DOCSLIB.ORG

Five Clips from Africa | Norient.Com 2 Oct 2021 11:12:51 Five Clips from Africa PLAYLIST by Georg Milz

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Five Clips from Africa | Norient.Com 2 Oct 2021 11:12:51 Five Clips from Africa PLAYLIST by Georg Milz Five Clips from Africa | norient.com 2 Oct 2021 11:12:51 Five Clips from Africa PLAYLIST by Georg Milz To start the new year ethnologist and journalist Georg Milz sent us a list with five music videos from all around Africa. He shows us some really nice clips between pidgin pop, hip hop pantsula and house, from Nigeria and Mozambique to South Africa and Kenya. By the way he is shaping coupé-décalé from – and that might be surprising – Geneva, Switzerland. Artist: Timaya (Nigeria) Track: Ukwu Pidgin pop music from Nigeria got coined the term Afrobeats with an «s». Even though unlikely Fela Kuti's Afrobeat, Afrobeats is rather unpolitical it is still the most celebrated soundtrack in african nightclubs of today, with a growing impact on global pop music. It fuses and borrows rhythms and melodies from all kind of genres such as Congolese Soukous, R'n'B, Afrobeat, Coupé-Décalé or South African House and spices them up with local lyrics in pidgin english and auto-tune effects. Artists such as P-Square, D’banj or Wizkid are among top selling artists and first stars of this african music movement being played in clubs in the US aswell as in Kingston Jamaica. Timaya is another upcoming star from the megacity of Lagos. With his hit single «Sonko» he recently put a spotlight on the dancehall culture of Lagos biggest ghetto Ajegunle. On his latest song called «Ukuw», meaning waist, he jumped on the bandwagon of Nigeria's state to the art afrohouse productions. This joint not only got us twerking in our office last year. Artist: 340ml (South Africa) Track: Fairy Tales 340ml are four musicians from Mozambique who came to study to Jo’burg. Their name relates to the dimensions of a beer can. Drummer Paulo Chibanga runs a yearly festival in Mozambique called Azgo. Together with guitarist Tiago they are also part of the band Tumi and the Volume, with South African spoken word artist Tumi Molekane who recently released his new single «In https://norient.com/video/5-video-clips-from-africa Page 1 of 3 Five Clips from Africa | norient.com 2 Oct 2021 11:12:51 defense of my Art». Both bands are pioneers of the live music scene in Johannesburg and Cape Town. Not so fresh but a real classic Tune of South African indie-rock and a great vibe: «Fairy Tales». Artist: HHP (South Africa) Track: Bosso HipHop Pantsula is the «#Bosso» of rap in South Africa. Friends call him Jabba. It was his record label that recommended him to not call himself after the fat and ugly creature of Star Wars but change his name. They suggested him the name HipHop Pantula, in reference to the forbidden street dance and lifestyle during the apartheid. To him that sounded a bit too long, but when fans started calling him Double-H P, he started liking it. HHP's style is called Motswako, as he mixes lyrics in both english and african lingua such as Setswana, Zulu and Xhosa. His latest video is a collage of him having a whole lot of fun, asking people from Jozi to Mafikeng what they think a «#Bosso» is. Artist: Abou Nidal de Genève (Côte d'Ivoire / Switzerland) Track: Yaya Casser Tête Coupé-Décalé is a music- and dance-style from Côte d'Ivoire. It's not so much the songs that matter but its videos. As in the video clips you can see the combination of both: innovative dance moves and hard-hitting repetitive electronic rhythms. It was around 2000 when teh movement got kickstarted by ivorianne DJs in african nightclubs of Paris. Later it conquered the airwaves all across francophon Africa via Abidjan. If you really want to find out how much energy this type dance music has, go no further than watching the video to «Yaya Casser Tête» by Abou Nidal de Genève. Artist: Sarabi feat. Juliani (Kenya) Track: Sheria Nairobi has a vital live music scene. Best Example is Sauti Sol. Coming