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Home , Alison Mosshart, Carlos Dengler, Dean DeLeo, Plug In Baby, RapScallions, Rocksmith

1 CONTENTS SETTING UP

To begin your journey toward masterdom, use the Rocksmith SETTING UP...... 1 Real Tone Cable™ to attach your guitar to your PlayStation®3 System. Do not connect any devices or extra cables between your guitar HDTV INPUT LAG...... 2 and the Rocksmith Real Tone Cable™. MENU NAVIGATION AND CONTROLS...... 4 At the title screen, press to continue. If this is your first time playing, a Soundcheck is conducted to check MAIN MENU...... 4 your volume levels and make sure your guitar is in tune. After this, you can navigate to the Techniques menu to revisit Soundcheck at CONTINUE JOURNEY...... 6 any time. SONGS...... 16 GUITARCADE...... 18 TECHNIQUES...... 22 OPTIONS...... 24 SHOP...... 25 MULTIPLAYER...... 26 GAME CREDITS...... 28 2 3 HDTV INPUT LAG

Modern HDTVs have a characteristic known as input lag. This is 4. On some TVs, HDMI connections can introduce more input lag the amount of time it takes the TV to process digital signals and than component or PC cables. If your TV has noticeable input lag display it on screen. Typically lasting just a fraction of a second, using a HDMI connection, you may be able to reduce the lag by the lag is usually unperceivable. Rocksmith innovative gameplay switching to component video cables. requires split-second timing, and so the delay from the signal 5. If you’re using external speakers, connecting the audio from of the guitar to the TV is more pronounced. This becomes even the PS3™ system to a stereo receiver or home theater system more noticeable as the audio from the TV can be heard slightly using analog audio cables can significantly reduce audio lag. To after playing the note, creating an echo effect. If you notice an connect your PS3™ system using analog audio cables, please echo from your TV after playing a note, take these steps to help refer to the PS3™ system user manual. To match the on-screen reduce the amount of lag. note display to the audio, you can advance the notes within the Display Lag Correction menu under Options > Sound and Display 1. If available, set your TV to the Game or PC display mode. On Settings. Adjust the meter to match the lag time. This will ensure some displays, these modes bypass extra video processing filters that the notes are displayed in time with the resulting audio. to reduce lag time. Refer to your TV manual for more information. 2. If your TV doesn’t have a Game or PC mode, you may still be able to reduce the lag by turning off video processing filters. Refer to your TV manual for more information on how to turn off processing filters. 3. Make sure that the PS3™ system is outputting video at your TV’s native resolution. If your TV’s native resolution is 1080p, but the PS3™ system is set to 720p, the TV must process the signal to scale the image on the entire screen, intensifying input lag. 4 5 MENU NAVIGATION AND CONTROLS MAIN MENU

Navigation Amp Use the left stick or the Press to open the Amp menu. SONGS OPTIONS directional buttons to navigate Select a song to play, and then Adjust Sound and Display between selections. Main Menu choose to tackle the Combo Settings, tweak Game Settings, Press within a menu to return Arrangement, Single Note, or Restore Default Options, view Select to the Main menu. Chord Arrangement. Credits, and open this Press to select a User Manual. highlighted option. GUITARCADE Go Back Test a range of playing skills with SHOP Press to return to a eight fun mini-games. Purchase all the latest and previous menu. greatest downloadable content TECHNIQUES from the Shop. Use Soundcheck to tune your guitar, or enter the Technique MULTIPLAYER MAIN MENU Challenges, Chord Book, or Play with another local musician. Videos to help master The Main Menu lets you select gameplay options or tweak settings. different skills. TUNER CONTINUE JOURNEY Access the Tuner to adjust After you play your first song, your career begins. Select Continue your strings. Journey to resume from where you previously left off. This is where Rocksmith helps you continue to learn new songs, improve your skills, perform at Events, and unlock new equipment. 6 7 CONTINUE JOURNEY Previous scores JOURNEY MENU Profile Information The Journey menu found in Continue Journey contains your Events Manager and Rocksmith’s suggested path to help best develop your skills. On the left side of the screen, you can view information about the Tracker item you have selected. The Tracker, which is a timeline of your progress, is always displayed in the background. EVENTS MANAGER The Events Manager is home to all of your Song name active events. From here you can Customize Artist Set lists, Qualify Songs, and then Perform entire Arrangement type sets in front of an audience to earn rewards. Button commands ROCKSMITH RECOMMENDS Based on your past performance, Rocksmith The Tracker always Recommends provides you with play options displays your TRACKER to best help you progress in your journey. note potential progression Keep an eye on your progress with the Tracker, which is always Practice a full song in Rehearse or work on for completing a Rocksmith seen in the background. The more you improve, the more specific skills in the various practice sessions. Recommends selection. Rocksmith Points you earn and the higher your Tracker soars. 8 9 CONTINUE JOURNEY PROFILE INFORMATION QUALIFYING SONGS FOR EVENTS Your profile information, which includes your player name, current You must reach a song’s Event Threshold in order to play it at an Event. rank, and progress bar, is viewable in the upper right-hand corner of The points required for this are displayed whenever you view that the screen. song, whether in your journey or through the Songs menu. To reach the Event Threshold, you need to level up the song’s phrases through accurate playing in order to obtain higher scores through multiple TICKER playthroughs. Once you reach the Event Threshold, you can play that Important game information and tips are always streaming along the song at any Event! Just select Customize Setlist in the Event menu to bottom of the screen, making sure you stay updated on adjust the setlist to your liking. everything Rocksmith! Perform well enough within an Event to be invited note to play an Encore! This may be a song you’ve never VENUE UNLOCKED LINE performed before, or one of Your most frequently played These lines identify the next available Venue in your progress toward songs. Perform exceptionally well, and you’ll be asked to guitar mastery. As soon as you score enough Rocksmith Points to perform a Double Encore! unlock the Venue, a new space becomes available in your Events Manager. EVENTS Events challenge you to play an entire set in front of an audience, with the reward of a new guitar after a successful performance. As you earn more points and rank up, bigger and better venues become available. 10 11 CONTINUE JOURNEY

