DOCSLIB.ORG

National Lotteries Board - Annual Report 2012/13

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
National Lotteries Board - Annual Report 2012/13 2012/13 1 NATIONAL LOTTERIES BOARD - ANNUAL REPORT 2012/13 © NATIONAL LOTTERIES BOARD 2013 AUDITORS: Auditor-General SA Published COMPANY SECRETARY: Ms Selloane Motloung By NATIONAL LOTTERIES BOARD Registered address: Block B, Hatfield Gardens BANKERS: Corner Hilda and Arcadia Streets Nedbank Hatfield First National Bank 0083 Rand Merchant Bank PRETORIA, South Africa Standard Bank ABSA Telephone: +27-12-432 1300 Fax: +27-12-432 1387 Info Centre: 08600 65383 Website: www.nlb.org.za All rights reserved. No part of this publication may be reproduced or distributed in any form or by any means, without the prior written consent of the National Lotteries Board. CONTENTS Page No List of abbreviations/acronyms...............................................................................................6 Minister’s Note to Parliament.................................................................................................7 Statement by the Minister.......................................................................................................8 Foreword by the Chairperson.................................................................................................12 Chief Executive Officer’s Report...........................................................................................15 Vision, Mission and Core Values............................................................................................20 Corporate Structure................................................................................................................21 The Board of the NLB.............................................................................................................23 Governance Report................................................................................................................26 Executive Committee.............................................................................................................44 Performance Reports.............................................................................................................46 Performance against Predetermined Objectives: 2012/13................................................47 Grant Funding....................................................................................................................50 Compliance........................................................................................................................58 Corporate Services............................................................................................................59 4 NATIONAL LOTTERIES BOARD - ANNUAL REPORT 2012/13 Financial Statements Page No Financial Statements of National Lotteries Board.................................................................. 68 Accounting Authority’s Report....................................................................................................................... 69 Report of the Auditor-General....................................................................................................................... 72 Statement of Financial Performance............................................................................................................. 76 Statement of Financial Position..................................................................................................................... 77 Statement of Changes in Net Assets............................................................................................................. 78 Cash Flow Statement................................................................................................................................... 79 Notes to the Annual Financial Statements..................................................................................................... 80 Financial Statements of National Lottery Distribution Trust Fund............................. 112 Report of the Auditor-General....................................................................................................................... 113 Statement of Financial Performance............................................................................................................. 116 Statement of Financial Position..................................................................................................................... 117 Statement of Changes in Net Assets............................................................................................................. 118 Cash Flow Statement.................................................................................................................................... 119 Notes to the Annual Financial Statements..................................................................................................... 