DOCSLIB.ORG

AFM Halifax Featured Performers AFM Halifax Tuesday, April 26 Brogue Saxophone Quartet

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
AFM Halifax Featured Performers AFM Halifax Tuesday, April 26 Brogue Saxophone Quartet 1 Welcome to the Festival! New Xeno Trumpets We’ve been working hard to INDEX prepare for you. It has long been our philosophy to create a fun Halifax Adjudicators 2 environment with many musical London Adjudicators 9 learning opportunities. We hope Halifax Performance Schedule 10 you take time to benefit from the Halifax Clinics Schedule 15 variety of experiences: featured Long & McQuade Awards 15 performances, clinics, workshops, Featured Concerts & Dances 16 and listening to other participating Halifax Featured Performers 17 groups. Enjoy the music, the London Featured Performers 19 beautiful surroundings, and take London Performance Schedule 22 home lasting memories. Thank You Atlantic Festivals of Music would not be possible without the generosity of our Presenting Sponsors and Supporters. Presenting Sponsors Supporters Innovation that Inspires The entire Xeno Series of Bb Trumpets has been completely redesigned Raising the Bar... Again y 1 AFM Halifax Adjudicators EXCELLENT SERVICE. Full bios available at atlanticfestivals.com Stay Smart... PERSONALIZ ED RESULTS. CREATIVE SOLUTIONS. Dennis Beck Nathan Beeler Stay on Campus. Dennis Beck earned Nathan Beeler is two undergraduate a music educator, MOUNT SAINT VINCENT UNIVERSITY degrees from Western conductor and University, and performer from completed a graduate Halifax, Nova Scotia. program in conducting He is currently the from the University department head of the of Calgary. For twenty Halifax All City Music years he taught music, coached soloists Program, the Halifax City Schools Orchestra. and chamber ensembles, and conducted He has been resident conductor for bands at Unionville High School’s Arts York several Halifax ensembles including Scotia program in Markham, Ontario. He has Brass and the Dalhousie University Wind been a sessional lecturer for the Faculty of Ensemble and is a regular guest conductor Education at the University of Toronto, a with Nova Sinfonia and the Chebucto conductor at Alberta College Conservatory, Symphony Orchestra. Nathan holds an and was formerly a clarinettist with the undergraduate degree in music education Edmonton Wind Sinfonia and the CBC’s from Acadia University, and a Master’s Edmonton Wind Ensemble. He was a degree in conducting from the University www.msvu.ca/stay founding director and past-president of the of Manitoba, where he studied with Earl [email protected] Ontario Band Association (OBA). His articles Stafford, former music director of Canada’s 1.866.405.1805 on music education have appeared in Royal Winnipeg Ballet. In 2010, Nathan was several professional journals; since 2000 he a recipient of the Prime Minister’s Award has been a regular contributor to Teaching for Teaching Excellence, one of Canada’s Music Through Performance in Band. highest awards for educators. Dedicated to the Advancement of MUSIC EDUCATION Jeremy Brown Julia Davids for over 30 years. Dr. Jeremy Brown is a Dr. Julia Davids is the www.jupitercanada.com renowned Canadian Artistic Director of the saxophonist, woodwind Canadian Chamber doubler, teacher, author Choir, Canada’s and conductor. He is professional choir Professor of Music dedicated to building and former Head of communities through the Music Department choral singing. Julia has at the University of Calgary. He has been led workshops and master classes for choirs both an artist-in-residence and a visiting and conductors throughout Canada and the lecturer at the Banff Centre. In 2014 he US including at the National conferences of was awarded the inaugural University of the Canadian Music Educators’ Association Calgary Faculty of Arts Teaching Award. He (Winnipeg) and the National Association of was conferred the title “Canadian Music Teacher’s of Singing (Boston), the Central Ambassador” by the Canadian Music Centre Division Conference of the American Choral in 2009 for his work promulgating music Directors Association (Chicago), and the by Canadian composers. In 2007 he was Symposium on Singing and Song (St. John’s). awarded the David Peterkin Award for his Julia is the Stephen J. Hendrickson Associate contribution to music education in Alberta. Professor and Chair of Choral Activities at Dr. Brown is the founding artistic director of North Park University, Chicago. She directs the Rubbing Stone Ensemble, and a former the North Shore Choral Society, and is conductor and founding artistic director of Director of Music Ministries at Trinity United the National Concert Band of Canada. Methodist Church, Wilmette. 