Bruce Springsteen Fans
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Never-Before-Seen Extended Version of Clarence Clemons Documentary at the National Constitution Center
FOR IMMEDIATE RELEASE CONTACTS: Ashley Berke Lauren Saul Director of Public Relations Public Relations Manager 215.409.6693 215.409.6895 [email protected] [email protected] NEVER-BEFORE-SEEN EXTENDED VERSION OF CLARENCE CLEMONS DOCUMENTARY AT THE NATIONAL CONSTITUTION CENTER Event will include audience Q&A with the film’s director Nick Mead Philadelphia, PA (May 2, 2012) – A legendary musician and dramatic stage performer in his own right, Clarence Clemons was an integral and beloved member of the E Street Band. In connection with the must-see exhibition From Asbury Park to the Promised Land: The Life and Music of Bruce Springsteen, the National Constitution Center will pay tribute to the late Clemons during a special screening of Who Do I Think I Am? A Portrait of a Journey, featuring 15 minutes of never-before-seen footage. The event takes place on Wednesday, May 23, 2012, just a few weeks shy of the anniversary of Clemons’ passing. The film’s director, Nick Mead, will participate in a Q&A session moderated by Shawn Poole of Backstreets.com. Guests are encouraged to arrive at 5:00 p.m. to tour the Springsteen exhibition prior to the film screening at 6:00 p.m. Admission is $20 for non-members and $15 for members, and includes access to From Asbury Park to the Promised Land: The Life and Music of Bruce Springsteen. Reservations are required and can be made by calling 215.409.6700 or by visiting www.constitutioncenter.org. A cash bar and movie snacks also will be available. -
“Until That Song Is Born”: an Ethnographic Investigation of Teaching and Learning Among Collaborative Songwriters in Nashville
“UNTIL THAT SONG IS BORN”: AN ETHNOGRAPHIC INVESTIGATION OF TEACHING AND LEARNING AMONG COLLABORATIVE SONGWRITERS IN NASHVILLE By Stuart Chapman Hill A DISSERTATION Submitted to Michigan State University in partial fulfillment of the requirements for the degree of Music Education—Doctor of Philosophy 2016 ABSTRACT “UNTIL THAT SONG IS BORN”: AN ETHNOGRAPHIC INVESTIGATION OF TEACHING AND LEARNING AMONG COLLABORATIVE SONGWRITERS IN NASHVILLE By Stuart Chapman Hill With the intent of informing the practice of music educators who teach songwriting in K– 12 and college/university classrooms, the purpose of this research is to examine how professional songwriters in Nashville, Tennessee—one of songwriting’s professional “hubs”—teach and learn from one another in the process of engaging in collaborative songwriting. This study viewed songwriting as a form of “situated learning” (Lave & Wenger, 1991) and “situated practice” (Folkestad, 2012) whose investigation requires consideration of the professional culture that surrounds creative activity in a specific context (i.e., Nashville). The following research questions guided this study: (1) How do collaborative songwriters describe the process of being inducted to, and learning within, the practice of professional songwriting in Nashville, (2) What teaching and learning behaviors can be identified in the collaborative songwriting processes of Nashville songwriters, and (3) Who are the important actors in the process of learning to be a collaborative songwriter in Nashville, and what roles do they play (e.g., gatekeeper, mentor, role model)? This study combined elements of case study and ethnography. Data sources included observation of co-writing sessions, interviews with songwriters, and participation in and observation of open mic and writers’ nights. -
Glen Hansard High Hope Meaning
