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M/S Paul Gauguin SHIP FACTS & FEATURES
m/s Paul Gauguin SHIP FACTS & FEATURES Awards & Accolades “#1 Small-Ship Cruise Line” Travel + Leisure, World’s Best Awards (2014) “Top 20 Small Cruise Ships,” (2013—our 15th year in a row) Condé Nast Traveler, Readers’ Choice Awards “#1 Small-Ship for Families,” Travel + Leisure, World’s Best Awards Readers’ Survey (2014, 2013) Cruise Critic, Small Ship Category, Cruisers’ Choice Awards (2014) “Best South Pacific Itinerary,”Porthole Cruise Magazine, Readers’ Choice Awards (2013, 2012, 2011, 2010, 2007, 2006) Silver Magellan Award Winner, Travel Weekly, Small Cruise Ship Category (2013, 2012, 2011) 6‒Star Rating, Stern’s Guide to the Cruise Vacation (2014, 2013, 2012, 2011) Your Home at Sea Our emphasis is on providing the 332 guests on each sailing with a delightful experience, aboard and ashore. Join us, and enjoy unsurpassed service and attention to detail amid elegant, relaxing surroundings. SHIP FEATURES: • All-inclusive pricing: select wines and spirits, beer, soft • A day at Motu Mahana, Paul Gauguin’s exclusive, private drinks, bottled water, and hot beverages retreat off the coast of Taha’a, featuring Polynesian • Shipboard gratuities for room stewards and dining staff hospitality, snorkeling, watersports, bar service, and a delicious feast • Complimentary 24-hour room service, including selections from L’Etoile Restaurant during regular dining hours • Access to an exclusive, private beach located on a motu off the coast of Bora Bora that offers an idyllic white-sand • All oceanview accommodations, nearly 70% with balconies, beach, excellent snorkeling, and bar service on Tahiti and measuring from 200 to 588 sq. ft., including balcony French Polynesia itineraries. -
Your Cruise Marquesas, the Tuamotus & Society Islands
Marquesas, The Tuamotus & Society Islands From 6/11/2021 From Papeete, Tahiti Island Ship: LE PAUL GAUGUIN to 20/11/2021 to Papeete, Tahiti Island From Tahiti, PAUL GAUGUIN Cruises invites you to embark on an all-new 15-day cruise to the heart of idyllic islands and atolls hemmed by stunning clear-water lagoons and surrounded by an exceptional coral reef. Aboard Le Paul Gauguin, set sail to discover French Polynesia, considered one of the most beautiful places in the world. Le Paul Gauguin will stop at the heart of the Tuamotu Islands to explore the marvellous depths of the atoll of Fakarava, a UNESCO-classified nature reserve. Discover the unique charms of Marquesasthe Islands. The singer- songwriter Jacques Brel sang about the Marquesas Islands and the painter Paul Gauguin was inspired by these islands which stand like dark green fortresses surrounded by the indigo blue of the Pacific. Here, you will find neither lagoons nor reefs. The archipelago’s charm lies in its wild beauty. In the heart of the dense forests of Nuku Hiva, droplets from the waterfalls dive off the vertiginous cliffs. As for the islands of Hiva Oa and Fatu Hiva, they still hide mysterious ancient petroglyphs. In the Society Islands, you will be dazzled by the incomparable beauty of Huahine, by the turquoise waters of the Motu Mahana, our private vanilla- scented little paradise, by the sumptuous lagoon of Bora Bora, with its distinctly recognisable volcanic silhouette, and by Moorea, with its hillside pineapple plantations and its verdant peaks overlooking the island. Discover our excursions without further delay - click here! The information in this document is valid as of 28/9/2021 Marquesas, The Tuamotus & Society Islands YOUR STOPOVERS : PAPEETE, TAHITI ISLAND Embarkation 6/11/2021 from 4:00 pm to 5:00 pm Departure 6/11/2021 at 11:59 pm Capital of French Polynesia, the city Papeeteof is on the north-west coast of the island of Tahiti. -
2020) Gauguin and Van Gogh Meet the Ninth Art. Euro- Pean Comic Art, 13 (1
