DOCSLIB.ORG

C NTENT 6 January 2019 L

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
C NTENT 6 January 2019 L 11 December 2018- C NTENT 6 January 2019 www.contentasia.tv l www.contentasiasummit.com C NTENT is taking a break for the holidays. We We will be back on 7 January 2019. Here’s wishing you the happiest of holidays and all good things for 2019! are Philippines’ Cignal streams 4 originals Production gains ground, bullies. 2018 doubles 2017 output Philippines’ Cignal has premiered four original series from sister production com- pany, Cignal Entertainment. The titles – including season two of crime drama We produce unnecessary waste that ends up in landfills and Tukhang about the war on drugs – stream the ocean every day. Our planet is in danger. everyone and on Cignal Play OTT. The other series are romcom Sleepless, a spin off of the 2015 everything in it is at risk. movie about call centre agents; romance anthology Feels Like Forever; and fantasy anthology Agham Inc. The series follow Do your part today. last year’s thriller TabiPo and Tukhang 1. #StopBullyingNature #LoveNature Korea exports -9.4% Pay-TV +9.1%, subs +5.4% Korean content exports dropped 9.4% in 2017 to US$230 million, according to new government data. Revenue at the big three terrestrial nets dipped 7.9% to LoveNatureTV LoveNature KRW3.7 trillion. Pay-TV programme provid- ers (incl IPTV channels) fared well, closing last year at KRW5.6 trillion – up 9.1%. Pay subs rose to 31.67m. Total domestic broad- cast market was worth KRW16.5 trillion last year, the Ministry of Science & ICT said. C NTENTASIA 11 December 2018-6 January 2019 Page 2. Who was at... ContentAsia Women’s Dinner @ the ATF Joyce Yeung, eOne; Leena Singarajah, A+E Networks Asia; Ana Sevilla, Roxanne Barcelona, GMA Worldwide Philippines; Anne Jakrajutatip, JKN Global Media; Wincess Lee, Cecille Sumabat, ABS-CBN Philippines; Angie Jakrajutatip, JKN Global Media; Indra Suharjono; Bich Hanh Ngo, BHD Vietnam; Loke Kheng Tham, Mediacorp Singapore; Virginia Lim, Sony Pictures Television Networks Asia; Marianne Lee, Turner Rosanne Lo, Plus Media; Aude Dionnet, Reed Mi- dem; Janine Stein, ContentAsia; Karine Schroed- er, TV5Monde; Debbie Lee, Tech Storm Jessica Kam, HBO Asia, Rachel Smith, ex- Caroline Clarke, SkyVision; Angie Poh, Medi- changewire; Wendy Hogan, Oracle; Sue Adams, acorp; Rashmi Bajpai, Endemol Shine; Bridgit Bamboo Development; Mee Fung Lee, DW O’Donovan, Facebook; Jihee Nam, Instagram; Indriena Basarah, Fremantle Karen Yew, Doreen Neo, Mediacorp; Kit Yeow, all3media International; Jesslyn Wong, Mediacorp; Lenny Leong, Astro Malaysia Edwina Ngao, A+E Networks Asia; Kako Tripta Singh, Zee Entertainment; Paula Mason, Kuwahara, Nippon TV, Japan BDA Rebecca Yeo, iConcerts Asia/Stingray; Ashley More at facebook.com/contentasia Goh, Sky Vision GIVING BUYERS PREMIUM ACCESS TO THE WORLD’S LEADING DISTRIBUTORS SEE INSTANT AVAILS AND SCREEN OVER 70,000 HOURS OF GREAT CONTENT ALL IN ONE PLACE SIGN UP FOR FREE AT TRX.TV/SIGN-UP COME AND HAVE A DEMO AT ATF STAND: JO9 11 december 2018-6 January 2019 page 3. C NTENTASIA 11 December 2018-6 January 2019 Page 4. Who was at... the Singapore Media Festival S Iswaran, Minister for Communications and Joachim Ng, IMDA Singapore; Liza B. Dino, Film Jonathan Spink, HBO Asia; Angie Poh, Mediacorp; Information, Singapore Development Council of the Philippines Gabriel Lim, IMDA Singapore Abhi Rastogi, 108 Media; Rob Gilby, Blue Hat Howie Lau, IMDA Singapore; Janine Stein, Seo Jang Ho, CJ ENM, Korea; Chalakorn Ventures/Singapore Media Festival ContentAsia Panyashom, Workpoint Group, Thailand Lee Choon Hua, Doreen Neo, Mediacorp Hideki Furutani, Aya Takagawa, Wowow, Japan Zoe Wilson, Victoria De Kerdrel, TRX Singapore; Wang Shaudi, Eightgeman, Taiwan Ashley Goh, Caroline Clarke, Julien Farcat, Cake Jully Kim, CJ ENM, Ana Sevilla, GMA Salmi Gambarova, Sky Vision Sky Vision Korea Worldwide Philippines Kanal D Isabella M. Halim, Amo Chang, Choco