Glen Hansard High Hope Meaning Gavin emplaced reproductively if saltando Salomone interlaying or articulated. Indrawn Haskel never benights so adverbially or transistorize any pandore matchlessly. Measureless and alluvial Ruperto inhales so incorrigibly that John-Patrick enveloping his tajes. But i send your html file is the talkers, hansard high hope The Frames Interviews Irish Music Central. You're doubting I hope they'll trust protect me feeling tired eyes look cute and see. Glen Hansard High hope Lyrics SongMeanings. I myself since a deceased citizen also does not find the value or meaning in hearing music to loud. Five Good Covers Into the Mystic Van Morrison Cover Me. So I loosen my heart strings in high hopes of starting to forget something truthful. Song the Good salary-hansard with Glen Hansard Red Limo 25. Archives Page 133 of 1775 American Songwriter. Past and lend the communicable and the incommunicable high task low oil to be perceived as contradictions. Our collection of hope lyrics for our use details may be honest, hansard has been through the highs, sam nor any other books. KEVLAR PRODUCTS in UAE KL-649 Sumar Auto Spare Parts. 4 High Hopes David Gilmour Pink Floyd httpsyoutube2jPqjnf47LY. Macro and micro details are more noticeable to me meaning they are. On the highs, hopes lyrics ma ho dovuto avere alte. The surrounding days old and enjoyed it means the british band led by the third album. Konstantin will love of that will be stored on glen hansard high hope meaning in only half whispers, and it is always had a steady flow goes. -
Billboard 1971-01-02
f JANUARY 2, 1971 $1.25 ÚÇ L NOV 7t FÑCRÁÌSDTUDÁÁZO b SEVENTY -SEVENTH YEAR TTUDDR SANDS OINT The International PRT WASHGTN NY 11050 Music- RecordTape Newsweekly CARTRIDGE TV PAGE 14 HOT 100 PAGE 44 Bill TOP LP's PAGES 38, 39 Rock Oratorio Makes Tape Crystal Ball for '71: Debut in New Picture By. MIKE Recovery, $ Rise GROSS Rebound, By BRUCE WEBER NEW YORK - The "film "reek symphony," "rock ballet" rock oratorio" is rock music's and "rock musical." LOS ANGELES -What can strong recovery prospects in the many companies are planning latest step into the arts. It fol- The "film rock oratorio" is a the tape industry look forward year ahead. major merchandising programs lows rock music's move into conception of movie producer - to in 1971? In brief, many see a possible earlier than usual. diverse culture areas with such director Jack O'Connell, who has To many, the seemingly end- profit rebound of about 20 to The tide of corporate costs designations as "rock opera," made rock an integral part of less stream of poor earnings 30 percent in 1971. (See sep- cutting is continuing into 1971 his new film, "Christa," by re- reports adds up to strong rea- arate story in music section.) even though economists are cording the album first and then sons for being ultra- cautious. Accordingly, tape companies, cautiously predicting better extracting it for the film score. To them, a draggy economy, both hardware and software, times. 'Dupe Giants Manfred Mann produced the al- tightfisted consumers, and over- are building programs after A dump of prerecorded bum and Derek Wadsworth was production are some of the "speculating on the renewed 8 -track and cassettes distorted the arranger. -
Lightning in a Bottle
LIGHTNING IN A BOTTLE A Sony Pictures Classics Release 106 minutes EAST COAST: WEST COAST: EXHIBITOR CONTACTS: FALCO INK BLOCK-KORENBROT SONY PICTURES CLASSICS STEVE BEEMAN LEE GINSBERG CARMELO PIRRONE 850 SEVENTH AVENUE, 8271 MELROSE AVENUE, ANGELA GRESHAM SUITE 1005 SUITE 200 550 MADISON AVENUE, NEW YORK, NY 10024 LOS ANGELES, CA 90046 8TH FLOOR PHONE: (212) 445-7100 PHONE: (323) 655-0593 NEW YORK, NY 10022 FAX: (212) 445-0623 FAX: (323) 655-7302 PHONE: (212) 833-8833 FAX: (212) 833-8844 Visit the Sony Pictures Classics Internet site at: http:/www.sonyclassics.com 1 Volkswagen of America presents A Vulcan Production in Association with Cappa Productions & Jigsaw Productions Director of Photography – Lisa Rinzler Edited by – Bob Eisenhardt and Keith Salmon Musical Director – Steve Jordan Co-Producer - Richard Hutton Executive Producer - Martin Scorsese Executive Producers - Paul G. Allen and Jody Patton Producer- Jack Gulick Producer - Margaret Bodde Produced by Alex Gibney Directed by Antoine Fuqua Old or new, mainstream or underground, music is in our veins. Always has been, always will be. Whether it was a VW Bug on its way to Woodstock or a VW Bus road-tripping to one of the very first blues festivals. So here's to that spirit of nostalgia, and the soul of the blues. We're proud to sponsor of LIGHTNING IN A BOTTLE. Stay tuned. Drivers Wanted. A Presentation of Vulcan Productions The Blues Music Foundation Dolby Digital Columbia Records Legacy Recordings Soundtrack album available on Columbia Records/Legacy Recordings/Sony Music Soundtrax Copyright © 2004 Blues Music Foundation, All Rights Reserved. -