120 Funds distributed by the NLDTF: 1 April 2012 - 31 March 2013....................................136 5 NATIONAL LOTTERIES BOARD - ANNUAL REPORT 2012/13 LIST OF ABBREVIATIONS/ACRONYMS AA Accounting Authority AFS Annual Financial Statements ACT The Lotteries Act (Act 57 of 1997) AGSA Auditor-General South Africa Board Board of Directors of the NLB CATHSSETA Culture, Arts,Tourism, Hospitality, Sport, Sector Education and Training Authority CEO Chief Executive Officer DA Distributing Agency the dti Department of Trade and Industry GRAP Generally Recognised Accounting Practice GRC Gambling Review Commission IPSAS International Public Sector Accounting Standards MTEF Medium Term Expenditure Framework NGO Non-governmental Organisation NLB National Lotteries Board NLDTF National Lottery Distribution Trust Fund PFMA Public Finance Management Act (Act 1 of 1999 as amended) RFP Request for Proposal SCA Supreme Court of Appeal SCM Supply Chain Management 6 NATIONAL LOTTERIES BOARD - ANNUAL REPORT 2012/13 Minister’s note to Parliament Dear Honourable Speaker, Annual Report of the National Lotteries Board for the year ended 31 March 2013. I have the honour, in terms of section 65 of the Public Finance Management Act, 1999 (Act No. 1 of 1999), to present the Annual Report of the National Lotteries Board for the year ended 31 March 2013. Dr. Rob Davies, MP Minister of Trade and Industry 7 NATIONAL LOTTERIES BOARD - ANNUAL REPORT 2012/13 STATEMENT BY THE MINISTER Dr. Rob Davies, MP Minister of Trade and Industry 8 NATIONAL LOTTERIES BOARD - ANNUAL REPORT 2012/13 The vision of the Department of Trade Already, during the term of the current and Industry (the dti) is that of a dynamic administration, significant changes have taken industrial, globally competitive South African place in the running of the National Lottery. economy, characterised by inclusive growth One of the most significant changes have and development, decent employment and been the faster distribution of funds to a larger equity, built on the full potential of all citizens. number of beneficiaries. I also would like to see improved relations between the NLB Board The National Lotteries Board (NLB) is an and the distribution agencies and the initiatives agency of the dti and which forms part of the underway in this regard, enjoy my full support. broader dti family committed to this vision. Furthermore, the NLB has committed to The NLB regulates the lotteries area including ensuring greater alignment within the the distribution of lottery funds. distribution agencies, especially through ensuring that people with appropriate skills In 2009, the Gambling Review Commission and expertise get appointed to run their affairs was set up to assess, amongst others, the and eliminating any potential conflict of interest impact of legislation and executing agencies the dti will continue to diligently assist the Board such as the NLB. Several recommendations and staff implement these improvements, and for changes were made and the dti and carry out its mandate in as effective and efficient the NLB have begun implementing the key a manner as possible. recommendations. I wish to thank Prof. NA Nevhutanda and For instance, the process for the review of Mrs. TCC Mampane, chairperson and CEO the Lotteries Act is at an advanced stageand respectively of the NLB, for their stewardship will lead to further changes in the operations of this important agency during this important of the NLB. In this regard I am particularly period of change. pleased that in response to concerns raised by stakeholders certain changes will take Dr. Rob Davies MP place for process improvements, Minister of Trade and Industry 9 NATIONAL LOTTERIES BOARD - ANNUAL REPORT 2012/13 10 NATIONAL LOTTERIES BOARD - ANNUAL REPORT 2012/13 11 NATIONAL LOTTERIES BOARD - ANNUAL REPORT 2012/13 FOREWORD BY THE CHAIRPERSON Prof. NA Nevhutanda Chairperson – National Lotteries Board 12 NATIONAL LOTTERIES BOARD - ANNUAL REPORT 2012/13 The catalyst for social upliftment It is the late great Mahatma Gandhi who said, to worthy causes – the vehicles through which “There are people in the world so hungry that we materialise our vision to be “the catalyst for God cannot appear to them except in the form social upliftment.” of bread.” The year has been characterised, inter alia, It is political and governmental ideologies by active organisational development and founded on social and economic developmental strengthening for greater management and principles that constitute the bread whose life- delivery capacity. Our appointment of a new giving meaning is so profoundly and eloquently CEO and the review of our expectations articulated by Gandhi. In societies, such as apropos the constitution,
Load more

Recommended publications
  • Department of Cultural Affairs and Sport (DCAS) Annual Report 2018/19
    Annual Report 2018/2019 Department of Cultural Affairs and Sport Western Cape Government Vote 13 Annual Report 2018/2019 ISBN: 978-0-621-47425-1 1 Contents Part A ........................................................................................................................................................ 4 1. Departmental General Information ............................................................................................. 5 2. List of abbreviations/acronyms ..................................................................................................... 6 3. Foreword ........................................................................................................................................... 9 4. Report of the Accounting Officer .............................................................................................. 10 5. Statement of Responsibility and Confirmation of Accuracy of the Annual Report ......... 15 6. Strategic overview ........................................................................................................................ 16 6.1. Vision ................................................................................................................................................ 16 6.2. Mission .............................................................................................................................................. 16 6.3. Values .............................................................................................................................................
