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Morgan Lord 601 S
MORGAN LORD 601 S. Morgan St., 1130 UH [email protected] Linked In Portfolio R E S E A R C H I NTERESTS Improvisation, play, vulnerability, life stories P ROFESSIONAL S UMMARY I’m currently a fulltime Professional Development Program lecturer, as part of the Institute for Leadership Excellence & Development (iLEAD) at University of Illinois Chicago (UIC), incorporating improvisation and communication, leadership, public speaking, business writing, vulnerability and teamwork. In 2006, I started my own freelance magazine writing company and have written for dozens of publications, including Women’s Health, Prevention and Chicago Health magazine. I have taught journalism, gerontology, business courses and improvisation at a college level, and have 13 years of experience in comedy writing and improvisation. I am interesting in people’s life stories and developing the vulnerability to share those experiences. E DUCATION NORTHWESTERN UNIVERSITY, MEDILL SCHOOL OF JOURNALISM, Evanston, Illinois, M.S., Journalism, 2005 UNIVERSITY OF FLORIDA, Gainesville, Florida, B.S., Magazine Journalism, 2004 (minor in Gerontology) T EACHING EXPERIENCE Professional Development Program Lecturer, University of Illinois Chicago August 2019-present Full-time lecturer at the College of Business Administration at the University of Illinois Chicago Improvisation for Business: applying improvisational and communication skills to various oral communication situations. COURSES TAUGHT: BA420: PROFESSIONAL PRESENCE BA220: PROFESSIONAL DEVELOPMENT II BA 100: INTRODUCTION TO UIC AND PROFESSIONAL DEVELOPMENT Assistant Professor of Journalism, Concordia University 2009-2011 Taught undergraduates and graduates. Identified and structured required courses and developed curriculum for the new journalism major and minor. Planned lectures, labs, workshops, and administered examinations. Advised The Concordia Spectator, the on-campus newspaper, and contributed articles to Concordia’s Forester magazine. -
Navy Pier Impact Report 2016–2017
People’s Pier Partnerships Navy Pier Impact Report 2016–2017 95739_Impact Report_a7_Flipbook.indd 1 11/6/18 11:53 AM A Joint Message from Our Chairman and President Celebrating our Centennial in 2016 was so much more than just a milestone. It was a community celebration that marked the start of two incredibly productive years at Navy Pier. We have been hard at work, transforming Chicago’s lakefront treasure into a one-of-a-kind urban oasis. In 2016 alone, we welcomed a record-breaking 9.3 million guests. With more than 60 percent of guests coming from Chicago and the suburbs, the People’s Pier has been embraced by locals as their own; as a place to escape, rejuvenate, connect, be inspired and, most importantly, have fun. OUR MISSION Navy Pier is the People’s Pier, Chicago’s lakefront treasure, welcoming all and offering dynamic and eclectic experiences through partnerships and programs that inspire discovery and wonder. 2 95739_Impact Report_a5.indd 2 10/12/18 9:12 AM 70 5 3,000 businesses at the Pier including retail, nonprofits operating at the Pier people work at Navy Pier across the 70 businesses dining and entertainment Bringing our Centennial Vision to life began with public sample authentic local culinary offerings in the new Chicago dialogue and feedback from our community, partners and Food Experience. More recently, our cultural partners, Chicago William J. Brodsky stakeholders. Our growing family of donors, including Shakespeare Theater, completed the groundbreaking state-of-the- Chairman individuals, corporations and foundations, have helped us art theater, The Yard, and Chicago Children’s Museum installed achieve our ambitious goals. -
Lifeline Theatre Announces Six New Ensemble Members-Fall 2017FINAL
November 1, 2017 Jill Evans La Penna SHOUT Marketing & Media Relations 312-226-6727 [email protected] Media passes, photographs, videos, interviews and additional materials are available on request. LIFELINE THEATRE ANNOUNCES SIX NEW ENSEMBLE MEMBERS CHICAGO – Lifeline Theatre is proud to announce six new members of its artistic ensemble: Bilal Dardai, Andrés Enriquez, Diane D. Fairchild, Anthony Kayer, Martel Manning, and Michael McKeogh. Lifeline’s ensemble determines the company’s artistic programming and provides leadership, support, and counsel in the play development process. Now in its 35th season, Lifeline Theatre is driven by a passion for story. Our ensemble process supports writers in the development of literary adaptations and new work, and our theatrical and educational programs foster a lifelong engagement with literature and the arts. A cultural anchor of Rogers Park, we are committed to deepening our connection to an ever-growing family of artists and audiences, both