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Pink Floyd ‘The Early Years 1965-1972’
PINK FLOYD ‘THE EARLY YEARS 1965-1972’ †previously unreleased 1965-67 CAMBRIDGE ST/ATION CD 1: CD 2: 1965 Recordings*: Live in Stockholm 1967: † 1. Lucy Leave* 2.57 1. Introduction 0.25 2. Reaction in G† 7.18 2. Double O Bo* 2.57 † 3. Remember Me* 2.46 3. Matilda Mother 5.34 4. Pow R. Toc H.† 11.56 4. Walk With Me Sydney* 3.11 5. Scream Thy Last Scream† 4.00 5. Butterfly* 3.00 † 6. I’m A King Bee* 3.13 6. Set The Controls For The Heart Of The Sun 7.17 7. See Emily Play† 3.16 7. Arnold Layne 2.57 † 8. See Emily Play 2.55 8. Interstellar Overdrive 8.57 9. Apples And Oranges 3.05 10. Candy And A Currant Bun 2.45 Please note: the above tracks feature vocals recorded at a less than optimum level 11. Paintbox 3.48 12. Matilda Mother (2010 mix) 4.01 † John Latham (studio recordings 1967) 13. Jugband Blues (2010 mix) 3.01 † † 9. John Latham Version 1 4.32 14. In The Beechwoods (2010 mix) 4.43 † † 10. John Latham Version 2 5.06 15. Vegetable Man (2010 mix) 2.32 † 16. Scream Thy Last Scream (2010 mix)† 4.43 11. John Latham Version 3 3.45 12. John Latham Version 4† 2.59 † Total: 52 mins, 24 secs approx. 13. John Latham Version 5 2.48 † Tracks 1-11 mono. 14. John Latham Version 6 3.17 15. John Latham Version 7† 2.36 Tracks 12-16 stereo † 16. -
Harvest Records Discography
Harvest Records Discography Capitol 100 series SKAO 314 - Quatermass - QUATERMASS [1970] Entropy/Black Sheep Of The Family/Post War Saturday Echo/Good Lord Knows/Up On The Ground//Gemini/Make Up Your Mind/Laughin’ Tackle/Entropy (Reprise) SKAO 351 - Horizons - The GREATEST SHOW ON EARTH [1970] Again And Again/Angelina/Day Of The Lady/Horizons/I Fought For Love/Real Cool World/Skylight Man/Sunflower Morning [*] ST 370 - Anthems In Eden - SHIRLEY & DOROTHY COLLINS [1969] Awakening-Whitesun Dance/Beginning/Bonny Cuckoo/Ca’ The Yowes/Courtship-Wedding Song/Denying- Blacksmith/Dream-Lowlands/Foresaking-Our Captain Cried/Gathering Rushes In The Month Of May/God Dog/Gower Wassail/Leavetaking-Pleasant And Delightful/Meeting-Searching For Lambs/Nellie/New Beginning-Staines Morris/Ramble Away [*] ST 371 - Wasa Wasa - The EDGAR BROUGHTON BAND [1969] Death Of An Electric Citizen/American Body Soldier/Why Can’t Somebody Love You/Neptune/Evil//Crying/Love In The Rain/Dawn Crept Away ST 376 - Alchemy - THIRD EAR BAND [1969] Area Three/Dragon Lines/Druid One/Egyptian Book Of The Dead/Ghetto Raga/Lark Rise/Mosaic/Stone Circle [*] SKAO 382 - Atom Heart Mother - The PINK FLOYD [1970] Atom Heart Mother Suite (Father’s Shout-Breast Milky-Mother Fore-Funky Dung-Mind Your Throats Please- Remergence)//If/Summer ’68/Fat Old Sun/Alan’s Psychedelic Breakfast (Rise And Shine-Sunny Side Up- Morning Glory) SKAO 387 - Panama Limited Jug Band - PANAMA LIMITED JUG BAND [1969] Canned Heat/Cocaine Habit/Don’t You Ease Me In/Going To Germany/Railroad/Rich Girl/Sundown/38 -
Copyright by Daniel Raymond Nass 2007
Copyright by Daniel Raymond Nass 2007 The Dissertation Committee for Daniel Raymond Nass certifies that this is the approved version of the following dissertation: SCATTERED NEEDLES Committee: ______________________________ Donald Grantham, Supervisor ______________________________ Russell Pinkston ______________________________ Bruce Pennycook ______________________________ David Neumeyer ______________________________ Samantha Krukowski SCATTERED NEEDLES by Daniel Raymond Nass, B.A.; M.M. Dissertation Presented to the Faculty of the Graduate School of the University of Texas at Austin in Partial Fulfillment of the Requirements for the degree of Doctor of Musical Arts The University of Texas at Austin May 2007 Dedication This work is dedicated to my wonderful wife, Gina. Thanks for your unwavering love and support—without which, this work would not have been possible—and especially for not making me sleep in the car after every time that I told you I needed another semester to complete this degree. Acknowledgements I would first like to thank the members of my dissertation committee: Donald Grantham, Russell Pinkston, David