Screech, Matthew (2020) Gauguin and Van Gogh Meet the Ninth Art. Euro- pean Comic Art, 13 (1). pp. 21-44. ISSN 1754-3797 Downloaded from: https://e-space.mmu.ac.uk/625715/ Version: Accepted Version Publisher: Berghahn Books DOI: https://doi.org/10.3167/eca.2020.130103 Please cite the published version https://e-space.mmu.ac.uk Gauguin and Van Gogh Meet the Ninth Art Postmodernism and Myths about Great Artists Matthew Screech Abstract This article analyses how a late twentieth-century/early twenty-first- century development in bandes dessinées, which combines historical novels with bi- ographies, expresses paradoxical attitudes towards mythologies surround- ing Paul Gauguin and Vincent Van Gogh. Firstly, I demonstrate that the paradox stems from a simultaneous desire for and suspicion of master narratives, identified as intrinsic to postmodernism by Linda Hutcheon. Then I establish how eight graphic novels perpetuate pre-existing mytho- logical master narratives about Gauguin and Van Gogh. Nevertheless, those mythologies simultaneously arouse scepticism: myths do not express ex- emplary uni versal truths; myths are artificial and fictionalised constructs whose status in reality is dubious. The albums convey tension between desire and suspicion regarding myths by a variety of devices. These include sequenced panels, circular plots, unreliable witnesses, fictional insertions, parodies and mock realism. Keywords: Gauguin, graphic novels, great artists, Linda Hutcheon, mythology, postmodernism, Van Gogh Over the period spanning 1990 to 2016 -
Hard Custom, Hard Dance : Social Organisation, (Un)
PETRA M. AUTIO HARD CUSTOM, HARD DANCE SOCIAL ORGANISATION, (UN)DIFFERENTIATION AND NOTIONS OF POWER IN A TABITEUEAN COMMUNITY, SOUTHERN KIRIBATI Academic Dissertation to be publicly discussed, by due permission of the Faculty of Social Sciences at the University of Helsinki, in Auditorium XII of the Main Building, April 17th, 2010, at 10 a.m. PETRA M. AUTIO HARD CUSTOM, HARD DANCE SOCIAL ORGANISATION, (UN)DIFFERENTIATION AND NOTIONS OF POWER IN A TABITEUEAN COMMUNITY, SOUTHERN KIRIBATI Research Series in Anthropology University of Helsinki Academic Dissertation Research Series in Anthropology University of Helsinki, Finland Distributed by Helsinki University Press P.O. Box 4 (Vuorikatu 3 A) 00014 University of Helsinki Finland fax +358-9-7010 2374 http://www.yliopistopaino.fi ISSN 1458-3186 ISBN 978-952-10-6150-9 (paperback) ISBN 978-952-10-6151-6 (PDF) Helsinki University Print Helsinki 2010 To my daughter Oili Raakel Maria CONTENTS List of illustrations vii Notes on names, citations and typographical conventions viii Acknowledgements ix 1. INTRODUCTION 1 Social Differentiation, Undifferentiation and Power in Southern Kiribati 3 Kiribati Introduced 11 The Kiribati Custom 15 Tabiteuea and Its Northern District 17 Tabiteuean Custom and Its Hardness 19 Kiribati Studied 21 Fieldwork and Research Questions 27 The Approach and Course of Chapters 29 2. THE ANCESTOR WITHOUT DESCENDANTS: DIFFERENTIATION AND NOTIONS OF POWER IN TABITEUEA 33 Chiefs Are Forbidden? Myth, history, concept 33 Story of the Story 36 The Story of Kourabi (Karakin Kourabi) 42 Lines of power: The Karongoa clan 46 The apical ancestor: Tematawarebwe the first-born 50 Children of many fathers 52 The twofold ancestor: Akau the younger brother 53 Karongoa clan and power 56 Dualities and Transformation of Power 58 Power in the (Un)making 62 Making men, making chiefs 64 Making women 68 Binding but Not Unbinding: Remaining tabu 76 Power in his things 77 Power in the bones 80 Summary: Differentiation and its cut-off point 83 3. -
Paul Gauguin 8 February to 28 June 2015
Media Release Paul Gauguin 8 February to 28 June 2015 With Paul Gauguin (1848-1903), the Fondation Beyeler presents one of the most important and fascinating artists in history. As one of the great European cultural highlights in the year 2015, the exhibition at the Fondation Beyeler brings together over fifty masterpieces by Gauguin from leading international museums and private collections. This is the most dazzling exhibition of masterpieces by this exceptional, groundbreaking French artist that has been held in Switzerland for sixty years; the last major retrospective in neighbouring countries dates back around ten years. Over six years in the making, the show is the most elaborate exhibition project in the Fondation Beyeler’s history. The museum is consequently expecting a record number of visitors. The exhibition features Gauguin’s multifaceted self-portraits as well as the visionary, spiritual paintings from his time in Brittany, but it mainly focuses on the world-famous paintings he created in Tahiti. In them, the artist celebrates his ideal of an unspoilt exotic world, harmoniously combining nature and culture, mysticism and eroticism, dream and reality. In addition to paintings, the exhibition includes a selection of Gauguin’s enigmatic sculptures that evoke the art of the South Seas that had by then already largely vanished. There is no art museum in the world exclusively devoted to Gauguin’s work, so the precious loans come from 13 countries: Switzerland, Germany, France, Spain, Belgium, Great Britain (England and Scotland), -