from a middle-class background the Kenyan indie-rockers recently caused a small sensation, winning the MTV European Music Awards in the category «best african act». With no big label backing their career they won against some of the biggest pop stars of Africa. Another Kenyan indie band worth to check out is Sarabi. Their band name means deja-vu in Kiswahili. Most of Kenya's https://norient.com/video/5-video-clips-from-africa Page 2 of 3 Five Clips from Africa | norient.com 2 Oct 2021 11:12:51 urban youth has neglected the Kenyan band music sound their parents were listening to. So when they hear Sarabi reinterpreting Kenyan pop music from the 60s and 70s to many it feels like a deja-vu, they can't remember but somehow they have heard it. «Sheria» is political song that talks about the responsibilities each and everyone of society has for a better future. Instead of always blaming everyting on the politicians one should rather look for oneself. Besides singer Nelson Manela (he really is called after the South African first black president) you can hear rapper Juliani on the song talking about the tribal tensions in Kenya, mentioning the collective blood donations that happend after terrorists attacked the Westgate shoppig center in Nairobi 2013: «You are not my tribe, but you are my blood type .... but it doesn't have to take a tragedy to know this!» → Published on January 19, 2015 → Last updated on August 19, 2020 Georg Milz ist Ethnologe und als Freier Autor für Zündfunk und Funkhaus Europa tätig. Durch die Arbeit als A&R bei Outhere Records und Mitglied von Dala Dala Soundz aus München ist er Fachmann für Global Pop. Milz hat die Compilations «Ayobaness – South African House» und «Black Stars – Ghana’s Hiplife Generation» herausgebracht und Tourneen mit afrikanischen Künstlern organisiert. Demnächst erscheint seine Compilation zu urbaner Musik aus Kenya. Als Student der Ethnologie hat er über die Entstehung von Coupé Decalé zwischen Paris und der Elfenbeinküste geforscht. → Topics Dance Music Video Place All Topics → Specials 5 Video Clips from Countries: South , Africa https://norient.com/video/5-video-clips-from-africa Page 3 of 3.
Load more

Recommended publications
  • Dancing to the Beat of the Diaspora: Musical Exchanges Between Africa and Its Diasporas
    African and Black Diaspora: An International Journal ISSN: 1752-8631 (Print) 1752-864X (Online) Journal homepage: http://www.tandfonline.com/loi/rabd20 Dancing to the beat of the diaspora: musical exchanges between Africa and its diasporas Paul Tiyambe Zeleza To cite this article: Paul Tiyambe Zeleza (2010) Dancing to the beat of the diaspora: musical exchanges between Africa and its diasporas, African and Black Diaspora: An International Journal, 3:2, 211-236, DOI: 10.1080/17528631.2010.481976 To link to this article: http://dx.doi.org/10.1080/17528631.2010.481976 Published online: 23 Jun 2010. Submit your article to this journal Article views: 398 View related articles Citing articles: 1 View citing articles Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=rabd20 Download by: [US International University - Africa] Date: 01 November 2016, At: 01:09 African and Black Diaspora: An International Journal Vol. 3, No. 2, July 2010, 211Á236 Dancing to the beat of the diaspora: musical exchanges between Africa and its diasporas Paul Tiyambe Zeleza* Loyola Marymount University of Los Angeles, Los Angeles, California, USA This essay examines the complex ebbs and flows of musical exchanges between Africa and its diasporas. Specifically, it focuses on musical engagements between, on the one hand, the Caribbean and West Africa and, on the other, the United States and Southern Africa. It argues that the influence of diasporan music on modern African music, especially popular music, has been immense. These influences and exchanges have created a complex tapestry of musical Afro- internationalism and Afro-modernism and music has been a critical site, a soundscape, in the construction of new diasporan and African identities.