2 Jupiter AFM-TFM 2015.indd 1 2015-02-18 10:10 AM3 AFM Halifax Adjudicators Full bios available at atlanticfestivals.com Gary Ewer Michel Fortin Gary Ewer is a Nova Michel Fortin received his Scotia-based composer, Masters degree in music arranger, and clinician. and education from He is also a conductor Montréal University. of choirs, bands and He has been a music orchestras. His works teacher and head of have been performed the music department and recorded by the at Monseigneur Parent Halifax Camerata Singers, the Cape Breton High School in Saint-Hubert, Québec, for Chorale, Symphony Nova Scotia, Rhapsody more than 30 years. As an adviser with Quintet, and the Elmer Isler Singers. He the Ministry of Education for the music is the author of Easy Music Theory by Gary curriculum, Michel worked for many years in Ewer, a complete CD-ROM course in music close collaboration with Université du Québec rudiments published by Spring Day Music. à Montréal in training future music teachers. He has also authored The Essential Secrets of Michel has launched the Douance-musique Songwriting, a set of ebooks for developing project in the Marie-Victorin School Board; songwriters. Gary taught for 13 years in he is also the founder and musical director the Halifax Regional School Board, and of concert bands in the Chambly Regional, was a senior instructor for several years Taillon and Marie-Victorin school Boards. For at Dalhousie University, where he taught several years he was a teacher and conductor music theory, aural skills, and conducted at the world renowned music summer camp Dalhousie Coro Collegium and the at Domaine Forget, near Québec City. Dalhousie Chamber Choir. Jamie Gatti Heather Fraser Born in Truro, Nova Heather Fraser is a Scotia, Jamie has a dynamic and energetic reputation for versatility music educator in playing all musical The Vandoren Difference. specializing in choral styles from classical to Reeds, mouthpieces, ligatures and accessories. activities. She is Artistic jazz, rock, Celtic and Director and Conductor theatre. Jamie began of the Annapolis Valley his career in the late Honour Choirs. Previous 1970’s in Halifax. From 1981-94, he toured conducting engagements have included the Canada and the world with the RCMP band, Halifax Regional School Board All City Music’s and also participated in the Ottawa music ensembles, resident conductor of the Nova scene, playing in many jazz clubs, sessions, www.vandoren.com Scotia Youth Choir, apprentice conductor theatre shows and with several orchestras. of Concerto Della Donna (Montréal), and He presently tours and records with the the Thomas’s Preparatory School Choirs Barra MacNeils, plays sessions at CBC, with and Choral Society (London, UK). She Symphony Nova Scotia and at Neptune has also prepared choirs for Symphony Theatre. Jamie has recorded four solo bass Nova Scotia, including a recording project albums with original tunes and rearranged with the Children’s Chorus of Nova Scotia standards. His most recent album Over with SNS and CBC. As a clinician, Heather Time was nominated in the Best Jazz Artist has presented for the Nova Scotia Music category in the 2007 East Coast Music Educator’s Association, the Nova Scotia Awards. Jamie has also been nominated Choral Federation and has adjudicated for ECMA awards with the group Tonic, and for the New Brunswick Competitive Music was a 2007 nominee for Music Nova Scotia’s Festival. Heather serves as Program Director Musician of the year and Jazz Recording of for the Nova Scotia Choral Federation. the Year. 4 Vandoren AFM-ATM 2015.indd 1 2015-02-18 10:11 AM 5 AFM Halifax Adjudicators AFM Halifax Adjudicators Full bios available at