Mapped button Pre-Pedal slots AMP The Amp menu lets you customize your sound by setting up the amplifier and effects chain. Performing well unlocks Authentic Tone Tone name Amp type setups and individual effects, amps, and cabinets. This equipment can then be used to create your own sound. The Amp menu is the home of experimentation. You can have a maximum of three unique pedals in a tone, plus an amp and cabinet. Each tone slot is assigned to a controller button ( , or ); pressing the corresponding button while playing a song will switch to the selected tone.

Use Load Tone Loop pedal slots note to load unlocked Cabinet type Authentic Tones or saved Custom Tones. Post-pedal slots In addition to selecting tones, you can pick Guitar to select your guitar and enter the Shop. 12 13 CONTINUE JOURNEY PLAYING GUITAR

Phrase Line Lyrics Song Position Scoreboard TUNING UP To make sure you’re getting the right sound, a tuning check is conducted prior to playing each song, mini-game and practice session. Play the highlighted open string (without pressing on any of the frets) to check the tuning. If a string is out of tune, the camera shifts to the head of the guitar, Noteway and a tuner appears. Play the string again and then adjust the highlighted metal tuning peg until the Notes needle levels out at 0.

Fretboard 14 15 CONTINUE JOURNEY PLAYING CHORDS DYNAMIC DIFFICULTY MASTER MODE During play, the camera focuses Chords require you to play more Rocksmith adjusts its progression When you max out every level on the frets in use. Both the fret than one note simultaneously. and difficulty depending on of a song and score more than markers and the numbers on the These are represented by a your performance. Nail a song’s 100,000, you earn a Master Noteway indicate the general grouping of notes highlighted with phrase and that phrase levels Badge, which allows you to position of incoming notes. a flat, white background. Be sure up. A leveled up phrase will have perform the song in Master Strings with an approaching to fret each of the notes (except more notes the next time you Mode. This mode doubles note are highlighted, and a for included open strings) and encounter it until you’re playing your scoring potential, but also growing box outline shows strike them in unison when it’s the phrase note for note, earning removes the interface so you which fret the note should be time to play the chord. the maximum number of points must play the song as if it were a played on. Just before it’s time possible. On the other hand, a real performance. to play, the note will turn and phrase won’t progress in difficulty slot into the outline. Play the if you’re having a hard time. note at this time.

Throughout your career, you will learn to play different If an Event consists note types of notes, like muted notes and harmonics, as well note of only Master Mode as different techniques to give notes a particular sound, songs, it becomes a including bends and slides! Training videos can teach you Master Event – the ultimate how to perfect these techniques, as well as how to spot them challenge! ahead of time on the Noteway. 16 17 SONGS List of available Song title Rehearse or perform any arrangements song and any arrangement in SORT your library. You will see three Set the order of your song list arrangement types, Chords, by Song, Artist, Album, Year or Single Notes, and Combo (both Duration. chords and single notes). This mode isn’t just for fun. Leveling up a song in this section FILTER counts toward your journey— Filter the song list by from here you can even qualify arrangement to show All, Single songs for Events. Note, Chord, or Combo.

EVENT Display only the songs with arrangements qualified for an Event.

Duration Year of release Album Artist 18 19 GUITARCADE

Each game in the Guitarcade is based on a key guitar technique, helping you improve your skills with exciting challenges. DUCKS SCALE RUNNER Improve your fretboard Select a scale and key, and reflexes and shoot down play the note indicated by ducks scrolling up the the next runway. The runner noteway. Play the matching speeds up as you hit the fret on the E string (the right notes. Hit the next note thickest string) based on in the scale in time to avoid each duck’s location. String falling off the platform! together consecutive hits for a score multiplier! SUPER DUCKS QUICK PICK DASH Think you’ve mastered the Play the highlighted open fretboard? Play the matching string that the ostrich is fret and string based on running along as quickly as each duck’s location and you can. Switch strings to color. String together jump to different tracks and consecutive hits to unlock collect points to extend the the next level. Let a duck get countdown. through, and you lose one life! 20 21 GUITARCADE BIG SWING BASEBALL DAWN OF THE CHORDEAD Play the note indicated by The undead hunger for the fret number and color flesh, and it’s up to you to thrown by the pitcher. Time keep them at bay! Play the your swing for the most indicated chord to activate power, and watch out for your defense systems bends when the pitcher before they close in for throws a curve! the attack.