Annexe 1 2 SOMMAIRE
Plan DE Développement économique durable 2012-2027 AANNNNEEXXEE 11 SSTTRRUUCCTTUURRAATTIIOONN EETT DDEEVVEELLOOPPPPEEMMEENNTT DDUU TTOOUURRIISSMMEE Étude MaHoc- CREOCEAN - Archipelagoes PDEM 2013 – Annexe 1 2 SOMMAIRE Pages Rapport phase 1 : Diagnostic 5 Introduction 8 Les données de cadrage 13 L'offre touristique actuelle et les projets 25 Le diagnostic de la demande 57 L'organisation touristique et les outils marketing 75 Benchmarking de produits et de destinations 89 Conclusions du diagnostic 93 Annexes 95 Rapport phase 2 : Définition du positionnement de la destination et du produit 179 "Tourisme aux Marquises" Introduction 181 Rappel méthodologique 182 Rappel sur le potentiel de développement touristique des îles Marquises 185 Stratégie marketing du tourisme aux Marquises 188 Axes stratégiques du développement touristique 205 Rapport phase 3 : Plan d’actions opérationnel pour le développement 209 du tourisme aux Marquises Rappel méthodologique 212 Le plan d'actions opérationnel 213 ANNEXES 261 Complément au rapport phase 3 : réponses aux notes du Conseil Communautaire 262 des 31 août et 1er septembre 2012 Calendrier de mise en œuvre 266 Proposition de charte graphique identité Tourisme aux Marquises 268 Exemple de cahier des charges pour l’implantation d’une aire technique pour la 278 plaisance PDEM 2013 – Annexe 1 3 PDEM 2013 – Annexe 1 4 COMMUNAUTÉ DE COMMUNES DES ÎLES MARQUISES Structuration et développement du tourisme aux Marquises Rapport de phase 1 Diagnostic Mars 2012 PDEM 2013 – Annexe 1 5 SOMMAIRE Introduction .......................................................................................................................................... -
Marquesan Adzes in Hawai'i: Collections, Provenance
University of Hawai‘i at Hilo HOHONU 2015 Vol. 13 outside the Marquesas have never been found in the Marquesan Adzes in Hawai‘i: island group (Allen 2014:11), but this groundbreaking Collections, Provenance, and discovery was spoiled by the revelation that a yachtsman who had visited both places had donated the artifacts, Sourcing and apparently mixed them up before doing so (202). Hattie Le‘a Wheeler Gerrish Researchers with access to other sources of information Anthropology 484 can avoid possible pitfalls. Garanger (1967) laments, Fall 2014 “What amount of dispersed artifacts were illegally exported by the numerous voyagers drawn by the Abstract mirage of the “South Seas” and now irrevocably lost to In 1953, Jack and Leah Wheeler returned to science?” (390). It is my intent to honor the wishes of Hawai'i with 13 adze heads and one stone pounder my maternal grandparents, Jack and Leah Wheeler, that they had obtained during their travels in the Marquesas, the artifacts they (legally) brought home to Hawai'i from Tuamotus, and Society Islands. The rather general the East Pacific not be “irrevocably lost to science.” I provenance of these artifacts presents a challenge will attempt to source their stone artifacts, and discover that illustrates the benefits of combining XRF with what geochemistry can tell us of these tools of uncertain other sources of information, and the limits of current provenance. My experience strengthens my belief that knowledge of Pacific geochemistry. EDXRF reveals that combining non-destructive EDXRF with other sources five of the artifacts are likely made of stone from the of information such as oral history, written accounts, Eiao quarry, and the rest may represent five additional and morphological comparison, enhances the value of sources. -
THE ISLANDS of TAHITI the Big Influencers in the South Pacific Ocean: French Polynesia