TV, Taiwan Michelle Teh, Rachel Ng, Mediacorp Singapore Piyachat Artavan, Karen Low, IMDA BEC World, Thailand Singapore More on page 6 11 december 2018-6 January 2019 page 5. C NTENTASIA 11 December 2018-6 January 2019 Page 6. From page 4 Ahmad Shuhaimi Jailani, IMDA; Sabariah Ramilan, Laksiri Wickramage, Desmond Aram, Zaza Majid, Mediacorp; Suhaimi Yusof, talent TV Derana, Sri Lanka Green Gold Animation, India Shenthil Ranie, Inflight Wirata Laksanasopin, Daisy Cheng, Steam Corey Caplan, Rights Workpoint Group Works, China Gusto TV Nattinee Piromlapa, Pannipa Thiraphong, Vicky Zheng, Cindy Xin, Camsing Global Taew Natapohn Tameeruks, talent; Anne Jakraju- Workpoint Group, Thailand tatip JKN Global Media Thailand; Ken Phupoom Pongpanupak, talent Guo Jingyu, Yue Lina, Venessa Lian, John Ho, Emir Duzel, Debbie Lee, TechTV Sabanitha Rosanne Lo, Plus GHY Culture and Media ATV, Turkey Network Shanmugasundram, Media Networks Asia Mediacorp Ian McKee, Vuulr; Dao Trong Nhan, Mercury Niu Cong, Katherine Jiang, Zhejiang Versatile, Jayasri Myneni, Chia Su Jean, IMDA Media & Entertainment, Vietnam China iDream Media, India contentasia WAGING WAR ON DIRT factual that fascinates from talent that resonates ONE PERSON’S PARADISE IS ANOTHER’S HELL ON EARTH @all3media_int all3mediainternational.com 11 december 2018-6 January 2019 page 7. C NTENTASIA 11 December 2018-6 January 2019 Page 8. New Asia studio backs Record 6,500km walk for 6-part series LGBTQ filmmaking Ash Dykes on the first months of the year-long adventure Taiwanese LGBTQ rights movement is backing a new studio designed to sup- port queer filmmaking. Gol Studios, which came out during the Singapore Media Festival (SMF) in Singapore last week, outlines a mission “to help develop outstanding queer films and to bring them further into the mainstream”. Morgan Jon Fox’s Feral on Gagaoolala The new studio, a partnership with the Portico Media-backed LGBT film streaming platform GagaooLala, aims to “forge a community of diverse filmmak- ers to develop, finance and distribute films that will inspire a generation of storytellers,” says Jay Lin, Portico Media Ash Dykes, Into The Heart Of China chief executive and founder/director of the Taiwan International Queer Film Wolves, bears, leopards, snow leopards, about two years to plan and was mas- Festival. landslides, mainland police, altitude-sick sively complicated in terms of permits, Gol Studios advisors include Sigrid An- guides, hospital beds, warnings not to permissions and logistics. And then there drea Bernardo (Mr & Mrs Cruz), Nelson walk at night, exquisite views and big were the things he couldn’t plan for. For Yeh (A Taiwanese Tale of Two Cities) experiences... That pretty much sums up instance, seven of the eight people who and Zero Chou (The Substitute). British extreme adventurer Ash Dykes’ life joined him in the early stages of the mission The studio follows a path set in the since August this year, when he set off had to be evacuated, mostly because of past few years by the Taiwan Interna- from the Jianggendiru Glacier on the Ti- altitude sickness. “The mission was already tional Queer Film Festival and Gaga- betan Plateau to become the first person in jeopardy two days in,” he says. oolala, which is Asia’s first LGBT film ever to walk more than 6,437km along the Filming the trip is a mix of DIY – “I had a streaming platform. Yangtze from source to sea. few lessons” – tech (a drone and a few “We realised how many projects, Four months in, #MissionYangtze is GoPros) he carries with him and profes- stories worth telling, are out there that on the 308 Provincial Road between sional crew at various points. are not being funded,” Lin says. Zhongtai and Zhongcun, moving towards Dykes is already a two-time world record Gol Studios hopes to back 10-15 Jin’An on a year-long journey being holder – for a solo/unsupported walk projects – including feature films, short- tracked for the six-part half-hour docu- across Mongolia