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The Chronicle 78Th Year, No
The Chronicle 78th Year, No. 54 Duke University, Durham, North Carolina Friday, November 12, 1982 Candidates outnumber the audience at debate By Larry Kaplow advertising for the debate whereby students are admitted The candidates outnumbered began Tuesday. regardless of their financial- the audience in a debate "A lot of it [the low turnout] need, is not being carried out as between prospective ASDU did have to do with publicity," well as it should be due to a lack officers held at Gilbert-Addoms said Chappell. "I have a feeling of communications between the dormitory Thursday night. Trent and the Rathskeller will school and prospective The debate, which only three have a much better turnout." freshmen. of the five candidates for Chappell also said a similar "'They aren't letting people president attended, was one of debate held at Gilbert-Addoms know when they apply that we three planned by the election last year only attracted about will get the money for them," committee. Other debates are 20 people which he said was not Bruton said. scheduled for Trent Hall, well publicized and was held on Presidential hopeful B.G. Sunday evening at 7:00, and the the night of an ASDU meeting Cutright, a Trinity junior and Rathskeller, Monday evening dealing with housing changes former ASDU parliamentarian, at 7:00. which may have drawn people also stressed financial aid in his According to Doug Chappell, away from the dormitory. platform. PHOTO BY DAVE SHREFFLER ASDU legislator and member of During the debate candidates "I believe a major emphasis Jeffrey Porro speaks during Thursday's convocation. -
Transatlanticana PR
RED HOUSE RECORDS Red House Records: Angie Carlson • [email protected] • (651) 644-4161 BILL KIRCHEN & AUSTIN DE LONE Transatlanticana New Studio Album Unites the Titan of the Telecaster with the Godfather of Pub Rock Recorded in Austin, TX and London, UK with an all star cast Tour and festival dates announced including Hardly Strictly Bluegrass 2016 (August 26, 2016; Red House Records) Bill Kirchen and Austin de Lone team up for a hands-across-the-Atlantic collection with their new studio album, Transatlanticana, out on August 26, 2016 on Red House Records. This long- overdue release unites the pioneers of two major musical movements: Kirchen co-founded the original “Americana” band, Commander Cody and his Lost Planet Airmen, and his trademark Telecaster licks drove their hit “Hot Rod Lincoln” into the Top 10 in 1972. De Lone dropped out of Harvard to start Eggs Over Easy, moving to London and recording with Jimi Hendrix’s producer/manager and The Animals’ bass player Chas Chandler in 1970. The Eggs are the progenitors of British pub rock, the first link in the chain to punk rock, new wave and beyond. Backed by both their all-star British and American bands, Transatlanticana finds Kirchen and de Lone trading songwriting credits and lead vocals on this soulful and rocking collection. They kick it off with the timely “Hounds of the Bakersfield,” a tribute to the late Merle Haggard and the Bakersfield, CA sound. Kirchen and de Lone cut the album in Austin and London, capturing on disc the best of their 30-year collaboration. -
Glenn Tilbrook 2013
GLENN TILBROOK Mention Glenn Tilbrook and most people may immediately think of Squeeze. After all, with his writing partner Chris Difford, Tilbrook was responsible for Top Ten hits all around the world such as “Tempted”, “Hourglass”, “Cool For Cats” and “Up The Junction”. Ever since their first EP in 1977, Squeeze has delighted audiences with their brand of honky-tonk new wave and pithy lyricism, while their stock in the music world has seen the likes of Jools Hol- land, Paul Carrack and Elvis Costello all contribute to their work. However, since an acrimonious split in 1998 Squeeze has been on the backburner. Although you might forgive him