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Goodbye Cinema, Hello Cinephilia Other Books by Jonathan Rosenbaum
Goodbye Cinema, Hello Cinephilia Other Books by Jonathan Rosenbaum Rivette: Texts and Interviews (editor, 1977) Orson Welles: A Critical View, by André Bazin (editor and translator, 1978) Moving Places: A Life in the Movies (1980) Film: The Front Line 1983 (1983) Midnight Movies (with J. Hoberman, 1983) Greed (1991) This Is Orson Welles, by Orson Welles and Peter Bogdanovich (editor, 1992) Placing Movies: The Practice of Film Criticism (1995) Movies as Politics (1997) Another Kind of Independence: Joe Dante and the Roger Corman Class of 1970 (coedited with Bill Krohn, 1999) Dead Man (2000) Movie Wars: How Hollywood and the Media Limit What Films We Can See (2000) Abbas Kiarostami (with Mehrmax Saeed-Vafa, 2003) Movie Mutations: The Changing Face of World Cinephilia (coedited with Adrian Martin, 2003) Essential Cinema: On the Necessity of Film Canons (2004) Discovering Orson Welles (2007) The Unquiet American: Trangressive Comedies from the U.S. (2009) Goodbye Cinema, Hello Cinephilia Film Culture in Transition Jonathan Rosenbaum the university of chicago press | chicago and london Jonathan Rosenbaum wrote for many periodicals (including the Village Voice, Sight and Sound, Film Quarterly, and Film Comment) before becoming principal fi lm critic for the Chicago Reader in 1987. Since his retirement from that position in March 2008, he has maintained his own Web site and continued to write for both print and online publications. His many books include four major collections of essays: Placing Movies (California 1995), Movies as Politics (California 1997), Movie Wars (a cappella 2000), and Essential Cinema (Johns Hopkins 2004). The University of Chicago Press, Chicago 60637 The University of Chicago Press, Ltd., London © 2010 by The University of Chicago All rights reserved. -
March 2013 NASFA Shuttle
Te Shutle March 2013 Te Next NASFA Meetng is Saturday 16 March 2013 at te Regular Locaton ConCom Meeting 16 March, 3P; see below for details Member of MindGear LLC <mindgearlabs.com>, discussing d Oyez, Oyez d 3D printers. (And doubtless he’ll touch on some of the other cool stuff in their lab.) The next NASFA Meeting will be at 6P, Saturday 16 MARCH ATMM March 2013 at the regular meeting location—the Madison The host and location for the March After-the-Meeting Meet- campus of Willowbrook Baptist Church (old Wilson Lumber ing are undetermined at press time, though there’s a good Company building) at 7105 Highway 72W (aka University chance it will be at the church. The usual rules apply—that is, Drive). Please see the map below if you need help finding it. please bring food to share and your favorite drink. MARCH PROGRAM Also, assuming it is at the church, please stay to help clean The March program will be Rob Adams, the Managing up. We need to be good guests and leave things at least as clean as we found them. CONCOM MEETINGS The next Con†Stellation XXXII concom meeting will be 3P Saturday 16 March 2013—the same day as the club meeting. Jeff Road Jeff Kroger At press time the plan is to meet at the church, but that’s subject to confirmation that the building will be available at that time. US 72W Please stay tuned to email, etc., for possible updates. (aka University Drive) CHANGING SHUTTLE DEADLINES The latest tweak to the NASFA Shuttle schedule shifted the usual repro date somewhat to the right (roughly the weekend before each meeting) but much of each issue will need to be Slaughter Road Slaughter put to bed as much as two weeks before the monthly meeting. -
The Love That Refuses to Speak Its Name : Examining Queerbaiting and Fan-Producer Interactions in Fan Cultures