in 2014, followed two form and TV series – a year. “We’re not mentary, Into The Heart of China: Walking years later by being the first person to talk dictating what kinds of projects,” Lin The Yangtze. the length of Madagascar. says. The series, scheduled for delivery in Q4 He says he started thinking about the “We understand queer cinema, its 2019, is a partnership between Singapore- Yangtze project before he started his differences and uniqueness. Gol Stu- based distribution/production agency Madagascar challenge. dios is born with the objective of giving Bomanbridge Media and production “I always find that if I’m thinking of the support new LGBT film projects in all house Mandarin Film. next trip it always motivates me to get this states of production, from funding to Speaking by phone from the road, current one done”. marketing,” he adds. Dykes says the China adventure took More at www.contentasia.tv OUT NOW! ISSUE SEVEN 2018 C NTENT Formats 2018: Globe Telecom’s Joe Caliro PLUS: The so-what of Asia’s big deals, Double Vision’s Min Lim, ABS-CBN’s Ruel Bayani, Winners & Losers on content & consumers Asia’s best around the world & a whole lot more ContentAsia issue seven 2018 Formats 2018: Winners & Losers Globe Telecom’s Joe Caliro on content & consumers PLUS: The so-what of Asia’s big deals, Double Vision’s Min Lim, ABS-CBN’s Ruel Bayani, Asia’s best around the world & a whole lot more All in the latest issue of ContentAsia...in print+online For editorial info, contact Janine at [email protected] To advertise in any of ContentAsia’s publications or online, contact Masliana at [email protected] (Asia, Australia and Middle East) or Leah at [email protected] (Americas and Europe) www.contentasia.tv contentasia C NTENTASIA 11 December 2018-6 January 2019 Page 10. India, Singapore top inaugural Asian awards 47 winners spread across 13 countries, streamers shine The “Goddess of Creativity” spread her wings wide for the inaugural Asian Academy Creative Awards, held in Sin- gapore last week.
Load more

Recommended publications
  • BOA Paper 8/2011 (For Information on 20.5.2011) Updates on Complaints for the Quarter 1 – 3/2011 (Position As at 6.5.2011) A
    BOA Paper 8/2011 (For information on 20.5.2011) Updates on Complaints for the Quarter 1 – 3/20111 (Position as at 6.5.2011) A. Complaints dealt with by the Broadcasting Authority Complaints Committee and considered by the Broadcasting Authority Title No. of Substance of Complaint Decision Complaints Radio Programme "Ordinary Done 1 - Three members of the public - the BA noted that the programme was a talk show Seriously" complained about the captioned broadcast on Saturday afternoons. In a segment (尋常事認真做) radio programme. The substance of entitled " 名 DJ 打比你" (English translation: the complaints was that the random Famous DJs Calling You), the hosts made random (RTHK Radio 2, 20 & 27 November prank calls by the programme hosts phone calls to members of the public, asked if 2010, 4 & 11 December 2010, would exert a bad influence on the they were aware that the hosts were famous DJs, 4:00pm-6:00pm) public and promote prank playing. and chatted about their listening habits. It was noted that most people who received the phone calls simply hung up when they found themselves engaged in nuisance calls from strangers. - the BA noted that although this type of "candid camera" presentation was not uncommon on television and radio programmes, some people found the calls obnoxious and offending. The hosts' remarks and discussion after making the calls were often frivolous, sometimes preceded by a burst of laughter, and seemingly complacent over the meaningless jokes on others. The frivolous tone and presentation of the hosts might give listeners an impression that it was harmless to make prank calls or ridicule people in such a 1 Content of this paper is extracted from the homepage of the Broadcasting Authority: http://www.hkba.hk/en/complaints/archives.html P.1 manner.