Neumeyer, Bruce Pennycook, and Samantha Krukowski. I am grateful for their time, support, and patience throughout this process. Many thanks to all the people who assisted me in the interpretation and understanding of Syd Barrett’s words—in particular, Tim Willis, David Gilmour, and the Laughing Madcaps Online Discussion Group. Special thanks to Kathryn Ostien of Essex Music and Mira Livingston of Lupus Music for their work in acquiring permission for me to set Barrett’s texts in this cycle. Thanks to Steve Vandewater and his staff at the Bean Factory, for providing me a happy, warm, and comfortable place to write this dissertation. -
PINK FLOYD ‘The Early Years 1965-1972’ Released: 11 November 2016
** NEWS ** ISSUED: 28.07.16 STRICTLY EMBARGOED UNTIL: 14:00HRS BST, THURSDAY 28 JULY 2016 PINK FLOYD ‘The Early Years 1965-1972’ Released: 11 November 2016 • Unreleased demos, TV appearances and live footage from the Pink Floyd archives • 6 volumes plus a bonus EXCLUSIVE ‘Extras’ package across 27 discs • Over 20 unreleased songs including 1967’s Vegetable Man and In the Beechwoods • Remixed and updated versions of the music from ‘Zabriskie Point’ • 7 hours of previously unreleased live audio • 15 hours 35 mins of video including rare concert performances, interviews and 3 feature films * 2 CD selection set ‘The Early Years – CRE/ATION’ also available * On 11 November 2016, Pink Floyd will release ‘The Early Years 1965-1972’. Pink Floyd have delved into their vast music archive, back to the very start of their career, to produce a deluxe 27-disc boxset featuring 7 individual book-style packages, including never before released material. The box set will contain TV recordings, BBC Sessions, unreleased tracks, outtakes and demos over an incredible 12 hours, 33 mins of audio (made up of 130 tracks) and over 15 hours of video. Over 20 unreleased songs including 7 hours of previously unreleased live audio, plus more than 5 hours of rare concert footage are included, along with meticulously produced 7” singles in replica sleeves, collectable memorabilia, feature films and new sound mixes. Previously unreleased tracks include 1967’s Vegetable Man and In The Beechwoods which have been newly mixed for the release. ‘The Early Years 1965-1972’ will give collectors the opportunity to hear the evolution of the band and witness their part in cultural revolutions from their earliest recordings and studio sessions to the years prior to the release of ‘The Dark Side Of The Moon’, one of the biggest selling albums of all time. -
Syd Barrett (Roger Keith Barrett) Pancreatic Cancer
syd barrett (roger keith barrett) pancreatic cancer Born: January 6, 1946 Died: July 7, 2006 “He was a visionary,” said Roger Waters. “He was the key that Nonetheless, Barrett is referenced in Floyd’s “Brain Damage” unlocked the door to rock ’n’ roll for me.” (Dark Side Of The Moon, 1973), “Nobody Home” (The Wall, 1979), Roger Keith Barrett—nicknamed Syd after a drummer in his and “Poles Apart (The Division Bell, 1994), and is the subject of hometown Cambridge—was trained as a painter, but bewitched “Shine On You Crazy Diamond,” from 1975’s Wish You Were Here— by The Beatles and Rolling Stones. “I was teaching him to play at the mixing of which he unexpectedly materialized in Abbey Stones riffs every lunchtime for a year at technical college,” said Road studios. Jerry Shirley, a friend of the band who drummed for David Gilmour. In 1965, Barrett joined Waters—another Cambridge Barrett in 1970, remembered: “This overweight Hare Krishna-looking pal—in London, and cofounded The Pink Floyd Sound. chap...I asked him what he was doing lately. ‘Oh, you know, not Barrett’s compact discography belies his importance. Pink much...I get up, eat, go for a walk, sleep.’” Barrett’s reported Floyd’s hits “Arnold Layne” and “See Emily Play,” and The Piper reaction to “Shine On”: “Sounds a bit old.” At The Gates Of Dawn (1967) were largely his work. A couple of “Syd’s father’s death affected him very heavily,” explained haunting cuts on A Saucerful Of Secrets (1968), 1970’s scratchy Gilmour, “and his mother always pampered him—made him out solo albums The Madcap Laughs and Barrett, and outtakes and to be a genius of sorts.” Too fragile for stardom and damaged by radio sessions complete his catalog. -