    [Show full text]
  • Publication No. 201619 Notice No. 48 B
    CIPC PUBLICATION 16 December 2016 Publication No. 201619 Notice No. 48 B (AR DEREGISTRATIONS – Non Profit Companies) COMPANIES AND CLOSE CORPORATIONS CIPC PUBLICATION NOTICE 19 OF 2016 COMPANIES AND INTELLECTUAL PROPERTY COMMISSION NOTICE IN TERMS OF THE COMPANIES ACT, 2008 (ACT 71 OF 2008) THE FOLLOWING NOTICE RELATING TO THE DEREGISTRATION OF ENTITIES IN TERMS OF SECTION 82 OF THE COMPANIES ACT ARE PUBLISHED FOR GENERAL INFORMATION. THE CIPC WEBSITE AT WWW.CIPC.CO.ZA CAN BE VISITED FOR MORE INFORMATION. NO GUARANTEE IS GIVEN IN RESPECT OF THE ACCURACY OF THE PARTICULARS FURNISHED AND NO RESPONSIBILITY IS ACCEPTED FOR ERRORS AND OMISSIONS OR THE CONSEQUENCES THEREOF. Adv. Rory Voller COMMISSIONER: CIPC NOTICE 19 OF 2016 NOTICE IN TERMS OF SECTION 82 OF THE COMPANIES ACT, 2008 RELATING TO ANNUAL RETURN DEREGISTRATIONS OF COMPANIES AND CLOSE CORPORATIONS K2011100425 SOWETO CITY INVESTMENT AND DEVELOPMENT AGENCY K2011100458 K2011100458 K2011105301 VOICE OF SOLUTION GOSPEL CHURCH K2011105344 BOYES HELPING HANDS K2011105653 RACE 4 CHARITY K2011105678 OYISA FOUNDATION K2011101248 ONE FUTURE DEVELOPMENT 53 K2011101288 EXTRA TIME FOOTBALL SKILLS DEVELOPMENT ORGANISATION K2011108390 HALCYVISION K2011112257 YERUSHALYIM CHRISTIAN CHURCH K2011112598 HOLINERS CHURCH OF CHRIST K2011106676 AMSTIZONE K2011101559 MOLEPO LONG DISTANCE TAXI ASSOCIATION K2011103327 CASHAN X25 HUISEIENAARSVERENIGING K2011118128 JESUS CHRIST HEALS MINISTRY K2011104065 ZWELIHLE MICRO FINANCE COMPANY K2011111623 COVENANT HOUSE MIRACLE CENTRE K2011119146 TSHIAWELO PATRONS COMMUNITY
    [Show full text]
  • Getting Creative About Development
    Atlantic Council AFRICA CENTER ISSUE BRIEF Getting Creative About Development SEPTEMBER 2018 AUBREY HRUBY y 2035, sub-Saharan Africa will have more working-age people than the rest of the world combined. African governments col- lectively need to create eighteen million new jobs each year to absorb the large, young, and ambitious population coming to Bworking age.1 But technological advances, combined with the underde- veloped infrastructure of most African nations, mean that the tried and true model of export-oriented industrialization, which allowed the East and Southeast Asian economies to develop very rapidly, is unlikely to produce adequate job creation in the vast majority of African markets. In fact, manufacturing as a share of total economic activity in Africa has stagnated at about 10 percent,2 and—though there are notable excep- tions, such as Ethiopia—the continent as a whole is deindustrializing.3 Agriculture still continues to serve as the backbone of most African economies, with over 70 percent of Africans earning a living in that sector.4 But as Africa urbanizes, the composition of economic activity is rap- idly changing, shifting away from agriculture and towards the services sector. In 2015, services accounted for 58 percent of sub-Saharan GDP (up from 47 percent in 2005).5 More significantly, 33 percent of African 1 Céline Allard et al., Regional Economic Outlook: sub-Saharan Africa 2015, Internation- al Monetary Fund, April 2015, https://www.imf.org/~/media/Websites/IMF/import- ed-flagship-issues/external/pubs/ft/reo/2015/afr/eng/pdf/_sreo0415pdf.ashx. 2 Brahima Sangafowa Coulibaly, “Africa’s Alternative Path to Development,” The Brook- ings Institution, May 3, 2018, https://www.brookings.edu/opinions/africas-alterna- tive-path-to-development/.
