Revolutionary Pedagogies

Total Page:16

File Type:pdf, Size:1020Kb

Revolutionary Pedagogies REVOLUTIONARY PEDAGOGIES REVOLUTIONARY PEDAGOGIES Cultural Politics, Instituting Education, and the Discourse of Theory Peter Pericles Trifonas, EDITOR ROUTLEDGEFALMER A MEMBER OF THE TAYLOR & FRANCIS GROUP NEW YORK LONDON Published in 2000 by Routledge 29 West 35th Street New York, NY 10001 Published in Great Britain by Routledge 11 New Fetter Lane London EC4P 4EE This edition published in the Taylor & Francis e-Library, 2002. RoutledgeFalmer is an imprint of the Taylor & Francis Group. Copyright ©2000 by Routledge All rights reserved. No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. Library of Congress Cataloging-in-Publication Data Trifonas, Peter Pericles, 1960– Revolutionary pedagogies: cultural politics, instituting education, and the discourse of theory / [edited by] Peter Pericles Trifonas. p. cm. Includes bibliographical references and index. ISBN 0-415-92568-1 (hb: alk. paper) — ISBN 0-415-92569-X (pb: alk. paper) 1. Critical pedagogy. 2. Education—Political aspects. 3. Education—Social aspects. 4. Education—Philosophy. LC196.R48 2000 370.11'5—dc21 99-056409 ISBN 0-203-90155-X Master e-book ISBN ISBN 0-203-90159-2 (Glassbook Format) To my parents, Panagiotis and Martha, whose immeasurable sacrifice and love taught me that to live is but to learn; the joyful inspiration of their ancient wisdom is confirmed each and every single day by the miracle of my own children, Peirce, Anthi, and Yanni. Contents Acknowledgments ix Introduction xi I CULTURAL POLITICS Diasporas Old and New: Women in the Transnational World 3 Gayatri Chakravorty Spivak Strange Fruit: Race, Sex, and an Autobiographics of Alterity 30 William F. Pinar All-Consuming Identities: Race and the Pedagogy of Resentment in the Age of Difference 47 Cameron McCarthy and Greg Dimitriadis The Touch of the Past: The Pedagogical Significance of a Transactional Sphere of Public Memory 61 Roger I. Simon II INSTITUTING EDUCATION Where a Teaching Body Begins and How It Ends 83 Jacques Derrida Technologies of Reason: Toward a Regrounding of Academic Responsibility 113 Peter Pericles Trifonas VIII CONTENTS Unthinking Whiteness: Rearticulating Diasporic Practice 140 Peter McLaren Postmodern Education and Disposable Youth 174 Henry A. Giroux Multiple Literacies and Critical Pedagogies: New Paradigms 196 Douglas Kellner III THE DISCOURSE OF THEORY The Shock of the Real: Critical Pedagogies and Rightist Reconstructions 225 Michael W. Apple The Limits of Dialogue as a Critical Pedagogy 251 Nicholas C. Burbules The Social Sciences as Information Technology: A Political Economy of Practice 274 John Willinsky Responsible Practices of Academic Writing: Troubling Clarity II 289 Patti Lather Degrees of Freedom and Deliberations of “Self”: The Gendering of Identity in Teaching 312 Jo-Anne Dillabough Permissions 353 Contributors 355 Index 359 Acknowledgments I would like to thank Gayatri Spivak, Jacques Derrida, Peter McLaren, Henry Giroux, John Willinksy, Roger Simon, Nicholas Burbules, Doug Kellner, Michael Apple, Patti Lather, Bill Pinar, Denise Egéa- Kuehne, Jo-Anne Dillabough, Cameron McCarthy, and Greg Dimitriadis, who have participated in this anthology, for their support of this project and for the gen- erous contributions of their texts to the collection. I have learned much from their work and have been inspired by the gift of their friendship. Heidi Freund has provided valuable insight into the task of editing this book as well as tremendous reserves of patience while it was transformed into its present form. Thank you. I would like to express my gratitude to Elefteria Balomenos for reading portions of the manuscript and for assisting in the writing of the introduction. This book would not have been possible without a fellowship from the Social Sciences and Humanities Research Council of Canada and a Connaught Grant from the University of Toronto. Introduction How does contemporary critical theory encounter pedagogy? radicalize it? revolutionize it? make it revolutionary? This is the central question, among others, that this volume seeks to address. It does so by highlight- ing the work of contemporary theorists who are also very well known for