near and far. Lifeline Theatre – Big Stories, Up Close. Founded by five Northwestern graduates in 1982, the theatre now employs over 150 artists per year. In addition to the six new members listed above, Lifeline’s artistic ensemble is led by Artistic Director Dorothy Milne, and consists of Aly Renee Amidei, Patrick Blashill, Jessica Wright Buha, Christina Calvit, Heather Currie, Victoria DeIorio, Amanda Delheimer Dimond, Alan Donahue, Kevin D. Gawley, Peter Greenberg, James E. Grote, Chris Hainsworth, John Hildreth, Paul S. Holmquist, Elise Kauzlaric, Robert Kauzlaric, Frances Limoncelli, Amanda Link, Katie McLean Hainsworth, Shole Milos, Sandy Snyder Pietz, Suzanne Plunkett, Maren Robinson, Phil Timberlake, Jenifer Tyler, and Christopher M. Walsh. -
Cedille Records CDR 90000 066 DDD Absolutely Digital™ CDR 90000 066 AFRICAN HERITAGE SYMPHONIC SERIES • VOLUME III WORLD PREMIERE RECORDINGS 1 MICHAEL ABELS (B
Cedille Records CDR 90000 066 DDD Absolutely Digital™ CDR 90000 066 AFRICAN HERITAGE SYMPHONIC SERIES • VOLUME III WORLD PREMIERE RECORDINGS 1 MICHAEL ABELS (b. 1962): Global Warming (1990) (8:18) DAVID BAKER (b. 1931): Cello Concerto (1975) (19:56) 2 I. Fast (6:22) 3 II. Slow à la recitative (7:17) 4 III. Fast (6:09) Katinka Kleijn, cello soloist 5 WILLIAM BANFIELD (b. 1961): Essay for Orchestra (1994) (10:33) COLERIDGE-TAYLOR PERKINSON (b. 1932) Generations: Sinfonietta No. 2 for Strings (1996) (19:31) 6 I. Misterioso — Allegro (6:13) 8 III. Alla Burletta (2:04) 7 II. Alla sarabande (5:35) 9 IV. Allegro vivace (5:28) CHICAGO SINFONIETTA / PAUL FREEMAN, CONDUCTOR TT: (58:45) Sara Lee Foundation is the exclusive corporate sponsor for African Heritage Symphonic Series, Volume III This recording is also made possible in part by grants from the National Endowment for the Arts & The Aaron Copland Fund for Music Cedille Records is a trademark of The Chicago Classical Recording Foundation, a not-for-profit foundation devoted to promoting the finest musicians and ensembles in the Chicago area. The Chicago Classical Recording Foundation’s activities are supported in part by contributions and grants from individuals, foundations, corporations, and government agencies including the Alpha- wood Foundation, the Chicago Department of Cultural Affairs (CityArts III Grant), and the Illinois Arts Council, a state agency. DDD Absolutely Digital™ CDR 90000 066 PROGRAM NOTES by dominique-rené de lerma The quartet of composers represented here have a par- cultures, and decided to write a piece that celebrates ticular distinction in common: Each displays remarkable these common threads as well as the sudden improve- stylistic versatility, working not just in concert idioms, but ment in international relations that was occurring.” The also in film music, gospel music, and jazz. -
This Is Chicago
“You have the right to A global city. do things in Chicago. A world-class university. If you want to start The University of Chicago and its a business, a theater, namesake city are intrinsically linked. In the 1890s, the world’s fair brought millions a newspaper, you can of international visitors to the doorstep of find the space, the our brand new university. The landmark event celebrated diverse perspectives, backing, the audience.” curiosity, and innovation—values advanced Bernie Sahlins, AB’43, by UChicago ever since. co-founder of Today Chicago is a center of global The Second City cultures, worldwide organizations, international commerce, and fine arts. Like UChicago, it’s an intellectual destination, drawing top scholars, companies, entrepre- neurs, and artists who enhance the academic experience of our students. Chicago is our classroom, our gallery, and our home. Welcome to Chicago. Chicago is the sum of its many great parts: 77 community areas and more than 100 neighborhoods. Each block is made up CHicaGO of distinct personalities, local flavors, and vibrant cultures. Woven together by an MOSAIC OF extensive public transportation system, all of Chicago’s wonders are easily accessible PROMONTORY POINT NEIGHBORHOODS to UChicago students. LAKEFRONT HYDE PARK E JACKSON PARK MUSEUM CAMPUS N S BRONZEVILLE OAK STREET BEACH W WASHINGTON PARK WOODLAWN THEATRE DISTRICT MAGNIFICENT MILE CHINATOWN BRIDGEPORT LAKEVIEW LINCOLN PARK HISTORIC STOCKYARDS GREEK TOWN PILSEN WRIGLEYVILLE UKRAINIAN VILLAGE LOGAN SQUARE LITTLE VILLAGE MIDWAY AIRPORT O’HARE AIRPORT OAK PARK PICTURED Seven miles UChicago’s home on the South Where to Go UChicago Connections south of downtown Chicago, Side combines the best aspects n Bookstores: 57th Street, Powell’s, n Nearly 60 percent of Hyde Park features renowned architecture of a world-class city and a Seminary Co-op UChicago faculty and graduate alongside expansive vibrant college town. -
Visit Chicago Area Independent Schools This Fall!