Poems Alicia Matheny
Marshall University Marshall Digital Scholar Theses, Dissertations and Capstones 1-1-2007 The Body of Light : Poems Alicia Matheny Follow this and additional works at: http://mds.marshall.edu/etd Part of the American Literature Commons, American Popular Culture Commons, Composition Commons, and the English Language and Literature Commons Recommended Citation Matheny, Alicia, "The Body of Light : Poems" (2007). Theses, Dissertations and Capstones. Paper 720. This Thesis is brought to you for free and open access by Marshall Digital Scholar. It has been accepted for inclusion in Theses, Dissertations and Capstones by an authorized administrator of Marshall Digital Scholar. For more information, please contact [email protected]. The Body of Light: Poems Thesis submitted to the Graduate College at Marshall University in partial fulfillment of the requirements for the degree of Master of Arts in English by Alicia Matheny Dr. Chris Green, Ph.D. Committee Chair Prof. Art Stringer, MFA Dr. Katharine Rodier, Ph.D. Marshall University May 2007 Abstract This creative thesis explores the different facets of Pink Floyd and their music, drawing inspiration from albums varying from The Piper at the Gates of Dawn (1967) to Dark Side of the Moon (1973). Using images drawn from nature, the cosmos, and Pagan mythology, this thesis also incorporates biographical details found in Nicholas Schaffner’s important biography, Saucerful of Secrets: The Pink Floyd Odyssey (New York: Harmony Books, 1991). There are also experiments with form in the poems, in that in many of the poems, instead of commas, there are tab spaces. Each space expresses the silence between each word. -
Barrett Vol 1.Pdf
Introduction usician, psychedelic explorer, eccentric, cult icon – Roger “Syd” Barrett was many things to many people. Created in conjunction with the Barrett family and The Estate of Roger Barrett, who have provided unprece- dented access to family photographs, artworks, and mem- Mories, Barrett offers an intimate portrait of the Syd known only to his family and closest friends. Previously unseen photographs taken on seaside holidays and other family occasions show us a happy and loving young man, smiling energetically in images that map his early life, from childhood through his teenage years. Along with newly available photos from the album cover shoots for The Madcap Laughs and Barrett (taken by Storm Thorgerson and Mick Rock) they reveal the positive energy of a grinning Syd as he fools about in front of the camera. We are offered a rare glimpse of one who was immensely popular among friends and contemporaries. Also contained within these pages are recently unearthed images of Pink Floyd in which we see Syd practising handstands, making muscle-man poses, and having fun. The other members of Floyd lark about too – a fledgling young band enjoying itself with a sense of real camaraderie. The images transport one back in time to 166–67: the London Free School gigs, the launch of International Times at the Roundhouse, the UFO club, the band’s first European dates. There are photos of Syd and Floyd at numerous locations and events, giving a real sense of what it must have been like to be there as the infant light shows, experimentation, and collective spirit of the time emerged, grew, and flourished in the psychedelic hothouse that was the late 160s. -
Track List: All Songs Written by Syd Barrett, Except Where Noted. ”UK Release” Side One 1
