Babylon 5 Jump Chain: It Was the Dawn of the Third Age of Mankind, Ten Years After the Earth-Minbari War. the Babylon Project Wa
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Connotations 14-01
Volume 14, Issue 1 February/March ConNotations 2004 The Bi-Monthly Science Fiction, Fantasy & Convention Newszine of the Central Arizona Speculative Fiction Society April Kicks Off with Ursula K Le Featured Inside Guin, Timothy Zahn, Phoenix SF Tube Talk Special Features ComicCon and World Horror All the latest news about Ursala K LeGuin by Lee Whiteside Scienc Fiction TV shows and other April Events by Lee Whiteside By Lee Whiteside The Arizona Book Festival on Saturday, outreach/scifisymp.html and http:// April 3rd, will feature authors Ursula K. Le www.asu.edu/english/events/outreach/ 24 Frames Jinxed, Hexed, or Cursed: Guin, Alan Dean Foster, and Diana leguin.html All the latest Movie News How I Ruined Harlan Ellison’s Gabaldon on the main stage with CASFS The next day is the Seventh Annual by Lee Whiteside Return to Arizona, Part 2 bringing in Timothy Zahn and other local Arizona Book Festival being held from 10 By Shane Shellenbarger authors for autographing and a special am to 5 pm at the Carnegie Center at 1100 Pro Notes block of programming. LeGuin will also be W. Washingtion in central Phoenix. The Waldorf Conference: appearing at ASU on Friday, April 2nd. Featured authors at the book festival are News about locl genre authors and fans Microphones, scripts, and actors The ASU Department of English Ron Carlson, Nancy Farmer, Alan Dean By Shane Shellenbarger Outreach will be hosting two events on Foster, Diana Gabaldon, Ursula K. Le Musical Notes Friday, April 2nd with Ursula K. LeGuin. Guin, Tom McGuane, and U.S. Supreme In Memorium First will be a daylong Symposium on the Court Justice Sandra Day O’Connor. -
July 15, 2000 SEEING EAR THEATRE JMS' First Audio Drama for The
July 15, 2000 SEEING EAR THEATRE JMS' first audio drama for the Seeing Ear Theatre premiered on Monday night. "The Damned Are Playing at Godzilla's Tonight" - featuring Steve Buscemi launched a 13-week series by JMS of 30 minute dramas at the Sci-Fi Channel’s website. "Rolling Thunder" - featuring Andre Braugher will be available next week.at http://www.scifi.com/set. The dramas are very much like the original radio format and I think you will enjoy the story. You'll need Real Audio loaded to listen. KEEPING UP WITH CAST AND CREW In the latest issue of TV Zone, we get our first glimpse of Marjean Holden in her new role as Atrina on "Beastmaster". We won't be seeing her episodes for a while, but she says "My character is a bit of a bad girl." Quite a change from her role as Dr. Chambers in Crusade. Ranger Bridgitte reports that: Goran Gajic (married to Mira Furlan and director of episodes like "All My Dreams Torn Asunder") recently directed an episode of "OZ", the awarding-winning prison drama produced by Levinson/Fontana. Goran's episode titled, "The Bill Of Wrongs" premieres on Wednesday July 26 on HBO. The episode will be shown several times throughout the week. A schedule of times is posted at: http://mirafurlan.simplenet.com/ozschedule.html GROUP PROJECT As Babylon 5 approaches it's premiere date on the Sci-Fi Channel of September 25, I wonder what resources we could make available to NEW Babylon 5 fans! When the show was on the air, there was a very active on-line community, the Official B5 magazine came out to provide us with information to digest and enjoy, the series would turn up in publications so that we could read about our favorite characters/actors. -
By Marco Fazzi
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Abstracts and Backgrounds
Abstracts and Backgrounds NAVY Con TABLE OF CONTENTS DESTINATION UNKNOWN ................................................................................. 3 WAR AND SOCIETY ............................................................................................. 5 MATT BUCHER – POTEMKIN PARADISE: THE UNITED FEDERATION IN THE 24TH CENTURY ............ 5 ELSA B. KANIA – BEYOND LOYALTY, DUTY, HONOR: COMPETING PARADIGMS OF PROFESSIONALISM IN THE CIVIL-MILITARY RELATIONS OF BABYLON 5 ............................................ 6 S.H. HARRISON – STAR CULTURE WARS: THE NEGATIVE IMPACT OF POLITICS AND IMPERIALISM ON IMPERIAL NAVAL CAPABILITY IN STAR WARS ................................................................................ 6 MATTHEW ADER – THE ARISTOCRATS STRIKE BACK: RE-ECALUATING THE POLITICAL COMPOSITION OF THE ALLIANCE TO RESTORE THE REPUBLIC ......................................................... 7 LT COL BREE FRAM, USSF – LEADERSHIP IN TRANSITION: LESSONS FROM TRILL .......................... 7 PAST AND FUTURE COMPETITION ................................................................ 8 WILLIAM J. PROM – THE ONCE AND FUTURE KING OF BATTLE: ARTILLERY (AND ITS ABSENCE) IN SCIENCE FICTION .......................................................................................................................... 8 TOM SHUGART – ALL ABOUT EVE: WHAT VIRTUAL FOREVER WARS CAN TEACH US ABOUT THE FUTURE OF COMBAT ................................................................................................................... 10 -
