William Shakespeare - Poems
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Shakespearean Tragedy's
SHAKESPEAREAN TRAGEDY’S SHAKESPEAREAN TRAGEDY’S: A CRITICAL STUDY Rameshsingh M.Chauhan Assistant Professor, ISSN 2277-7733 Sardar Vallabhbhai Vanijya Mahavidyalaya, Ahmedabad Volume 6 Issue 4, March 2018 Abstract Shakespearean say that tragedy is nothing but a sad play is not accurate the plays often involve the fall of noble stature. The character always has a fatal that leads to their downfall. Their downfall is usually set into motion by external forces that the characters have little or no control over. The tragedies are also characterized by a great deal of death. The tone is usually very somber from the onset of the play. The plays are meant to examine human nature. The elements below can be found in Shakespeare tragedies, how well do they match the play know? They end with the death of the tragic heroes. The deaths of the heroes have a big impact on the people around them. And the larger community other person dies as part of the tragic chain of events. The heroes reach a pack in the day of happiness or achievement. Macbeth becomes King Romeo and Juliet get married. This usually happens about through. After this peak, there is a peripateia where events take a terrible turn for the worse. The heroes are in some part responsible for this change of fortunes. The paper critically analyses the Shakespearean tragedy. Key words: criticism, critical study, shakespeare, tragedy William Shakespeare is the greatest English writer. He was born on April 23, 1564 in Stratford upon even Shakespeare was the most documented Elizabethan play write. -
Romeo and Juliet by William Shakespeare Abridged for The
Romeo and Juliet by William Shakespeare Abridged for the Shakespeare Schools Festival by Martin Lamb & Penelope Middelboe 30 MINUTE VERSION © Shakespeare Schools Festival (SSF) “We are such stuff as dreams are made on.” Copyright of the abridged scripts rest with Shakespeare Schools Festival charity. Your registration fee only allows you to perform the abridgement during the current Festival. You may not share the script with other schools, or download all the scripts for personal use. A public performance of the SSF abridged script must be premiered at the professional SSF theatre. 1 LIST OF ROLES Prince Escalus PRINCE OF VERONA Paris A YOUNG COUNT Montague HEAD OF THE HOUSE OF MONTAGUE Capulet HEAD OF THE HOUSE OF CAPULET Romeo MONTAGUE’S SON Mercutio KINSMAN TO THE PRINCE, FRIEND TO ROMEO Benvolio NEPHEW TO MONTAGUE, FRIEND TO ROMEO Tybalt NEPHEW TO LADY CAPULET Juliet DAUGHTER TO CAPULET Nurse to Juliet Lady Montague WIFE TO MONTAGUE Lady Capulet WIFE TO CAPULET Friar Lawrence OF THE FRANCISCAN ORDER, FRIEND TO ROMEO Friar John OF THE FRANCISCAN ORDER Balthazar SERVANT TO ROMEO Sampson SERVANTS TO CAPULET & Gregory Abraham SERVANT TO MONTAGUE An Apothecary Citizens, Revellers And Others 2 PROLOGUE CHORUS Two households both alike in dignity, In fair Verona where we lay our scene From ancient grudge, break to new mutiny, Where civil blood makes civil hands unclean: From forth the fatal loins of these two foes, A pair of star crossed lovers take their life: Whose misadventured piteous overthrows, Doth with their death bury their parents’ strife. SCENE 1 A street ENTER SAMPSON and GREGORY of the house of Capulet, in conversation. -
Background Notes
Background Notes William Shakespeare and Romeo and Juliet Shakespeare: A brief biography • Shakespeare was born on April 23, 1564 in Stratford-on-Avon, England to an upper/ middle class family. Shakespeare: A brief biography • He learned Latin and Greek history in his grammar school as a child. This would explain the Latin and Greek references in his works. • There is not evidence that Shakespeare continued his schooling after elementary school. Shakespeare: A Brief Biography In 1582 at the age of 18, he married Anne Hathaway who was 26. She was pregnant before they were married. Shakespeare: A Brief Biography • After a few years of marriage, Shakespeare left Stratford-on-Avon and his family for London