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peter breiner peter entangoed 167 east 73rd street new york, new york 10021 t 212.472.2500 www.vilcek.org When we began to plan the reno- vation of the beautiful landmark carriage house that would become the Vilcek Foundation’s new headquarters, we knew we wanted it to include a cul- tural event space, one flexible enough to accommodate art exhibits, film showings, and musical concerts — a tall order indeed. Yet we accomplished just that, and have already put it to good use to display artworks and show films. It now gives us great pride to present our first concert here. On a more personal note, it gives us special pleasure that the artists you’ll hear tonight all hail from Slovakia, the country from which we emigrated, when it was still part of Czechoslovakia. Peter Breiner, as you’ll read in Jadranka Važanová’s insightful essay in this publication, is that rare musician who is at home anywhere in the musical world, whether classical, jazz, rock ’n’ roll, Baroque, or—as you’ll hear tonight — tango. His skill knows no bounds, either: He is an accomplished pianist, composer, arranger, and conductor — a “musical polyglot,” to quote Ms. Važanová. His wide-ranging talent and interests have found him audiences of all ages, throughout Europe and Asia, in Israel and Australia, and, of course, the United States. He joins us here, tonight, in New York City, where he now lives, to perform with T(ri)ango, a name he coined to reflect the three instruments (piano, violin, and accordion) played in his tango music concerts. -
18 – 25 September 2017
medzinárodný festival komornej hudby 18 – 25 september 2017 v hudbe nemá zmysel hrať sa na nemennosť hraníc marián varga 1947—2017 generálny partner hlavný partner festival z verejných zdrojov podporil fond na podporu umenia spoluusporiadateľ hlavný usporiadateľ a producent / main organizer and producer Konvergencie – spoločnosť pre komorné umenie / Convergence – Society for Chamber Arts program festivalu / program of the festival 19:00 / veľké koncertné štúdio slovenského rozhlasu / 7 pm / concert studio of the slovak radio 18. 9. / milan lasica, peter lipa & bratislava hot serenaders juraj BARTOŠ trúbka, bandleader / trumpet, bandleader Keď zastal čas, tak znie názov nateraz posledného z trojice z úspešných albumov Milana Lasicu a orchestra Bratislava Hot Serenaders. Čas opäť zastane na Konvergenciách 2017, kde si budete môcť vychutnať stretnutie slovenskej legendy hovoreného (i spievaného slova) s vynikajúcim orchestrom trubkára Juraja Bartoša v repertoári sweet and dance music 30. a 40. rokov 20. storočia. Šarm, noblesa, sentiment a energia jazzového veku. A Peter Lipa ako hosť, bude to „hot“! en When Time Stood Still is the title of the most recent of three successful albums (so far) by Milan Lasica and the Bratislava Hot Serenaders. Time will again stand still at Convergences 2017, where you will be able to savour this special encounter: a Slovak legend of the spoken (and sung) word in performance with the outstanding orchestra led by trumpeter Juraj Bartoš, in a repertoire of sweet dance music of the 1930s and ’40s. Charm, noblesse, sentiment, and the energy of the Jazz Age. And Peter Lipa as guest: that’ll be “hot”! de Als die Zeit stehen blieb ist der Titel des bislang letzten der drei erfolgreichen Alben von Milan Lasica und dem Orchester Bratislava Hot Serenaders. -
AOR Management Inc E-Mail: [email protected] Tel: +1 206 729 6160 6910 Roosevelt Way N.E Cell: +1 206 915 5145 PMB 221 Seattle