University of Louisville ThinkIR: The University of Louisville's Institutional Repository Electronic Theses and Dissertations 8-2015 The love that refuses to speak its name : examining queerbaiting and fan-producer interactions in fan cultures. Cassandra M. Collier, University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/etd Part of the Feminist, Gender, and Sexuality Studies Commons Recommended Citation Collier,, Cassandra M., "The love that refuses to speak its name : examining queerbaiting and fan-producer interactions in fan cultures." (2015). Electronic Theses and Dissertations. Paper 2204. https://doi.org/10.18297/etd/2204 This Master's Thesis is brought to you for free and open access by ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. THE LOVE THAT REFUSES TO SPEAK ITS NAME: EXAMINING QUEERBAITING AND FAN-PRODUCER INTERACTIONS IN FAN CULTURES By Cassandra M Collier B.A., Bowling Green State University, 2012 A Thesis Submitted to the Faculty of the College of Arts and Sciences of the University of Louisville in Partial Fulfillment of the Requirements for the Degree of Master of Arts in Women’s and Gender Studies Department of Women’s and Gender Studies University of Louisville Louisville, Kentucky August 2015 THE LOVE THAT REFUSES TO SPEAK ITS NAME: EXAMINING QUEERBAITING AND FAN-PRODUCER INTERACTIONS IN FAN CULTURES By Cassandra M Collier B.A., Bowling Green State University, 2012 A Thesis Approved on May 27, 2015 by the following Thesis Committee: ____________________________________________________ Dr, Dawn Heinecken ____________________________________________________ Dr, Diane Pecknold ____________________________________________________ Dr. -
March 2010 the Next NASFA Meeting Is 20 March 2010 at the Regular Time and Location
Te Shutle March 2010 The Next NASFA Meeting is 20 March 2010 at the Regular Time and Location Con†Stellation XXIX ConCom Meeting 3P, 20 March 2010 at Renasant Bank (right before the club meeting) until we get to the point of needing to hold them more often d Oyez, Oyez d than monthly. NASFA CALENDAR ONLINE The next NASFA Meeting is Saturday 20 March 2010 at NASFA has an online calendar on Google. Interested parties the regular time (6P) and the regular location. Meetings are can check the calendar online, but you can also subscribe to the at the Renasant Bank’s Community Room, 4245 Balmoral Drive in south Huntsville. Exit the Parkway at Airport Road; Map To head east one short block to Balmoral Drive; turn left (north) Whitesbur for less than a block. The bank is on the right, just past Logan’s Memorial Parkway Club Meeting Roadhouse restaurant. Enter at the front door of the bank; turn Location right to the end of a short hallway. MARCH PROGRAM The program will be “Dan Thompson presents Fan Films.” Renasant Bank g Drive ATMMs 4245 Balmoral Drive The March After-The-Meeting Meeting will be hosted by Huntsville AL 35801 Sunn Hayward and will be held at the bank starting right after Carl T. Jones the club meeting. We need ATMM volunteers for April and all Drive months beyond. Airport Road CONCOM MEETINGS The next Con†Stellation XXIX concom meeting will be 3P Sunday 20 March at the Renasant Bank. There will be a dinner break between the concom meeting and the club meeting. -
Meeting Josh Groban (Again): Fan/Celebrity Contact As Ordinary Behavior
Meeting Josh Groban (Again): Fan/Celebrity Contact as Ordinary Behavior Gayle Stever Empire State College, Rochester, NY [email protected] Abstract In a participant-observer ethnographic study, the researcher offers evidence from 10 years of observation of the Josh Groban fandom as an example of fans becoming friendly acquaintances of celebrities. Contrary to the way much of the psychological literature depicts fans, as celebrity worshippers or stalkers, the largest percentage of the fans observed in this study showed normal social engagement with others outside of their fan activity, and a friendly acquaintanceship with Groban that is similar to other kinds of relationships happening outside of the context of mediated relationships. Fans who pursued these relationships did so within a social context and network of other fans in most cases. Connection through music, relief from various kinds of life stressors, or the desire to participate in charity efforts are offered as some of the explanations for what motivates the fan to seek out this kind of relationship with an attractive media persona. KEYWORDS: fan, celebrity, parasocial, ethnography, audience Introduction Social relationships are defined within a culture in a myriad of ways. While more traditional relationships have been the focus of much social