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The Architecture of Sir Ernest George and His Partners, C. 1860-1922
The Architecture of Sir Ernest George and His Partners, C. 1860-1922 Volume II Hilary Joyce Grainger Submitted in fulfilment of the requirements for the degree of Ph. D. The University of Leeds Department of Fine Art January 1985 TABLE OF CONTENTS Notes to Chapters 1- 10 432 Bibliography 487 Catalogue of Executed Works 513 432 Notes to the Text Preface 1 Joseph William Gleeson-White, 'Revival of English Domestic Architecture III: The Work of Mr Ernest George', The Studio, 1896 pp. 147-58; 'The Revival of English Domestic Architecture IV: The Work of Mr Ernest George', The Studio, 1896 pp. 27-33 and 'The Revival of English Domestic Architecture V: The Work of Messrs George and Peto', The Studio, 1896 pp. 204-15. 2 Immediately after the dissolution of partnership with Harold Peto on 31 October 1892, George entered partnership with Alfred Yeates, and so at the time of Gleeson-White's articles, the partnership was only four years old. 3 Gleeson-White, 'The Revival of English Architecture III', op. cit., p. 147. 4 Ibid. 5 Sir ReginaldýBlomfield, Richard Norman Shaw, RA, Architect, 1831-1912: A Study (London, 1940). 6 Andrew Saint, Richard Norman Shaw (London, 1976). 7 Harold Faulkner, 'The Creator of 'Modern Queen Anne': The Architecture of Norman Shaw', Country Life, 15 March 1941 pp. 232-35, p. 232. 8 Saint, op. cit., p. 274. 9 Hermann Muthesius, Das Englische Haus (Berlin 1904-05), 3 vols. 10 Hermann Muthesius, Die Englische Bankunst Der Gerenwart (Leipzig. 1900). 11 Hermann Muthesius, The English House, edited by Dennis Sharp, translated by Janet Seligman London, 1979) p. -
Drift Bench Concrete Drift Drift-In Drift-Out Amanda Levete
Drift Bench concrete Drift Drift-in Drift-out Amanda Levete Drift Bench, Concrete Drift, Drift-In Drift-Out Bench Amanda Levete Design 2006–07 Drift Bench Amanda Levete The New Elegance Accept this charming invitation to contemplate super smooth contours ambient glow The Drift bench is a masterclass in complex curves, angles and subtracted spaces. Informed by a piece of found driftwood Amanda Levete translated her organic, highly sensual, architectural language into a condensed form. The naturally fluid lines soften angles without dissolving the defined outline associated with traditional sculptural forms. ‘You can’t say found space is non- space. Actually it is very carefully chosen.’ Amanda Levete Drift Bench, Concrete Drift, Drift-In Drift-Out Bench Amanda Levete Design 2006–07 Concrete Drift Amanda Levete Rock Solid Put your trust in a solid foundation It’s hard to find a more futuristic looking form. Designed to last, the concrete Drift bench is a timeless masterpiece. Whether placed in a bank lobby, public square, botanical greenhouse, English country garden or alpine height this bench provides a sculptural focal point. Made from very fine sand and cement with a crushed limestone fleck the smooth surface is expertly cast by an artisan sculpture studio. Drift Bench, Concrete Drift, Drift-In Drift-Out Bench Amanda Levete Design 2006–07 Drift-In Drift-Out Amanda Levete Making Shapes Dance and design with this flexible seating set ‘Drift-In, Drift-Out is a natural evolution of the Drift bench. I wanted to use the same conceptual language of the piece of found driftwood on these much smaller scale, versatile, modular pieces.’ Amanda Levete Easily moved about, these smaller curved two-seater benches can be used singularly or positioned together in numerous configurations. -
AL A-Brochure1.Pdf
Whenever you go see AL_A you have to leave your shoes at the entrance along with at least 40 other pairs of shoes. AL_A have enabled us to contemplate new possibilities for our future in the V&A, they have challenged our thinking and they continue to bring a freshness which we all relish. Their studio is a think tank, it has a very unusual atmosphere, a lot of brilliant young people and great ideas. AL_A support our work but they challenge us too. Martin Roth’s Introduction to the V&A Museum Annual Design Lecture by Amanda Levete, February 2013 INTRODUCING AL_A AL_A is an award-winning architecture and design studio. It was founded in 2009 by Amanda Levete and grew out of Future Systems, a