to pursue his career in acting and writing. Shakespeare: A Brief Biography • Shakespeare wrote and acted with The Lord Chamberlain’s Men. This was an acting troupe that would perform during Shakespeare’s time. Shakespeare: A Brief Biography • It is believed that Shakespeare died on April 23, 1616. • In his will, Shakespeare left his daughters the majority of his wealth and possessions. He left his wife his “second best bed”. Shakespeare: A Brief Biography • The inscription on his tomb states: "Good friend for Jesus sake forbeare, To dig the dust enclosed here. Blessed be the man that spares these stones, And cursed be he that moves my bones.” Shakespeare wrote this because in his time, old bodies were dug up and burned to make room for new burials. Shakespeare despised this treatment of bodies, so he wrote this. Romeo and Juliet and Elizabethan Theater • Shakespeare did not create the story of Romeo and Juliet. -
Hamlet, Prince of Denmark
Hamlet, Prince of Denmark William Shakespeare [Collins edition] 2 ABOUT THIS E-TEXT Project Gutenberg Etext of Hamlet by Shakespeare PG has multiple editions of William Shakespeare’s Complete Works Copyright laws are changing all over the world, be sure to check the copyright laws for your country before posting these files!! Please take a look at the important information in this header. We encourage you to keep this file on your own disk, keeping an electronic path open for the next readers. Do not remove this. It must legally be the first thing seem when opening the book. In fact, our legal advisors said we can’t even change margins. Welcome To The World of Free Plain Vanilla Electronic Texts Etexts Readable By Both Humans and By Computers, Since 1971 These Etexts Prepared By Hundreds of Volunteers and Donations Information on contacting Project Gutenberg to get Etexts, and further information is included below. We need your donations. This etext was prepared by Dianne Bean. Converted to TEX, pdf and ps by Carlos Campani, [email protected]. 3 Project Gutenberg Etexts are usually created from multiple editions, all of which are in the Public Domain in the United States, unless a copyright notice is included. Therefore, we usually do NOT keep any of these books in compliance with any particular paper edition. We are now trying to release all our books one month in advance of the official release dates, leaving time for better editing. Please note: neither this list nor its contents are final till midnight of the last day of the month of any such announcement. -
The Characterisation in Shakespearean Comedies
CHARACTERIZATION IN SHAKESPEAREAN COMEDIES & ITS APPLICATION Curso monográfico Literatura Inglesa “Shakespeare in Performance” Academic Year 2006/2007 By PLANNING TEAM PLANNING TEAM MEMBERS ARE: • Ayala Ruíz, ALBERTO • Ayanoglu, AYSE • Bordas del Prado, ANA ISABEL • Cabrales Morant, RAQUEL • Cantero Laserna, EDUARDO • Carbonell Rico, ALFREDO • Clares Arrimada, ÓSCAR • Onur, IPEK INDEX 0. INTRODUCTION 1. SHAKESPEAREAN COMEDY 1.1 Defining the terms “comedy” and “humour”. 1.2 Comedy conventions. 1.3 Features of the Shakespearean comedy. 1.4 Application. 2. STEREOTYPES IN SHAKESPEAREAN COMEDY 2.1 Stock characters. 2.2 Application. 3. CHARACTERIZATION 3.1 Costumes in Shakespearean plays. 3.1.1 Elizabethan clothing. 3.1.2 Men and women dress in Shakespearean plays. 3.1.2.1 Men’s garments. 3.1.2.2 Women’s garments. 3.1.3 Decoration / Materials. 3.2 Hairstyle and make-up in Shakespearean times and comedies. 3.2.1 Hairstyle in Shakespearean times and comic characters. 3.2.1.1 Men’s hairstyle. 3.2.1.2 Women’s hairstyle. 3.2.2 The importance of make-up in theatre. 3.3 Voice in Shakespearean comedies. 3.3.1 Importance of voice in Shakespearean comedies. 3.3.2 Voice and gender. 3.3.3 Talking to the audience. 3.4 Application. 4. CONCLUSION 5. REFERENCES 6. NOTES ON THE ORAL PRESENTATION 0 – INTRODUCTION The purpose of developing this paper is to witness different aspects of Shakespearean comedies. This paper is divided into three main parts: 1) Shakespearean Comedy (general definition, conventions and characteristics), 2) Stereotypes in Shakespearean comedies, and 3) Characterization (costumes, hairstyle, make-up and voices). -