    [Show full text]
  • Festivals As Integrative Sites Valuing Tangible and Intangible Heritage for Sustainable Development
    Festivals as Integrative Sites Valuing Tangible and Intangible Heritage for Sustainable Development 1 Editors: Beth Perry, Laura Ager and Rike Sitas Contributors: Stephen Agong, Laura Ager, Beth Aggett, Chiara Badiali, Patrick Hayombe, Walter van de Leur, Annemiek van der Meijden, Fredrick Odede, Beth Perry, Loes Rusch, Naomi Roux, Gail Skelly, Karen Shannon, David Simon, Olle Stenbäck, Contents Tony Whyton and Marline Listette Wilders Forewords 4 Assistance: Introduction 5 Gloria Dawson and Vicky Simpson Africa Week: Activism, Diversity and Inclusion in Post-Apartheid Johannesburg 8 Funders: Bristol Radical Film Festival: Screening Marginalised Films in Non-traditional JPI Heritage Plus and Mistra Urban Futures Urban Spaces 10 Curaçao North Sea Jazz Festival: Marketing and Branding Jazz Heritage 12 Designer: Dunga Fish Night and Got Ramogi Festival: Preserving Nature, The University of Sheffield Myths and Sacred Sites 14 Print & Design Solutions Edinburgh Festivals: City, Culture and Sustainability 16 Electric Castle: Festivalising Conservation and Restoration 18 Fietas Festival: Reclaiming Streets, Performing Memory 20 Gamlestaden Jazz Festival: Jazz Festivals in Urban Spaces 22 Infecting the City: Artistic Interfaces and Happenings in Everyday Spaces 24 Into the Great Wide Open: Festival as Living Lab 26 Kaapse Klopse: Carnival and Conflict in Cape Town 28 Manchester Histories Festival: Multiplicity and Plurality in Narratives of the City 30 Manchester International Festival: Global Aspirations, Local Embeddedness 32 Musica Sulla Boche:
    [Show full text]
  • Sounding the Cape, Music, Identity and Politics in South Africa Denis-Constant Martin
    Sounding the Cape, Music, Identity and Politics in South Africa Denis-Constant Martin To cite this version: Denis-Constant Martin. Sounding the Cape, Music, Identity and Politics in South Africa. African Minds, Somerset West, pp.472, 2013, 9781920489823. halshs-00875502 HAL Id: halshs-00875502 https://halshs.archives-ouvertes.fr/halshs-00875502 Submitted on 25 May 2021 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Sounding the Cape Music, Identity and Politics in South Africa Denis-Constant Martin AFRICAN MINDS Published by African Minds 4 Eccleston Place, Somerset West, 7130, South Africa [email protected] www.africanminds.co.za 2013 African Minds ISBN: 978-1-920489-82-3 The text publication is available as a PDF on www.africanminds.co.za and other websites under a Creative Commons licence that allows copying and distributing the publication, as long as it is attributed to African Minds and used for noncommercial, educational or public policy purposes. The illustrations are subject to copyright as indicated below. Photograph page iv © Denis-Constant
    [Show full text]
  • University of Cape Town
    Town Cape of University Sartorial Disruption An investigation of the histories, dispositions, and related museum practices of the dress/fashion collections at Iziko Museums as a means to re-imagine and re-frame the sartorial in the museum. Erica de Greef The copyright of this thesis vests in the author. No quotation from it or information derivedTown from it is to be published without full acknowledgement of the source. The thesis is to be used for private study or non- commercial research purposes Capeonly. of Published by the University of Cape Town (UCT) in terms of the non-exclusive license granted to UCT by the author. University Thesis presented for the Degree of Doctor of Philosophy Department of African Studies University of Cape Town January 2019 “Clothes are people to Diana Vreeland. Her interest in them is deep and human” (Ballard, 1960:293, cited in Clark, De la Haye & Horsley. 2014:26) This text represents a full and original submission for the degree of Doctor of Philosophy at the University of Cape Town. This copy has been supplied for the purpose of research, on the understanding that it is copyright material, and that no quotation from the thesis may be published without proper acknowledgment. Cover Image: SAM14268: Beadwork Detail. Photograph by Andrew Juries, Courtesy of Andrew Juries. iii iv Abstract In this thesis I investigate and interrogate the historical and current compositions, conditions and dispositions of three collections containing sartorial objects of three formerly separate museums – the South African Museum, the South African National Gallery and the South African Cultural History Museum.