psychological research, little has been done to try to define the face-to-face social relationships that develop between a media celebrity and his or her fans. These relationships exist, they can be significant in the lives of both celebrities and fans, and they are a normal occurrence for a media-saturated society. IASPM@Journal vol.6 no.1 (2016) Journal of the International Association for the Study of Popular Music ISSN 2079-3871 | DOI 10.5429/2079-3871(2016)v6i1.7en | www.iaspmjournal.net Meeting Josh Groban (Again) 105 This trend to overlook the ongoing relationships that fans have with celebrities is part of what has been referred to as the “marginalization of celebrity” (Duffett 2014: 163). -
Orienting Fandom: the Discursive Production of Sports and Speculative Media Fandom in the Internet Era
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Illinois Digital Environment for Access to Learning and Scholarship Repository ORIENTING FANDOM: THE DISCURSIVE PRODUCTION OF SPORTS AND SPECULATIVE MEDIA FANDOM IN THE INTERNET ERA BY MEL STANFILL DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Communications with minors in Gender and Women’s Studies and Queer Studies in the Graduate College of the University of Illinois at Urbana-Champaign, 2015 Urbana, Illinois Doctoral Committee: Professor CL Cole, Co-Chair Associate Professor Siobhan Somerville, Co-Chair Professor Cameron McCarthy Assistant Professor Anita Chan ABSTRACT This project inquires into the constitution and consequences of the changing relationship between media industry and audiences after the Internet. Because fans have traditionally been associated with an especially participatory relationship to the object of fandom, the shift to a norm of media interactivity would seem to position the fan as the new ideal consumer; thus, I examine the extent to which fans are actually rendered ideal and in what ways in order to assess emerging norms of media reception in the Internet era. Drawing on a large archive consisting of websites for sports and speculative media companies; interviews with industry workers who produce content for fans; and film, television, web series, and news representations from 1994-2009 in a form of qualitative big data research—drawing broadly on large bodies of data but with attention to depth and texture—I look critically at how two media industries, speculative media and sports, have understood and constructed a normative idea of audiencing. -
Esports Impact Study
0 ESPORTS INDUSTRY ASSESSMENT TABLE OF CONTENTS CONTENTS TABLE OF CONTENTS .............................................................................. 1 1. INTRODUCTION ................................................................................. 2 2. ESPORTS ECOSYSTEM ........................................................................ 4 2.1 ABOUT THE GEORGIA ECOSYSTEM ............................................................ 4 2.2 KEY PLAYERS ............................................................................................. 8 2.3 EVENTS ..................................................................................................... 8 2.4 VENUES .................................................................................................. 10 2.5 HIGH SCHOOL AND COLLEGE ESPORTS .................................................... 12 3. ESPORTS INDUSTRY ......................................................................... 14 3.1 INDUSTRY DEFINITION AND DESCRIPTION ............................................... 14 3.2 COMPETITIVE LANDSCAPE....................................................................... 16 3.3 OTHER KEY STATISTICS ............................................................................ 17 4. CONCLUSION .................................................................................. 18 5. APPENDIX - ABOUT THE GEORGIA TECH, ENTERPRISE INNOVATION INSTITUTE ........................................................................................... 19 1 ESPORTS INDUSTRY ASSESSMENT -
Embodying Cosplay: Fandom Communities in the Usa Natasha L