On the Second Floor of a Hospital, a Criminal Profiler Is Strolling Down a Hallway with a Colleague When an Alarm Goes Off
Photo: "Criminal Minds" shoots an episode of the CBS show at the former Sherman Way campus of Northridge Hospital Medical Center, which is now closed. Credit: Kirk McKoy/Los Angeles Times On the second floor of a hospital, a criminal profiler is strolling down a hallway with a colleague when an alarm goes off. Several doctors and nurses sprint past him to an intensive care unit where a child and potential witness to a crime is being treated. The scene, for an upcoming episode of the CBS crime drama “Criminal Minds,” actually unfolded last week on the former Sherman Way campus of Northridge Hospital Medical Center, which solely serves as a location backdrop for shows that have included such dramas such as TNT’s “Rizzoli & Isles” and "Hawthorne." The Northridge facility is among a dozen current and onetime medical centers and hospitals represented by Real to Reel Inc., a 30-year-old Van Nuys location agency that has built a successful niche supplying location managers with something they frequently seek: film-ready hospital settings. “Hospitals are a staple of crime dramas. Someone’s always getting shot, so we’re always going to the hospitals,” said Jeffrey Spellman, location manager for “Criminal Minds,” which plans to shoot its next episode at another closed hospital, St. Luke Medical Center in Pasadena. “To have a facility like this makes our job much easier.” Though Real to Reel books productions for a variety of commercial properties, including the popular Hollywood & Highland Center, at least 40% of its business comes from steering movies and TV shows to hospitals. -
The Limited Future of the Ethos-Centered Evangelistic Crusade
DOCUMENT RESUME ED 313 736 CS 506 938 AUTHOR Smitter, Rc,ger TITLE The Limited Future of the Ethos-Centered Evangelistic Crusade. PUB DATE Nov 89 NOTE 16p.; Paper presented at the Annual Meeting of the Speech Communication Association (75th, San Francisco, CA, November 18-21, 1989). Occasional faint type. PUB TYPE Speeches/Conference Papers (150) EDRS PRICE MF01/PC01 Plus Postage. DESCRIPTORS Audience Response; *Clergy; Communication Skills; Credibility; *Cultural Influences; Discourse Analysis; Mass Media Role; *Persuasive Discourse; Popular Culture; Protestants; Religion; Religious Organizations; *Speech Communication; *Television IDENTIFIERS *Graham (Billy); *Religious Broadcasting; Religious Movements; Televangelism ABSTRACT This paper examines the ethos-centered crusade in which the evangelist, not a doctrine or a political/social issue, becomes the reason the audience attends to the message. The paper analyses how the Eilly Graham crusades fit this definition--the fame of the evangelist extends beyond any individual crusade, the message preached by the evangelist becomes the hint-ight of each meeting, and the evangelist's credibility provides the dominant persuasive force. The paper also argues that the emergence of the Billy Graham campaign coincided with a unique set of events which shaped his communication style and suggests that it is unlikely that another evangelist will arise to continue the Graham style of the ethos-centered crusade because of new channels of communication and more specialized audiences. (Sixteen references -
HPSCI Testimony – Steve Hall I'm Happy to Be with You Here Today To
HPSCI Testimony – Steve Hall I’m happy to be with you here today to share my thoughts on Vladimir Putin’s Russia, gleaned from working in the CIA’s Clandestine Service for over 30 years. During my time at CIA, from when I started out as a line case officer through when I retired in 2015 as a member of the Senior Intelligence Service, most of my time and efforts were focused on Russia. I retired as the Chief of Central Eurasia Division, responsible for managing CIA’s Russian operations worldwide. I am not a trained Russian historian, nor am I an analyst. Rather, my views on Putin’s Russia come from my experiences as a former intelligence officer, and I believe this is an important perspective. Here’s why. I am often asked for my thoughts on who Putin really is, what makes him tick, how he thinks, is he really that much of a threat. My best response is that Vladimir Putin is first and foremost a Chekist, whose primary goal is the weakening of democracy in the United States and the West. The Cheka was the Lenin-era secret police, the precursor to the KGB – of which Putin was a member – as well as to the modern day Russian intelligence services. It was the Cheka and its successors that built and ran the Soviet system of concentration camps, the Gulag. It was the Cheka that executed thousands of its own citizens in the basement of the Lubyanka, its headquarters in Moscow. The history of the Russian intelligence services is one of unalloyed brutality. -