    [Show full text]
  • Cape Malay Minstrels Biography
    CAPE MALAY MINSTRELS The Cape Malay Minstrels (“Kaapse Klopse”), synonymnous for their vibrant music, painted faces and rainbow- coloured satin costumes, have been parading down the streets of central Cape Town for almost 300 years. The traditional folk music played by the Cape Minstrels was developed in the mid 1800’s, when many of the Cape Colony slaves emanicipated from slavery, joined roaming Hottentot bands to earn a living. Today the minstrels represent a celebration of history, symbolic of the various ethnic groups coming together in the cultural melting pot known as Cape Town. Musicians, dancers and singers of all ages form part of this unique group, cheerfully reflectling the festive and colourful nature of the South African people with their banjo’s, drums and tambourines. The perfect Capetonian welcome for tour groups and festivities, our Minstrel groups and troups are seasoned performers and a favourite choise amongst tour companies and event organisers in Cape Town. NOTEWORTHY BOOKINGS WITH FIVE SEASONS Various Corporate events, incentive groups, weddings, private functions and International Conferences, including • World Federation of Nuclear Medicine and Biology Congress @ Cape Town International Convention Centre, 18/09/2010 • TUI UK Educational function @ Table Bay hotel, 08/05/2009 • Divertitas Conference @ Kirstenbosch, 13/10/2009 • Gala Dinner @ Cape Town International Convention Centre, 27/08/2009 • Film shoot @ Green Market Square, 23/02/2009 • International wedding @ Mount Nelson, 20/02/2009 • Conference Opening @ Lagoon Beach Hotel, 11/01/2009 • Opening of the new Cape Town International Airport and commission of Parkade 1, 18/12/2008 • Gala Dinner for Successful Events @ Cape Sun, 11/12/2008 • Cape Town International Convention Centre .
    [Show full text]
  • Choreographing Cape Town Through Goema Music and Dance
    CHOREOGRAPHING CAPE TOWN THROUGH GOEMA MUSIC AND DANCE by FRANCESCA INGLESE Each January, members of Cape Town’s sixty-plus minstrel troupes take over the city center with a sweeping wave of sound and color in the annual Minstrel Carnival.1 Known as Tweede Nuwe Jaar (the Second of New Year) — and more controversially as the “Coon Carnival” — the Minstrel Carnival’s origins are oft en linked with the December 1st emancipation processions of the mid-to-late 1800s that celebrated the abolition of slavery in 1834 and also to the annual slave holiday, the one day a year slaves could take off work. Th e parading of troupes, called Kaapse Klopse (Clubs of the Cape) in Afrikaans, on Carnival is also the culmination of a week of celebrations that begins on Christmas Eve with the parading of Christmas Choirs (brass bands) and is followed by the Malay Choir or Nagtroepe (night troupes) parade on New Year’s Eve (Bruinders 2006-7: 109). Together, these multiple practices announce the New Year in Cape Town.2 On the day of Carnival, klopse, that once gathered outside their homes in the bustling streets of District Six and the Bo-Kaap, travel to the city center from their klopskamers (clubhouses) in the dispersed townships on the Cape Flats and suburban areas beyond Cape Town’s City Bowl. Together they traverse the downtown, beginning from the edge of District Six, from which many troupe members and their parents and grandparents were forcibly removed under apartheid’s Group Areas Act (1950). From 2012–2014, I paraded with Th e Fabulous Woodstock Starlites, a forty year old troupe located in Woodstock, one of the older suburbs close to town.