SUPER SLIDER HARMONICALLY Colored blocks drop from the top of the grid. Play CHALLENGED the indicated string at the A live bomb is set to block’s fret number and then explode unless you can play slide up or down to move the right harmonics before the position of the block. detonation. The strings and Strum all strings to drop the fret numbers are displayed block immediately. Stack before the bomb goes live. matching colors Play the harmonics in the for points! correct order to defuse the bomb in time! 22 23 TECHNIQUES SOUNDCHECK TECHNIQUE CHALLENGES CHORD BOOK Select your hand orientation and From Power Chords to Pull Offs, Choose to view chords by the songs they appear in. When you head watch a brief instructional video all the techniques you need to to the song selection screen, highlight a title to view the number of before testing out your sound. know to master the guitar are arrangements and chords and then select it to practice. When told to Make Some Noise, here. Use these challenges to strum all six strings until the improve a specific skill outside of meter fills. a song. VIDEOS Watch these easy-to-follow how-to videos for mini-lessons in 29 different topics. Learn how tackle scales, bends, slides, picking, Rocksmith closely tracks your performance. restringing, and more. note Based on your playing, many of these Technique Challenges may be suggested to you in your Rocksmith Recommends options.

Every song has its own set of skills required to note master it. To view the Technique Challenges related to a specific song, select Associated Techniques from the song’s menu or from a song’s results screen. 24 25 OPTIONS SOUND AND DISPLAY SETTINGS RESTORE DEFAULT OPTIONS Return all your altered options to the default settings. Volume Settings Adjust the volume for the music, your guitar, your mic, and crowd volume. Subtitles Turn the game’s subtitles on or off. CREDITS Check out all the people who made this game happen. Display Lag Adjust the input timing for note recognition during Correction gameplay. USER MANUAL Access this in-game manual. GAME SETTINGS Difficulty Settings Choose to set all songs to their highest achieved level or their lowest/initial level. Hand Selection Select to set your guitar playing to left-handed. String Layout Select to invert the view of your guitar strings in the HUD. This option is best for players used to SHOP reading music in tablature form. Connect to PlayStation®Network to access the Shop. Purchase new content direct from the in-game store. Choose from featured items, songs, packs, and gear. 26 27 MULTIPLAYER CONTINUE STRING LAYOUT Choose to move forward Determine your type of with playing multiplayer. After String layout. selecting Continue, you are taken to the Song Select where you can choose to play DIFFICULTY SETTINGS songs together. Choose your phrase levels. Each player may select to set all songs to their highest level achieved HAND thus far or to set all songs to their Select the hand you use to strum lowest level. the guitar. Play with another guitarist locally. In multiplayer, the screen is divided in half and each musician’s options appear in his or her section of the screen. When a selection is shared it appears in the center of the screen and both players have navigational and selection control. Upon starting Multiplayer mode, each musician has several options to choose from.

Progress is tied to your profile. Any advances note made during a multiplayer session are retained in your single player game. GAME CREDITS

Rendering Engineer UBISOFT ENTERTAINMENT Xu Ri Cai AUDIO TEAM QC COORDINATOR Taylor Benson Sr. Gameplay Engineer Audio Design Project Lead ROCKSMITH Patrick Beland Nicholas Bonardi PRODUCTION TEAM Sr. Gameplay/ Audio Designer UBISOFT SHANGHAI Core Engineer Brian Ostreicher UBISOFT SAN FRANCISCO Jason Nuccio Lead Notetracker ASSOCIATE PRODUCER Gameplay Engineer Seth Chapla Wang Ge Ge Jose Zurita Notetrackers PROJECT LEADS Matt Montgomery GAME DESIGN - Creative Director Jake Parks Brian McCune Paul Cross Brendan West GUITARCADE Chris Lee Sr. Producer Associate Designers Nao Higo ART TEAM Cliff Chiu Lead Environment Artist DESIGN TEAM Zhang Jia Wei Omar Siu ENGINEERING TEAM Game Designers Technical Art Marc Fortier AUDIO DESIGN - Lead Engineer Project Lead Matt Nguyen Olivier Vandenbos Aaron B. Murray GUITARCADE Technical Lead Artists Audio Director Daniel Deptford Andy Littleton PRODUCER Zhang Lei Sr. Core Engineer Amandeep Kaur Jason V. Schroeder Junior Audio Designer Per Olsson Zhang Xin GAME CREDITS