Netflix and the Development of the Internet Television Network
Syracuse University SURFACE Dissertations - ALL SURFACE May 2016 Netflix and the Development of the Internet Television Network Laura Osur Syracuse University Follow this and additional works at: https://surface.syr.edu/etd Part of the Social and Behavioral Sciences Commons Recommended Citation Osur, Laura, "Netflix and the Development of the Internet Television Network" (2016). Dissertations - ALL. 448. https://surface.syr.edu/etd/448 This Dissertation is brought to you for free and open access by the SURFACE at SURFACE. It has been accepted for inclusion in Dissertations - ALL by an authorized administrator of SURFACE. For more information, please contact [email protected]. Abstract When Netflix launched in April 1998, Internet video was in its infancy. Eighteen years later, Netflix has developed into the first truly global Internet TV network. Many books have been written about the five broadcast networks – NBC, CBS, ABC, Fox, and the CW – and many about the major cable networks – HBO, CNN, MTV, Nickelodeon, just to name a few – and this is the fitting time to undertake a detailed analysis of how Netflix, as the preeminent Internet TV networks, has come to be. This book, then, combines historical, industrial, and textual analysis to investigate, contextualize, and historicize Netflix's development as an Internet TV network. The book is split into four chapters. The first explores the ways in which Netflix's development during its early years a DVD-by-mail company – 1998-2007, a period I am calling "Netflix as Rental Company" – lay the foundations for the company's future iterations and successes. During this period, Netflix adapted DVD distribution to the Internet, revolutionizing the way viewers receive, watch, and choose content, and built a brand reputation on consumer-centric innovation. -
Limitations on Copyright Protection for Format Ideas in Reality Television Programming
For exclusive use of MLRC members and other parties specifically authorized by MLRC. © Media Law Resource Center, Inc. LIMITATIONS ON COPYRIGHT PROTECTION FOR FORMAT IDEAS IN REALITY TELEVISION PROGRAMMING By Kent R. Raygor and Edwin Komen* * Kent R. Raygor and Edwin Komen are partners in the Entertainment, Media, and Technology Group in the Century City, California and Washington, D.C. offices, respectively, of Sheppard Mullin Richter & Hampton LLP. The authors thank Ben Aigboboh, an associate in the Century City office, for his assistance with this article. 97 For exclusive use of MLRC members and other parties specifically authorized by MLRC. © Media Law Resource Center, Inc. LIMITATIONS ON COPYRIGHT PROTECTION FOR FORMAT IDEAS IN REALITY TELEVISION PROGRAMMING I. INTRODUCTION Television networks constantly compete to find and produce the next big hit. The shifting economic landscape forged by increasing competition between and among ever-proliferating media platforms, however, places extreme pressure on network profit margins. Fully scripted hour-long dramas and half-hour comedies have become increasingly costly, while delivering diminishing ratings in the key demographics most valued by advertisers. It therefore is not surprising that the reality television genre has become a staple of network schedules. New reality shows are churned out each season.1 The main appeal, of course, is that they are cheap to make and addictive to watch. Networks are able to take ordinary people and create a show without having to pay “A-list” actor salaries and hire teams of writers.2 Many of the most popular programs are unscripted, meaning lower cost for higher ratings. Even where the ratings are flat, such shows are capable of generating higher profit margins through advertising directed to large groups of more readily targeted viewers. -
IPX 1 Introduction 2 the Corporation