    [Show full text]
  • CAPE TOWN SOUTH AFRICA an Inspiring Place to Meet
    SUBMISSION TO HOST 19th General Assembly and 31st International Cartographic Conferennce 13 – 18 August 2023 CAPE TOWN SOUTH AFRICA an inspiring place to meet a division of Contents INTRODUCTION 5 ACCOMMODATION 73 - Invitation - Overview - Supporting Institutions & Associations - Estimated Costs HOST DESTINATION 17 SOCIAL EVENTS 79 - Cape Town, an Inspiring Place to Meet - Suggested Themes - 10 Reasons to Select Cape Town - Suggested Venues - Congresses - Fast Facts - Key Visitor Attractions TOURS 85 - Global Ranking - Day Tours - Culture & People - Pre & Post Tours in Southern Africa - South Africa CONFERENCE SUPPORT 97 TRAVEL INFORMATION 39 - Convention Bureau - Getting There - Services - Travel & Transport - Industry Associations - Visa Information - Wesgro CONVENTION VENUE 53 ANNEXURE 105 - Cape Town International Convention - Support Letters Centre (CTICC) 2 ICC 2023 3 HOST DESTINATION ONE OF THE WORLD’S MOST SUSTAINABLE CITIES 4 5 INTRODUCTION 1. Theme of ICC 2023 By 2023 the international cartography and geospatial information community will have made great progress in areas of new developments in their fields and will by that time be ready to showcase the results of the latest research and development. The related technology will be more advanced, in particular providing greater connectivity globally to local. At that time there will be new ways in which to represent geospatial information and how this geospatial information relates to and value-adds to other information. There will be new ways in which humans interact with and use cartography and geospatial information. In 2023 we will be ready to discuss and see in practice the new cartography and geospatial information science and management. The topic of ‘smart cartography’ will be ripe for discussion and debate.
    [Show full text]
  • 2002 – 2003 Jaarverslag Annual Report Ingxelo Yonyaka
    2002 – 2003 JAARVERSLAG ANNUAL REPORT INGXELO YONYAKA ISBN 0-621-34577-6 Cover photographs clockwise: (a) Manie Irving of Cape Town Ballet teaching a young dancer during a training programme of the Company. (b) Two participants in the Cape Minstrels Carnival on Second New Year. (c) A young musician concentrates during a training lesson of the Cape Town Philharmonic. (d) The Malay Choir competitions are one of the highlights in the cultural calendar of the Western Cape. (e) A mass performance in the Good Hope Centre of the Cape Town Philharmonic. Hierdie publikasie is ook in Afrikaans beskikbaar. Olu shicilelo luyafumaneka nangesiXhosa. Hard copies of this publication is available from: The Accounting Officer Western Cape Cultural Commission Private Bag X9067 CAPE TOWN 8000 An electronic version of this publication is available on www.westerncape.gov.za/culture 2 TABLE OF CONTENTS PAGE SUBMISSION OF THE ANNUAL REPORT TO THE MINISTER 4 CHAIRPERSON’S ADDRESS 5 VISION AND MISSION 6 1 GENERAL INFORMATION 7 1.1 INTRODUCTION 7 1.2 COMPOSITION OF THE CULTURAL COMMISSION 7 1.3 CONSTITUTIONAL COMPETENCY AND LEGISLATIVE 7 MANDATE 1.4 POWERS AND FUNCTIONS OF THE CULTURAL COMMISSION 8 2 HUMAN RESOURCE FRAMEWORK 9 2.1 ORGANISATIONAL STRUCTURE 9 2.2 MEETINGS OF THE CULTURAL COMMISSION AND ITS 9 COMMITTEES 2.3 EXECUTION OF WORK 10 2.4 POLICY DEVELOPMENTS 10 3 PROGRAMME PERFORMANCE 10 3.1 REGISTRATION AND DE-REGISTRATION OF CULTURAL 10 COUNCILS 3.2 ASSISTANCE TO REGISTERED CULTURAL COUNCILS 11 3.3 CONTROL, MANAGEMENT, DEVELOPMENT AND 12 MAINTAINENANCE