Special Report This supplement is printed and This report was produced distributed by the Los Angeles Times in partnership with Media Group. It does not involve the editorial staff of Los Angeles Times. One World Media. 2019 TAHITI COME DISCOVER THE TREASURES: Tahiti is one of the most coveted leisure destinations in the world! Find the Mana: in search of the Polynesian Soul also for business THE ISLANDS OF TAHITI The big influencers in the South Pacific Ocean: French Polynesia ocated in the center of the “Another very real asset is our people”, Southern Pacific Ocean, Tahiti adds President Fritch, “The liveliness of our is the largest island of the people and our deep cultural roots make Windward group of French this country one of a kind, with men and Polynesia. Featuring world women eager to be producers, or partners, renowned black sand beaches or workers”. and clear blue seas, it has long been the One of the most difficult challenges Lcultural, economic and political center of the the country faces today has to do with country, as well as a hotspot for international modernization. In a global economy where tourism. technology plays an important role, many Having previously been a French colony, developing countries are struggling to keep today French Polynesia is considered France’s up with the pace. “Digital networks have only Country Abroad, entitling the territory become as important to countries as are to have more independence, with their own roads, ports and airports”, says President President and complete control over their Fritch, “This is why we are improving our economy and currency, the CPF Franc. -
The Marquesas
© Lonely Planet Publications 199 The Marquesas Grand, brooding, powerful and charismatic. That pretty much sums up the Marquesas. Here, nature’s fingers have dug deep grooves and fluted sharp edges, sculpting intricate jewels that jut up dramatically from the cobalt blue ocean. Waterfalls taller than skyscrapers trickle down vertical canyons; the ocean thrashes towering sea cliffs; sharp basalt pinnacles project from emerald forests; amphitheatre-like valleys cloaked in greenery are reminiscent of the Raiders of the Lost Ark; and scalloped bays are blanketed with desert arcs of white or black sand. This art gallery is all outdoors. Some of the most inspirational hikes and rides in French Polynesia are found here, allowing walkers and horseback riders the opportunity to explore Nuku Hiva’s convoluted hinterland. Those who want to get wet can snorkel with melon- headed whales or dive along the craggy shores of Hiva Oa and Tahuata. Bird-watchers can be kept occupied for days, too. Don’t expect sweeping bone-white beaches, tranquil turquoise lagoons, swanky resorts and THE MARQUESAS Cancun-style nightlife – the Marquesas are not a beach holiday destination. With only a smat- tering of pensions (guesthouses) and just two hotels, they’re rather an ecotourism dream. In everything from cuisine and dances to language and crafts, the Marquesas do feel different from the rest of French Polynesia, and that’s part of their appeal. Despite the trap- pings of Western influence (read: mobile phones), their cultural uniqueness is overwhelming. They also make for a mind-boggling open-air museum, with plenty of sites dating from pre-European times, all shrouded with a palpable historical aura. -
American University Thesis and Dissertation Template for PC 2016
© COPYRIGHT by Paul Blakeslee 2019 ALL RIGHTS RESERVED CHERCHEZ LA FEMME: REASSESSING FRANCIS PICABIA’S WORLD WAR II NUDES BY Paul Blakeslee ABSTRACT This thesis closely examines two of Francis Picabia’s oil paintings from World War II, Femme à la Sculpture Grecque Noire et Blanche (Woman with Black and White Greek Sculpture, c. 1942-43) and Femme à l’Idole (Woman With Idol, c.1941-43). It argues that Picabia employed a range of art historical allusions in each work to critique the French Surrealists’ claims about their own art-making. Aligning himself with an older tradition of modernist avant- gardism, Picabia returned to a Dadaistic mode of artistic deconstruction to wage an attack on André Breton’s theories of Surrealist art. Picabia’s critique of Surrealism encompassed the movement’s political affiliations, its fascination with the erotic