atlanticfestivals.com Full bios available at atlanticfestivals.com Brent Ghiglione Ardith Haley Linda Pearse Raised in Moose Jaw, Ardith Haley was Dr. Linda Pearse is Chime In Saskatchewan, Brent awarded the 2013 Assistant Professor at Ghiglione studied Canadian Music Mount Allison University Did you have a great time at at the University of Educators’ Association where she directs the Regina where he Jubilate Award of jazz ensemble and the festival? Learn something graduated with a B.Mus. Merit for significant teaches brass studies. Ed. degree. He also contributions to music Following studies in Jazz especially cool? What could we completed a Diploma of education in Canada. at McGill University and do even better? Fine Arts from the University of Calgary in For the past nine years she has served as the Schola Cantorum (Basel), her career in Wind Band Conducting and Repertoire and Arts Education Consultant for the province Europe included regular performances with a Masters of Education from the University of Nova Scotia, where she is responsible the Stuttgart Philharmoniker, the Stuttgart of Victoria. After teaching at Campbell for the delivery of education programs in Opera House, the Basel Symphony, La Cetra, We want to hear from you! Collegiate for 17 years Brent moved to the dance, drama, music, and visual arts. piano possibile, and the Stuttgart Musical Tell us about your experience University of Regina where he is director of She is also the co-founder and program Theater. Pearse is Artistic Director of the San bands responsible for the Wind Ensemble leader of the Distance Learning Masters Francisco Early Music Baroque Workshop, at atlanticfestivals.com/ and Concert Band. As a trumpet player, Degree in Curriculum Studies with a focus the Sackville Festival of Early Music, and the he is a member of the Regina Symphony on Music Education at Acadia University ensemble ¡Sacabuche! Her critical edition mytestimonial Orchestra and currently leads The Bob in Wolfville, Nova Scotia.
Load more

Recommended publications
  • Tenor Saxophone Mouthpiece When
    MAY 2014 U.K. £3.50 DOWNBEAT.COM MAY 2014 VOLUME 81 / NUMBER 5 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editors Ed Enright Kathleen Costanza Art Director LoriAnne Nelson Contributing Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter,
    [Show full text]
  • For Immediate Release / July 23, 2020 the San Francisco
    Contact: Public Relations San Francisco Symphony (415) 503-5474 [email protected] sfsymphony.org/press FOR IMMEDIATE RELEASE / JULY 23, 2020 Click here to access the Online Press Kit, which includes downloadable images, artist bios, and a PDF of this press release. THE SAN FRANCISCO SYMPHONY LAUNCHES SUMMER 2020 PROGRAMMING Digital programming includes CURRENTS—a four-part series curated and hosted by Michael Morgan in collaboration with San Francisco Symphony musicians and guest artists from the Bay Area CURRENTS Video Series and companion Podcast Series explore the intersections between classical music and Chinese, Jazz, Hip Hop, and Mexican musical cultures CURRENTS Explore & Create further guides conversations, activities, and opportunities for learning, curated and hosted by Daniel Bartholomew-Poyser Summer programming also features intimate, outdoor 1:1 Concerts performed by San Francisco Symphony musicians to one audience member at a time CURRENTS content can be accessed via https://www.sfsymphony.org/CURRENTS SAN FRANCISCO, CA—Today the San Francisco Symphony launches CURRENTS, dynamic online programming featuring music and conversation around the changing perspectives for symphony orchestras today, curated and hosted by conductor Michael Morgan and San Francisco Symphony musicians. CURRENTS includes a four-part video series and companion podcast series, telling the stories and sharing the music of Bay Area communities by highlighting classical music’s changing and symbiotic relationship with vital influences and influencers in Chinese, Jazz, Hip Hop, and Mexican cultures. Both series prompt bespoke performances and candid, personal reflections by members of the San Francisco Symphony and local musicians, personalities, and creators, which reflect a synergy of perspectives.