    [Show full text]
  • “It Is Us” an Exploration of “Race” and Place in the Cape Town Minstrel Carnival Nadia Davids
    “It is us” An Exploration of “Race” and Place in the Cape Town Minstrel Carnival Nadia Davids Performing Presence Between Christmas and New Year’s Day the streets of Cape Town are filled with the music and movement of the Cape Town Minstrel Carnival. It is a weeklong season of performance and celebration, the culmination of a year spent rehearsing songs, choreographing dances, and planning costumes in the klopse kamers1 scattered throughout the outlying Cape Flats. The Carnival’s identity is entangled with the spatial and historical dimensions of urban Cape Town, and it performs again and again the city’s past dislocations and its geographies of loss. If the parameters of the city are determined by the extraordinary beauty of its mountain ranges and coastline, then its center, a bricolage of colonial buildings and statues, occasional skyscrapers, boutique shops, restaurants, street vendors, flower sellers, new and old immigrant communities, 1. Klopse kamers (club rooms) are the headquarters or rehearsal rooms for minstrel troupes (see Martin 1999). TDR: The Drama Review 57:2 (T218) Summer 2013. ©2013 86 New York University and the Massachusetts Institute of Technology Downloaded from http://www.mitpressjournals.org/doi/pdf/10.1162/DRAM_a_00262 by guest on 27 September 2021 foreign nationals and street dwellers, renders it a place (as Yazir Henri and Heidi Grunebaum put it) “at war with itself” (2005:3). Its old segregations, its calculated long divisions, its his- torical conflation of “race” and manual labor, and its ability to remain at once “a culturally diverse and divided city” (Field, Meyer, and Swanson 2007:5) all collude to ensure that Black Capetonians’ struggle for visibility, for presence in the city, remains a central one.
    [Show full text]
  • Ann 11 Grants Subs and Contr to Ext Orgs 1415.Xlsx
    Annexure 11 - GRANTS, SUBSIDIES AND CONTRIBUTIONS TO EXTERNAL ENTITIES 2014/15 Medium Term Revenue & Expenditure Description 2010/11 2011/12 2012/13 Current Year 2013/14 Framework Audited Audited Audited Full Year Budget Year Budget Year +1 Budget Year +2 R thousand Original Budget Adjusted Budget Outcome Outcome Outcome Forecast 2014/15 2015/16 2016/17 Cash Transfers to Organisations 1st Bellville South Scout Group 10 – – – – – – – – 1st Bothasig Scout Group – – 5 – – – – – – 1st Ikwezi Scout Group 15 – – – – – – – – 2013 Maboneng Guguletu Arts Experience – – – – 50 50 150 – – 6th World Congress: Paediatric Cardiology and Cardiac Surgery – – 750 – – – – – – 7570 Youth in Action – – – 7 7 7 – – – Abafazi iTemba - Women of Hope 10 – – – – – – – – Abangane Religious Group – 4 – – – – – – – Abaphumeleli Home of Safety 38 20 – – – – – – – Abatsha Environmental Group 96 – – – – – – – – Abba HIV Project 5 5 5 – – – – – – Abigail Women's Movement 72 18 23 – – – – – – ABSA Cape Epic 500 – 1 278 1 350 1 350 1 350 1 445 – – Actor's Voice Davedu-tainment 19 – – – – – – – – ACVV Bothasig Creche – 10 8 – – – – – – ACVV Old Age Home: ACVV Huis Jan Swart – – 15 – – – – – – Africa Centre – – – – 450 450 – – – Africa Tales – 3 – – – – – – – Africa Unite – – 37 – – – – – – African Centre for Cities 350 – – – – – – – – African Creative Economy Conference – – – – 600 600 – – – African Fashion International – – 1 200 – – – 1 300 – – African Travel Week – – – – 2 750 2 750 2 750 – – Afrikaanse Christelike Vroue Vereniging (ACVV De Grendel Creche ACVV Crèche,