practice widely regarded as laying down the agenda for architecture in the twenty-first century, with works including the Stirling Prize-winning Media Centre at Lord’s Cricket Ground and the Selfridges department store, Birmingham. Led by Amanda Levete, Ho-Yin Ng, Maximiliano Arrocet and Alice Dietsch, AL_A has refined an intuitive and strategic approach to design that has radicalised clients and briefs, and led to a diverse range of concepts for cultural, retail and commercial schemes around the world. The practice’s creative relationship with a client is defined by a mutual respect as well as being reciprocally demanding: AL_A challenge assumptions and presuppositions, and expect to be challenged in return. Recent commissions include the highly anticipated expansion of the Victoria & Albert Museum in London, Central Embassy, a 1.5 million sq ft mixed-use development in Bangkok on the former grounds of the British embassy, a new centre for the cancer care charity Maggie’s, a 13-hectare media campus for Sky, and a cultural centre in Lisbon commissioned by EDP, one of the world’s foremost energy companies. -
Student Services Hub Associated Architects
Edgbaston Central Campus Development Hybrid Planning Application March 2012 Design and Access Statement - Appendix B Student Services Hub Associated Architects Contents. 1. Introduction 1.1 Purpose and Structure of the Design and Access Statement 2. Context 2.1 Introduction 2.2 Planning policy context 2.3 Chancellors Court 2.4 Location 2.5 Historic character 3. Site details 3.1 Site location plan 3.2 Micro climate analysis 3.3 Site boundaries 3.4 Site Access 3.5 Site Uses 3.6 Materials 3.7 Landscape 4. Design Development 4.1 Brief 4.2 Opportunities and constraints 4.3 Scheme outline 5. Design 5.1 Use 5.2 Scale 5.3 Appearance 5.4 Demolition 5.5 Landscape and biodiversity 5.6 Environmental design 6. Heritage Impact Assessment 6.1 PPS5 and Heritage Value 6.2 Chiller Compound 6.3 Rooflights 7. Access 7.1 Vehicular and pedestrian 7.2 Inclusive access Directors • Matthew Goer • Warren Jukes • Ian Standing • Adam Wardle 1 Severn Street Place The Mailbox Birmingham B1 1SE Associated Architects Limited Liability Partnership OC304503 T +44 (0) 121 233 6600 F + (0)121 200 1564 Registered in England and Wales E [email protected] www.associated-architects.co.uk Associated Architects 1.0 Introduction The following document is in support of the works proposed to C Block of Chancellors Court (Aston Webb Building) at the University of Birmingham’s Edgbaston campus and forms part of the “Hybrid” planning application dated February 2012. The works entail the creation of a new external plant room between C Block and the Great Hall and new rooflights within the existing pitched roof of the hammer head section of C Block. -
20171003 Forbes
10/3/2017 Exclusive: Inside The New Luxury Hotel In London's Admiralty Arch / Lifestyle / #DeLuxe OCT 3, 2017 @ 10:14 AM 32 Exclusive: Inside The New Luxury Hotel In London's Admiralty Arch Doug Gollan, CONTRIBUTOR FULL BIO Opinions expressed by Forbes Contributors are their own. Built as a monument to the British Navy and a memorial to Queen Victoria, Admiralty Arch is one of London's most notable landmarks. Gateway to The Mall, it straddles the processional route that leads to Buckingham Palace. Every time a Head of State visits the UK and goes to meet The Queen, they drive through the arch. Every time there is a Royal wedding or funeral, they drive through the Arch. For Queen Elizabeth II’s Coronation in 1953, her procession came through Admiralty Arch on the way from Westminster Abbey to Buckingham Palace (pictured below). In 2020, fully restored to its former grandeur, it will open as a 100-room luxury hotel. In an exclusive preview for Forbes.com, below are interior shots of The Mountbatten Suites, by the interior decorator David Mlinaric (the National Gallery, Royal Opera House, Victoria and Albert Museum and private clients such as Lord Rothschild and Mick Jagger). While usually, suites are the last part of the construction, in this case, the developer wanted to get to know the building and understand any challenges it might throw up. Former residents of the building include Winston Churchill (before becoming Prime Minister and moving to Downing Street) and Lord Mountbatten and his father. Future James Bond creator Ian Fleming worked as personal assistant to the Director of the Naval Intelligence Division at Admiralty Arch. -