Senior Environment Artists Network Engineer ART TEAM - GUITARCADE Fan Yin Jia Xie Qin UBISOFT QC TEAM Associate Art Director - Tan Xiao Ming Worldwide QC Director Concept Art Junior Environment Artist QA Razvan Rotunjanu Feng Xun Jin Xing Lead QA Test Studio Manager Senior Technical 3D Artist Ren Bo George Enescu Director - Art Lu Min Hua Gu Qiang Quality Control Coordinator QC TEAM Florin Iancu Assistant Technical Director - ENGINEERING TEAM - Lead QC - Guitarcade Lead Tester Animation Chen Xing Xing Tan Ye GUITARCADE Alexandru Popescu QC Testers - Guitarcade Shanghai Lead Engineer Functionality Testers SFX Artist Li Li Qiu Hao Lei Adelin Lucian Jercan Ji Liang Sun Jing Hao Rendering Engineer Alexandru Niculae UI Artist Yi Zhen Zhong Xu Bo Sharon Wu Alexandru Ursea Gameplay Engineer Catalin Daniel Gurita Wang Wei UBISOFT SHANGHAI Ciprian Condurachi ART TEAM - VENUES Junior Engineers OUTSOURCING TEAM Iulian Laurentiu Vladescu Art Production Manager Dang Wan Li Art Manager Leonard Suciu Yu Zhou Hong Gu Wen Chi Ariane Trottier Maria-Alexandra Timmer Lead Artist Jin Jing Vlad Ioan Nicolae Rosu Zhang Jun Shan Project Managers Qiu Chen Qi Louis Duquet Senior Texture Artist Senior Network Engineer Shih Silvia Chen Jing Geng Yong GAME CREDITS

Compliance Manager Andrei Strambei Localization Integration 3rd Party Editorial Mircea Nutu Catalin Borangic Specialist Prod. Director Senior Compliance Specialists Valentin Cosmin Istrate Hugo Sénécal-Rene Vincent Minoue Adrian Bursumac Adrian Buzatoaia International Brand Manager Florin Cristea Luis Fernando Contreras Pena Daniel Luca MUSIC LICENSING UBISOFT SAN FRANCISCO President, North America Director of Marketing Catalin Gafton “Maximvs” Worldwide Music Director - Adam Novickas Radu Nedea Ubisoft Laurent Detoc Director, Brand Management Stefan Paraschiv Didier Lord Vice President of 3rd Party Danny Ruiz Compliance Specialist Worldwide Music Licensing Operations, North America US Brand Manager Vlad Toma Manager - Ubisoft Montreal James Regan Shane Bierwith Special Tests Lead Jeremy Blechet Senior Vice President of Sales Associate Brand Manager Octavian Constantin Worldwide Music & Marketing, North America Tony Key Rachel Costa Special Tests Team Licensing Coordinator - Andrei Begu Ubisoft Montreal Sr. Director, Associate Director, PR Liana Popescu Nikolaos Bardanis New Business Development Michael Beadle Arisa Lagunzad Data Managers Music Licensing Assistant - Associate PR Manager Marius Pasarica Ubisoft Montreal Director of 3rd Party Content, Scott Fry Alin Oprea Louis-Philippe Caron North America Director, Production Planning Xavier Fouilleux IT Manager & Customer Service Mihai Mreana Technology Director Brent Wilkinson LOCALIZATION Jimmy Alamparambil Desktop Services Technicians Manager, Production Planning Localization Project Manager Adam Zachary Adrian Valentin Simion Catalina Quijano GAME CREDITS

Production Specialist Website Producer EMEA Group Brand Manager Josh Taillon Kevin Crouse UBISOFT SHANGHAI Eric Moutardier ESRB Manager VP, Sales Managing Director, EMEA Brand Manager Shannon Kokoska Mike Eisenberg Shanghai Studio Florent Greffe Corinne Le Roy ESRB Coordinator Sr. Retail Planning Manager EMEA PR Director Edwin Zee Brady Watkins Director, Project Management Stéphane Vallet Eric Pepin Script Reviewer Sr. Insights Manager EMEA GAMER Group Chris Gayle Kevin Hamilton Studio Content Manager PR Manager Romain Petitmangin Promotions Manager Director, Retail Marketing Tiphaine Locqueneux-Bianchi Kristina Flucke Alexis Bodard EMEA PR Specialist Sr. Events Manager Sr. Retail Marketing Manager UBISOFT EMEA Jerome Benzadon Calvin Kwan Cherrie Chiu President and CEO EMEA Digital Marketing Associate Director Retail Marketing Manager Yves Guillemot Group Manager Stéphane Catherine Jeff Dandurand Ellen Lee EMEA Executive Director Jaime Gonzalez Associate Digital Alain Corre EMEA Trade Marketing Manager Marketing Managers Sr. Director, Media EMEA Chief Marketing Damien Neymarc Ed Casey and Promotions & Sales Officer Jill Steinberg Manager, Digital Marketing Geoffroy Sardin EMEA Trade Sr. Media Manager Marketing Coordinator Ryan Yount EMEA Marketing Director Natalie Ochoa François-Xavier Denièle Director, Digital Marketing Caroline Stevens Adam Krause EMEA Paperparts Justin Landskron EMEA Retail Sales Director Associate Director, Media Traffic Manager Sabine Berthier Joe Rongavilla Vincent Hamet GAME CREDITS