their rev- olutionary teaching and the radicality of what they have taught with respect to cultural politics, instituting education, and the discourse of theory. Although this characterization of the chapters presented in this volume is self-consciously fore- fronted by the title of the anthology (and any title worthy of the appellation “title” should surely thematize the heterogeneity of a body of work so as to do just that!), the text does not speak only to those who have embraced the ethical value of open- ing the empirico-conceptual and epistemic limits of one’s work and oneself to the risk of less than canonical modes of thinking. It also addresses those who would wholeheartedly blame contemporary theorizing for all that is perceived to be “wrong” with the state of the humanities and the social sciences today. By contain- ing the idiomatic values of such arguments within the thematic trajectory of this titular enframing of the topic, the essays sustain a probing articulation of the ten- sions among the discursive spaces and the real-world dimensions of an interdiscipli- nary nexus of theory that informs and manifests practice in the application of ideas. For any engagement or identification with a theoretical position or direction (for instance, a theorem, a system, a methodology, a “proof,” an ideology, an argument) implies the critical outworking of an academic responsibility to uphold an obliga- tion owed to the search for truth at all costs. This is what makes theory practice and provides a justifying principle, a principle of reason for what we think, do, and write. The collection converges upon specific interpretations of the obligation we have to respond responsibly to the alterity of those we teach for beyond ourselves. The interplay between texts I have included thereby challenges us to reflect upon and to reexamine the logic and the boundaries of “thought” and “action,” “theory” and “practice,” and what comprises and displaces the opposition of these two enti- ties in the name of revolutionizing pedagogy, radicalizing the normative limits of its ethics so as to make it more responsive to the difference of an Other. Of course, the relating of “idea” to “performance” and vice versa is most cer- tainly nothing new, especially as it relates to the teaching body and a body of teach- ing. As I have said, the desire motivating the appearance of this text is not to offer XII INTRODUCTION yet another treatise containing polemics on why one should be “for” as compared to being “against” theory in the pursuit of achieving discreet pedagogical purposes, ob- jectives, and ideals. No matter what the ethico-ideological impetus behind such a stance may be, there is no fruitfulness in taking either an offensive or a defensive posture for the sake of simply protecting the lineage, direction, and territory of a disciplinary ground from the contaminating effects of its Others. For in choosing sides, one reinstitutes the ideological errors of those familiar divisions, epistemic and methodological, that do nothing more than promote and entrench the institu- tional conflicts (skirmishes and wars) between otherwise interrelated and comple- mentary faculties and induce artificial distinctions grounding the differences among areas of study—for example, the theoretical versus the practical, the scien- tific versus the artistic, the cognitive versus the aesthetic, the rigorous versus the un- demanding, the male-oriented versus the female-oriented, the required versus the elective, and so on. The quest for validation, in each and every case, is worked out at the expense of recognizing the openings of an interdisciplinary logic—a prag- matico-interpretative space beyond the oppositionality of binary thought—that would defy the historicity of an institutional axiomatics aimed at the calculation and realization of a single, teleological destination. For it is the myopia of a repres- sion of the desire to trailblaze, to forge new directions and paths of inquiry, think- ing and teaching, that risks the danger of separating theory from practice for the sole purpose of policing boundaries and orienting the ends of research and of edu- cation. This would lead to the abdication of academic responsibility to the truth of the