    [Show full text]
  • OTT and Related On-Line Services in Arab Region
    OTT and related on-line services in Arab Region Release 1.1 31/01/2017 Reality of OTTs in Arab Region The objective of the study is: 1- to have a global view on OTT and on-line services worldwide with the impact and trends of these services on national players and economies, 2- to have an overview on associated practices and relevant public policies worldwide and in the Region, 3- to propose recommendations on methods and approaches for preparation of associated policies and frameworks. _____________________________ The present document is the first release of the report. A draft questionnaire is proposed with this release and is intended to be submittedfor a survey to Regulators/policy Makers and Operators in the Region. The outcome of the survey with the related findings will be commented and included in a next version of this report. It is to note that, as the subject of OTT is being regularly debated in almost all regions with potential move and change in the related positions and decisions, some information reported in the present report may become outdated. __________________________________________________________________ OTT and related on-line services in Arab Region Executive Summary With the increase of global mobile broadband penetration, as well as the rapid adoption of connected devices, consumers have been provided with an access to a wide variety of on-line services which go beyond the traditional voice and messaging services provided by telecom operators (alias telcos *). These on-line services are reshaping the entire telecommunication eco-system, and are of great benefit to consumers worldwide, to the global economy and ubiquitous connectivity.
    [Show full text]
  • Buyer Role Company Focused Markets What
    BUYER ROLE COMPANY FOCUSED WHAT IS MAIN CRITERIA NEW TYPES OF MARKETS REPLACING LIVE FOR QUICK BUYS CONTENT IN SHOWS / NOW CONSIDERATION TO FURTHER FILL GAPS SPORTS ON TV? Airin Zainul Director Media Prima Berhad Malaysia New Dramas, New Price Animation Kids Animation / Prog Andri Detulong Head of PT. Satuvisi Abadi / Indonesia New Dramas, New Price, Genre Non-Dialogue Programming Onevision Kids Animation / Animation, Dubbed Acquisition Entertainment Prog, Reruns Content In Bahasa Arthit Promprasit Director - Thailand Motion Content Thailand Reruns Price, Quality -- Group Billy Yang Managing Director Chong-I Taiwan New Kids Animation Price, Quality, Genre Animation, International / Prog, Documentary Documentary, Corporation / Factual Drama. Chen Su Chiang Program Purchasing Wonder Singapore New Dramas, Price, Quality Same content Director Hypermedia Documentary / genres – need more Corporation Factual programs Chiyo MORI Manager ABC International Japan New Dramas Price, Quality Mini drama series with less episodes Didi Mukti CEO MOX Digital Indonesia New Dramas, New Price, Quality, eSports Indonesia Kids Animation / Genre, Language Prog, Reruns ATF Buyers Survey | April 2020 www.asiatvforum.com BUYER ROLE COMPANY FOCUSED WHAT IS MAIN CRITERIA NEW TYPES OF MARKETS REPLACING LIVE FOR QUICK BUYS CONTENT IN SHOWS / NOW CONSIDERATION TO FURTHER FILL GAPS SPORTS ON TV? Dominique Ullman Content Director, PT. OONA Media USA New Unscripted Price eSports Oona Global Indonesia Formats, Reruns Doris Ng Senior Manager - Medialink China New Dramas,
    [Show full text]
  • Table of Contents