EMEA Submission Environment Artists Tomas Apodaca & Planning Coordinator Su Tianyi Dave Johnson VIDEO PRODUCTION - Laurent Gaudy Li Li Bo Patrick Wood MODELS, TECHNIQUE EMEA Manufacturing Zhou Wen Bin Alex Fernandez Planning Coordinator Zhao Wei Ping Production Designer VIDEOS, OPENING Ji Yi Zhou Loic Wilquin Brady Hartel Jade Studio Productions Chen Jiong Liang Cyrin Jocson Certification Manager Guitar Technique Video Model Etienne Tardieu Dario Forzato Age Rating Coordinator FRONT END TOOLS Technique Video Céline Paiva MENU PRODUCTION Casting Services DEVELOPMENT SUPPORT ASAP Productions PROPS AND Off Base Productions, LLC Robotic Arm Software President Studio Director ENGLISH VOICE OVER ENVIRONMENT ART - Greg Off Dan Goodman UI Project Manager Software Engineer RECORDING SERVICES ADDITIONAL ART James Manion Kevin Tan Cup of Tea Productions, Inc. CWC Prop Artists Jesse Perrin UI Designer Guitarcade Female Voice Wang Yu Jian Nalin Taneja Tools Programmer Laura Bailey Weng Jie Flash Engineer AJ Badarni Xin Xiao Hui Narrator / Guitarcade Manuel Gonzalez Garret Hoffman Gu Wen Male Voice Rob Dodson QA Engineer Gideon Emery Environment Art Lead Geoff Davis Peter Hoff Shen Xiu Jie GAME CREDITS

Sound Engineer Production Assistant Head of Production John Brengman Ryan DeBolt Rémy Julita ORIGINAL CONCEPT Project Manager / Editor Studio Coordinator Localization Project Manager GameTank Danielle Hunt Dheeraj Sareen David McComb Project Lead Project Manager Localization Lead Tester Jake Parks Lainie Bushey, HPA LOCALIZATION David McComb Localization Tester (French) Business Development CROWD SOUNDS FIGS Translation / Nicolas Machado Dana Abramovitz Voice Over Recording Design Lead Pyramind Pink Noise Localization Tester (Italian) Giovanni Polidoro-Bernabeo Nick Bonardi Audio Director / COO Paul Lipson Localization Tester (German) LOCALIZATION TESTING Ilka Rhesa Senior Sound Designer ADDITIONAL Enzyme Testing Labs Peter Steinbach Localization Tester (Spanish) Worldwide Production Maria Bazo-Rodriguez PREPRODUCTION Senior Project Manager Director Michael Roache ASSISTANCE - DUCKS Carolljo Maher Chief Engineer Killspace Steve Heithecker Copyright © 2011 Emergent Game Technologies, Inc. Emergent, LightSpeed, , Floodgate and related logos are trademarks or registered trade marks of Emergent Game Technologies, Inc., or its affiliates in the U.S. and other Powered by Wwise © 2006 - 2011 Uses Scaleform GFx © 2010 countries. Other names may be trademarks of their respective owners. Audiokinetic Inc. Scaleform Corporation. All rights reserved All rights reserved GAME CREDITS

Bobby Halim Brian Adam McCune – Dan Auerbach - PRODUCTION BABIES Billy Riyadi “Ricochet” “I Want Some More” Scarlett Brooke Cross Jeffry Purnomo Written By: Brian Adam McCune Written by Wayne November 26, 2010 To all family and friends who’ve Published By: Carson Thompson. Zhang Jing Yu supported us throughout the Brian Adam McCune Published by Budde Songs Inc. production. Love you all! February 9, 2011 Courtesy of Cream - “Sunshine Of Your Love” Lyra James Murray Warner Music Canada Co. March 12, 2011 Written By Jack Bruce, Peter MUSIC CREDITS Ronald Brown - “Rebel Rebel” Olivia Emily Deptford Best Coast - “When I’m With You” And Eric Patrick Clapton. Written by David Bowie. June 14, 2011 Written by Bethany Cosentino. Published by Dratleaf Music, Ltd. Published by Jones Music Jayden Lee Published by Bratty BC (SESAC). (PRS) and E C Music Ltd (PRS). All America (ASCAP) admin. by ARZO July 2011 Courtesy of Mexican Summer. rights administered by Warner/ Publishing / © 1974 Chrysalis Chappell Music International Ltd. Blur - “Song 2” Music (ASCAP) / Colgems-EMI SPECIAL THANKS Courtesy of Polydor Ltd. (UK) Music Inc. (ASCAP). All rights Written by Damon Albarn, Francois Garet under license from Universal reserved. Used by permission. Vincent De la bouere Graham Coxon, Steven James Music Enterprises. Courtesy of RZO Music. Nicolas Robic and David Rowntree. Bruno Ormel Published by EMI Blackwood Chris Lee – “Boss” Lina Lu Music Inc. (BMI). All Rights Written By: Chris Lee Anderson Bovell Reserved. Used by Permission. Published By: Chris Lee Emmanuel Yao Courtesy of EMI Records Ltd. Suhendi Wijaya under license from EMI Film & David Januar Television Music. GAME CREDITS