For Immediate Release – 13 June 2019
For immediate release – 13 June 2019 International design competition launched for new Markets at Birmingham Smithfield An international competition has been launched to find the creative team that will be tasked with designing a new home for the Birmingham markets positioned at the heart of the £1.5 billion Smithfield development. Lendlease has begun the search for designers who will play a key role in one of the most high-profile city-centre regeneration opportunities in Europe. Markets have been at the heart of Birmingham since the birth of the city, and the brief is to imagine a market building for the future. A place that builds on the existing energy and spirit of the markets by mixing in new ingredients and spaces to delight the existing communities, whilst attracting and entertaining new visitors. Lendlease is Birmingham City Council’s preferred development partner for Smithfield and the markets are central to the City Council’s Big City Plan, a 25-year vision to support the development of a world-class city centre. The markets will provide the backdrop for a new injection of colour, atmosphere, culture and vitality into the heart of Birmingham, accelerating the next wave of growth and regeneration in this youthful international city. Located in the heart of Birmingham, the project is set to reposition the city on an international stage. As well as a new markets building, the Smithfield development will deliver a significant family leisure and cultural offer, a new public square, integrated public transport and more than 2,000 homes with a public park and community facilities. -
Visuality and the Emergence of City Planning in Early Twentieth-Century Toronto and Montreal
ANALYSIS I ANALYSE VISUALITY AND THE EMERGENCE OF CITY PLANNING IN EARLY TWENTIETH-CENTURY TORONTO AND MONTREAL SARAH BASSNETT is an Assistant Professor· of >SARAH BASSNETT 1 A1·t History in the Department of Visual Arts at the University of Western Ontario. She is cu1·rently working on a book-length study of photography and the urbanization of Toronto in the early twentieth century. COMPREHENSIVE PLANNING In 1907, when the Civic Improvement Committee of the Province of Quebec Association of Architects (PQAA) intro duced their plan for improvements to Montreal, they explained why it was needed: despite its "splendid natural location," Montreal had many of the faults of an older city. The general plan of the old city was rectangular and the streets and blocks were laid out in a grid pattern; however, the city had grown, and the architects claimed that the origi nal layout had become inadequate and inefficient. As a result, it had become impossible to properly manage the city. 2 Rather than suggesting drastic, sweep ing measures aimed at rearranging the city, the PQAA's plan offered a method for modifying and improving the exist ing city. The proposed changes centred on opening up main avenues to create "vistas," constructing diagonal roadways, and connecting existing parks with thor oughfares to form a system of continu ous avenues with "a lovely picture at each end." 3 Describing the central part of the city as "too congested," the PQAA's Civic Improvement Committee proposed cut ting diagonal streets from the downtown to the east and west areas of the city to provide direct communication between the central business district and outlying areas.• To support their proposal, they argued that the benefits of diagonal roads had already been demonstrated in cities such as Washington, DC, Vienna, and Paris. -
Welcome to Birmingham Your Postgraduate Campus Tour Guide 2