Hamlet (The New Cambridge Shakespeare, Philip Edwards Ed., 2E, 2003)
Hamlet Prince of Denmark Edited by Philip Edwards An international team of scholars offers: . modernized, easily accessible texts • ample commentary and introductions . attention to the theatrical qualities of each play and its stage history . informative illustrations Hamlet Philip Edwards aims to bring the reader, playgoer and director of Hamlet into the closest possible contact with Shakespeare's most famous and most perplexing play. He concentrates on essentials, dealing succinctly with the huge volume of commentary and controversy which the play has provoked and offering a way forward which enables us once again to recognise its full tragic energy. The introduction and commentary reveal an author with a lively awareness of the importance of perceiving the play as a theatrical document, one which comes to life, which is completed only in performance.' Review of English Studies For this updated edition, Robert Hapgood Cover design by Paul Oldman, based has added a new section on prevailing on a draining by David Hockney, critical and performance approaches to reproduced by permission of tlie Hamlet. He discusses recent film and stage performances, actors of the Hamlet role as well as directors of the play; his account of new scholarship stresses the role of remembering and forgetting in the play, and the impact of feminist and performance studies. CAMBRIDGE UNIVERSITY PRESS www.cambridge.org THE NEW CAMBRIDGE SHAKESPEARE GENERAL EDITOR Brian Gibbons, University of Munster ASSOCIATE GENERAL EDITOR A. R. Braunmuller, University of California, Los Angeles From the publication of the first volumes in 1984 the General Editor of the New Cambridge Shakespeare was Philip Brockbank and the Associate General Editors were Brian Gibbons and Robin Hood. -
© 2018 Mystery Road Media Pty Ltd, Australian Broadcasting Corporation, Create NSW, Screenwest (Australia) Ltd, Screen Australia
© 2018 Mystery Road Media Pty Ltd, Australian Broadcasting Corporation, Create NSW, Screenwest (Australia) Ltd, Screen Australia SUNDAYS AT 8.30PM FROM JUNE 3, OR BINGE FULL SEASON ON IVIEW Hotly anticipated six-part drama Mystery Road will debut on ABC & ABC iview on Sunday, 3 June at 830pm. Because just one episode will leave audiences wanting for more, the ABC is kicking off its premiere with a special back-to-back screening of both episodes one and two, with the entire series available to binge on iview following the broadcast. Contact: Safia van der Zwan, ABC Publicist, 0283333846 & [email protected] ABOUT THE PRODUCTION Filmed in the East Kimberley region of Western Australia, Aaron Pedersen and Judy Davis star in Mystery Road – The Series a six part spin-off from Ivan Sen’s internationally acclaimed and award winning feature films Mystery Road and Goldstone. Joining Pedersen and Davis is a stellar ensemble casting including Deborah Mailman, Wayne Blair, Anthony Hayes, Ernie Dingo, John Waters, Madeleine Madden, Kris McQuade, Meyne Wyatt, Tasia Zalar and Ningali Lawford-Wolf. Directed by Rachel Perkins, produced by David Jowsey & Greer Simpkin, Mystery Road was script produced by Michaeley O’Brien, and written by Michaeley O’Brien, Steven McGregor, Kodie Bedford & Tim Lee, with Ivan Sen & the ABC’s Sally Riley as Executive Producers. Bunya Productions’ Greer Simpkin said: “It was a great honour to work with our exceptional cast and accomplished director Rachel Perkins on the Mystery Road series. Our hope is that the series will not only be an entertaining and compelling mystery, but will also say something about the Australian identity.” ABC TV Head of Scripted Sally Riley said: “The ABC is thrilled to have the immense talents of the extraordinary Judy Davis and Aaron Pedersen in this brand new series of the iconic Australian film Mystery Road. -
Dr Ranj Singh