    [Show full text]
  • Thesis Hum 2012 Riley Ej.Pdf
    The copyright of this thesis vests in the author. No quotation from it or information derived from it is to be published without full acknowledgementTown of the source. The thesis is to be used for private study or non- commercial research purposes only. Cape Published by the University ofof Cape Town (UCT) in terms of the non-exclusive license granted to UCT by the author. University “FROM MATIELAND TO MOTHER CITY: LANDSCAPE, IDENTITY AND PLACE IN FEATURE FILMS SET IN THE CAPE PROVINCE, 1947-1989.” EUSTACIA JEANNE RILEY Thesis Presented for the Degree of DOCTOR OF PHILOSOPHYTown in the Department of Historical Studies UNIVERSITY OF CAPE TOWN Cape December 2012 of Supervisor: Vivian Bickford-Smith University Town Cape of University Table of Contents Abstract v Acknowledgements vii Introduction 1 1 The Cape apartheid landscape on film 4 2 Significance and literature review 9 3 Methodology 16 3.1 Films as primary sources 16 3.2 A critical visual methodology 19 4 Thesis structure and chapter outline 21 Chapter 1: Foundational Cape landscapes in Afrikaans feature films, 1947- 1958 Town 25 Introduction 25 Context 27 1 Afrikaner nationalism and identityCape in the rural Cape: Simon Beyers, Hans die Skipper and Matieland 32 1.1 Simon Beyers (1947) of 34 1.2 Hans die Skipper (1953) 41 1.3 Matieland (1955) 52 2 The Mother City as a scenic metropolitan destination and military hub: Fratse in die Vloot 60 ConclusionUniversity 66 Chapter 2: Mother city/metropolis: representations of the Cape Town land- and cityscape in feature films of the 1960s
    [Show full text]
  • Sounding the Cape Music, Identity and Politics in South Africa
    Sounding the Cape Music, Identity and Politics in South Africa Denis-Constant Martin AFRICAN MINDS Published by African Minds 4 Eccleston Place, Somerset West, 7130, South Africa [email protected] www.africanminds.co.za 2013 African Minds ISBN: 978-1-920489-82-3 The text publication is available as a PDF on www.africanminds.co.za and other websites under a Creative Commons licence that allows copying and distributing the publication, as long as it is attributed to African Minds and used for noncommercial, educational or public policy purposes. The illustrations are subject to copyright as indicated below. Photograph page iv © Denis-Constant Martin Photograph page 33 © Denis-Constant Martin Illustration page 68 © John and Charles Bell Heritage Collection Photograph page 110 © The Ismail Dante Archives / Denis-Constant Martin Photograph page 123 © District Six Museum / Africa Media Online Photograph page 151 © Steve Hilton-Barber Photograph page 187 © John E Mason Photograph page 199 © District Six Museum Photograph page 217 © Paul Weinberg / South Photographs / Africa Media Online Photograph page 219 © Denis-Constant Martin Photograph page 235 © Denis-Constant Martin Photograph page 259 © Denis-Constant Martin Photograph page 263 © Rashid Vally Photograph page 291 © Denis-Constant Martin Photograph page 313 © Fortissimo Films Photograph page 335 © District Six Museum Photograph page 339 © Denis-Constant Martin Photograph page 361 © Denis-Constant Martin For orders from within South Africa: Blue Weaver PO Box 30370, Tokai 7966, Cape
    [Show full text]