for resting on his laurels after 13 albums and countless tours all over the world, Tilbrook has continued to write and perform with the same enthusiasm that he brought to Squeeze’s earliest recordings. With his two solo albums, “The Incomplete Glenn Tilbrook” and “Transatlantic Ping-Pong”, he proved he’s lost none of the joie-de-vivre that became Squeeze’s trademark. For 2009’s album “Pandemonium Ensues”, he injected some fresh faces by recruiting new band The Fluffers and some prestigious guests in the shape of Johnny Depp and Vanessa Paradis. This has been complemented by a conversational live show that is delightfully shambling in its approach – Tilbrook loves blurring the bound- ary between crowd and performer by performing requests and even taking his audience for walkabouts to set up impromptu gigs! Although a Squeeze reunion had always looked unlikely, Tilbrook and Difford’s paths slowly began to cross with more frequency, leading to a series of low-key gigs together in 2007. -
The Story So Far
1. How Long (Ace) 2. Tempted (Squeeze) 3. Silent Running (Live) 4. When You Walk In The Room (Live) 5. The Living Years (2006 Version) 6. I Live On A Battlefield (with the Royal Philharmonic Orchestra) 7. Dedicated (2006 Version) 8. Over My Shoulder (Live from Abbey Road) 9. Love Will Keep Us Alive (Full Version) - Featuring Timothy B Schmit of the Eagles 10. Eyes Of Blue 11. Beautiful World 12. Satisfy My Soul 13. Groovin’ 14. Any Day Now 15. Where Did I Go Wrong? 16. It Ain’t Over 17. What A Wonderful World (with the SWR Big Band) PCARiT14. This Compilation P2014 Carrack-UK. g2014 Carrack-UK Unauthorised copying, reproduction, hiring, lending, public performance and broadcasting prohibited. All rights reserved. Unauthorised duplication is a violation of applicable laws. Paul Carrack-The Story So Far... In my own words 1. How Long Taken from the album Blue Views. Originally released by Ace in 1974 In 1973 I was sharing a one-room bedsit in Camden with my girlfriend (now my wife) Kathy. The band I’d been with for the last 5 years since leaving home and going on the road had finally returned from Germany broke after having our equipment stolen. I reluctantly got a job cleaning cars at Henley’s Cars for the princely sum of 42 pence an hour. When the initial novelty of doing ‘real work’ with overalls and everything, wore off (after about a week) I was thoroughly miserable, apart from the fact that Kathy and I were madly in love. At some point I got a call from Tex Comer, the bass player in the aforementioned band. -
30Th Birmingham International Jazz & Blues Festival July
Photo by Merlin Daleman WWW.BIRMINGHAMJAZZFESTIVAL.COM [email protected] HOTLINE: 0121 454 7020 WWW.BIRMINGHAMJAZZFESTIVALTV.COM TWITTER: @birmjazzfest #brumjazzfest FacebooK.com/birminghamjazzfestival/ www.birminghamjazzfestival.com COUNCILLOR IAN WARD "It is with great pleasure that Birmingham is welcoming the Birmingham International Jazz and Blues Festival for a landmark 30th consecutive year. To mark this occasion the festival is again hosting big names from across the world with 175 performances at over 80 venues across the City. It is particularly impressive to see the festival increasingly attracting musicians from across Europe with France, Hungary, Czech Republic, Italy, Lithuania, Luxembourg, Slovakia and Spain all represented. The festival is an important event in Birmingham’s event calendar and is an opportunity for everyone to see live music and events at different venues making the festival accessible to all. I always enjoy the event and I am looking forward to it again this year. The breadth of Jazz and Blues on offer make this year’s event a must go festival for residents and visitors alike. Let’s hope the Jazz and Blues Festival brings the summer to Birmingham." Ian Ward Deputy Leader of Birmingham City Council Funded by 2 30TH BIRMINGHAM INTERNATIONAL JAZZ & BLUES FESTIVAL 2014 30TH BIRMINGHAM INTERNATIONAL JAZZ & BLUES FESTIVAL 2014 3 ACKNOWLEDGMENTS www.birminghamjazzfestival.com ACKNOWLEDGMENTS Festival Patron: Digby Fairweather Advisory Board: John Hemming MP, Derek Inman, John James, Danny Longstaff, Cllr. Phillip Parkin, John Patrick, THE JAZZ FESTIVAL BOARD Cllr. Rob Sealey Behind this short, sharp celebration of jazz, blues and related music lies many months Festival Director: Jim Simpson Find us on Commercial and Development Director: Tim Jennings facebook.com/birminghamjazzfestival/ of planning and organisation. -