IPX 1 Introduction To the modern ear, the very name InterPlanetary Expeditions sounds quaint. A holiday trip to Mars or Proxima is well within the means of most Earth citizens. Going to another planet is hardly a remarkable thing, so the company name sounds absurdly grandiose, on a par with `Intercity Expeditions' or `Slightly Overgrown Garden Explorers'. Small wonder, then, that the company prefers to use its initials, IPX, in all advertising and public relations material. However, IPX is much more than its name suggests and those who underestimate the corporation have learned to regret their mistake. 2 The Corporation InterPlanetary Expeditions stock is publicly traded on the CESE (Combined Earth Stock Exchange) and BEL (Mars stock exchange) but the company's headquarters is on Mars. The company is normally registered on Mars too but has been known to switch its holdings to another flag-of-convenience nation for financial or political reasons. In the past, IPX has been a Swiss, Greek, Zimbabwean, Trinidadian or Proximan company for brief periods. As of 2267, the largest shareholder in IPX is the Hartung family, with just under 30% of the shares divided among various members; various EarthForce cut-outs and close allies hold another 25%, while Simone Barrett is the largest individual shareholder at 11%. The remaining shares are held mostly by various investors and speculators, although the Hartung Foundation was granted 2% of the company stock in perpetuity when it was first endowed. The Hartungs have the support of the majority of the shareholders and a Hartung has been both chairman of the board and CEO since Waugh was ousted after the fall of President Clark (IPX normally combines the roles of chairman and CEO, a tradition started by Jasper Hartung). -
Film Permit Application Requirements
CITY OF HAWTHORNE 4455 W. 126TH St., Hawthorne, CA 90250 310-349-2935 (Revised 09/14/2021) FILM PERMIT APPLICATION REQUIREMENTS A complete film permit application and all applicable attachments** shall be submitted, to the Business License division, a minimum of ten full city-working days (between Monday – Thursday only, 7:30 a.m – 3:30 p.m) prior to filming activity (prep included). Applications are to be submitted in person along with an application fee. Applications will not be accepted via email. Incomplete application packets are not will be denied. Please review the required documents list provided below. If an application is denied, it must be re-submitted in full and accompanied by a payment for the application fee. All filming inquiries may be sent via email to [email protected]. Film permit applications that the city, in its discretion, accepts less than three working days prior to filming activity (prep included), shall be assessed an urgency fee (per department). All applications are subject to approval and urgency fees do not guarantee that a permit application request is going to be approved. Please note that additional fees may apply. Cancellation policy: Must be done directly with the Licensing Office, via email to [email protected], a minimum of 2 city-working days advanced notice is required (must be submitted between Monday – Thursday between 7:30 a.m. – 5:30 p.m.) Permit changes: May only be requested directly with the Licensing Office via email to [email protected]. All change requests are subject to approval and may have additional requirements and/or fees. -
UWWV Digital Campaign Guide 2020
VIRTUAL CAMPAIGN ENGAGEMENT IDEAS With COVID-19, Campaign Kick-Off and fundraising activities just won’t be possible this year – but don’t fret! There are still fun ways to engage your team, whether they are in the office, working from home or both. Below, we’ve compiled ideas for Virtual and In-Person fundraising that you and your team can leverage this campaign season. Explore ideas to discover how you can still effectively and meaningfully raise funds for those in need while inspiring your team to connect during this difficult time. SPIRIT WEEK: Use this high school throwback for a full week of virtual fun; pay a set amount to participate in things like Crazy Hair Day, Favorite Team/Jersey Day, 80's Day, Superhero Day, Hat Day, Opposite Day, Fun Zoom Background Day…you get the idea! Set a time for a virtual call to show your spirit, or just let it show in video meetings. Raffle a prize at the end of the week for all who participate. LUNCHTIME BINGO: Send Bingo card documents and call numbers via Zoom. Charge for each card or allow entrance for anyone who completed their online pledge, and offer a prize for the winners. DIGITAL HAPPY HOUR: Turn it into a happy hour game with Charades, Simon Says or Lip Reading (You know those awkward moments during video calls when someone’s audio cuts out, but they keep talking anyway? Put a fun spin on it and guess what your co-workers are saying!) MONDAY MORNING TRIVIA: Give employees an engaging activity on Monday mornings.