Other that we cannot already know and results in the instauration of a “point- less pedagogy” grounded on, of, and for the rationality of its own reason. Its logic re- mains, in effect, a prisoner to the fulfillment of its own faith and faithfulness in the laws and rules it upholds without exception by being negatively positioned toward what it must deny as Other in order to keep intact the right of its self-approving in- tegrity. A pointless pedagogy is not aimless, that is, without purpose or direction. It is, however, conceptually and performatively unquestioned (what is its point?) and therefore both unqualified and underdetermined, yet curiously enough also overqualified and overdetermined, in the limits of its responsivity by offering no opening toward a recognition of what it might exclude as being unlike itself. A pointless pedagogy—signifying everything and nothing through
Recommended publications
  • CRITICAL THEORY and AUTHORITARIAN POPULISM Critical Theory and Authoritarian Populism
    CDSMS EDITED BY JEREMIAH MORELOCK CRITICAL THEORY AND AUTHORITARIAN POPULISM Critical Theory and Authoritarian Populism edited by Jeremiah Morelock Critical, Digital and Social Media Studies Series Editor: Christian Fuchs The peer-reviewed book series edited by Christian Fuchs publishes books that critically study the role of the internet and digital and social media in society. Titles analyse how power structures, digital capitalism, ideology and social struggles shape and are shaped by digital and social media. They use and develop critical theory discussing the political relevance and implications of studied topics. The series is a theoretical forum for in- ternet and social media research for books using methods and theories that challenge digital positivism; it also seeks to explore digital media ethics grounded in critical social theories and philosophy. Editorial Board Thomas Allmer, Mark Andrejevic, Miriyam Aouragh, Charles Brown, Eran Fisher, Peter Goodwin, Jonathan Hardy, Kylie Jarrett, Anastasia Kavada, Maria Michalis, Stefania Milan, Vincent Mosco, Jack Qiu, Jernej Amon Prodnik, Marisol Sandoval, Se- bastian Sevignani, Pieter Verdegem Published Critical Theory of Communication: New Readings of Lukács, Adorno, Marcuse, Honneth and Habermas in the Age of the Internet Christian Fuchs https://doi.org/10.16997/book1 Knowledge in the Age of Digital Capitalism: An Introduction to Cognitive Materialism Mariano Zukerfeld https://doi.org/10.16997/book3 Politicizing Digital Space: Theory, the Internet, and Renewing Democracy Trevor Garrison Smith https://doi.org/10.16997/book5 Capital, State, Empire: The New American Way of Digital Warfare Scott Timcke https://doi.org/10.16997/book6 The Spectacle 2.0: Reading Debord in the Context of Digital Capitalism Edited by Marco Briziarelli and Emiliana Armano https://doi.org/10.16997/book11 The Big Data Agenda: Data Ethics and Critical Data Studies Annika Richterich https://doi.org/10.16997/book14 Social Capital Online: Alienation and Accumulation Kane X.
    [Show full text]
  • Fostering Information Literacies in a Writing Course
    Canadian Journal for Studies in Discourse and Writing/Rédactologie 51 Volume 29, 2019 http://journals.sfu.ca/cjsdw Article Learner-Created Podcasts: Fostering Information Literacies in a Writing Course Stephanie Bell York University Abstract This paper describes an experimental learner-created podcasting assignment in a first-year undergraduate research skills course for professional writers. The podcasting assignment serves as a contextualized experiential writing project that invites students to refine their research skills by participating in the invention of an emerging genre of radio storytelling. The power of the podcast assignment lies in the liminal space it creates for learners. It moves students beyond familiar and regimented essay conventions to an unstable writing environment where digital tools for producing, publishing, and negotiating meaning offer a range of possible audiences, modalities, forms, and modes of meaning making. This space creates the pedagogical conditions for epistemic development, through which students adopt as their own the research practices of adept and experienced writers. The multiple demands of this course on writing, research, and digital environments generates the beginnings of interdisciplinary writing pedagogy involving Kent’s (1993, 1999) postprocess mindset, the ACRL’s (2015) Framework for Information Literacy in Higher Education, Baxter Magolda’s (1999) constructive-developmental pedagogy, and Arroyo (2013)’s elaboration of participatory digital writing pedagogy. Introduction In this paper,