    [Show full text]
  • 6 April 2021
    6 April 2021 12:01 AM George Frideric Handel (1685-1759) Lascia la spina, from Il Trionfo del tempo e del disinganno Julia Lezhneva (soprano), Wroclaw Baroque Orchestra, Giovanni Antonini (conductor) PLPR 12:09 AM Jacob Obrecht (1457-1505) J'ay pris amours for ensemble Amsterdam Loeki Stardust Quartet NLNOS 12:15 AM Claude Debussy (1862-1918), Felix Greissle (arranger) Prelude a l'apres-midi d'un faune arr. for chamber ensemble Thomas Kay (flute), Canadian Chamber Ensemble, Raffi Armenian (conductor) CACBC 12:25 AM Joseph Haydn (1732-1809) Trio for keyboard and strings in G major (H.15.25) 'Gypsy Rondo' Grieg Trio NONRK 12:40 AM Franz Schubert (1797-1828) Symphony no 3 in D major (D.200) Norwegian Radio Orchestra, Olaf Henzold (conductor) NONRK 01:04 AM Erkki Melartin (1875-1937) Easy Pieces, Op 121 Arto Noras (cello), Tapani Valsta (piano) FIYLE 01:20 AM Sergey Rachmaninov (1873-1943) Variations on a Theme of Corelli, Op 42 Duncan Gifford (piano) AUABC 01:40 AM Ralph Vaughan Williams (1872-1958) Oboe Concerto in A minor Matthias Arter (oboe), I Tempi Chamber Orchestra, Gevorg Gharabekyan (conductor) CHSRF 02:01 AM Paul Dukas (1865-1935) Fanfare from 'La Péri' Polish National Radio Symphony Orchestra, Katowice, Domingo Hindoyan (conductor) PLPR 02:03 AM Paul Dukas (1865-1935) La Péri Polish National Radio Symphony Orchestra, Katowice, Domingo Hindoyan (conductor) PLPR 02:22 AM Samuel Barber (1910-1981) Piano Concerto, Op 38 Garrick Ohlsson (piano), Polish National Radio Symphony Orchestra, Katowice, Domingo Hindoyan (conductor) PLPR 02:51
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 129, 2009
    BOSTON SYMPHONY ORCHESTRA boston" James Levine, Music Director symphony ORCHESTRA Bernard Haitink, Conductor Emeritus JAMES LEV1NE Seiji Ozawa, Music Director Laureate Music Director « 129th Season, 2009-2010 w CHAMBER TEA VI Friday, April 23, at 2:30 COMMUNITY CONCERT IX Sunday, April 25, at 3, at Villa Victoria Center for the Arts, South End, Boston COMMUNITY CONCERT X Sunday, May 2, at 3, at New Life Community Church, Framingham The free Community Concerts are made possible by a generous grant from The Lowell Institute. CATHERINE FRENCH, violin (1st violin in Strauss) IKUKO MIZUNO, violin (1st violin in Brahms) KAZUKO MATSUSAKA, viola (1st viola in Strauss) EDWARD GAZOULEAS, viola (1st viola in Brahms) BLAISE DEJARDIN, cello (1st cello in Strauss) MIHAIL JOJATU, cello (1st cello in Brahms) STRAUSS String Sextet from the opera Capriccio BRAHMS String Sextet No. 1 in B-flat, Opus 18 Allegro ma non troppo Andante, ma moderato Scherzo: Allegro molto; Trio: Animato Rondo: Poco Allegretto e grazioso Weeks 24/25 Richard Strauss (1864-1949) String Sextet from the opera Capriccio Strauss completed Capriccio, the last of his fifteen operas, on August 8, 1941, and the first performance took place in Munich on October 28, 1942. Clemens Krauss, who had also written the libretto, was the conductor, and the role of Countess Madeleine, the main character, was taken by Krauss' s wife, the soprano Viorica Ursuleac. The year 1941 found Strauss and his own wife in poor health, depressed by the war, worried about prospects for their Jewish daughter-in-law and half- Jewish grandson, and dismayed by the ever more chilly treatment the composer was getting at the hands of the German government (Strauss was not a Nazi, but he was not an outspoken opponent either, and he despised the Nazis no more than any other political party).