    TABLE OF CONTENTS PAGE Introduction ANANDA KRISHNAN PROFILE AND BACKGROUND 3 - 8 MAXIS COMMUNICATION COMPANY PROFILE 9 - 12 ASTRO COMPANY PROFILE 13 - 20 STYLE OF LEADERSHIP 21 - 24 LEADERSHIP THEORY ADAPTATION 25 Conclusion 26 References 27 1 (a) Background of the leader: the aim of this section is to know and understand the leader as a person and the bases for his/her success. The data and information should be taken from any published sources such as newspapers, company reports, magazines, journals, books etc. INTRODUCTION ANANDA KRISHNAN Who is Ananda Krishnan? According to a report then by Bernama News Agency, the grandfathers of Tan Sri T. Ananda Krishnan and Tan Sri G. Gnanalingam had been brought to Malaysia from Jaffna by British colonial rulers to work in Malaysia¶s Public Works Department, a common practice then as Jaffna produced some of the most educated people in the whole country. Tan Sri Gnanalingam himself told one of our ministers that he wants to put something back into this country because his grandfather was Sri Lankan," Deputy Director-General of Sri Lanka's Board of Investment (BOI) Santhusht Jayasuriya had told a a group of visiting Malaysian journalists then, 2 according to the Bernama 2003 story. Gnanalingam, executive chairman of Malaysia's Westport, held talks with Prime Minister Ranil Wickremesinghe during a visit to Malaysia in 2003 and the former followed up with a visit to Colombo. In the same year a Memorandum of Understanding was formalized in March this year between 'Westport' and the Sri Lanka Ports Authority (SLPA). Westport is keen to invest in Sri Lanka but no formal process has begun.
    [Show full text]
  • Shirley LIN, Requesting Her Service As a Sole Panelist for This Dispute
    (Hong Kong Office) ADMINISTRATIVE PANEL DECISION Case No: HK-2001321 Complainant: Television Broadcasts Limited Respondent: Hu Weisheng Disputed Domain Name: <tvbme.com> 1. The Parties and Contested Domain Name The Complainant is Television Broadcasts Limited, of 10/F, Main Building, TVB City, 77 Chun Choi Street, Tseung Kwan O Industrial Estate, Kowloon, Hong Kong Special Administrative Region (HKSAR). The Respondent is Hu Weisheng, of Hefei, Anhui 230031, People's Republic of China (PRC). The domain name at issue is <tvbme.com>, registered by the Respondent with GoDaddy.com, LLC, of 14455 N. Hayden Road, Suite 219, Scottsdale, AZ 85260, United States of America (USA). 2. Procedural History On February 24, 2020, the Complainant submitted the Complaint in English on domain name <tvbme.com> to the Hong Kong Office of the Asian Domain Name Dispute Resolution Centre (the "Centre"), in accordance with the Uniform Domain Name Dispute Resolution Policy (the "Policy") adopted by the Internet Corporation for Assigned Names and Numbers (ICANN) on August 26, 1999, the Rules for Uniform Domain Name Dispute Resolution Policy Disputes (the "Rules") approved by ICANN on October 24, 1999, and the Asian Domain Name Dispute Resolution Centre Supplemental Rules in effect as of July 31, 2015. The Complainant requested a single person panel. After receiving the Complaint, the Centre, in accordance with the Supplemental Rules, verified that the Complaint complied with the formal requirements of the Rules and the Supplemental Rules. In that regard, on February 24, 2020, the Centre requested the Registrar GoDaddy.com, LLC (the "Registrar") to provide following information within five (5) days if possible: 1.