female body, and its primitivizing interactions with the art of indigenous cultures. Comparing his own oeuvre to the artistic practices of Édouard Manet and Paul Gauguin, Picabia derided the Surrealist practice as a corruption of the avant-gardism represented by those artists. This understudied portion of Picabia’s oeuvre has previously been seen within the context of the artist’s personal behavior during the Vichy regime in France; however, this argument looks instead to art-historical politics, drawing links between Picabia’s early career as a Dadaist and his enigmatic later practice. ii ACKNOWLEDGMENTS I would like to thank Dr. Juliet Bellow, for her extensive efforts in getting this thesis off -
Guide Floristique Eiao, Hatutaa, Mohotani
Direction Del'environnement DIREN g u i de f l o r i s t i q u e - E i a o , H a t u t a a , M o h o t a n i Eiao, Hatutaa, Mohotani Hatutaa, Eiao, Direction Del'environnement Guide floristique Guide Jean-François Butaud & Frédéric Jacq Frédéric & Butaud Jean-François Origine du guide Ce petit guide floristique porte sur trois îles inhabi- tées de l’archipel des Marquises ayant été classées comme réserves naturelles dès 1971. Les informations présentées proviennent à la fois de l’analyse de la bibliographie botanique existante mais également de prospections de terrain initiées par la Direction de l’Environnement en 2007 et 2008. L’atoll de Motu One, situé à l’Est de Hatutaa et éga- lement classé réserve naturelle, ne comprend, quant à lui, plus aucune végétation. Présentation des fiches Ce petit guide présente un peu plus d’une centaine d’espèces se développant sur les îles de Eiao, Hatutaa et Mohotani. Il s’agit de la totalité des plantes indigènes connues à ce jour sur ces îles ainsi que les autres plantes locales considérées comme ayant été introduites lors des migrations polyné- siennes. Par ailleurs, quelques introductions plus récentes particulièrement répandues y ont été jointes. Les espèces, ou plutôt taxons, sont présentés par ordre alphabétique de leurs noms scientifiques au sein de cinq groupes constitués par les types biolo- giques : arbres, arbustes et arbrisseaux, fougères, herbacées, lianes. Pour chaque taxon, outre son nom scientifique accepté, est indiqué sa famille botanique d’appar- tenance. Eiao, Hatutaa, Mohotani - Guide floristique 1 Le statut biogéographique est également précisé : espèces indigènes non introduites par l’homme, introductions polynésiennes implan- tées lors des migrations polynésiennes près d’un millier d’années auparavant et introductions modernes importées depuis la redécou- verte européenne, essentiellement depuis la fin du xviiie siècle. -
Underground Pacific Island Handbook
Next: Contents Underground Pacific Island Handbook unknown ● Contents ● List of Tables ● List of Figures ● ROUTES AND PASSAGE TIMES ● WINDS, WAVES, AND WEATHER ❍ CURRENTS ● NAVIGATION IN CORAL WATERS ❍ Approaches ❍ Running The Passes ❍ Estimating Slack Water ❍ Navigating by Eye ❍ MARKERS AND BUOYS ■ Uniform Lateral System ■ Special Topmarks for Prench Polynesia ■ Ranges and Entrance Beacons ■ United States System ❍ REFERENCES AND CHART LISTS ■ Books ■ Charts and Official Publications ■ Pilots and Sailing Directions ● FORMALITIES ❍ Basic Entry Procedures ❍ Leaving ❍ Special Requirements for Different Areas ■ French Polynesia ■ The Cook Islands ■ The Hawaiian Islands ■ Pitcairn Island ■ Easter Island ● FISH POISONING (CIGUATERA) ❍ Symptoms ❍ Treatment ❍ Prevention ❍ Other Fish Poisoning ● ILES MARQUISES ❍ Weather ❍ Currents ❍ Clearance and Travel Notes ❍ NUKU HIVA ■ Baie de Anaho ■ Baie Taioa ■ Baie de Taiohae ■ Baie de Controleut ❍ UA HUKA ■ Baie de Vaipaee ■ Baie-D'Hane ■ Baie Hanvei ❍ UA POU ■ Baie d'Hakahau ■ Baie d'Hakahetau ■ Baie Aneo ■ Baie Vaiehu ■ Baie Hakamaii ❍ HIVA OA ■ Baies Atuona and Taahuku ■ Baie Hanamenu ❍ TADUATA ■ Baie Vaitahu ❍ FATU-HIVA ■ Baie des Vietpes (Haha Vave) ■ Baie d'Omoa ❍ MOTANE ■ Northern Islets ● ARCHIPEL DES TUAMOTU ❍ Restricted Areas ❍ Routes Through the Archipelago ❍ ATOLL MANIHI ❍ ATOLL AHE ■ Passe Reianui ■ ILES DU ROI GEORGES ❍ TAKAROA ❍ TAKAPOTO ❍ TIKEI ❍ MATAIVA ❍ TIKEHAU ❍ ILE MAKATEA ❍ RANGIROA ■ GROUPE DES ILES PALLISER ❍ ARUTUA ❍ KAUKURA ❍ APATAKI ❍ ARATIKA ❍ TOAU ❍ FAKARAVA ❍ FAAITE ❍ KAUEIII