I Know That Name I Know That Name with the SWR Big Band Greatest Hits and Blue Ultimate Version
1. NO DOUBT ABOUT IT SINGLE REMIX 2. I DON’T WANT TO HEAR ANY MORE SINGLE REMIX with Don Henley & Timothy B. Schmit 3. IT AIN’T EASY (TO LOVE SOMEBODY) 4. I DON’T WANT YOUR LOVE (I NEED YOUR LOVE) SINGLE REMIX 5. AIN’T NO LOVE IN THE HEART OF THE CITY SINGLE REMIX 6. STAY AWAKE (I’M COMING HOME) 7. SOUL TO SOUL The London Community Gospel Choir with guest vocals by PAUL CARRACK 8. JUST 4 TONITE SINGLE REMIX 9. LOVE IS THICKER THAN WATER 10. IF I DIDN’T LOVE YOU SINGLE REMIX 11. WHO AM I ? 12. EYES OF BLUE 13. AM I IN THAT DREAM ? 14. HE AIN’T HEAVY, HE’S MY BROTHER PCARiT18 P2014 Carrack-UK. ©2014 Carrack-UK. Unauthorised copying, reproduction, hiring, lending, public performance and broadcasting prohibited. All rights reserved. Unauthorised duplication is a violation of applicable laws. Produced by Paul Carrack except as stated Executive Producer Dave Robinson Album mastered by Jeff Mortimer at www.jm-mastering.co.uk Remastered by Graham Bonnett Special thanks to Nigel Bates for ten years of technical and moral support Tour management Alan Wood +44(0)114 258 0338 PO BOX 450, Rickmansworth, England, WD3 5YZ www.paulcarrack.net Photography Dave Robinson Original design: Ian Ross and Dave Robinson iTunes redesign: ianrossdesigner.com NO DOUBT ABOUT IT SINGLE REMIX Written by Paul Carrack. Copyright Control Used to be superstitious Lookin’ out for a hidden sign Always crossing my fingers But I was wasting my time I was searching for something But I’m not lookin’ any more Because you took some persuading But it was worth waiting for There’s -
What Makes the SQ2 Drum System Special? It Is Not Only the Variety of Choices
Your pulse. Your expression. Your performance. Express yourself in a unique way. With instruments that are as unique as you are. Do not compromise. Choose the tools that enhance your musical “Whether he’s melding drums and explosions for an all-out aural assault or laying the foundation in the studio, Christoph Schneider’s drumming has provided the backbone for Rammstein’s rise as the identity. That allow for variety and depth, for sensitivity and response. Experience the SQ2 Drum System and discover the ultimate in custom drums. most successful German-language band of all time. His pounding beats slam home at an almost primal level, yet they have an undeniable groove and a song-oriented structure that is often absent in such aggressive music.”* * © Modern Drummer Magazine Photo: Rossi Rossberg Photo: Rossi YOUR SIGNATU RE IN SOUND SCHNEIDER - RAMMSTEIN CHRISTOPH FROM OUR HANDS TO YOURS We at Sonor share a certain dedication to detail when making drums. It is a We hand select the finest wood from environmental friendly sources for SQ2 The Sonor shell making process is the result of decades of research and CLTF stands for Cross Laminated Tension Free – a process that gives each shell Each shell is created to OSM Optimum Shell Measurements for optimized contact Sonor drum shells feature a 45° bearing edge, designed and introduced by us drum shells and veneers. experience and unique in it’s kind. superior stability and acoustic quality and requires no internal pressure on the shell. of the drum head, giving excellent tone and ease of tuning. already in 1975, for maximum resonance and sustain. -
Big Daddy's Ultimate Playlist!