1 2 CONTENTS FICTION: 4 NON-FICTION: 26 BACKLIST: 43 3 FICTION 4 FICTION—Doubleday DOG DAYS Ericka Waller Publication: March 2021 Format/extent: HB / 320pp Material: MS A MAN CALLED OVE meets ELEANOR OLIPHANT in this charming debut about our will to live and love, what goes wrong when we suffer in silence, and the way dogs provide a bridge for human beings to communicate with each other. George’s wife, Ellen, has passed away and he’s not coping. Ellen has left him notes around the house and a miniature dachshund puppy called Poppy. But George doesn’t want a dog, he wants to fight everyone who is trying to help him. Dan has OCD but has channelled his energy into his career as a therapist. Afraid to acknowledge his true feelings, his most meaningful relationship so far is with his dog Fitz. That is, until Atticus walks into his surgery and his life. Lizzie lives in a women’s refuge with her son Lenny. Her body is covered in scars and she has shut herself off the world. She distrusts dogs, but when she starts having to walk the refuge’s dog Maud, her life begins to change. Ericka Waller is a journalist and Faber Academy course graduate. She lives in Brighton with her family and too many pets. 5 FICTION—Doubleday COMING UP FOR AIR Sarah Leipciger Publication: February 2020 Format/extent: HB / 320pp Material: MS Rights sold: Arche Verlag (German), Alma Littera (Lithuanian) For fans of The Hours and based on true events, a rich, powerful story of a toy-maker, a journalist and the girl whose life – and death – links them across oceans & centuries. -
The World's Wife
The World’s Wife: an EMC Study Guide This PDF download is copyright © English and Media Centre. Permission is granted only to reproduce the materials for personal and educational use within the purchasing institution (including its Virtual Learning Environments and intranet). Redistribution by any means, including electronic, will constitute an infringement of copyright. EMCdownload Credits Written and edited by Barbara Bleiman and Lucy Webster Cover design: Rebecca Scambler Printed by: Stephens and George Ltd. © The English and Media Centre, 18 Compton Terrace, London, N1 2UN, 2007 ISBN: 987-0-0907016-95-3 Acknowledgements Thanks to Ava Houris of Parliament Hill School, Camden for reading and commenting on the text, and to the teachers on the EMC’s ‘Teaching The World’s Wife’ course, November 2006. Thanks to Linda Combi for the cartoon on page 49. A note on the text Please note, this is an edited version of the print publication (2007). Copyright restrictions prevent the inclusion of text extracts in the download edition. Where necessary activities have been adapted. 2 Studying The World’s Wife © English and Media Centre, 2007 Contents Contents Introduction 4 Before Reading Contextualising The World’s Wife – the dramatic 5 monologue Features of a dramatic monologue 8 Exploring the titles 9 Reading the Collection Little Red-Cap 10 Thetis 14 Queen Herod 17 Mrs Midas 22 from Mrs Tiresias 25 Pilate’s Wife 29 Mrs Darwin, Frau Freud and Mrs Aesop 32 Mrs Sisyphus 35 Mrs Faust 37 Delilah 39 Anne Hathaway 41 Duffy and 20th-century icons 48 Mrs -
The Case Study Provides Detailed Descriptions of the Application, Including How to Obtain Printed Copies of the Finished Work
Making hard topics in English easier with ICT A NATE/Becta project 2008 Introduction Thanks are due to Richard Hammond from Becta and Peter Ellison from the National Strategy for their support and enthusiasm and to Steve Cunningham, Derbyshire English Consultant, for his contributions to our two conferences. We would also like to thank the staff of Elm Bank Centre, Coventry, for their efficiency and helpfulness, and especially all the teachers who took part in the project, for reasons which will become apparent in the reading of this report and the accompanying case studies Judith Kneen, Trevor Millum, Tom Rank, Chris Warren This project was funded by Becta and managed by The National Association for the Teaching of English (NATE). This report published by NATE, December 2008. The material here is © NATE and the contributors, 2008. This report and additional materials referred to in the case studies can be found on the NATE website at www.nate.org.uk/htt