    [Show full text]
  • Television in Singapore: a Brief Introduction to Its Television Industry
    -Journal of Arts, Science & Commerce ■E-ISSN2229-4686■ISSN2231-4172 TELEVISION IN SINGAPORE: A BRIEF INTRODUCTION TO ITS TELEVISION INDUSTRY Aaron Rao, Lecturer, School of IT, Digital Media & Mass Communication, TMC Academy, Singapore. ABSTRACT TV arrived in Singapore on 15 February 1963 and since its inaugural launch Singapore’s TV industry has undoubtedly developed over the years. In the context of the four theories of the press, it can be quickly concluded that Singapore’s TV industry is Authoritarian by its regulative nature. Despite being a democratic country, the freedom to express freely what is on one’s mind through the use of TV as a medium is still extremely restrictive. As a result, there are many reasons as to why Singapore’s TV industry is still moderately unadventurous, especially where censorship is concerned. As the TV industry in Singapore is operated and fully controlled by the government, the content that appears on TV is usually highly censored, scripted to precision in accordance with the MDA guidelines, non-offensive and contain the usage of propaganda. This paper seeks to give a brief insight into not only the history and transformation of Singapore’s television (TV) industry to what it is today, but also to better understand how the said country’s TV industry currently operates, and how their content is produced as well as the impacts it has around the region. Keywords: Singapore, Television, Ownership, Censorship, Regulation. International Refereed Research Journal ■www.researchersworld.com■Vol.–V, Issue – 3, July 2014 [56] -Journal of Arts, Science & Commerce ■E-ISSN2229-4686■ISSN2231-4172 INTRODUCTION: In the context of the four theories of the press, it can be quickly concluded that Singapore’s TV industry is Authoritarian by its regulative nature.
    [Show full text]
  • Kick, Push, Coast Kick, Push, Coast
    Kick, Push, Coast Kick, Push, Coast Follow China Intercontinental Press Us on Advertising Hotline WeChat Now 城市漫步珠 国内统一刊号: 三角英文版 that's guangzhou that's shenzhen CN 11-5234/GO MARCH 2018 03月份 that’s PRD 《城市漫步》珠江三角洲 英文月刊 主管单位 : 中华人民共和国国务院新闻办公室 Supervised by the State Council Information Office of the People's Republic of China 主办单位 : 五洲传播出版社 地址 : 北京西城月坛北街 26 号恒华国际商务中心南楼 11 层文化交流中心 11th Floor South Building, Henghua lnternational Business Center, 26 Yuetan North Street, Xicheng District, Beijing http://www.cicc.org.cn 社长 President: 陈陆军 Chen Lujun 期刊部负责人 Supervisor of Magazine Department: 邓锦辉 Deng Jinhui 编辑 Editor: 朱莉莉 Zhu Lili 发行 Circulation: 李若琳 Li Ruolin Senior Digital Editor Matthew Bossons Shenzhen Editor Adam Robbins Guangzhou Editor Daniel Plafker Shenzhen Digital Editor Bailey Hu Senior Staff Writer Tristin Zhang Digital Editor Katrina Shi National Arts Editor Erica Martin Contributors Paul Barresi, Sky Gidge, Lena Gidwani, Dr. Kate Gaynor, Bryan Grogan, Winnie Jin, Mia Li, Kheng Swe Lim, Erica Martin, Dominic Ngai, Katrina Shi HK FOCUS MEDIA Shanghai (Head Office) 上海和舟广告有限公司 上海市蒙自路 169 号智造局 2 号楼 305-306 室 邮政编码 : 200023 Room 305-306, Building 2, No.169 Mengzi Lu, Shanghai 200023 电话 : 传真 : Guangzhou 上海和舟广告有限公司广州分公司 广州市麓苑路 42 号大院 2 号楼 610 室 邮政编码 : 510095 Rm 610, No. 2 Building, Area 42, Luyuan Lu, Guangzhou 510095 电话 : 020-8358 6125 传真 : 020-8357 3859 - 816 Shenzhen 深圳联络处 深圳市福田区彩田路星河世纪大厦 C1-1303 C1-1303, Galaxy Century Building, Caitian Lu, Futian District, Shenzhen 电话 : 0755-8623 3220 传真 : 0755-6406 8538 Beijing 北京联络处 北京市东城区东直门外大街 48 号东方银座 C 座 G9 室 邮政编码 : 100027 9G, Block C, Ginza Mall, No.