CHICAGO SHAKESPEARE THEATER Chicago Shakespeare Theater salutes Welcome THE PRODUCERS’ GUILD for its tremendous work on Family Gala 2015. DEAR FRIENDS, Who doesn’t love Disney’s The Little Mermaid? It’s one of our favorite stories from the fairy tale canon, and we are so excited to share it with you today. JOIN IN THE FUN— Contact Christopher Pazdernik at Our director Rachel Rockwell has worked for almost a year with a team of ADVOCATE FOR AND SUPPORT [email protected] designers, artists and artisans to create this magical world. In our intimate CHICAGO SHAKESPEARE! or call 312.667.4949 for details. theater, the story comes to life all around you! The Little Mermaid is one of many plays Chicago Shakespeare will produce this season. In just one year, we stage as many as nineteen different productions here on Navy Pier, on tour to schools and neighborhood parks—and all around the world. Our Theater is not only home to work by Shakespeare. We are forever inspired by this famous playwright to create new plays and musicals, and import DARE international theater artists to share their stories with Chicago audiences. We hope you enjoy your journey “under the sea” today, and that you’ll be back soon for more! For a family-friendly introduction to the Bard this summer, we Photo by Lindsey Best © 2015 Blue Man Productions, LLC. Photo by Lindsey Best © 2015 Blue Man Productions, TO LIVE invite you to come see Shakespeare’s Greatest Hits—on tour across the city, IN FULL free for all, through Chicago Shakespeare in the Parks. -
For the Common Man Chicago Sinfonietta Paul Freeman, Music Director and Conductor Harvey Felder, Guest Conductor
Sunday, October 3, 2010, 2:30 pm – Dominican University Monday, October 4, 2010, 7:30 pm – Symphony Center For the Common Man Chicago Sinfonietta Paul Freeman, Music Director and Conductor Harvey Felder, Guest Conductor Fanfare for the Common Man ............................................................................Aaron Copland Neue slavische Tänze (Slavonic Dances), op.72 no.7 (15) ........................Antonín Dvořák 7. In C major - SrbskÈ Kolo Fire and Blood, for Violin and Orchestra .............................................. Michael Daugherty 1. Volcano 2. River Rouge 3. Assembly Line Tai Murray, violin Intermission Sundown’s Promise (for Taiko and Orchestra) ................................................. Renée Baker I. Company Song VII. Transcendence II. Wa ( peace/balance) VIII. No Mi Kai (Drinking party) III. Wabi IX. Chant IV. Sabi X. Sitting V. Pride XI. Walking VI. Enkai (Banquet Feast) XII. Learning to see the Invisible XIII. Shime (Ending of celebration) JASC Tsukasa Taiko, Japanese drums and Shamisen Nicole LeGette, butoh dancer On the Waterfront: Symphonic Suite from the Film ............................ Leonard Bernstein Lead Season Sponsor Lead Media Sponsor Sponsors Bettiann Gardner Please hold your applause for a brief silence after each work. This will help everyone to enjoy every note. chicagosinfonietta.org facebook.com/chicagosinfonietta Chicago Sinfonietta 1 THE MAESTRO’S FINAL SEASON These 2010 season-opening performances mark the beginning of a season of transition as our beloved Founder and Music Director Paul Freeman takes the podium for the final time. Throughout the year Maestro Freeman will be conduct- ing pieces that have become personal favorites of his, many of which he probably introduced to you, our audience. We will also be sharing some of his compelling life story and reprinting some amazing photos from the Sinfonietta archive. -
STATEMENT of PRINCIPLE No One Should Be Forced to Choose
STATEMENT OF PRINCIPLE No one should be forced to choose between her personal safety and dignity, and her job. But too often in the theater community this is exactly the choice that women must make. Sexual discrimination and harassment and gender-based violence often occur in the intimate and physical context of a theater production. Victims of such conduct face a stark choice between continuing to work in close collaboration with their abuser and quitting the show. Few can afford to give up a job and lose not only income, but also the opportunity for career advancement. There is a sense in the community that it is not necessarily in a victim’s best