    [Show full text]
  • Tuareg Music and Capitalist Reckonings in Niger a Dissertation Submitted
    UNIVERSITY OF CALIFORNIA Los Angeles Rhythms of Value: Tuareg Music and Capitalist Reckonings in Niger A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Ethnomusicology by Eric James Schmidt 2018 © Copyright by Eric James Schmidt 2018 ABSTRACT OF THE DISSERTATION Rhythms of Value: Tuareg Music and Capitalist Reckonings in Niger by Eric James Schmidt Doctor of Philosophy in Ethnomusicology University of California, Los Angeles, 2018 Professor Timothy D. Taylor, Chair This dissertation examines how Tuareg people in Niger use music to reckon with their increasing but incomplete entanglement in global neoliberal capitalism. I argue that a variety of social actors—Tuareg musicians, fans, festival organizers, and government officials, as well as music producers from Europe and North America—have come to regard Tuareg music as a resource by which to realize economic, political, and other social ambitions. Such treatment of culture-as-resource is intimately linked to the global expansion of neoliberal capitalism, which has led individual and collective subjects around the world to take on a more entrepreneurial nature by exploiting representations of their identities for a variety of ends. While Tuareg collective identity has strongly been tied to an economy of pastoralism and caravan trade, the contemporary moment demands a reimagining of what it means to be, and to survive as, Tuareg. Since the 1970s, cycles of drought, entrenched poverty, and periodic conflicts have pushed more and more Tuaregs to pursue wage labor in cities across northwestern Africa or to work as trans- ii Saharan smugglers; meanwhile, tourism expanded from the 1980s into one of the region’s biggest industries by drawing on pastoralist skills while capitalizing on strategic essentialisms of Tuareg culture and identity.
    [Show full text]
  • Afp-Services Selected to Provide Coverage of The
    10.21.2016 AFP -SERVICES SELECTED TO PROVIDE COVERAGE OF THE MTV AFRICA MUSIC AWARDS AFP-SERVICES IS PROUD TO HAVE BEEN SELECTED AS THE EXCLUSIVE PHOTO PROVIDER FOR COVERAGE OF THE MTV AFRICA MUSIC AWARDS JOHANNESBURG 2016 AS WELL AS THE PROVIDER FOR VIDEO HIGHLIGHTS FOR THE INTERNATIONAL BROADCAST MARKET. The MTV Africa Music Awards (MAMA), Africa’s biggest celebration of contemporary music, culture and achievement, kicks off at the Ticketpro Dome, Johannesburg, South Africa on 22 October 2016. The annual awards show, now in its sixth edition, is taking place in the city of Johannesburg for the first time ever. The MAMA, as it is affectionately known, highlights the “gold standard” in contemporary music, creativity and achievement across the continent. The MAMA will air live on MTV and MTV Base across Africa at 21:00 CAT on 22 October. Lighting up the MAMA stage on 22 October will be African stars Davido (Nigeria), C4 Pedro (Angola), Sauti Sol (Kenya), Diamond (Tanzania), Emtee (South Africa), Kwesta (South Africa), Patoranking (Nigeria); Alikiba (Tanzania), Babes Wodumo (South Africa), Cassper Nyovest (South Africa), Nasty C(South Africa), Ycee (Nigeria) and Yemi Alade (Nigeria), while US hip hop star Future (nominee for Best International) will also be on site. Many more African artists remain to be announced. The definitive annual celebration of African and international talent and achievement, MAMA 2016 recognises and rewards musicians and achievers in 18 categories who have made the most impact on African contemporary music and culture over the previous year. The ceremony will feature stunning performances from African and international artists along with the show’s signature cross-genre and cross-border collaborations.