BIG DADDY’S ULTIMATE PLAYLIST! It's simple. I scroll through my iPod and when I come upon an artist that I have at least 15 songs by, I then pick one AND ONLY ONE song to make THE ULTIMATE PLAYLIST. (The number next to the artist is how many songs I have by that artist on my I-pod) A AC/DC... 17... YOU SHOOK ME ALL NIGHT LONG ARETHA FRANKLIN... 27... RESPECT Came close to selecting the live DR. FEELGOOD off ARETHA IN PARIS, but there is no denying the power and majesty of RESPECT. After a gazillion listens, it STILL rocks. AL GREEN... 16... LET’S STAY TOGETHER ALANIS MORISSETTE... 15... THE COUCH What can I say? I loved her first two CD's which is how she ended up with EXACTLY 15 songs ARTIE SHAW... 21... DANCIN’ IN THE DARK B THE BAND... 18... RAG, MAMA RAG B-52S... 15... PLANET CLAIRE BARRY WHITE... 16... YOU’RE MY FIRST, MY LAST, MY EVERYTHING BEACH BOYS... 116... GIRLS ON THE BEACH I know what you're thinking, this should be GOD ONLY KNOWS or a million others, but this one just floors me with it's staggering harmonies and innocence and it's also one of the first Beach Boy tunes I ever heard . BEATLES... 198... YOU CAN’T DO THAT No, I'm not kidding. BEASTIE BOYS... 25... SURE SHOT BEN FOLDS... 32... SONG FOR THE DUMPED BENNY GOODMAN... 22... WHAT’S NEW BOB DYLAN... 115... LIKE A ROLLING STONE I could have easily went with Adam's pick or many others, but ROLLING STONE gives you six minutes worth of Bob. -
Zak Nicholson Creates Intimate Atmosphere for Paul Carrack Tour
Zak Nicholson Creates Intimate Atmosphere for Paul Carrack Tour LONDON – English singer-songwriter MK2 Spot and 18 Maverick MK2 Wash fixtures Paul Carrack has one of those instantly supplied by Isophase, running his show with recognizable pop voices. Dubbed “The Man a ChamSys MagicQ MQ80 console. with the Golden Voice” by the BBC, Carrack is best known for his Mike & the Mechanics Having already incorporated a number of hits such as “The Living Years” and “Over My Maverick Spot and Wash fixtures on last Shoulder.” Aside from penning classic pop year’s Carrack tour, Nicholson didn’t hesitate hits and working with big name artists such to specify the fixtures for 2019. “We decided as Elton John, Eric Clapton and Roger Waters, to go with the Mavericks again as we were Carrack has also established an illustrious super impressed with the output of both the solo career. Spot and Wash, which have held their weight even against 1000W discharge fixtures,” For the artist’s tour in support of his latest solo commented Nicholson. “The combination of album, These Days, LD Zak Nicholson was both fixtures gave us a number of options with tasked with providing an intimate palette of which to create different atmospheres within visuals in support of Carrack’s two-hour long the set. This ranged from more upbeat rock set. Nicholson accomplished this with help numbers to incredibly emotive and intimate from nine CHAUVET Professional Maverick acoustic songs.” The Maverick Spot units were selected for the we could run them at around 15%-20% output tour because of their excellent CMY + CTO most of the time, which gave us a great level color mixing and rendering abilities, in addition of facial front light without having to push the to their punchy 440W intensity. -
Still Groovin
All songs from the albums GROOVIN and STILL GROOVIN harvest for the world sunny too busy thinkin’ bout my baby crazy love baby I need your lovin’ walk on by what does it take any day now cover me with you in mind ain’t no sunshine groovin’ you’ve got a friend into the mystic people get ready warm and tender love it’s growing i wish it would rain One sunny day back in June l was messing about in my studio as usual when l found myself gazing out of the window singing 'Groovin’ on a Sunday afternoon', remembering my days as a young lad in Sheffield, gigging around the dancehalls and clubs, dreaming of sitting behind a big old Hammond B3 organ and becoming a Young Rascal. ln no time l was laying down a track just for fun (the