    [Show full text]
  • Chris Graves
    Christopher Graves President & Founder Ogilvy Center for Behavioral Science Christopher Graves was named founding President of the Ogilvy Center for Behavioral Science in 2017 after serving 12 years as Global Chairman, Global CEO, and Regional (APAC) CEO for Ogilvy Public Relations. He also served as a member of the Ogilvy & Mather Worldwide Board and Executive Committee. Graves joined Ogilvy after two decades in media and news, including 18 years with Dow Jones & The Wall Street Journal. He also headed all news & programming for the TV networks CNBC Asia and CNBC Europe. Christopher was awarded a prestigious Rockefeller Foundation Bellagio Residency in 2016 for his work in behavioral science in communications. He was elected life member to the Council on Foreign Relations in 2010, the most influential foreign policy think tank in the US. Graves served two terms as chairman of the industry association, PR Council, and as a trustee of the Institute for Public Relations where he co-founded their behavioral insights initiative. Christopher is an active and highly-rated public speaker. He appears as a guest expert on television news, and as a guest anchor on CNBC. He has chaired sessions with world leaders and CEOs at the World Economic Forum (Davos and Summer Davos in China) for more than a decade. He has also been a speaker at the United Nations, SXSW, The Clinton Global Initiative, the World Islamic Economic Forum, and has keynoted hundreds of summits and corporate meetings. Leading two completely sold out sessions at SXSW Awards include: a Rockefeller Foundation Bellagio Residency; ESOMAR World Congress top prize; Marketing Research Society Grand Prix; four WPP Atticus Awards including the Grand Prix (for thought leadership); ICCO Hall of Fame; Campaign Asia Hall of Fame; Top 25 Innovator (Holmes Report); Agency of the Year, Asia Pacific PR Professional of the Year, Asia Pacific Consultancy of the Year; a news EMMY nomination and more than a dozen awards from The New York Film and Television Festivals and the Asian Television Awards.
    [Show full text]
  • PDF Full Report
    Heightening Sense of Crises over Press Freedom in Hong Kong: Advancing “Shrinkage” 20 Years after Returning to China April 2018 YAMADA Ken-ichi NHK Broadcasting Culture Research Institute Media Research & Studies _____________________________ *This article is based on the same authors’ article Hong Kong no “Hodo no Jiyu” ni Takamaru Kikikan ~Chugoku Henkan kara 20nen de Susumu “Ishuku”~, originally published in the December 2017 issue of “Hoso Kenkyu to Chosa [The NHK Monthly Report on Broadcast Research]”. Full text in Japanese may be accessed at http://www.nhk.or.jp/bunken/research/oversea/pdf/20171201_7.pdf 1 Introduction Twenty years have passed since Hong Kong was returned to China from British rule. At the time of the 1997 reversion, there were concerns that Hong Kong, which has a laissez-faire market economy, would lose its economic vigor once the territory is put under the Chinese Communist Party’s one-party rule. But the Hong Kong economy has achieved generally steady growth while forming closer ties with the mainland. However, new concerns are rising that the “One Country, Two Systems” principle that guarantees Hong Kong a different social system from that of China is wavering and press freedom, which does not exist in the mainland and has been one of the attractions of Hong Kong, is shrinking. On the rankings of press freedom compiled by the international journalists’ group Reporters Without Borders, Hong Kong fell to 73rd place in 2017 from 18th in 2002.1 This article looks at how press freedom has been affected by a series of cases in the Hong Kong media that occurred during these two decades, in line with findings from the author’s weeklong field trip in mid-September 2017.
    [Show full text]
  • Market Research 2020
    THE ITALIAN TRADE COMMISSION HONG KONG MARKET RESEARCH FILM 2020 SEPTEMBER F O S B A C K G R O U N D E Hong Kong Current Market Overview L 2 T S T A T I S T I C B A Hong Kong Box Office & Market Trend T 4 N S T A T I S T I C 5 Audio & Visual Equipment Industry E L O C A L F I L M I N D U S T R Y T 7 Loca Industry and Distribution G L O B A L D I S T R I B U T I O N N 8 International Investment and Recognition T E L E V I S I O N I N D U S T R Y O 10 Local TV Industry T R A D E S H O W C 1 1 Hong Kong FILMART A S S O C I A T I O N S 12 Hong Kong Trade Associations (Film Sector) R E F E R E N C E 13 Source and Reference BACKGROUND: V O L U M E 3 , I S S U E 3 HONG KONG CURRENT MARKET OVERVIEW Business Shock Under COVID-19 CINEMA CLOSED DUE TO CORONAVIRUS PANDEMIC Under the tightened social distancing policies announced by the HKSAR government to fight against the coronavirus, cinemas were previously closed twice from March 27 to May 5 and July 15 to August 27 Hong Kong box office receipts plunged by more than 70% in the first six months of 2020 as audiences stayed away and cinemas shut down amid the coronavirus pandemic.