AOR Management Inc E-mail: [email protected] Tel: +1 206 729 6160 6910 Roosevelt Way N.E Cell: +1 206 915 5145 PMB 221 Seattle. WA 98115. PETER BREINER. Conductor/Pianist/Arranger/Composer .... " his arrangements delight the aural palate and tease the intellect " ...... " sensitive, emotional and breathtaking " ..... " his scorings are idiomatic and tasteful " .... " the music delivers treasure upon treasure " ..... " conducted by him with passion and sympathetic understanding " ..... " not only a brilliant virtuoso but also a consummate entertainer ".... Known as a conductor, pianist, arranger and composer, Peter Breiner has conducted, often doubling as a pianist, the Royal Philharmonic Orchestra, the Bournemouth Symphony Orchestra, the Jerusalem Symphony Orchestra, the Vienna Mozart Orchestra, the Hungarian State Radio Orchestra, the Nicolaus Esterhazy Orchestra Budapest, the Polish Radio and TV Symphony Orchestra, the Ukrainian State Symphony Orchestra, the Moscow Symphony Orchestra, the Slovak Philharmonic Orchestra, the Slovak Radio Symphony Orchestra, Capella Istropolitana, the Queensland Symphony Orchestra, the Orchestra National de Lille, France, and the Hong Kong Philharmonic Orchestra, to mention just a few. He is one of the world's most recorded musicians, with over 200 CDs released and record numbers sold ( 1.5 million reached by 2008 alone ) both as albums or online streams. Peter’s new ballet, Slovak Dances, in collaboration with world renowned choreographer Natalia Horecna was premiered to tremendous acclaim in 2016. This ballet is based on Peter’s own 90 minute orchestral suite of dances which were premiered in its orchestral version in 2015. Initially, Slovak Dances, Nasty and Nice was a project that pulled together all the latest trends in technology and communication across the world today as a huge Transmedia project consisting of audio recording, several interactive videos, and audience-involvement platforms. -
Peter Lipa Neúprosné Ráno Mp3, Flac, Wma
Peter Lipa Neúprosné Ráno mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Pop Album: Neúprosné Ráno Country: Czechoslovakia Released: 1984 Style: Fusion, Vocal MP3 version RAR size: 1625 mb FLAC version RAR size: 1157 mb WMA version RAR size: 1152 mb Rating: 4.4 Votes: 542 Other Formats: MPC AA AIFF MIDI AU AUD AAC Tracklist Hide Credits Môj Svet A1 3:20 Arranged By – E. Vilkický*Lyrics By – T. Janovic*Music By – E. Viklický* Pieseň O Jednej Piesni (Got To Get You Into My Life) A2 Arranged By – P. Breiner*Lyrics By [Slovak] – J. Štrasser*Written-By – J. Lennon, P. 3:13 McCartney* Starý Dážď A3 3:56 Lyrics By – J. Štrasser*Music By, Arranged By – M. Svoboda* Ja Chcem Byť Dnes Iba Tvoj (Tell All The World About You) A4 3:00 Arranged By – P. Breiner*Lyrics By [Slovak] – M. Lasica*Written-By – R. Charles* Samba Na Jednom Tóne (One Note Samba) A5 3:12 Arranged By – P. Lipa*Lyrics By [Slovak] – M. Lasica*Written-By – A. C. Jobim* Kamarátka Samota A6 3:40 Arranged By – V. Kulhánek*Lyrics By – P. Petiška*, T. Janovic*Music By – P. Breiner* Čierny Deň B1 2:36 Lyrics By – J. Turan*Music By, Arranged By – P. Breiner* Album B2 3:30 Lyrics By – P. Petiška*, T. Janovic*Music By, Arranged By – M. Svoboda* Nočný Vlak B3 4:19 Lyrics By – M. Sarvaš*Music By, Arranged By – E. Viklický* Deň Po Láske (Nature Boy) B4 4:15 Arranged By – P. Breiner*Lyrics By [Slovak] – M. Lasica*Written-By – E. Abba* Neúprosné Ráno (Moanin') B5 Arranged By – P. -
Alexander Moyzes and His Piano Sonata in the Context of Slovak Music Between the Wars
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2015 Alexander Moyzes and His Piano Sonata in the Context of Slovak Music Between the Wars Ivan Koska Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Music Commons Recommended Citation Koska, Ivan, "Alexander Moyzes and His Piano Sonata in the Context of Slovak Music Between the Wars" (2015). LSU Doctoral Dissertations. 504. https://digitalcommons.lsu.edu/gradschool_dissertations/504 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. ALEXANDER MOYZES AND HIS PIANO SONATA IN THE CONTEXT OF SLOVAK MUSIC BETWEEN THE WARS A Monograph Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in The School of Music by Ivan Koska B.S., “La Sapienza” University in Rome, 2005 M.M., University of New Mexico, 2012 August 2015 To my father ii ACKNOWLEDGEMENTS I would like to sincerely thank the members of my committee, Prof. Stacey Cabaj, Dr. Willis Delony, Prof. Michael Gurt and Prof. Dennis Parker. My gratitude goes also to my family, friends and to