Track List: All songs written by Syd Barrett, except where noted. ”UK release” Side one 1. "Astronomy Domine" – 4:12 2. "Lucifer Sam" – 3:07 3. "Matilda Mother" – 3:08 4. "Flaming" – 2:46 5. "Pow R. Toc H." (Syd Barrett, Roger Waters, Rick Wright, Nick Mason) – 4:26 6. "Take Up Thy Stethoscope and Walk" (Roger Waters) – 3:05 Side two 1. "Interstellar Overdrive" (Syd Barrett, Roger Waters, Rick Wright, Nick Mason) – 9:41 2. "The Gnome" – 2:13 The Piper at the Gates of Dawn – August 5, 1967 3. "Chapter 24" – 3:42 Syd Barrett – guitar, lead vocals, back cover design 4. "The Scarecrow" – 2:11 5. "Bike" – 3:21 Roger Waters – bass guitar, vocals Rick Wright – Farfisa Compact Duo, Hammond organ, Certifications: piano, vocals TBR Nick Mason – drums, percussion "Astronomy Domine" Lime and limpid green, a second scene A fight between the blue you once knew. Floating down, the sound resounds Around the icy waters underground. Jupiter and Saturn, Oberon, Miranda and Titania. Neptune, Titan, Stars can frighten. Lime and limpid green, a second scene A fight between the blue you once knew. Floating down, the sound resounds Around the icy waters underground. Jupiter and Saturn, Oberon, Miranda and Titania. Neptune, Titan, Stars can frighten. Blinding signs flap, Flicker, flicker, flicker blam. Pow, pow. Stairway scare, Dan Dare, who's there? Lime and limpid green, the sounds around The icy waters under Lime and limpid green, the sounds around The icy waters underground. "Lucifer Sam" Lucifer Sam, siam cat. Always sitting by your side Always by your side. -
The Original Founder Member of Pink Floyd, Who Syd Barrett (6 January
whatever happened to?her page 23 From the UFO club and the Pipers at the gates of dawn to living in seclu- sion as a recluse......... The face of progressive Rock, and like Walters one of the creative corner stones of the floyd, just what could have Syd have acheived, is the speculation of myth, & legend, fondly missed. LikePeter Green Rocks Question mark hangs over these ‘acid casualties’ steady with the acid syd! laments ken sinyard The original founder member of Pink HROUGH Overdrive”, Barrett slowly his face under the heat UK, David Gilmour (a University, the band cal. LATE detuned his guitar. The of the stage lighting, school friend of Bar- elected not to pick There are many stories Floyd, who Syd Barrett (6 January 1967 audience seemed to enjoy making him look like “a rett’s) was asked to join Barrett up: one person about Barrett’s bizarre 1946 – 7 July 2006), born Roger Keith and early such antics, unaware of the guttered candle”.Nick the band as a second in the car said, “Shall and intermittently 1968, Bar- Barrett, was an English singer- rest of the band’s conster- Mason later disputed the guitarist to cover for we pick Syd up?” and psychotic behaviour, Trett’s behaviour became nation. Interviewed on the Mandrax portion of this Barrett, whose erratic another said, “Let’s not some known to be true. songwriter, guitarist, and painter. increasingly erratic and Pat Boone show during this story, stating that “Syd behaviour prevented bother” (Gilmour inter- According to Roger He is most remembered as a founding unpredictable, partly as a tour, Syd’s reply to Boone’s would never waste good him from performing. -
Pink Floyd Sogni E Visioni Stellari Anselmo Patacchini
Pink Floyd Sogni e visioni stellari Anselmo Patacchini rassegna domenicale The Spontaneous Underground organizzata dal duo Steve Stollman e da John Hopkins. I Pink Floyd si cimentarono in lunghe e sconvolgenti versioni di Roadrunner e di altri pezzi di Chuck Berry, divertendosi, inoltre, a sovrapporre strati di feedback a volume altissimo. Peter Jenner (professore alla London School Of Economics) e l'amico Andrew King rimasero inebriati da quelle sonorità fuori dagli schemi e decisero di puntare su quei quattro talentuosi ragazzi a tal punto da formare assieme a loro la Blackhill Enterprises, società che avrebbe curato il management. Il 15 ottobre i Pink Floyd, o meglio, la Pink Floyd Steel Band - così annunciavano le locandine dell'epoca - assieme ai Soft Machine «Il sole splende sul mio cuscino/più Questo articolo, che riporta le fasi - gruppo di punta - si cimentarono salienti della lunga carriera dei mitici alla Roundhouse (una vecchia soffice di un piumino.../Vorrei che il Pink Floyd dagli esordi sino al 1969, stazione ferroviaria londinese in salice piangente agitasse intorno i vuole essere un doveroso omaggio disuso) che festeggiava con uno rami.../Sogno Julia/la sogno regina, alla