    [Show full text]
  • Symphony Nova Scotia Fonds (MS-5-14)
    Dalhousie University Archives Finding Aid - Symphony Nova Scotia fonds (MS-5-14) Generated by the Archives Catalogue and Online Collections on January 24, 2017 Dalhousie University Archives 6225 University Avenue, 5th Floor, Killam Memorial Library Halifax Nova Scotia Canada B3H 4R2 Telephone: 902-494-3615 Email: [email protected] http://dal.ca/archives http://findingaids.library.dal.ca/symphony-nova-scotia-fonds Symphony Nova Scotia fonds Table of contents Summary information ...................................................................................................................................... 4 Administrative history / Biographical sketch .................................................................................................. 4 Scope and content ........................................................................................................................................... 5 Notes ................................................................................................................................................................ 5 Access points ................................................................................................................................................... 6 Collection holdings .......................................................................................................................................... 7 Administration and finance records of Symphony Nova Scotia (1984-2003) ............................................. 7 Budgets records of Symphony
    [Show full text]
  • VOICES of REMEMBRANCE a Concert of Music and Readings to Remember Lives Lost but Not Forgotten
    Halifax Camerata Singers Jeff Joudrey, artistic director with Lynette Wahlstrom, piano Curtis Dietz, trumpet VOICES OF REMEMBRANCE A concert of music and readings to remember lives lost but not forgotten November 11, 2020 Halifax Camerata Singers | VOICES OF REMEMBRANCE 1 In Remembrance Remembering and dedicated to … • Those who died in the Second World War that ended 75 years ago, including victims of the 1945 bombings of Dresden and Hiroshima • Six members of the Canadian Armed Forces, serving overseas on HMCS Fredericton, who died in a Cyclone helicopter crash off the coast of Greece in April 2020 • Capt. Jenn Casey, a native of Halifax, NS, who died in an air accident in May 2020 while flying with the Canadian Armed Forces Snowbirds Reading: Crimson Stain Larry Smeets * (b. 1955) Reader: Lt. (N) Simon Hardman Royal Canadian Navy/Canadian Forces Recruiting Group For the Fallen Eleanor Daley * (b. 1955) Curtis Dietz, trumpet In Flanders Fields Christine Donkin * (b. 1976) With Hope and Perseverance Remembering and dedicated to … • The 22 women and men slain on April 19–20, 2020 in Canada’s worst mass shooting, in Portapique and Wentworth, NS Reading: Because We Love, We Cry Sheree Fitch * (b. 1956) Reader: Sheree Fitch, Nova Scotia Author/Poet The Road Home arr. Stephen Paulus (1949–2014) Soloist: Amanda Zadeh, soprano How Can I Keep from Singing Sarah Quartel * (b. 1984) Soloist: Meg Currie, soprano Halifax Camerata Singers | VOICES OF REMEMBRANCE 2 With Love, Empathy and Compassion Remembering and dedicated to … • All who have died at home, in hospital, or in long-term care homes as a result of the Covid-19 pandemic Reading: Texts attributed to Albert Camus Albert Camus (1913–1960) Reader: Amanda Zadeh, BScN, RN Department of Ophthalmology & Visual Sciences, Nova Scotia Health Ubi Caritas Ola Gjeilo (b.
    [Show full text]
  • Forms of Intertextuality: Keith Emerson’S Development As a “Crossover” Musician
    FORMS OF INTERTEXTUALITY: KEITH EMERSON’S DEVELOPMENT AS A “CROSSOVER” MUSICIAN Akitsugu Kawamoto A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Musicology in the Department of Music. Chapel Hill 2006 Approved by Advisor: John Covach Reader: John Nádas Reader: Severine Neff Reader: Allen Anderson Reader: David Garcia © 2006 Akitsugu Kawamoto ALL RIGHTS RESERVED ii ABSTRACT AKITSUGU KAWAMOTO: Forms of Intertextuality: Keith Emerson’s Development as a “Crossover” Musician (Under the direction of John Covach) Despite the broad range of attempts to mix “rock” and “classical” music by “progressive (“prog”) rock” musicians from the late 1960s, many writers on prog rock have interpreted the music in a relatively monolithic manner; they often have interpreted the resulting intertextuality simplistically as an elitist experiment that opposes rock’s populist origin. This could certainly be one interpretation of prog, but it is only one of many; there are additional kinds of possible narratives, according to the specific ways in which the materials are combined and fused. Yet the variety of intertextual approaches has rarely been recognized explicitly, and little analytical or musicological attention has been paid to the distinctly different intertextual styles. Generalized approaches to intertextuality have been common not only within popular music studies, however, but also within many humanistic fields. Since Julia Kristeva’s coinage of the term intertextuality in the late 1960s, theorists of the arts (literature, music, painting, architecture, etc.), sociology, politics, economics, and many other fields, have almost always treated intertextuality in a singular manner, presuming that all intertextual practices are more or less of the same kind.