    [Show full text]
  • Learning Information Literacy and Teaching: an Action Research Project
    The Fifth European Conference on Information Literacy (ECIL) September 18th-21st, 2017, Saint-Malo, France Abstracts Saint-Malo, 2017 The Fifth European Conference on Information Literacy (ECIL) September 18th-21st, 2017, Saint-Malo, France Abstracts Editors: Sonja Špiranec, Serap Kurbanoğlu, Joumana Boustany, Esther Grassian, Diane Mizrachi, Loriene Roy, Denis Kos Information Literacy Association (InLitAs) Saint-Malo, 2017 The Fifth European Conference on Information Literacy, September 18th-21st, 2017, Saint-Malo, France: Abstracts http://ecil2017.ilconf.org Publisher: Information Literacy Association (InLitAs) http://inlitas.org ISBN 978-2-9561952-0-7 Copyright © 2017 by Information Literacy Association (InLitAs) and authors All rights reserved Organization The Fifth European Conference on Information Literacy (ECIL) was co-organized by the Department of Information Management of Hacettepe University, the Department of Information and Communication Sciences of the University of Zagreb and Information Literacy Association (InLitAs), France. Standing Committee 1. Paul G. Zurkowski, USA (Honorary Chair) 2. Serap Kurbanoğlu, Hacettepe University, Turkey (General Co-chair for ECIL & ECIL 2016) 3. Sonja Špiranec, University of Zagreb, Croatia (General Co-chair for ECIL & ECIL 2016) 4. Joumana Boustany, Information Literacy Association (InLitAs), France (Co-chair for ECIL 2017) 5. Szarina Abdullah, MARA Technology University, Malaysia 6. Buket Akkoyunlu, Hacettepe University, Turkey 7. Aharon Aviram, Ben-Gurion University, Israel 8. George Awad, UNESCO Regional Office, Lebanon 9. Tomaz Bartol, University of Ljubljana, Slovenia 10. Athina Basha, Albanian Library Association, Albania 11. David Bawden, City University, UK 12. Dilara Begum, East West University, Bangladesh 13. Albert K. Boekhorst, University of Pretoria, South Africa 14. Alexander Botte, German Inst. for International Educational Research, Germany 15.
    [Show full text]
  • 1 Douglas Kellner [
    Douglas Kellner [http://www.gseis.ucla.edu/faculty/kellner/] T.W. Adorno and the Dialectics of Mass Culture While T.W. Adorno is a lively figure on the contemporary cultural scene, his thought in many ways cuts across the grain of emerging postmodern orthodoxies. Although Adorno anticipated many post-structuralist critiques of the subject, philosophy, and intellectual practice, his work clashes with the postmodern celebration of media culture, attacks on modernism as obsolete and elitist, and the more affirmative attitude toward contemporary culture and society found in many, but not all, postmodern circles. Adorno is thus a highly contradictory figure in the present constellation, anticipating some advanced tendencies of contemporary thought, while standing firming against other regnant intellectual attitudes and positions. In this article, I argue that Adorno's analyses of the functions of mass culture and communications in contemporary societies constitute valuable, albeit controversial, legacies. Adorno excelled both as a critic of so-called "high culture" and "mass culture," while producing many important texts in these areas. His work is distinguished by the close connection between social theory and cultural critique, and by his ability to contextualize culture within social developments, while providing sharp critical analysis. Accordingly, I discuss Adorno's analysis of the dialectics of mass culture, focusing on his critique of popular music, the culture industry, and consumer culture. I argue that Adorno's critique of mass culture is best read and understood in the context of his work with information superhighway. In conclusion, I offer alternative perspectives on mass communication and culture, and some criticisms of Adorno's position.