Eric Clapton - By arrangement with Sony Music Courtesy of , (P) Courtesy of Rough Trade Records “Run Back To Your Side” Entertainment Canada Inc. 2004 Matador Records. ISRC Ltd. ℗ 2009 Rough Trade Records Written by Eric Patrick Clapton Incubus – “I Miss You” No: US-MTD-04-61605 Ltd. ISRC No: GB-CVZ-09-02629 and Doyle Bramhall II. Written by Brandon Boyd, (www.matadorrecords.com) / (P) (www.roughtraderecords.com). Michael Einziger, Alex Katunich, 2004 Interpol licence exclusive Published by E C Music Ltd (PRS). Jenny O. - “Well OK Honey” All rights on behalf of E C Music Chris Kilmore and Jose Pasillas II. de EMI Music France. Avec Written by Jenny O. Music by Ltd administered by Warner/ Published by EMI April Music Inc. l’autorisation d’EMI Music France. Jenny O., Mike Green and Rob Chappell Music International (ASCAP). All Rights Reserved. Jarvis Cocker - “Angela” Kolar and Jacob Wick. Ltd. / Bug Music (BMI)/Wirzma Used by Permission. Written by Martin James F. Craft, Published by The Sleepy Anne Publishing (BMI). Courtesy of Sony Music Ross Orton, Jarvis Branson Publishing Company (ASCAP). Courtesy of Entertainment. By arrangement Cocker, Stephen Patrick Mackey, Courtesy of Manimal Records. Warner Music Canada Co. with Sony Music Entertainment Timothy McCall and – “Use Canada Inc. Simon Edward Stafford. Franz Ferdinand – “Take Me Out” Somebody” Interpol - “Slow Hands” Published by Beautiful Songs Written by Robert Hardy, Written by: Caleb Followill Written by Carlos Andres Dengler, Limited Ltd. / Universal Music Alexander Paul Kapranos Huntley, (ASCAP), Matthew Followill (BMI), Samuel J Fogarino, Publishing Group a division of Nicholas John McCarthy and Jared Followill (BMI) and Nathan Paul Julian Banks and Universal Music Canada Inc. / Paul Robert Thompson. Followill (ASCAP). Daniel Alexander Kessler. Timothy McCall Copyright / (C) Published by Universal Music Published by Kobalt Music Warner/Chappell Music Publishing Published by: Bug Music (BMI) / Publishing Group a division of Publishing America, Inc obo Ltd (PRS). All Rights Reserved. Coffee Tea Or Me Publishing (BMI) Universal Music Canada Ltd. Carlos Dengler Music/Idle / McFearless Music (BMI) / Music Courtesy of Domino Recording Worship Music / Friend Or Faux Of Windswept (ASCAP) / Martha Co. Ltd. / Epic Records. Music / Iron Men Wooden Street Music (ASCAP) / Followill Ships Music. Music (ASCAP). GAME CREDITS

Licensed Courtesy of Casablanca Published by Touch Tones Courtesy of Nirvana - “In Bloom” Media Publishing. Music Ltd. Warner Music Canada Co. Written by Kurt Cobain. Courtesy of RCA/JIVE Label Courtesy of Muse - “Unnatural Selection” Published by The End of Music Group, a unit of Sony Music Tummy Touch Records. Written and composed by and Primary Wave Tunes and Entertainment. By arrangement Matthew James Bellamy. administered by EMI Virgin Songs, Lynyrd Skynyrd - with Sony Music Entertainment Inc. (BMI). All Rights Reserved. “Sweet Home Alabama” © 2009 Loosechord Limited (PRS). Canada Inc. All rights administered by Warner/ Used by Permission. Written by Edward King, Gary - Chappell Music Publishing Ltd. Courtesy of Geffen Records under Robert Rossington and “Are You Gonna Go My Way” license from Universal Ronnie Van Zant. Courtesy of Written by Lenny Kravitz. Warner Music Canada Co. Music Enterprises. Composed by Lenny Kravitz and Published by Universal Music Craig Ross. Publishing Group a division of Nirvana - “Breed” Pixies - “Where Is My Mind?” Universal Music Canada Ltd. Copyright 1993 Miss Bessie Music Written by Kurt Cobain. Written by Charles Thompson. (ASCAP) Wigged Music (BMI). All Courtesy of Geffen Records under Published by The End of Music Published by Universal Music Rights Reserved. license from Universal and Primary Wave Tunes and Publishing Group a division of Music Enterprises. Courtesy of Virgin Records administered by EMI Virgin Songs, Universal Music Canada Ltd. America under license from EMI Muse - “Plug In Baby” Inc. (BMI). All Rights Reserved. Courtesy of 4AD Ltd., ℗ 1997 4AD Film & Television Music. Used by Permission. Ltd. ISRC No: GB-AFL-97-00100 Written by (www.4ad.com). Matthew James Bellamy. Courtesy of Geffen Records under Little Barrie – ‘’Surf Hell’’ license from Universal Published by Hewrate Limited Written by Barrie Cadogan, Music Enterprises. Lewis Reuben Wharton, Virgil (PRS). All rights administered by Howe. Warner/Chappell Music Publishing Ltd. GAME CREDITS