    [Show full text]
  • Season Highlights Subscribe Now and Save up To
    SEASON HIGHLIGHTS Marc-André Hamelin * Rich Aucoin Giora Schmidt * Meaghan Smith Buck 65 * Mozart’s Requiem Bach’s Christmas Oratorio SUBSCRIBE NOW Vivaldi’s Four Seasons AND SAVE UP TO 35% Holst’s The Planets BUY 10 CONCERTS – it’s like getting 2 FREE! & much more! BUY 6 CONCERTS – it’s like getting 1 FREE! SUBSCRIBE BY SERIES or choose your favourites in a U-Pick! FIRST-TIME SUBSCRIBER? Get your second U-Pick half price! 902.494.3820 or symphonynovascotia.ca SEE YOU THIS SEASON! For tickets call 902.494.3820 or visit symphonynovascotia.ca SEASON 2015 / 16 * 1 2015 / 16 Symphony Nova Scotia is your symphony, and we’re proud to play the great and glorious music of our ancestors, our CONCERT families, and our communities – from classical to Celtic, SEASON baroque to big band, and everything in between. Come join us! Welcome to our new season, headlined by violinist Giora Schmidt! In celebration of the SAVE UP TO 35% WITH SEASON TICKETS 150th anniversary of Sibelius’ Ticket packages are always your best value! Save up to 35% off birth, we are delighted that Giora will play the Finnish composer’s Violin single tickets, reserve the best seats in the house, and get a great Concerto in two all-Sibelius concerts. We are also delighted to introduce set of benefits. you to the exciting Bulgarian conductor Martin Panteleev, the young German pianist Leonie Rettig (performing Ravel), and the star pianist Andre Laplante BEST VALUE – SAVE 20-35% (performing Tchaikovsky) – and we’ll reacquaint you with French horn player VIP PASS: your top-tier, all-series pass Louis-Philippe Marsolais (performing Mozart) and violinist Yi-Jia Susanne CELEBRITY SERIES: our full lineup of classical greats Hou (performing Paganini).
    [Show full text]
  • Halifax Camerata Singers Fonds (MS-5-15)
    Dalhousie University Archives Finding Aid - Halifax Camerata Singers fonds (MS-5-15) Generated by the Archives Catalogue and Online Collections on June 14, 2018 Dalhousie University Archives 6225 University Avenue, 5th Floor, Killam Memorial Library Halifax Nova Scotia Canada B3H 4R2 Telephone: 902-494-3615 Email: [email protected] http://dal.ca/archives http://findingaids.library.dal.ca/halifax-camerata-singers-fonds Halifax Camerata Singers fonds Table of contents Summary information ...................................................................................................................................... 3 Administrative history / Biographical sketch .................................................................................................. 3 Scope and content ........................................................................................................................................... 3 Notes ................................................................................................................................................................ 4 Access points ................................................................................................................................................... 4 Collection holdings .......................................................................................................................................... 4 Posters (1993-2017) .....................................................................................................................................