interest to report abuse because of fear that the response will be insufficient and open her up to retribution. In addition, many instances of abuse happen outside of the physical boundaries of a theater. No theater, union or guild currently takes responsible for handling such cases. However, the two people involved will most likely have to work together the next day or in another production, and the victims are left to deal with the aftermath by themselves. In the face of these realities, victims often choose silence and the abuse is allowed to continue. It is time for the theater community to break its own silence on harassment and abuse and formally address the problem. The reality is that those who behave abusively are generally in positions of power. Artistic directors hold the power to employ, playwrights have hiring approval; removing a director mid-rehearsal puts an entire production in doubt; losing a celebrity from the cast hurts ticket sales. -
JAMES VINCENT MEREDITH SAG, AFTRA, AEA Height: 6’1” Hair Color: Brown Eye Color: Black
JAMES VINCENT MEREDITH SAG, AFTRA, AEA Height: 6’1” Hair Color: Brown Eye Color: Black TELEVISION FARGO Series Regular FX Chicago Med Guest Star (recurring) NBC Betrayal Recurring ABC Boss Recurring (7 Episodes) Starz Chicago Code Guest Star (Recurring) FOX Detroit 1-8-7 Co-Star ABC Law & Order: SVU Principal NBC David Platt Undercover Double Life Narrator/Host Discovery Channel The Beast Guest Star A & E ER Guest Star NBC BROADWAY/NATIONAL TOUR Book of Mormon Mafala Hatimbi Eugene O’Neil Theatre Book of Mormon Mafala Hatimbi Jumamosi Tour Superior Donuts (Broadway) James Music Box Theatre, NY, NY THEATRE Ski Dubai Shahab Steppenwolf Theatre Company The Tempest Antonio Steppenwolf Theatre Company Someone Who’ll Watch Over Me Adam Canning Piven Theatre Workshop Superior Donuts James Hailey Steppenwolf Theatre Company Carter’s Way Oriole Carter Steppenwolf Theatre Company The Crucible John Proctor Steppenwolf Theatre Company Othello Othello Writer’s Theatre The King and I The Kralahome Drury Lane Theater The Bluest Eye Daddy, Soaphead New Victory Theater (Manhattan, NY) The Bluest Eye Daddy, Soaphead Steppenwolf Theatre Company The Duchess of Malfi Antonio Writer’s Theatre Much Ado about Nothing Don Pedro Chicago Shakespeare Theatre The Pain and the Itch Mr. Hadid Steppenwolf Theatre Company Take Me Out Davey Battle About Face at Steppenwolf Measure for Measure Provost Chicago Shakespeare Theatre King John Lord Pembroke Chicago Shakespeare Theatre Romeo and Juliet Lord Capulet Chicago Shakespeare Theatre Julius Caesar Cinna, Titinius Chicago Shakespeare Theatre Othello Othello Michigan Shakespeare Festival The Hobbit Gandalf First Stage, Milwaukee, WI Othello Othello Journeymen Theatre King Lear Edgar Piven Theatre Workshop Master Harold…and the boys Sam Journeymen Theatre American Voices Joe Piven Theatre Workshop Raisin in the Sun Asagai Goodman Theatre Doo Lister’s Blues Cozy, Catfish Onyx Theatre Amistad Voices Covey, Reverend Duncan YMCA East Texas Hot Links Boochie Onyx Theatre Kids For President, etc. -
Tuesday, July 10Th, 2018 @ 1:00 Pm
Membership Meeting: Membership Meeting: July 2018 Tuesday, July 10th, 2018 Tuesday, August 14th, 2018 Vol. 78 No. 6 @ 1:00 pm @ 1:00 pm Local 10-208 of AFM CHICAGO FEDERATION OF MUSICIANS OFFICERS – DELEGATES 2017-2019 Terryl Jares President Leo Murphy Vice-President Terryl Jares B.J. Levy Secretary-Treasurer Leo Murphy BOARD OF DIRECTORS Robert Bauchens Bob Lizik Rich Daniels Janice MacDonald Frank Donaldson Charles Schuchat Happenings in Our Local Jeff Handley We Need Your Input CONTRACT DEPARTMENT I would like to introduce you to the newest addition to the CFM staff. Sharon Leo Murphy – Vice-President In early June, the CFM hosted a free dental clinic and a is discussing what other presentations would be helpful for Jones has joined us in a new position as communication associate at the CFM. Nancy Van Aacken free hearing screening. Both of these programs were held at membership and we would like your input. ASSISTANTS TO THE the Local’s offices on the same day and MusiCares, a great We tried this type of approach several years ago, but We are happy to welcome Sharon. You may have already seen her work on our PRESIDENT - JURISDICTIONS Facebook account. Through her efforts, we have increased our followers and are organization that we have worked with for several years, we think it is time to reexamine it. Financial planning and Leo Murphy - Vice-President sponsored both clinics. They were open to people who work investments or audio software for electronic capture are reaching many new people. If you are on Facebook, go to the Chicago Federation Supervisor - Entire jurisdiction including theaters in the entertainment industry. -