The National Association for the Teaching of English, 50 Broadfield Road, Sheffield, S8 0XJ www.nate.org.uk Becta, Millburn Hill Road, Science Park, Coventry, CV4 7JJ www.becta.org.uk Making hard topics in English easier with ICT page 3 Contents 1 The ‘hard to teach’ project: overview and key outcomes.....................................................................4 2 Project summaries.......................................................................................................................................8 3 Using a visualiser to shine a light on poetry.........................................................................................14 -
Updated 3/9/2015 12:49 PM 14 Return to Course Calendar
Updated 3/9/2015 12:49 PM 14 Return to course calendar This document has been optimized for use on the web/Adobe Reader. Contents Calendar of Course Offerings for 2014-2015 An English Major for the 21st Century • Pre 1830 Courses • The new TTC Requirement • The new ICSP Requirement • The Theory Requirement Declaring the Major or Minor Information Sources Advising and Preregistration Independent Study (ENGLISH 399) Proposals Honors Applications • Creative Writing • Literature Course Descriptions 2 Return to course calendar Calendar of Course Offerings for 2014-2015 (as of March 9, 2015) NEW! Click on the time and instructor of a section and you will be taken directly to the course description! Course # FALL 2014 WINTER 2015 SPRING 2015 Composition Courses 105, 205, These courses do not count toward any English major or minor requirements. Several sections of 304, 305 these courses are offered each quarter via the Writing Program. You may find more information about them here. Creative Writing Courses These courses count towards the Creative Writing major and minors, but do not count towards the major or minor in Literature. 206: Poetry Kinzie Webster Curdy MW 11-12:20 MW 9:30-10:50 MW 3:30-4:50 Curdy Curdy Webster TTh 11-12:20 MW 3:30-4:50 TTh 2-3:20 Gibbons Donohue Webster TTh 3:30-4:50 TTh 12:30-1:50 TTh 3:30-4:50 Hotchandani Hotchandani TTh 12:30-1:50 TTh 12:30-1:50 Kinzie TTh 11-12:20 207: Bouldrey Martinez Seliy Fiction TTh 9:30-10:50 MW 3:30-4:50 MW 9:30-10:50 Bouldrey Abani TTh 9:30-10:50 MW 3:30-4:50 Seliy Bouldrey TTh 2-3:20 TTh -
English Literature
FOR THE IB DIPLOMA English Literature Nic Amy Carolyn P. Henly Angela Stancar Johnson Kathleen Clare Waller Series editor: Carolyn P. Henly 9781510467132.indb 1 6/4/19 9:29 AM The Publishers would like to thank the following for permission to reproduce copyright material. Photo credits Acknowledgements Every effort has been made to trace all copyright holders, but if any have been inadvertently overlooked, the Publishers will be pleased to make the necessary arrangements at the first opportunity. Although every effort has been made to ensure that website addresses are correct at time of going to press, Hodder Education cannot be held responsible for the content of any website mentioned in this book. It is sometimes possible to find a relocated web page by typing in the address of the home page for a website in the URL window of your browser. Hachette UK’s policy is to use papers that are natural, renewable and recyclable products and made from wood grown in well-managed forests and other controlled sources. The logging and manufacturing processes are expected to conform to the environmental regulations of the country of origin. Orders: please contact Bookpoint Ltd, 130 Park Drive, Milton Park, Abingdon, Oxon OX14 4SE. Telephone: +44 (0)1235 827827. Fax: +44 (0)1235 400401. Email [email protected] Lines are open from 9 a.m. to 5 p.m., Monday to Saturday, with a 24-hour message answering service. You can also order through our website: www. hoddereducation.co.uk Nic Amy, Carolyn P. Henly, Angela Stancar Johnson, Kathleen Clare Waller 2019 First published in 2019 by Hodder Education, An Hachette UK Company Carmelite House 50 Victoria Embankment London EC4Y 0DZ www.hoddereducation.co.uk Impression number 10 9 8 7 6 5 4 3 2 1 Year 2023 2022 2021 2020 2019 All rights reserved.