    [Show full text]
  • University Initiates Self-Study to Prepare for March Visit
    Vol. LIV, No.8 GEORGETOWN UNIVERSITY, WASHINGTON, D.C. Thursday, October 22,1970 University Initiates Self-Study To Prepare For March Visit The University has been divided Association visit in March of next It is hoped that the self-study into twelve sections that are ex- year. will set basic priorities for the amining themselves and which will The twelve divisions consist of 1970's and will clarify George­ report on their findings to the the five undergraduate schools, the town's purposes. Also, according to Middle States Evaluation Commit- Summer School, the Law Center, Fr. Fitzgerald, self-study will help tee, chaired by the Rev. Thomas R. the Hospital, and the Schools of form the basis of the University's Fitzgerald, S.J., academic vice presi- Dentistry and Medicine. Also taking five year and ten year plans. In dent. part in self-study is a committee on addition, self-study should make it The examination process, student life, headed by the Rev. possible "for the President, as he termed "self-study" has been in Robert K. Judge, S.J., dean of men. earnestly wishes, to layout a ten preparation for th; Middle States According to Fr. Fitzgerald, the year program of fund raising." The Rev. Robert K. Judge, S.J., dean of men, has been appointed by Fr. Steering Committee of Self-Study In the letter, Fr. Fitzgerald Fitzgerald to head a committee that will prepare a self-study report on (Middle States Evaluation Commit­ noted various strengths and weak­ student life. tee) will take the twelve reports and nesses of the Law SchOOl, the consolidate them into a final one Medical Center, the Main Campus, hundred page report which will be and the University.
    [Show full text]
  • Download (1MB)
    University of Huddersfield Repository Quinn, Martin The Development of the Role of the Keyboard in Progressive Rock from 1968 to 1980 Original Citation Quinn, Martin (2019) The Development of the Role of the Keyboard in Progressive Rock from 1968 to 1980. Masters thesis, University of Huddersfield. This version is available at http://eprints.hud.ac.uk/id/eprint/34986/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ 0. A Musicological Exploration of the Musicians and Their Use of Technology. 1 The Development of the Role of the Keyboard in Progressive Rock from 1968 to 1980. A Musicological Exploration of the Musicians and Their Use of Technology. MARTIN JAMES QUINN A thesis submitted to the University of Huddersfield in partial fulfilment of the requirements for the degree of Master of Arts.
    [Show full text]
  • 2002 in Review
    Bedford Institute of Oceanography 2002 in Review 40th Anniversary Edition BIO-2002 IN REVIEW 1 Change of address notices, requests for copies, and other correspondence regarding this publication should be sent to: The Editor, BIO 2002 in Review Bedford Institute of Oceanography P.O. Box 1006 Dartmouth, Nova Scotia Canada, B2Y 4A2 E-mail address:[email protected] The cover image is the CSS Hudson in the Canadian Arctic in the late 1980s. © Her Majesty the Queen in Right of Canada, 2003 Cat. No. Fs75-104/2002E ISBN: 0-662-34402-2 ISSN: 1499-9951 Aussi disponible en français. Editor: Dianne Geddes, BIO. Editorial team: Shelley Armsworthy, Pat Dennis, and Bob St-Laurent. Photographs: BIO Technographics, the authors, and individuals/agencies credited. Design: Channel Communications, Halifax, Nova Scotia. Published by: Fisheries and Oceans Canada and Natural Resources Canada Bedford Institute of Oceanography 1 Challenger Drive P. O. Box 1006 Dartmouth, Nova Scotia, Canada B2Y 4A2 BIO web site address: www.bio.gc.ca INTRODUCTION Anniversaries, in this case our 40th, are an opportunity for both celebration and reflection. We very much enjoyed our year of celebrations. Open House 2002, the special lecture by David Suzuki, the Symposium on the Future of Marine Science, and the Symphony Nova Scotia concert all contributed to the sense of community that is a strong characteristic of the Institute. The lectures by Dale Buckley (during the opening ceremonies for open house) and by Bosko Loncaravic (the first lecture of our symposium) provided rich memories of research high- lights over four decades. Both talks emphasized the key role of scientific advice to the government of Canada (such as input to the Gulf of Maine boundary dispute decided upon at the World Court in The Hague and the Arrow oil spill in Chedabucto Bay).
    [Show full text]