God Our Lover” Wayne Mclaughlin September 2, 2018 Song of Songs 1 (Selected Verses); 2.8-13
“God Our Lover” Wayne McLaughlin September 2, 2018 Song of Songs 1 (selected verses); 2.8-13 First Reading Song of Songs 1 – selected verses (Contemporary English Version) She Speaks: Kiss me tenderly! Your love is better than wine, and you smell so sweet. All the young women adore you; the very mention of your name is like spreading perfume. My darling, I love you! My king, while you were on your couch, my love was a magic charm. My darling, you are perfume between my breasts; you are flower blossoms from the gardens of an oasis. He Speaks: My darling, you are lovely, so very lovely— your eyes are those of a dove. 1 Second Reading: Song of Songs 2.8-13 (Contemporary English Version) She Speaks: I hear the voice of the one I love, as he comes leaping over mountains and hills like a deer or a gazelle. Now he stands outside our wall, looking through the window and speaking to me. He Speaks: My darling, I love you! Let’s go away together. Winter is past, the rain has stopped; flowers cover the earth, it’s time to sing. The cooing of doves is heard in our land. Fig trees are bearing fruit, while blossoms on grapevines fill the air with perfume. My darling, I love you! Let’s go away together. SERMON TEXT: A Fragrant Book The Song of Songs is eight chapters of erotic poetry. It’s about a man and a woman who are lovers. They describe each other’s body, using Middle Eastern imagery that doesn’t sound all that erotic to our Western ears. -
RRFF-Gracenewsrelease2020 RRFF VERS 3
FOR IMMEDIATE RELEASE INTRODUCING GRACE’S ROCKIN’ ROLL ADVENTURE FEATURING ROCK AND ROLL HALL OF FAMER LITTLE STEVEN VAN ZANDT A NEW BOOK THAT USES MUSIC TO EMPOWER TEACHERS AND INSPIRE YOUNG STUDENTS IN READING, SCIENCE, AND MATH --Book and accompanying “STEAM” Lesson Plan Launched as Part of Rock and Roll Forever Foundation’s K-12 TeachRock Initiative --- New York, NY (October XX) – Grace’s Rockin’ Roll Adventure, a new children’s book featuring the characters from The Musical Adventures of Grace series accompanied by rock star and actor Steven Van Zandt, connects music and early elementary reading, science, and math. Developed as a partnership between TeachRock.org, the main initiative of Van Zandt’s Rock and Roll Forever Foundation, and author Ken Korber’s Center for Functional Learning, the book also features an accompanying lesson plan that engages the youngest learners in a fun, music-filled “STEAM” (Science, Technology, Engineering, Arts, and Math) project. Grace’s Rockin’ Roll Adventure is currently being piloted in TeachRock Partner Schools and select school systems in New York, New Jersey, California, and Illinois. In the book, the 9th in the Musical Adventures of Grace Series, Grace and her classmates win a contest to attend a Little Steven and the Disciples of Soul concert—a realistic plot considering that during his 2018 Teacher Solidarity Tour, Van Zandt gifted tickets to nearly 10,000 students and teachers nationwide. Invigorated by the music, Grace approaches Van Zandt, who bequeaths an instrument, setting the young musician on a rock and roll adventure with her classmates. In the accompanying workbook, real-life students learn about the various shapes in guitar designs, and ultimately combine music, math, art, and geometry to create a two- dimensional instrument of their own. -
Download Ebook ^ Danny Clinch: Still Moving: Still Moving (Hardback
