIVERSITY OF MISSOURI-ST. LOUIS February 1, 1993 c rators Increase·Tui tion 12% For 93-94 Year by Bill Farnsworth news editor New St .Louis Curator Attends First Meeti ng UM-SL Louis escaped the axe that Krista Goodin fell on degree JWOgrams at Friday's associate news edijor Board of Curata'S meeting, but all four campuses were hit by tuition Mary S. Gillespie is the first UM-St. Louis alumna and increases. second woman to be appointed to the Board of Curators. Educational fees for the S1. Louis Gov. Mel Carnahan recently appointed three curators to campus increased 11.9 percent for in the governing body of tl}e University of Missouri. Gillespie, state graduate and optometry students. of S1. loUis, Adam Fischer, of Sedalia, and Fred Hall, of . In-state and out-of-state fees for .un Springfield, were chosen to fill the available seats on the dergraduates were also increased 11.9 nine-member board. The board consists of one student percent representative and a curator from each congressional district Out-of-state fees for optometry in the state. The student representative, Stephanie Patterson, students increased 18 percent. Only is a law student at UM-Columbia. the dentistry program at UM-Kansas "I'm really impressed that Gov. Carnahan's policy is City and the medicine prograJn at fmding positions for women in governrnent," said Gillespie. UM-Columbia received higher in Photo: Dave Floyd She said her plans as a new curator include keeping the board aware of the UM-St Louis campus.