joy of a home studio). Later, having played the track to some pals, we found ourselves reminiscing about the great songs of that era, which had been the soundtrack of our lives. The vibrant sound of Motown that combined beautiful melodies, uplifting grooves and hair-raising vocal performances; the aching poetry of Bacharach and David and later, the magic of Van the Man. lt wasn't long before the lists were being compiled and the whys and wherefores debated. ls it okay to dabble with the greats or is it sacrilege? All l know is, l've had a great time making this album. What a pleasure just to enjoy the great work of the mastercraftsmen without any of the pain. -
This Here... “...Sucked All the Creative Air out of the Rooms...” (H Waldrop)
ISSUE #14 This Here... “...sucked all the creative air out of the rooms...” (H Waldrop) into seeing this latest epic asap, especially given the good EGOTORIAL buzz surrounding it. But no, not in this case. I was vaguely reminded of my unwillingness to go see the original Star BB complains that we rarely sit and watch anything on TV Wars, in that case primarily because I was put off by the together (with the possible exceptions of TNA Wrestling, relentless hype. When The Empire Strikes Back came out, I which I’ve managed to get her into, and the local news at saw both in a special double feature at the local flick nearest dinner time). This isn’t really surprising, since when I’m to Tufnell Park, where I was then living, and reflected working (most of the time since September, but sadly not so afterwards that I was glad I hadn’t given in on the first one, much this month), I’m ready for bed around 8 since I get up since although I liked Empire a lot, the first one, eh, not so at 4am or so most days, and in any case whereas her taste much, since it suffers from the same problem as the later runs to whatever is on the Hallmark or Lifetime channels, Lord of the Rings epics, in that the central character, be it mine is an eclectic mix of rasslin’, MSNBC and Family Guy Frodo Baggins or Luke Skywalker, is an insufferable little tit. reruns. Overall I thought Nevertheless, the newest this Valentine’s incarnation of weekend I was Star Trek was persuaded to bloody good! I participate in the especially liked purchase of a the neat, if pay-per-view obvious movie for explanation for Saturday night, the continuity which is how I differences between this and finally got to see Spot the insufferable tit the J.J. -
The Singles Collection (2000-2017)
ALL THE CARRACK-UK SINGLES FROM 2000-2017 These are all the UK singles from 2000 to 2017 released on my own label, Carrack-UK, set up in 2000. Hope you enjoy them. 01 SATISFY MY SOUL Taken from the 2000 album Satisfy My Soul (03:29) First release on Paul’s own label, Carrack-UK. Produced and performed by Paul Carrack Written by Paul Carrack / Chris Difford. Published by EMI Music 02 MY KIND Second single from Satisfy My Soul (04:26) Produced and performed by Paul Carrack Written by Paul Carrack. Published by EMI Music 03 HOW WONDERFUL Third single from Satisfy My Soul (03:49) Produced and performed by Paul Carrack Words: Chris Difford / Music: Paul Carrack. Published by EMI Music 04 GROOVIN First single from the 2001 album Groovin (02:43) Produced and performed by Paul Carrack Written by Cavalier/Brigati. EMI Music Publishing Ltd. 05 ANY DAY NOW Double-A side single from Groovin (03:39) Produced and performed by Paul Carrack Written by Bacharach / Hillard. Published by Windswept Pacific Music Ltd. / Bourne Music Ltd. 06 WALK ON BY Double-A side single from Groovin (02:48) Produced and performed by Paul Carrack Written by Bacharach/David. Published by Windswept Music (London) Ltd. / Universal / MCA Music Ltd. 07 SUNNY Third single from Groovin (03:18) Produced and performed by Paul Carrack Written by Bobby Hebb. Published by Campbell Connelly & Co. Ltd. 08 WHERE DID I GO WRONG? First single from the 2003 album It Ain’t Over (03:24) Produced by Paul Carrack Written by Paul Carrack.