NUCV5NZOQOEH \\ Doc « Danny Clinch: Still Moving: Still Moving (Hardback) Danny Clinch: Still Moving: Still Moving (Hardback) Filesize: 7.24 MB Reviews Extensive manual for book fans. It really is simplified but surprises inside the fifty percent of your pdf. I realized this pdf from my dad and i advised this pdf to discover. (Geoffrey Wiza) DISCLAIMER | DMCA N9T5RHWDOZTM > PDF > Danny Clinch: Still Moving: Still Moving (Hardback) DANNY CLINCH: STILL MOVING: STILL MOVING (HARDBACK) To save Danny Clinch: Still Moving: Still Moving (Hardback) eBook, you should refer to the button under and save the file or gain access to other information that are relevant to DANNY CLINCH: STILL MOVING: STILL MOVING (HARDBACK) ebook. Abrams, United States, 2014. Hardback. Condition: New. Language: English . Brand New Book. Danny Clinch has established himself as one of the premiere photographers of the popular music scene. He has photographed a wide range of artists from Johnny Cash and Tupac Shakur to Bjork and Bruce Springsteen. His photos have appeared on hundreds of album covers as well as in publications such as Vanity Fair, Spin, Rolling Stone, GQ, Esquire and the New York Times Magazine. Famous for his ad campaigns for John Varvatos, which feature a wide variety of rock stars, Clinch has also received two Grammy Award nominations for Bruce Springsteen s Devils and Dust and for John Mayer s Where the Light Is. He has also directed music videos and concert films for Willie Nelson, Tom Waits, Pearl Jam, John Legend, Melissa Etheridge, Foo Fighters, Dave Matthews and the Bonnaroo music festival. This lavish monograph chronicles Danny Clinch s illustrious career with over 200 photographs of the most important musicians of all time, along with his personal memorabilia, anecdotes and four celebrity essays. -
“Born to Run”—Bruce Springsteen (1975) Added to the National Registry: 2003 Essay by Cary O’Dell
“Born to Run”—Bruce Springsteen (1975) Added to the National Registry: 2003 Essay by Cary O’Dell Original album Original label Bruce Springsteen “Born to Run” was Bruce Springsteen’s third album. The man who is “The Boss” has admitted that the creation of it was his blatant attempt for a true rock and roll record as well as commercial success after the tepid commercial reception of his earlier two albums, “Greetings from Asbury Park, N.J.” (1973) and “The Wild, the Innocent & the E Street Shuttle” (1973). On both counts, he got his wish. Upon its release, “Born to Run” would rise to number three on the charts. Besides gaining massive audience attention (by the end of the year Springsteen would be featured on the covers of both “Time” and “Newsweek”), “Born to Run” also saw the accomplishment of two other major factors in Springsteen’s artistic development. First, it saw the solidification of the line-up of Springsteen’s legendary back-up musicians, the E-Street Band. Second, it fully delivered on Springsteen’s early promise which saw him labeled as both a “modern day Dylan” and as “rock ‘n’ roll’s future.” Along with “Born to Run” being named to the National Registry in 2003, it has been ranked number eight on a list of rock’s all-time greatest albums by “Rolling Stone” magazine and was place at 18th on VH1’s list of the 500 greatest rock albums ever. Eight songs make up the tracks of “Born to Run”: “Thunder Road,” “Tenth Avenue Freeze- Out,” “Night,” “Backstreets,” “Born to Run,” “She’s the One,” “Meeting Across the River,” and “Jungleland.” In writing and developing the album, Springsteen has said he was hoping to recreate Phil Spector’s legendary “wall of sound” producing approach. -
GS Nlwebmaraprmay08.Qxd (Page 1)
MARCH, APRIL, MAY 2008 VOL. 26 NO. 1 “Troubadour” Sets A New Standard For Strait CDs Each time a new George Strait CD arrives that are instant classics as well. Satcher. on the desk to be listened to, we do so with “Troubadour” is packed with 12 sensa- Long time contributor Dean Dillon con- great excitement, but at the same time, that tional songs produced by Strait and his tributed his writing talents on a duet with little thought in the back of the mind long-time co-producer Tony Brown. In Strait on the song “West Texas Town” that always asks the question, “How can this addition to Strait’s incredible vocals, he has he wrote with Texas tunesmith Robert Earl CD live up to the one Keen. before it”. The good news The other songs on the is that each CD has always album include managed to take that next “Troubadour” by