Past Tense, Future Tense Chicago Sinfonietta Mei-Ann Chen, Music Director Harvey Felder, Conductor
Thursday, April, 19, 2012 – Orchestra Hall at Symphony Center Past Tense, Future Tense Chicago Sinfonietta Mei-Ann Chen, Music Director Harvey Felder, Conductor Ballettmusik zur Pantomime Les petits riens: Overture ............................................Wolfgang Amadeus Mozart Variaciones Concertantes ..............................................................Alberto Ginastera I. Tema per Violoncello ed Arpa II. Interludio per Corde III. Variazione giocosa per Flauto IV. Variazione in modo di Scherzo per Clarinetto V. Variazione drammatica per Viola VI. Variazione canonica per Oboe e Fagotto VII. Variazione ritmica per Tromba e Trombone VIII. Variazione in modo di Moto perpetuo per Violino IX. Variazione pastorale per Corno X. Interludio per Fiati XI. Ripresa dal Tema per Contrabasso XII. Variazione finale in modo di Rondo per Orchestra Knoxville: Summer of 1915, Op. 24 .................................................. Samuel Barber Sarah Hibbard, soprano INTERMISSION Antifonys for Chamber Orchestra ................................................... George Walker Symphony No. 8 in F Major, Op. 93 ................................ Ludwig van Beethoven I. Allegro vivace e con brio II. Allegretto scherzando III. Tempo di Menuetto IV. Allegro vivace Lead Season Sponsor Lead Media Sponsor Supporting Media Sponsor Sarah Hibbard is presented through the courtesy of Chicago Concert Artists, Inc. chicagosinfonietta.org facebook.com/chicagosinfonietta twitter.com/chi_sinfonietta Past Tense, Future Tense 1 PROGRAM NOTES As you listen to our opening piece, Wolfgang Amadeus Mozart’s magnificent La petit riens, imagine it is 25 years ago. The year is 1987. Where are you? Some of us are still children, while others of us are just beginning our adult lives. Kids who are in college now or perhaps have kids of their own haven’t even been born yet. President Reagan is nearing the end of his presidency, the Cold War is nearly over, the personal computer is just beginning to rise in clunky form and the Internet is a nerdy, science-fiction dream. -
BEYOND the CLASSROOM TOUR & TRAVEL Columbus Academy
BEYOND THE CLASSROOM TOUR & TRAVEL Columbus Academy Art Trip 2020 Chicago Program Dates Saturday February 15 – Monday February 17, 2020 PROGRAM OVERVIEW ★ Three Days and 2 Nights in Chicago ★ Hotel accommodations (quad occupancy for students) for two nights at The Congress Plaza Hotel H Chaperones housed in single rooms H All hotel taxes and occupancy fees ★ Hotel baggage handling upon arrival and departure (one bag per person) ★ Two Dinners in Chicago (Giordano’s Pizza and The Fireplace Inn) ★ Breakfast included at the hotel each morning H Two ($15) Lunch Stipends ★ Guided Tour of Frank Lloyd Wright Home & Studio H Guided Tour of Frederick C Robie House ★ Admission to the Art Institute of Chicago ★ Private Tour of Stony Island Arts Bank H Admission to Museum of Contemporary Art H Admission at the Museum of Contemporary Photography ★ Screen Printing Workshop at Lillstreet Art Center ★ Attend performance at The Neo-Futurists Theater H Opportunities to visit The Chicago Cultural Center and view public art in Grant Park and Millennium Park ★ RT Motor Coach Transportation via Lakefront Lines including driver room, driver gratuity, tolls, and parking ★ Night time security at the hotel ★ A Full-time Tour Director to accompany your group 24 hours a day from departure to arrival home ★ Comprehensive Insurance Policies. In addition, all participants are provided accident coverage ★ Individual Trip Cancellation Insurance Available when you register on the Beyond The Classroom web site BEYOND THE CLASSROOM TOUR & TRAVEL TOTAL PER PERSON COST $605