    [Show full text]
  • {Download PDF} Cultural Traditions in the United Kingdom
    CULTURAL TRADITIONS IN THE UNITED KINGDOM PDF, EPUB, EBOOK Lynn Peppas | 32 pages | 24 Jul 2014 | Crabtree Publishing Co,Canada | 9780778703136 | English | New York, Canada Cultural Traditions in the United Kingdom PDF Book Retrieved 11 July It was designed by Sir Giles Gilbert Scott in and was launched by the post office as the K2 two years after. Under the Labour governments of the s and s most secondary modern and grammar schools were combined to become comprehensive schools. Due to the rise in the ownership of mobile phones among the population, the usage of the red telephone box has greatly declined over the past years. In , scouting in the UK experienced its biggest growth since , taking total membership to almost , We in Hollywood owe much to him. Pantomime often referred to as "panto" is a British musical comedy stage production, designed for family entertainment. From being a salad stop to housing a library of books, ingenious ways are sprouting up to save this icon from total extinction. The Tate galleries house the national collections of British and international modern art; they also host the famously controversial Turner Prize. Jenkins, Richard, ed. Non-European immigration in Britain has not moved toward a pattern of sharply-defined urban ethnic ghettoes. Media Radio Television Cinema. It is a small part of the tartan and is worn around the waist. Help Learn to edit Community portal Recent changes Upload file. At modern times the British music is one of the most developed and most influential in the world. Wolverhampton: Borderline Publications. Initially idealistic and patriotic in tone, as the war progressed the tone of the movement became increasingly sombre and pacifistic.
    [Show full text]
  • The Challenges of Reinvigorating Democracy Through Visual Art in 21St Century Nairobi
    The challenges of reinvigorating democracy through visual art in 21st century Nairobi Craig Campbell Halliday 30 September 2019 Dissertation Submitted in Partial Fulfilment for the Degree of Doctor of Philosophy Sainsbury Research Unit for the Arts of Africa, Oceania & the Americas School of Art, Media and American Studies University of East Anglia, Norwich This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that use of any information derived therefrom must be in accordance with current UK Copyright Law. In addition, any quotation or extract must include full attribution. 1 Abstract This study examines the potential for contemporary visual art to reinvigorate democracy in 21st century Nairobi, Kenya, through an interdisciplinary investigation. The new millennium ushered in fresh hope for democratisation in the postcolonial East African country. In 2002, Daniel arap Moi’s 24 years of authoritarian rule ended. The opposition were victorious at the ballot box, instilling a belief amongst the electorate that formal political processes could bring change. However, the post-election violence of 2007/8 shattered such convictions. But, from this election result came a progressive Constitution and with it possibilities for creating change. These momentous events underscore Kenya’s topsy-turvy path towards democracy – a path whose trajectory is charted in the experience of ordinary Kenyans who believe in democracy’s value and their right to participate in politics and civil life. Artists, too, have been at the forefront of this ongoing struggle. This study draws on empirical research to demonstrate contemporary visual art’s capacity to expand ways of practising, experiencing and understanding democracy.
    [Show full text]
  • Sponsorship Package / Media
    WHAT IS AFRIMMA? (AFRIMMA) is the sole award ceremony in the Diaspora that caters to all musical genres including but not limited to: Afrobeats, Assiko, Bongo, Decale, Funana, Genge, Highlife, Hiplife, Kwaito, Lingala and Soukous. In its 7 years of existence, AFRIMMA has been an instrumental force that has aided in the crossover and commercial recognition that African music, specifically afrobeats, receives today. PAST HOSTS VINIE CHIPUKEEZY CYNTHIA BAI LEY Comedian Model, Actress, 1.4 million followers Reality TV Star 3 million followers JULIET IBRAHIM POIZON IVY THE DJ Internationally Dallas Maverick's DJ| acclaimed actress K104 FM On-Air Personality 6.2 million followers 40k followers BASKETMOUTH ANNE KANSI IME World Renowned Comedian 7 million followers Africa's Queen of Comedy 580k followers PAST PERFOMERS Davido Akothee Diamond Platnumz Nigeria Kenya Tanzania 17 million followers 2 million followers 10 million followers T-Pain Fally Ipupa Sauti Sol U.S.A Congo Kenya 2.3 million followers 3 million followers 1.9 million followers Ibtissam Tiskat A.K.A Flavour Morocco South Africa Nigeria 5 million followers 2.8 million followers 4.4 million followers THE AFRIMMA FASHION SHOW (AFS) has become a staple in the City of Dallas, making it home to unique designers who infuse fashion and culture. The event features some of the world’s greatest and most sought after designers such as South African designer, George Malelu, who made Beyoncé’s outfit for the Global Citizen Festival: Mandela 100 concert. AFRIMMA Fashion show has also partnered with South African fashion designer, David Tlale, whose work has been featured at the Cape Town Fashion Week, New York Fashion Week, and Paris Fashion Week.