    [Show full text]
  • 1 Critical Pedagogy, Cultural Studies, and Radical Democracy at the Turn
    Critical Pedagogy, Cultural Studies, and Radical Democracy at the Turn of the Millennium: Reflections on the Work of Henry Giroux By Douglas Kellner (http://www.gseis.ucla.edu/faculty/kellner/) After publishing a series of books that many recognize as major works on contemporary education and critical pedagogy, Henry Giroux turned to cultural studies in the late 1980s to enrich education with expanded conceptions of pedagogy and literacy.1 This cultural turn is animated by the hope to reconstruct schooling with critical perspectives that can help us to better understand and transform contemporary culture and society in the contemporary era. Giroux provides cultural studies with a critical pedagogy missing in many versions and a sustained attempt to link critical pedagogy and cultural studies with developing a more democratic culture and citizenry. The result is an intersection of critical pedagogy and cultural studies that enhances both enterprises, providing a much-needed cultural and transformative political dimension to critical pedagogy and a pedagogical dimension to cultural studies. Crucially, Giroux has linked his attempts to transform pedagogy and education with the project of promoting radical democracy. Giroux's earlier work during the 1970s and 1980s focused on educational reform, pedagogy, and the transformation of education to promote radical democracy. In Border Crossings (1992), Giroux notes "a shift in both my politics and my theoretical work" (1). The shift included incorporation of new theoretical discourses of poststructuralism and postmodernism, cultural studies, and the politics of identity and difference embodied in the new discourses of class, gender, race, and sexuality that proliferated in the post- 1960s epoch.
    [Show full text]
  • The Contribution of Marxism to Education
    ACCESS: CONTEMPORARY ISSUES IN EDUCATION 1995, VOL. 14, NO. 2, 130–139 To find the new world in a critique of the old: The contribution of marxism to education Robert Mackie ABSTRACT Marxism should seek neither to escape from a full understanding of the reasons for its recent negative trajectory, nor quit the field in favour of either modernist liberalism or postmodernist fragmentation. Apologetics and defeatism are equally unacceptable. Additionally, with regard to education in particular, marxists have constantly emphasised its imbrication in society and history. So assessments of marxism's contributions to education, made particularly at a time when its standing is parlous or at best problematic, need a clear understanding of the shifting demography of revolutionary aspiration. Waxing and waning: Marxism now and then We gotta get out of this place If it's the last thing we ever do We gotta get out of this place There's a better life for me and you.1 In 1994 there appeared the Oxford Illustrated History of Western Philosophy edited by Anthony Kenny (Kenny, 1994). It contains a photo of a statue of Karl Marx in Berlin on the occasion of his one hundred and seventy-third birthday in 1991. Marx is bedecked with garlands of roses, while behind him, pensively peering over his shoulder, stands a small boy sucking his fingers. Below is a card on which is written, 'Du hattest ja so recht' - 'You were so right'. A touching vignette? A surprising tribute? A sly nostalgia? On May 7 1973, Time magazine published a feature article on the remarkable renaissance of Karl Marx.
    [Show full text]
  • Spring 2013 Jottings& DIGRESSIONS
    College of Letters & Science UNIVERSITY OF WISCONSIN-MADISON SCHOOL OF LIBRARY & INFORMATION STUDIES Volume 44, No. 1 • Spring 2013 Jottings& DIGRESSIONS Heather Johnson and family Cynthia Lewis MA’12 Did You Know That SLIS Has a Distance MA Program? Q&A with Heather Johnson: special education with a specializa- Q&A with Cynthia Lewis MA’12: Current Distance Student tion in learning disabilities. Distance Graduate I also work 20 hours as a part- Interview by Ellen Hassel time library aide at the River Falls Interview by Ellen Hassel Public Library. I have worked there Q. Tell us about yourself. for over three years and was encour- Q. Tell us about yourself. A. My name is Heather Johnson, and aged to pursue my library degree A. My name is Cynthia Lewis, and I am in my second year of the online from the director of the library. The I am a graduate of the UW-Madison SLIS program at UW-Madison. I outstanding quality of the education SLIS Distance Program. I earned a am a mother to three amazing, that I am receiving has made me BA in English from California State- young daughters: Margaret, Adeline, better equipped to meet the specific Fullerton in 2010 and began the and Kathryn. My husband, Sam, needs of the community that I serve. UW SLIS MA program in the fall and I live on a family-owned and of 2010. After graduating from the -operated farm in River Falls, WI, Q. Tell us about your focus as a SLIS program in August of 2012, where we raise cattle and cash crops, distance student in SLIS, and what my husband and I relocated from board horses, and run more than made you decide to follow that track.