    [Show full text]
  • 2016 Annual Report
    FINANCIAL HIGHLIGHTS Revenue and Prot Attributable to 2016 2015 Change Equity Holders of the Company Revenue (Continuing operations) Prot Attributable to Equity Holders of the Company Performance 6,000 Earnings per share HK$1.14 HK$3.04 -62% Dividends per share 5,000 - Interim HK$0.60 HK$0.60 – - Final – HK$2.00 -100% 4,000 HK$0.60 HK$2.60 -77% 3,000 HK$’mil HK$’mil HK$’ million HK$’ Revenue 2,000 - Hong Kong TV broadcasting 2,707 3,105 -13% - Hong Kong digital new media 1,000 business 230 170 35% - Programme licensing and 0 distribution 1,019 951 7% 2012 2013 2014 2015 2016 - Overseas pay TV operations 169 186 -9% YEAR - Channel operations 90 105 -14% Earnings & Dividends# Per Share - Other activities 191 129 48% - Inter-segment elimination (196) (191) 2% Earnings per Share Dividends# per Share 4,210 4,455 -5% 4.5 HK$’mil HK$’mil 4 Segment (loss)/profit* 3.5 - Hong Kong TV broadcasting (71) 551 N/A 3 - Hong Kong digital new media business (29) 41 N/A 2.5 - Programme licensing and HK$ 2 distribution 444 410 8% - Overseas pay TV operations (40) (30) 31% 1.5 - Channel operations 2 18 -87% 1 - Other activities 27 11 151% 0.5 - Corporate support (33) – N/A - Inter-segment elimination 1 (1) N/A 0 2012 2013 2014 2015 2016 301 1,000 -70% YEAR # excluding special dividend Total expenses∆ 3,888 3,439 13% 2016 Revenue by Operating Segment Profit attributable to equity holders 500 1,331 -62% % relating to 2015 are shown in brackets 31 December 31 December Hong Kong TV 2016 2015 broadcasting HK$’mil HK$’mil 63% (69%) Total assets 12,357 9,113 36%
    [Show full text]
  • Broadcasting Ordinance (Chapter 562) Notice Is Hereby Given That The
    Broadcasting Ordinance (Chapter 562) Notice is hereby given that the Broadcasting Authority has received an application from City Telecom (H.K.) Limited, a company duly incorporated in Hong Kong whose registered office is situated at Level 39, Tower 1, Metroplaza, No. 223 Hing Fong Road, Kwai Chung, N.T., for a domestic free television programme service licence. The particulars of the application in this Notice, as set out below, are provided by City Telecom (H.K.) Limited. Nothing in this notice shall affect or prejudice any powers, discretion and rights of the Broadcasting Authority or the Government. 1. COMPANY INFORMATION Principal shareholders City Telecom (H.K.) Limited (“CTI”) is a publicly listed company in Hong Kong under HKEx (Stock Code: 1137) and the U.S. under NASDAQ (Ticker Symbol: CTEL). As at 6 July 2010, the company’s shares are held by Top Group International Limited (44.42%) and other shareholders including Mr Ricky Wong Wai Kay (0.93%), Mr Lai Ni Quiaque and Mrs Lai Michelle Pek Lian (1.36%), Mr Paul Cheung Chi Kin (2.27%), Worship Limited (3.26%) and general public (47.46%). Compliance with statutory requirements (a) CTI submits that it is a company registered and incorporated in Hong Kong under the Companies Ordinance (Cap. 32) in 1992. (b) CTI submits that it is not a subsidiary of a corporation1. (c) CTI submits that the company and all persons exercising control of the company will be and remain fit and proper persons2. 1 Section 8(3) of the Broadcasting Ordinance and section 2 of Schedule 4 to the Ordinance prohibit a domestic free television programme service licence to be granted to or held by a company which is the subsidiary of a corporation.
    [Show full text]