Queens Of The Stone Age - (PRS). All rights administered by Publishing (ASCAP)/ Sigur Ros - “Gobbledigook” “Go With The Flow” WB Music Corp. Release Relapse Music (BMI). Written by Jon Thor Birgisson, Written by Josh Homme and All Rights Reserved. Courtesy of Relapse Records, Orri Pall Dyrason, Georg Holm Nick Oliveri. Courtesy of EMI Records Ltd. Inc. and Kiartan Sveinsson. © Warner-Tamerlane Publishing under license from EMI Film & Published by Universal Music Television Music. - Corp. (Bmi), Board Stiff Music “Higher Ground” Publishing Group a division of (BMI) And Natural Light Music RapScallions – ‘’ Brain’’ Universal Music Canada Inc. Written by Stevie Wonder. (BMI) Copyright 2002. All rights Written by Chris Clemence, Courtesy of XL Recordings Ltd., Published by Black Bull Music on behalf of itself and Board Stiff Dario Forzato, Matthew Still, ℗ 2008 XL Recordings Ltd. ISRC and Jobete Music Co., Inc. Music administered By Warner- Wendy Starland and Adam No: BG-KEE-08-00075 (ASCAP). Tamerlane Publishing Corp. Fisher. (www.xlrecordings.com). All Rights Reserved. All Rights Reserved. Published by Chris Clemence Used by permission. Courtesy of Interscope Records / Dario Forzato / Matthew Still Silversun Pickups - Courtesy of Capitol Records under license from Universal / Wendy Starland (ASCAP) - “Panic Switch” under license from EMI Film & Music Enterprises. Wendelicious Music / Written by Brian Aubert, Television Music. - “High And Dry” Adam Fisher. Christopher Guanlao, Joseph Written by Thomas Edward Red Fang - “Number Thirteen” Seth Chapla – “Jules” Lester and Nicole Monninger. Yorke, Edward John O’brien, Written by David Sullivan, Written By: Seth Chapla (BMI) Published by Silversun Pickups Music (ASCAP) on behalf of itself Colin Charles Greenwood, John Sherman, Maurice Bryan Published By: Seth Chapla Jonathan Richard Guy Giles and Aaron Beam. and Boredom Mending Music (BMI). Greenwood and Philip James Published by Relapse Release Selway. Courtesy of Dangerbird Records. © Warner/Chappell Music Ltd GAME CREDITS

Soundgarden - “Outshined” – Taddy Porter - “Mean Bitch” - “I Got Mine” Written by Chris Cornell. “Between The Lines” Written By Andy Brewer, Written and composed by Published by You Make Me Sick Written by Robert Emile DeLeo, Joe Selby, Kevin Jones Dan Auerbach and Patrick I Make Music (ASCAP) / Sony/ Dean DeLeo and Scott Richard and Doug Jones. Carney. ATV Music Publishing Canada Weiland. Published by Primary Wave Copyright © 2008 McMoore (SOCAN). All rights reserved. Published by Universal Music Taddy Porter (ASCAP) o/b/o Itself McLesst Publishing (BMI). Used by permission. Publishing Group a division of and as admin. for All Rights in the world excluding Courtesy of A&M Records under Universal Music Canada Ltd. Arvan Publishing (ASCAP). Australia and New Zealand license from Universal Courtesy of ℗© 2010 Primary Wave Records. Administered by Wixen Music Music Enterprises. Warner Music Canada Co. Publishing, Inc. All Rights in The Animals - Australia and New Zealand Spoon - “Me And The Bean” Stone Temple Pilots – “” “House of the Rising Sun’’ Administered by GaGa Music. Written by John Clayton (BMI). Written by Dean DeLeo, Written by Alan Price. All Rights Reserved. Published by Bug Music (BMI)/ Robert Emile DeLeo, Published by CPE Music, Inc. Used by Permission. Irrigation Music (BMI). Licensed and Scott Richard Weiland. (BMI). Under license from Courtesy of courtesy of Casablanca Published by Universal Music Sony Pictures Music Group / Warner Music Canada Co. Media Publishing. Publishing Group a division of Beechwood Music Corp. (BMI). The Black Keys - “Next Girl” Universal Music Canada Ltd. All Rights Reserved. Used by Courtesy of Merge Records. Written and composed by Permission. By Arrangement with Courtesy of Dan Auerbach and Patrick Bank Robber Music. Warner Music Canada Co. Courtesy of EMI Records Ltd. and Carney. of ABKCO Music & Records, Inc. Copyright © 2010 McMoore (www.abkco.com). McLesst Publishing (BMI). GAME CREDITS

All Rights in the world excluding - Courtesy of Fiction Records/ All rights reserved. Australia and New Zealand “We Share The Same Skies” Polydor Ltd. (UK) under license Used by permission. Administered by Wixen Music Written by , Gary from Universal Music Enterprises Courtesy of XL Recordings Ltd., Publishing, Inc. Jarman, Ross Jarman and and of Warner Music Canada Co. ℗ 2009 XL Recordings Ltd. ISRC All Rights in Australia and New Ryan Jarman. No: GB-BKS-09-00058 Zealand Administered by GaGa - (www.xlrecordings.com). © 2009 Chrysalis Music (ASCAP) “I Can’t Hear You” Music. All Rights Reserved. and Chrysalis Songs (BMI). All Written by Alison Mosshart, Used by Permission. rights reserved. - , and Courtesy of Used by permission. “(I Can’t Get No) Satisfaction” . Warner Music Canada Co. Courtesy of Warner Music Written by Mick Jagger and Published by Domino Publishing Keith Richards. The Boxer Rebellion - Canada Co. and of Wichita Company of America, Inc. Published by ABKCO Music, Inc. “Step Out Of The Car” Recording by arrangement with (ASCAP) / Sleeping Disorder Courtesy of ABKCO Music & Written by Nathan Nicholson, Mixtape Music. Music (BMI) / Each Hit Below Me Adam Harrison, Piers Hewitt and Records, Inc. (www.abkco.com). - “Boys Don’t Cry” (BMI) / Third String Tunes (BMI). Todd Howe. Written by Michael Stephen Courtesy of / Published by Primary Wave Brian Dempsey, Robert James Smith Warner Music Canada Co. (Boxer Rebellion Sp. Acct) (BMI). and Laurence The Horrors - “Do You Courtesy of Andrew Tolhurst. Absentee Recordings/ Remember” Published by Universal Music The Boxer Rebellion LLP. Written by Faris Badwan, Joshua Publishing Group a division of Hayward, Tom Cowan, Rhys Universal Music Canada Ltd. Webb and Joseph Spurgeon. © 2009 Chrysalis Music (ASCAP). GAME CREDITS