    [Show full text]
  • Monday 24Th August 2015 This Week, in Studios Across the Continent, Africa's First Crowdsourced Song Was Recorded by Some of T
    Monday 24th August 2015 This week, in studios across the continent, Africa’s first crowdsourced song was recorded by some of the biggest names for a global initiative to get the UN’s Sustainable Development Goals to everyone on the planet. The Global Goals campaign, which launches next month, will release an All- African song, titled “Tell Everybody”, that aims to inspire young people to know their rights encompassed in the 17 goals and hold their governments accountable to their promises to end extreme poverty, fight inequality and climate change by 2030. Award-winning producers Cobhams Asuquo (Nigeria), David KING DAVID Muthami (Kenya) and Ellputo (Mozambique) have collaborated on a track which was recorded by Mafikizolo (South Africa), Becca (Ghana) and Diamond (Tanzania) in Johannesburg’s Jazzworx studio this week. Sauti Sol (Kenya) and Toofan (Togo) put their verses down on the track in studios in Nairobi and Lome and in the next couple of days, Mr Asuquo will travel to Lagos to capture the voices of Nigeria’s Yemi Alade and Wizkid. In order to ensure the song captured the voice of Africa’s Youth, the songwriters decided to crowd source two verses (one French, one English) for the song via a mobile phone competition, “Add Your Voice/Add Your Verse”, run by Every1 Mobile. During the two weeks that the competition ran, over 3000 people entered from 25 African countries. Cobhams Asuquo said, “We decided to let the young voices of Africa be heard in this song. Not only did we love the winning verses but all the entries informed the vision, lyrics and sound of the song.
    [Show full text]
  • Universal Music Group and Leading African Streaming Service Boomplay Expand License to Cover 47 Countries Across the Continent
    UNIVERSAL MUSIC GROUP AND LEADING AFRICAN STREAMING SERVICE BOOMPLAY EXPAND LICENSE TO COVER 47 COUNTRIES ACROSS THE CONTINENT Home > News > Universal Music Group and leading African streaming service Boomplay expand license to cover 47 countries across the continent New licensing agreement will significantly boost the availability of UMG’s African and International repertoire to music fans across Africa New markets include South Africa, Ethiopia, Côte d’Ivoire, Cameroon and Senegal; with UMG catalog now also widely available across French-speaking territories for first time LAGOS and SANTA MONICA, March 17, 2021 – Boomplay, the leading music streaming and download service based in Africa and Universal Music Group (UMG), the world leader in music-based entertainment, today announced a new landmark licensing agreement that will extend licensing of UMG’s global music catalog from 7 to 47 countries across the African continent, as part of an extended relationship that will benefit African musicians and talent and expand the listening experience for Boomplay users across Africa. In 2018, UMG became the first major global music company to license music to the service, which has continued to grow its audience reach and influence across Africa in recent years. Boomplay’s catalog currently stands at more than 50 million tracks and it boasts the largest repertoire of local African content globally, with 50million monthly active users (MAU). The renewal and expansion of this licensing deal with UMG, will enable African music fans across the continent to experience the best in both domestic African and International talent. As one of the first entrants in Africa, Boomplay has been at the forefront of the music streaming market since 2015 and has a deep understanding of the local market.