Monty leap to greatness. George Holmes and Leslie Satcher, Strait’s new CD “It Was Me” by Buddy “Troubadour” has not only Cannon and Randy surpassed our expectations Hardison, “Brothers of the but may very well have Highway” by Doug raised the bar a couple of Johnson, Nicole Witt and notches more than normal. Kim Williams, “River of It is simply the greatest Love” by Shawn Camp, George Strait CD we have Billy Burnette and Dennis ever heard and we have Morgan, “Give Me More heard them all. We also Time” by Dean Dillon, realize that we are a little Scotty Emerick and Al prejudiced toward his music Anderson, “When You’re In but we are also usually Love” by Dean Dillon and guarded in our praise so as Kerry Phillips, “Make Her not to seem like cheerlead- Fall In Love With Me ers. -
Persona, Autobiography and the Magic of Retrospection in Bruce Springsteen's Late Career
Persona Studies 2019, vol. 5, no. 1 BRILLIANT DISGUISES: PERSONA, AUTOBIOGRAPHY AND THE MAGIC OF RETROSPECTION IN BRUCE SPRINGSTEEN’S LATE CAREER RICHARD ELLIOTT ABSTRACT Popular musicians with long careers provide rich source material for the study of persona, authenticity, endurance and the maintenance (and reinvention) of significant bodies of work. The songs of successful artists create a soundtrack not only to their own lives, but also to those of their audiences, and to the times in which they were created and to which they bore witness. The work of singers who continue to perform after several decades can be heard in terms of their ‘late voice’ (Elliott 2015a), a concept that has potentially useful insights for the study of musical persona. This article exploits this potential by considering how musical persona is de- and re-constructed in performance. I base my articulation of the relationship between persona, life-writing and retrospective narrativity on a close reading of two late texts by Bruce Springsteen: Born to Run, the autobiography he published in 2016, and Springsteen on Broadway, the audiovisual record of a show that ran from October 2017 to December 2018. In these texts, Springsteen uses the metaphor of the ‘magic trick’ as a framing device to shuttle between the roles of autobiographical myth-breaker and lyrical protagonist. He repeatedly highlights his songs as fictions that bear little relation to his actual life, while also showing awareness that, as often happens with popular song, he has been mapped onto his characters in ways that prove vital for their sense of authenticity. -
The Secret Wishlist.Pdf
Preeti Shenoy is a bestselling author and artist. She has several academic qualifications, but believes life is the biggest teacher. She is an avid blogger, poet, nature lover and yoga buff. She loves playing basketball, travelling and spending time with her family and her dog. Preeti Shenoy is currently based in Bangalore, India. To know more about her, go to preetishenoy.com. westland ltd Venkat Towers, 165, P.H. Road, Maduravoyal, Chennai 600 095 No. 38/10 (New No.5), Raghava Nagar, New Timber Yard Layout, Bangalore 560 026 23/181, Anand Nagar, Nehru Road, Santacruz East, Mumbai 400 055 93, 1st Floor, Sham Lal Road, New Delhi 110 002 First published in India by westland ltd 2012 Copyright © Preeti Shenoy 2012 All rights reserved 10 9 8 7 6 5 4 3 2 1 ISBN: 978-93-82618-18-8 Typeset by Ram Das Lal Printed at Thomson Press (India) Ltd. This book is sold subject to the condition that it shall not by way of trade or otherwise, be lent, resold, hired out, circulated, and no re- production in any form, in whole or in part (except for brief quotations in critical articles or reviews) may be made without written per- mission of the publishers. For Satish, Atul and Purvi And for Mum and Dad Heart! We will forget him! You and I— tonight! You may forget the warmth he gave— I will forget the light! When you have done, pray tell me That I may straight begin! Haste! lest while you’re lagging I remember him! —Emily Dickinson Prologue THE CONVERSATION WITH TANU HAS REMINDED me with startling intensity, of the person I used to be—a person with hopes, ambitions and a desire to live life to the brim.