The Rolling Stones - Courtesy of RCA Records, a unit Courtesy of XL Recordings Ltd., All rights reserved. “Play With Fire” of Sony Music Entertainment. ℗ 2009 XL Recordings Ltd. ISRC Courtesy of Written by Nanker Phelge. By arrangement with Sony Music No: GB-BKS-09-00198 Warner Music Canada Co. Published by ABKCO Music, Inc. Entertainment Canada Inc. (www.xlrecordings.com). – “Slither” Courtesy of ABKCO Music & - “Icky Thump” Titus Andronicus - Records, Inc. (www.abkco.com). Written by Scott Richard Weiland, Written by Jack White III. “A More Perfect Union” Matt Sorum, Duff Rose McKagan, The Rolling Stones - Published by Peppermint Stripe Written by Patrick Stickles. David Kushner and Saul Hudson. “The Spider and The Fly” Music (BMI). Published by Patrick Stickles Published by Kobalt Music Written by Mick Jagger and Courtesy of Third Man Records Copyright Control (BMI). Music Publishing America Inc, Keith Richards. / Warner Music Canada Co. / Courtesy of Merok Records / XL obo Slash And Cash Publishing Published by ABKCO Music, Inc. XL Recordings Ltd, ℗ 2005 XL Recordings Ltd., ℗ 2010 Merok / ©2004 Chrysalis Music o/b/o Recordings Limited. ISRC Records / XL Recordings Ltd. itself, Courtesy of ABKCO Music & No: GB-BKS-07-00147 ISRC Ready Set Go Publishing Records, Inc. (www.abkco.com). (www.xlrecordings.com). No: GB-BKS-09-00520 (ASCAP), Dracsorum Music – (www.xlrecordings.com). (ASCAP), The xx - “Islands” “Under Cover Of Darkness” Pimp Music (ASCAP) and Written by Romy Anna Madley Tom Petty and the Heartbreakers Written by , DTK Music (ASCAP). All rights Croft, Baria Qureshi, Oliver David – “Good Enough” , Albert Hammond, reserved. Used by permission. Sim and James Thomas Smith. Written by Tom Petty and Jr. and . Courtesy of RCA/JIVE Label Published by Universal Music Mike Campbell. Published by The Strokes Band Group, a unit of Sony Music Publishing Group a division of Published by Adria K Music Music (ASCAP). Entertainment. By arrangement Universal Music Canada Ltd. (ASCAP) / Wild Gator Music with Sony Music Entertainment (ASCAP). Used by permission. Canada Inc. GAME CREDITS

Versus Them – “Six AM Block Music (ASCAP) / Lucan Salvation” Anderson Publishing Designee / Written By: Matt Montgomery Warne Parker Music (ASCAP). (ASCAP) Courtesy of Fontana North. Published By: Matt Montgomery Yellow Moon Band - “Chimney” White Denim – “Burnished” Written by D. Carroll, J. Bartlett, Written by Steve Terbecki, D. Hagan and M. Priest. James Petralli, Joshua Block, Published by D. Carroll, J. Lucan Anderson and Bartlett, Austin Jenkins. D. Hagan, M. Priest (MCPS/PRS). Copyright © 2011 Steve Courtesy of Static Caravan Terebecki Music (ASCAP) / Bop Recordings by arrangement with English Music (ASCAP) / Joshua Woodwork Music. (www.staticcaravan.org).

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Technique Challenge - Anchor Zones...... Matt Montgomery ORIGINAL MUSIC FOR ROCKSMITH Space Ostrich (Quick Pick Dash)...... Nicholas Bonardi Arrangement Title...... Written By Ducks...... Nicholas Bonardi Technique Challenge - Slides...... Chris Lee Super Ducks...... Nicholas Bonardi Technique Challenge - Double Stops...... Brian McCune Scale Runner...... Nicholas Bonardi Technique Challenge - Palm Mutes...... Brian McCune Baseball...... Nicholas Bonardi Technique Challenge - Bends...... Seth Chapla Dawn of the Chordead...... Zhang Xin Technique Challenge - Tremolos...... Seth Chapla Harmonically Challenged...... Zhang Xin Technique Challenge - Power Chords...... Brendan West Super Slider...... Zhang Xin Technique Challenge - Barre Chords...... Brendan West Technique Challenge - Harmonics...... Matt Montgomery All original compositions for Rocksmith copyright © Ubisoft 2011 Technique Challenge - Hammer-Ons and Pull-Offs...... Matt Montgomery Technique Challenge - Open Chords...... Matt Montgomery Technique Challenge - Sustains...... Matt Montgomery

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