figura di Syd Barrett, il geniale scatenato All Night-Rave la nascita artista passato a miglior vita lo dell'International Times (IT), la regina di tutti i miei sogni...» scorso 7 luglio. Ci piace ancora prima rivista underground nel ricordarlo come autore Regno Unito. Oltre duemila persone (Syd Barrett da Julia Dream) d’incantesimi stravolgenti, adornato si accalcarono all'interno del locale. da pantaloni a zampa d’elefante, Gente comune e bizzarra mischiata camicie sgargianti e una folta a personaggi famosi come il regista chioma che gli scendeva sulle Michelangelo Antonioni spalle, tra boccoli di capelli arruffati, accompagnato da Monica Vitti o con quei suoi occhi spaesati a Paul McCartney che si presentò costruire idealmente spazi vestito da arabo con tanto di tunica immaginari e infinite dimensioni. -
See Emily Play - Tessere
7/8/2019 See Emily Play - Tessere * • CRITICA • ENERGIE • MOSTRE • VISIONI See Emily Play 6 Luglio 2019 Emily Young è una grande artista, che ha scelto la Maremma per vivere e creare le sue sculture in pietra, in mostra nell'esposizione "Stone caving" no al 20 luglio, al Museo della Tartuca, a Siena. Ma Emily è anche "uella" Emily che ha ispirato Syd Barrett e la sua "See Emily Play"...e uesta è un'altra storia Credits @Angelo Plantamura L’attimo esatto in cui un volto emerge dalla pietra. Il movimento. Il passaio non ancora concluso dal mondo immateriale, dalla visione alla realtà. E poi un disco solare, perfetto. La sensazione di un’eclissi. Forme, curve, a volte morbide altre imprevedibili, superci dolci e ruvide. Sculture che hanno addosso la bellezza naturale della pietra, come una memoria che il lavoro dell’artista ha mantenuto intatta. Un viaio onirico che porta con sé gli echi della Londra underground degli anni Sessanta e i silenzi magici dei boschi maremmani. Perché c’è una storia che unisce ueste suestioni, un lo sottile che le attraversa e che si è fermato a Siena, nel museo della Tartuca, dove no al 20 luglio sarà ancora visitabile la mostra Stone Carvings, con le opere della scultrice inglese Emily Young. Onice, pietra amiatina, una rara pietra brasiliana. Materiali che provengono un po’ da tutto il mondo, riuniti nel tempo dal momento in cui l’artista ha lasciato Londra per iniziare uel lungo viaio che, alla ne, l’ha portata in Maremma, vicino Batignano, dove ualche anno fa ha acuistato il convento di Santa Croce. -
Pink Floyd the Early Years 1966-1967 Cambridge St/Ation Pfrey1
PINK FLOYD THE EARLY YEARS 1966-1967 CAMBRIDGE ST/ATION PFREY1 <DVD + BLU-RAY> 1. 1966-1967 (Title) 2. ‘ Chapter 24’ Standard 8mm Film Rushes Syd Barrett Gog Magog Hills 1966 England Pink Floyd EMI Studios April 1967 London England 3. ‘Nick’s Boogie’ 16mm Film Rushes Recording Intersteller Overdrive & Nick’s Boogie Sound Techniques Studio January 11, 1967 Live at UFO, The Blarney Club January 13, 1967 London England 4. Interstellar Overdrive ‘Scene – Underground’ UFO The Blarney Club January 27, 1967 London England 5. Arnold Layne Promo Video Early 1967 Wittering Beach England 6. Pow R. Toc + Astronomy Domine + Hans Keller Interview With Syd Barrett & Roger Waters ‘The Look of the Week’ BBC Studios May 14, 1967 London England 7. The Scarecrow ‘Pathe Pictorial’ July 1967 England 8. Jugband Blues ‘London Line’ 1967 London England 9. Apples And Oranges + Interview with Dick Clark ‘American Bandstand’ November 7, 1967 Los Angeles USA 10. Instrumental Improvisation ‘Tomorrow’s World’ December 12, 1967 London England 11. Instrumental Improvisation ‘Die Jungen Nachtwandler’ UFO The Blarney Club February 24, 1967 London England 12. See Emily Play ‘Top Of The Pops’ BBC Studios July 6, 1967 London England 13. The Scarecrow ‘Out Takes’ July 1967 England 14. Interstellar Overdrive ‘Science Fiction – Das Universum Des Iches’ The Roundhouse 1967 London England PINK FLOYD THE EARLY YEARS 1968 GERMIN/ATION PFREY2 <DVD + BLU-RAY> 1. 1968 (Title) 2. Astronomy Domine 3. The Scarecrow 4. Corporal Clegg 5. Paint Box 6. Set The Controls For The Heart Of The Sun 7. See Emily Play 8. Bike ‘ Tienerklanken’ February18-19, 1968 Brussels Belgium 9.