    [Show full text]
  • CRITICAL THEORY Past, Present, Future Anders Bartonek and Sven-Olov Wallensein (Eds.) SÖDERTÖRN PHILOSOPHICAL STUDIES
    CRITICAL THEORY Past, Present, Future Anders Bartonek and Sven-Olov Wallensein (eds.) SÖDERTÖRN PHILOSOPHICAL STUDIES The series is attached to Philosophy at Sder- trn University. Published in the series are es- says as well as anthologies, with a particular em- phasis on the continental tradition, understood in its broadest sense, from German idealism to phenomenology, hermeneutics, critical theory and contemporary French philosophy. The com- mission of the series is to provide a platform for the promotion of timely and innovative phil- osophical research. Contributions to the series are published in English or Swedish. Cover image: Kristofer Nilson, System (Portrait of a Swedish Tax Form), 2020, Lead pencil drawing on chalk paint, on mdf 59.2 x 42 cm. Photo: Jesper Petersen. Te Swedish tax form is one of many systems designed to handle and present information. Mapped onto the surface of an artwork, it opens a free space; an untouched surface where everything can exist at the same time. Kristofer Nilson Critical Theory Past, Present, Future Edited by Anders Bartonek & Sven-Olov Wallenstein Sdertrns hgskola Sdertrns University Library SE-141 89 Huddinge www.sh.se/publications © the Authors Published under Creative Commons Attribution 3.0 Unported License Cover layout: Jonathan Robson Graphic form: Per Lindblom & Jonathan Robson Printed by Elanders, Stockholm 2021 Sdertrn Philosophical Studies 28 ISSN 1651-6834 Sdertrn Academic Studies 83 ISSN 1650-433X ISBN 978-91-89109-35-3 (print) ISBN 978-91-89109-36-0 (digital) Contents Introduction
    [Show full text]
  • The Sixties Counterculture and Public Space, 1964--1967
    University of New Hampshire University of New Hampshire Scholars' Repository Doctoral Dissertations Student Scholarship Spring 2003 "Everybody get together": The sixties counterculture and public space, 1964--1967 Jill Katherine Silos University of New Hampshire, Durham Follow this and additional works at: https://scholars.unh.edu/dissertation Recommended Citation Silos, Jill Katherine, ""Everybody get together": The sixties counterculture and public space, 1964--1967" (2003). Doctoral Dissertations. 170. https://scholars.unh.edu/dissertation/170 This Dissertation is brought to you for free and open access by the Student Scholarship at University of New Hampshire Scholars' Repository. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of University of New Hampshire Scholars' Repository. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps.
    [Show full text]
  • UC Berkeley Electronic Theses and Dissertations
    UC Berkeley UC Berkeley Electronic Theses and Dissertations Title The Lyric Forms of the Literati Mind: Yosa Buson, Ema Saikō, Masaoka Shiki and Natsume Sōseki Permalink https://escholarship.org/uc/item/97g9d23n Author Mewhinney, Matthew Stanhope Publication Date 2018 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California The Lyric Forms of the Literati Mind: Yosa Buson, Ema Saikō, Masaoka Shiki and Natsume Sōseki By Matthew Stanhope Mewhinney A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Japanese Language in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Alan Tansman, Chair Professor H. Mack Horton Professor Daniel C. O’Neill Professor Anne-Lise François Summer 2018 © 2018 Matthew Stanhope Mewhinney All Rights Reserved Abstract The Lyric Forms of the Literati Mind: Yosa Buson, Ema Saikō, Masaoka Shiki and Natsume Sōseki by Matthew Stanhope Mewhinney Doctor of Philosophy in Japanese Language University of California, Berkeley Professor Alan Tansman, Chair This dissertation examines the transformation of lyric thinking in Japanese literati (bunjin) culture from the eighteenth century to the early twentieth century. I examine four poet- painters associated with the Japanese literati tradition in the Edo (1603-1867) and Meiji (1867- 1912) periods: Yosa Buson (1716-83), Ema Saikō (1787-1861), Masaoka Shiki (1867-1902) and Natsume Sōseki (1867-1916). Each artist fashions a lyric subjectivity constituted by the kinds of blending found in literati painting and poetry. I argue that each artist’s thoughts and feelings emerge in the tensions generated in the process of blending forms, genres, and the ideas (aesthetic, philosophical, social, cultural, and historical) that they carry with them.