    [Show full text]
  • ONE AFRICA MUSIC FEST Dubai 2019
    ONE AFRICA MUSIC FEST Dubai 2019. (MEDIA PROJECT) Africa, powered by Music. Afrobeats to the World. STATISTICS & IMPACT. Attendance – 5000 attendees (Sold out) Access fee – Average $40 Male – 65% Female – 35% Countries in attendance – Nigeria, Zimbabwe, Rwanda, Uganda, UAE etc. Economic Impact to Kigali - $6million Industries affected – Airlines, Hospitality(Hotels), Logistics(Transportation), Arts & Craft, Food(Restaurants) WHY ‘ONE AFRICA MUSIC FEST’? • One Africa Global (Parent Company of ‘One Africa Music Fest’) mission is to afford the general public with African cultural and artistic experiences, promote the sense of Pan Africanism, make known the prospects in Africa and positioning Africa as the perfect destination for investment and by so doing, making Africa great again. This is accomplished through our goals: i. Encouraging people to increase their knowledge of African culture, using African arts that relate to the values and principles of African society and life. ii. Encouraging the respect that is incorporated in African culture. iii. Educating people of African descent about their culture and history so that they may gain a positive self-image, self-awareness and self-direction. iv. Create avenue where global communities can access the opportunities that Africa houses. v. Showcasing the beauty of African culture by performing African dance, music and story globally. vi. Provide investment and trade exchange platform that ushers in robust development in Africa for smart economy. STRATEGIES OF OAMF SYNCS WITH THAT OF AMFEST. • OUR STRATEGY • i. Fostering integration using African culture and art that facilitates world acceptance. • ii. Structuring a new frame work for economic growth and development by Africans for Africa.
    [Show full text]
  • Alternate African Reality. Electronic, Electroacoustic and Experimental Music from Africa and the Diaspora
    Alternate African Reality, cover for the digital release by Cedrik Fermont, 2020. Alternate African Reality. Electronic, electroacoustic and experimental music from Africa and the diaspora. Introduction and critique. "Always use the word ‘Africa’ or ‘Darkness’ or ‘Safari’ in your title. Subtitles may include the words ‘Zanzibar’, ‘Masai’, ‘Zulu’, ‘Zambezi’, ‘Congo’, ‘Nile’, ‘Big’, ‘Sky’, ‘Shadow’, ‘Drum’, ‘Sun’ or ‘Bygone’. Also useful are words such as ‘Guerrillas’, ‘Timeless’, ‘Primordial’ and ‘Tribal’. Note that ‘People’ means Africans who are not black, while ‘The People’ means black Africans. Never have a picture of a well-adjusted African on the cover of your book, or in it, unless that African has won the Nobel Prize. An AK-47, prominent ribs, naked breasts: use these. If you must include an African, make sure you get one in Masai or Zulu or Dogon dress." – Binyavanga Wainaina (1971-2019). © Binyavanga Wainaina, 2005. Originally published in Granta 92, 2005. Photo taken in the streets of Maputo, Mozambique by Cedrik Fermont, 2018. "Africa – the dark continent of the tyrants, the beautiful girls, the bizarre rituals, the tropical fruits, the pygmies, the guns, the mercenaries, the tribal wars, the unusual diseases, the abject poverty, the sumptuous riches, the widespread executions, the praetorian colonialists, the exotic wildlife - and the music." (extract from the booklet of Extreme Music from Africa (Susan Lawly, 1997). Whether intended as prank, provocation or patronisation or, who knows, all of these at once, producer William Bennett's fake African compilation Extreme Music from Africa perfectly fits the African clichés that Binyavanga Wainaina described in his essay How To Write About Africa : the concept, the cover, the lame references, the stereotypical drawing made by Trevor Brown..
    [Show full text]