Georgia State University ScholarWorks @ Georgia State University Anthropology Theses Department of Anthropology 5-3-2017 EMBODYING COSPLAY: FANDOM COMMUNITIES IN THE USA NATASHA L. HILL Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/anthro_theses Recommended Citation HILL, NATASHA L., "EMBODYING COSPLAY: FANDOM COMMUNITIES IN THE USA." Thesis, Georgia State University, 2017. https://scholarworks.gsu.edu/anthro_theses/119 This Thesis is brought to you for free and open access by the Department of Anthropology at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Anthropology Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. EMBODYING COSPLAY: FANDOM COMMUNITIES IN THE USA by NATASHA LOREN HILL Under the Direction of Emanuela Guano ABSTRACT Cosplay is a portmanteau of costume and play, referring specifically to role-play. Cosplay consists of various costumed role-playing, such as anime, manga, video games, science-fiction, fantasy, horror, mythology, etc. In the 1990s, cosplay emerged as a popular street fashion subculture in Japan that has become a worldwide phenomenon. Cosplay was already present in North American popular culture in association with comic and science-fiction conventions. These events at the time were considered masquerades, not cosplay. Cosplay communities rely primarily on maintaining social relationships via internet communication and word of mouth. The standards for what constitutes cosplay are upheld by individuals, the community, and organizations. These organizations are made of security personnel, cosplay contest judges, local police, and convention staff. Through this ethnography on cosplayers, I will identify the hidden power structures, agency, and resistance or replication of hegemony in the community; by using a combination of interviews, participant observation, and auto-ethnography. -
SFC Update Vol. 1 No. 17
SoUTheRN FANDOM CONFEDeRATiON UPDATE VoLUMe 1, NuMBeR 17 JAnUaRY 2011 2 3 Editorial Apology: It’s been too long. I’d meant to get back to the monthly publishing schedule once ReConStruction was through. I even made a go at it, getting out an issue (sloppily thrown together, but complete enough), and doing most of the work towards another one. Exhaustion set in, and the half-issue I had fell by the wayside. Then I went through a breakup, and didn’t much feel like working on zines (somewhere in this period, my membership in SFPA lapsed, for real this time – I hope to make a return in time for the 50 th anniversary). Now, it’s a new year, and I’m ready to make a go at it again. This issue is nearly complete, and it’s my traditional day for wrapping it – the first Thursday of the month. I’ve been working with some local fans on starting an annual con here in Raleigh, and we should have something substantial to announce on that shortly. I’m still fairly involved in other folks’ cons, though I’m not going to chair one again for a while. In case anyone was wondering but hadn’t heard, the NASFiC did better than break-even, so once we’ve got all of the bills wrapped up, we’ll do a partial reimbursement for staff, volunteers, and program participants. The cover this issue is once again from Jose Sanchez, who’s provided an absolute wealth of pieces, so I’m running some as interiors, too. -
One Direction Infection: Media Representations of Boy Bands and Their Fans
One Direction Infection: Media Representations of Boy Bands and their Fans Annie Lyons TC 660H Plan II Honors Program The University of Texas at Austin December 2020 __________________________________________ Renita Coleman Department of Journalism Supervising Professor __________________________________________ Hannah Lewis Department of Musicology Second Reader 2 ABSTRACT Author: Annie Lyons Title: One Direction Infection: Media Representations of Boy Bands and their Fans Supervising Professors: Renita Coleman, Ph.D. Hannah Lewis, Ph.D. Boy bands have long been disparaged in music journalism settings, largely in part to their close association with hordes of screaming teenage and prepubescent girls. As rock journalism evolved in the 1960s and 1970s, so did two dismissive and misogynistic stereotypes about female fans: groupies and teenyboppers (Coates, 2003). While groupies were scorned in rock circles for their perceived