1 WELCOME TO BIRMINGHAM YOUR POSTGRADUATE CAMPUS TOUR GUIDE 2 Welcome Welcome to the University of Birmingham. This guide has been produced to provide information about the University and its facilities for prospective postgraduate students who wish to conduct their own ‘self-guided’ tour around the University campus. A map of the campus is provided on the inside back cover and the following pages provide information about the sights you will see on your tour. 3 The University The University of Birmingham has a long history of academic excellence and innovation. We were the first civic university, where students from all religions and backgrounds were accepted on an equal basis. Our spirit of innovation continues today with groundbreaking research in areas ranging from cancer studies to gravitational waves. Our students receive a first-class academic experience with us during their studies, as well as becoming equipped for life beyond university. Today you will see some of the attractions of our campus, and you may also decide to visit the city centre of which we are rightly proud. The city offers great social and recreational opportunities for students. The University, with its own campus railway station, is only two stops and eight minutes from the city centre. Birmingham has an illustrious history of industry and invention, and continues to attract significant business investment today. The city centre has had over £9 billion spent on regeneration over the past few years and is home to the Bullring, one of Europe’s largest shopping centres. The attraction of the city is such that around 40% of our graduates choose to stay in Birmingham after they have completed their studies. -
Maat - Museum of Art, Architecture and Technology - Opens in Lisbon
3 October 2016 MAAT - MUSEUM OF ART, ARCHITECTURE AND TECHNOLOGY - OPENS IN LISBON This Wednesday, 5 October 2016, the EDP Foundation will officially open MAAT - Museum of Art, Architecture and Technology - on the Tagus River in Belém, Lisbon, with a 12-hour public programme featuring exhibition openings, educational events, performances and music happenings. Housed within two buildings and spanning a vast outdoor site, MAAT will explore contemporary culture through visual arts, new media, architecture, technology and science. It will comprise the elegant new kunsthalle designed by AL_A, the architecture practice headed by British architect Amanda Levete, and the recently renovated Central Tejo power station. The new museum complex is located on the EDP Foundation Campus, which is at the heart of an exciting urban revitalisation along one of Lisbon’s most historic waterfronts. Speaking about the EDP Foundation’s commission, António Mexia, CEO of EDP Group and Chairman of EDP Foundation, said: “MAAT will restore the historic connection between the city and the water. It will be a hub for attracting people who come here to enjoy art and architecture. More than that, however, it will draw people from the heart of the city to the panoramic views along the Tagus estuary, a riverfront area that has long been neglected, but thanks to MAAT, will become a vibrant new destination within Lisbon.” Pedro Gadanho, Director of MAAT, added: “With its unique industrial heritage, a growing collection of Portuguese art and an innovative exhibition programme, MAAT will be a cultural space of discovery, critical thinking and global dialogue. MAAT will not only support the work of Portuguese artists and curators, but will also offer them a platform to connect with the international art community.” The new kunsthalle AL_A’s new kunstshalle, which contains four distinct gallery spaces, captures the essence of the exceptional 38,000 m2 riverside site and its extraordinary light. -
Architects, Designers, Sculptors and Craftsmen from 1530
ARCHITECTS, DESIGNERS, SCULPTORS AND CRAFTSMEN FROM 1530 R-Z RAMSEY FAMILY (active c.14) Whittington, A. 1980 The Ramsey family of Norwich, Archaeological Journal 137, 285–9 REILLY, Sir Charles H. (1874–1948) Reilly, C.H. 1938 Scaffolding in the Sky: a semi-architectural autobiography Sharples, J., Powers, A., and Shippobottom, M. 1996 Charles Reilly & the Liverpool School of Architecture, 1904–33 RENNIE, John (1761–1821) Boucher, C.T.G. 1963 John Rennie, the life and work of a great engineer RENTON HOWARD WOOD LEVIN PARTNERSHIP Wilcock, R. 1988 Thespians at RHWL, R.I.B.A. Journal 95 (June), 33–9 REPTON, George (1786-1858) Temple, N. 1993 George Repton’s Pavilion Notebook: a catalogue raisonne REPTON, Humphry (1752–1818), see C2 REPTON, John Adey (1775–1860) Warner, T. 1990 Inherited Flair for Rural Harmony, Country Life. 184 (12 April), 92–5. RICHARDSON, Sir A.E. (1880–1964) Houfe, S. 1980 Sir Albert Richardson – the professor Powers, A. 1999 Sir Albert Richardson (RIBA Heinz Gallery exhibition catalogue) Taylor, N. 1975 Sir Albert Richardson: a classic case of Edwardianism, Edwardian Architecture and its Origins, ed. A. Service, 444–59 RICKARDS, Edwin Alfred (1872–1920) Rickards, E.A. 1920 Architects 1 The Art of E.A. Rickards (with a personal sketch by Arnold Bennett) Warren, J. 1975 Edwin Alfred Rickards, Edwardian Architecture and its Origins, ed. A. Service, 338–50 RICKMAN, Thomas (1776–1841) Aldrich, M. 1985 Gothic architecture illustrated: the drawings of Thomas Rickman in New York, Antiq. J. 65 Rickman, T.M. 1901 Notes of the Life of Thomas Rickman Sleman, W. -