    [Show full text]
  • Seeking a Way a White Teacher’S Journey from Critical Race Theory to Black Power Pedagogy
    FEATURE ARTICLE Seeking a Way A White Teacher’s Journey from Critical Race Theory to Black Power Pedagogy ALEXANDER B. PRATT University of Oregon HE NARRATIVE BELOW THAT OPENS this article describes the first unit that I taught in T my second year as a full-time classroom teacher at Jane Smith Elementary on the west side of Chicago. This narrative is my own recollection aided by notes and assignments collected at the time, though I am confining the discussion to my preparation for the instruction and my reflection upon completion of the instruction. As such, it is the kind of narrative re-tell that is used most often in works of narrative inquiry and in Pinar’s (1975) understanding of teaching autobiography and currere, which I will describe in more detail in the Methodology section. The purpose of the analysis in this article is to describe the ontology of race, specifically Blackness, as it is theorized in Critical Race Theory and how that ontology problematizes the way I thought about issues of race and racism in my first week of teaching and, more generally, the way such things are being addressed in current liberal and neoliberal classrooms. This problematic underestimates the impact of racism within our societal structure, leaving many teachers and students, myself included, the victims of an unrealistic and destructive conception of how racial justice and equality can be achieved. I suggest that one potential way forward that addresses this unrealistic expectation can be found in the pedagogy put forward in the literature of the Black Power Movement.
    [Show full text]
  • For Immediate Release
    FOR IMMEDIATE RELEASE CONTACT: [email protected] 212-629-1990 INDUSTRY VETERANS KOSS AND WALKER ANNOUNCE FORMATION OF NEW BOOK MARKETING & PUBLICITY FIRM Tandem Literary to provide online, print, and broadcast support for publishers and authors New York, NY (May 4, 2009)—With a combined total of nearly 40 years experience in promoting books and authors, Gretchen Koss and Meghan Walker formally announce today the formation of their new book marketing and publicity firm, Tandem Literary. The two worked together at Random House until this past December, Gretchen as the Director of Publicity for Spiegel & Grau, and Meghan as Spiegel & Grau’s Director of Marketing. Koss and Walker have worked with debut authors and repeat bestsellers on a wide range of books—commercial and literary fiction and story collections; celebrity bios; memoirs; advice and self-help; and narrative non-fiction including history and politics. Campaigns they built together while at S&G include those for Artie Lange’s #1 New York Times bestseller Too Fat to Fish , Suze Orman’s New York Times bestseller Women & Money , and Matt Taibbi’s New York Times bestseller The Great Derangement , among many others. Over the course of her career, Gretchen has worked with such authors as Nathaniel Philbrick, Robert Greene, A.M. Homes, Mary Karr, Terry McMillan, Melissa Bank, Peggy Noonan, Roddy Doyle, Carl Hiaasen, Maeve Binchy, Elmore Leonard, William Kennedy, Jasper Fforde, and Jane Green. Meghan has worked on the marketing campaigns for Eric Clapton, Patricia Cornwell, Tom Clancy, Nora Roberts, Clive Cussler, Catherine Coulter, John Sandford, Sue Grafton, Robert B. Parker, Lance Armstrong, Khaled Hosseini, Chang-rae Lee, and Nick Hornby.
    [Show full text]