hypersexuality, teenyboppers, who we can consider an umbrella term including boy band fanbases, were defined by a lack of sexuality and viewed as shallow, immature and prone to hysteria, and ridiculed as hall markers of bad taste, despite being driving forces in commercial markets (Ewens, 2020; Sherman, 2020). Similarly, boy bands have been disdained for their perceived femininity and viewed as inauthentic compared to “real” artists— namely, hypermasculine male rock artists. While the boy band genre has evolved and experienced different eras, depictions of both the bands and their fans have stagnated in media, relying on these old stereotypes (Duffett, 2012). This paper aimed to investigate to what extent modern boy bands are portrayed differently from non-boy bands in music journalism through a quantitative content analysis coding articles for certain tropes and themes. -
Minor Participation Waiver
MINOR PARTICIPATION WAIVER MomoCon is an animation/anime/gaming convention held at the Georgia World Congress Center in downtown Atlanta. MomoCon hosts volunteers who take part in crowd facilitation, light equipment transport and various other simple tasks throughout the weekend in return for free admission to the event, t-shirt, and other assorted prizes. Since your child is a minor, between 16 – 18 years of age, we ask that you take the time to fill out this form for your child to turn in before or by the beginning time of the convention to participate. Volunteers under the age of 16 may volunteer, on a case-by-case basis, alongside a parent or guardian volunteering in the same department. PLEASE DO NOT MAIL THIS FORM. WE ASK THAT YOUR CHILD HAND IT IN AT A VOLUNTEER MEETING OR AT THE CONVENTION. In consideration of (the "Minor") being permitted by MomoCon to participate in volunteer activities, I, the undersigned represent and affirm that I am the parent or legal guardian of the Minor whose name appears above. I understand and agree that the terms and conditions outlined below apply to the Minor and to me. I further agree to indemnify and hold harmless MomoCon, its affiliates, directors, and/or associates from any and all claims which are brought by, or on behalf of the Minor, and which are in any way connected with the Minor's participation in the convention. In consideration of “Minor” being permitted to participate in any activities organized, operated or sanctioned by MomoCon, I, the party involved hereby acknowledge and agree to the following terms and conditions: 1. -
Dünyada Ve Ülkemizde Bilimkurgu Türünün Doğuşu Ve Gelişimi
TÜRKİYE CUMHURİYETİ ANKARA ÜNİVERSİTESİ SOSYAL BİLİMLER ENSTİTÜSÜ FELSEFE ANABİLİM DALI BİLİM TARİHİ BİLİM DALI DÜNYADA VE ÜLKEMİZDE BİLİMKURGU TÜRÜNÜN DOĞUŞU VE GELİŞİMİ Tezli Yüksek Lisans Tezi SÜLEYMAN ERHARAT Ankara, 2020 TÜRKİYE CUMHURİYETİ ANKARA ÜNİVERSİTESİ SOSYAL BİLİMLER ENSTİTÜSÜ FELSEFE ANABİLİM DALI BİLİM TARİHİ BİLİM DALI DÜNYADA VE ÜLKEMİZDE BİLİMKURGU TÜRÜNÜN DOĞUŞU VE GELİŞİMİ Tezli Yüksek Lisans Tezi SÜLEYMAN ERHARAT DOÇ. DR. İNAN KALAYCIOĞULLARI Ankara, 2020 TÜRKİYE CUMHURİYETİ ANKARA ÜNİVERSİTESİ SOSYAL BİLİMLER ENSTİTÜSÜ FELSEFE ANABİLİM DALI BİLİM TARİHİ BİLİM DALI DÜNYADA VE ÜLKEMİZDE BİLİMKURGU TÜRÜNÜN DOĞUŞU VE GELİŞİMİ YÜKSEK LİSANS TEZİ SÜLEYMAN ERHARAT Tez Danışmanı DOÇ. DR. İNAN KALAYCIOĞULLARI TEZ JÜRİSİ ÜYELERİ Adı ve Soyadı İmzası 1. Prof. Dr. Remzi Demir 2. Prof. Dr. Ergi Deniz Özsoy 3. Doç. Dr. İnan Kalaycıoğulları Tez Savunması Tarihi 23 Haziran 2020 T.C. ANKARA ÜNİVERSİTESİ Sosyal Bilimler Enstitüsü Müdürlüğü’ne, Doç. Dr. İnan KALAYCIOĞULLARI danışmanlığında hazırladığım “Dünyada Ve Ülkemizde Bilimkurgu Türünün Doğuşu Ve Gelişimi (Ankara.2020)” adlı yüksek lisans tezimdeki bütün bilgilerin akademik kurallara ve etik davranış ilkelerine uygun olarak toplanıp sunulduğunu, başka kaynaklardan aldığım bilgileri metinde ve kaynakçada eksiksiz olarak gösterdiğimi, çalışma sürecinde bilimsel araştırma ve etik kurallarına uygun olarak davrandığımı ve aksinin ortaya çıkması durumunda her türlü yasal sonucu kabul edeceğimi beyan ederim. 01 Haziran 2020 Süleyman ERHARAT İÇİNDEKİLER İÇİNDEKİLER ...................................................................................................