Momowo · 100 Works in 100 Years: European Women in Architecture
MoMoWo · 100 WORKS IN 100 YEARS 100 WORKS IN YEARS EUROPEAN WOMEN IN ARCHITECTURE AND DESIGN · 1918-2018 · MoMoWo ISBN 978-961-254-922-0 9 789612 549220 not for sale 1918-2018 · DESIGN AND ARCHITECTURE IN WOMEN EUROPEAN Ljubljana - Torino MoMoWo . 100 Works in 100 Years European Women in Architecture and Design . 1918-2018 Edited by Ana María FERNÁNDEZ GARCÍA, Caterina FRANCHINI, Emilia GARDA, Helena SERAŽIN MoMoWo Scientific Committee: POLITO (Turin | Italy) Emilia GARDA, Caterina FRANCHINI IADE-U (Lisbon | Portugal) Maria Helena SOUTO UNIOVI (Oviedo | Spain) Ana Mária FERNÁNDEZ GARCÍA LU (Leiden | The Netherlands) Marjan GROOT ZRC SAZU (Ljubljana | Slovenia) Helena SERAŽIN UGA (Grenoble | France) Alain BONNET SiTI (Turin | Italy) Sara LEVI SACERDOTTI English language editing by Marta Correas Celorio, Alberto Fernández Costales, Elizabeth Smith Grimes Design and layout by Andrea Furlan ZRC SAZU, Žiga Okorn Published by France Stele Institute of Art History ZRC SAZU, represented by Barbara Murovec Issued by Založba ZRC, represented by Oto Luthar Printed by Agit Mariogros, Beinasco (TO) First edition / first print run: 3000 Ljubljana and Turin 2016 © 2016, MoMoWo © 2016, Založba ZRC, ZRC SAZU, Ljubljana http://www.momowo.eu Publication of the project MoMoWo - Women’s Creativity since the Modern Movement This project has been co-funded 50% by the Creative Europe Programme of the European Commission This publication reflects the views only of the authors, and the Commission cannot be held responsible for any use which may be made of the information contained therein. This book was published on the occasion of the MoMoWo traveling exhibition MoMoWo · 100 Works in 100 Years · European Women in Architecture and Design · 1918-2018, which was first presented at the University of Oviedo Historical Building, Spain, from 1 July until 31 July 2016. -
Revival Memories, Identities, Utopias
REVIVAL MEMORIES, IDENTITIES, UTOPIAS EDITED BY AY L A LE PINE MATT LODDER ROSALIND MCKEVER Revival. Memories, Identities, Utopias Edited by Ayla Lepine, Matt Lodder, and Rosalind McKever With contributions by: Deborah Cherry Whitney Davis John Harvey Alison Hokanson Martin Horácek Phil Jacks Michelle Jackson Ayla Lepine Matt Lodder Jonathan Mekinda Alan Powers Nathaniel Walker Alyson Wharton Series Editor: Alixe Bovey Courtauld Books Online is published by the Research Forum of The Courtauld Institute of Art Somerset House, Strand, London WC2R 0RN © 2015, The Courtauld Institute of Art, London. ISBN: 978-1-907485-04-6 Courtauld Books Online Advisory Board: Paul Binski (University of Cambridge) Thomas Crow (Institute of Fine Arts) Michael Ann Holly (Sterling and Francine Clark Art Institute) Courtauld Books Online is a series of scholarly books published by The Courtauld Institute of Art. The series includes research publications that emerge from Courtauld Research Forum events and Courtauld projects involving an array of outstanding scholars from art history and conservation across the world. It is an open-access series, freely available to readers to read online and to download without charge. The series has been developed in the context of research priorities of The Courtauld which emphasise the extension of knowledge in the fields of art history and conservation, and the development of new patterns of explanation. For more information contact [email protected] All chapters of this book are available for download at courtauld.ac.uk/research/courtauld-books-online Every effort has been made to contact the copyright holders of images reproduced in this publication.