Weak Thought / Edited by Gianni Vattimo and Pier Aldo Rovatti ; Translated and with an Introduction by Peter Carravetta
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Postmodernisms Fall Semester 2009 Clt 602 / Egl 603.02 / Frn 571 / Itl 571
POSTMODERNISMS FALL SEMESTER 2009 CLT 602 / EGL 603.02 / FRN 571 / ITL 571 Haas Haus – Vienna City Centre Mondays 6:509:50 p.m. Humanities Building 2052 Hugh J. Silverman (Professor of Philosophy and Comparative Literary & Cultural Studies) Peter Carravetta (Alfonse D’Amato Chair and Professor of Italian and European Languages, Literatures, and Cultures) What is the postmodern—culturally, aesthetically, politically, philosophically? What are the differences between the postmodern and the modern? What is the relation between a postmodernism and post‐modernity? How have those differences been articulated by various contemporary philosophical, cultural, and art theorists—particularly in European thought of the late 20th and early 21st centuries? In what sense, is the postmodern plural‐‐as postmodernisms? In the post‐Sept 11 world, how does postmodern thinking help us to understand significant events in contemporary thought and cultures? This time, we will focus on theories of painting and the visual and on their sociological implications. The avant‐gardes (Marinetti, Tzara, Duchamp, Breton) mark a new way for the visual arts to undermine traditional expectations; phenomenology (Husserl, Merleau‐Ponty, Dufrenne) offer a method for rethinking the perceptual and the visible; semiologists and poststructuralists (Barthes, Foucault, Deleuze, Kristeva) look for sign systems and structures of thought and cultural practices; postmodern architectural theorists (Venturi, Philip Johnson, F. Jameson, C. Jencks) juxtapose and shape differing styles, deconstruction (Derrida, Lyotard, Nancy) provides an alternative way to read margins, edges, frames in terms of textualities, visibilities, and immaterialities; postmodern hermeneutics and cultural critique (Vattimo, Perniola) look for weak moments in thought and practice, cultural enigmas, and dimensions of ritual thinking; feminist psychoanalytic theories (Irigaray, Kristeva) open up alternative choric spaces, regions, and intervals for thought and semiosis. -
American Studies and Italian Theory
FORUM American Studies and Italian Theory RSA JOU R N A L 26/2015 MENA MITRANO Introduction 1. Field or Movement? No one thinks or writes alone. The process has to do with phantoms more than we would be willing to admit. One writes with and thinks with, but often the term at the other end of the collaboration remains in the shadows. The task of tracing influences is, of course, an essential part of literary scholarship, but, as Harold Bloom taught us, human creativity is regulated by conflict: it is an ongoing clamor of kenosis and askesis, of defense mechanisms and self-censorship, that often leaves the salient dialogue undecoded, part and parcel of that unsettling incompleteness which defines any making, with language or with concepts. The incompleteness has been thrust further in the foreground since structuralism, with individual disciplinary boundaries becoming increasingly permeable, and until today the flow and circulation of ideas seems the most desirable modality within the Humanities. Given the migratory vocation of anything contemporary, it is hard to say who influences whom or what influences what. Such a porous state of things also makes questionable the use of adjectives of nationality, like Italian, for example, in the phrase “Italian Theory.” However, as you will glean from Roberto Esposito’s contribution to this forum, “Italian,” in relation to theory, seems to function much like Benveniste’s first-person pronoun does in relation to language: it’s a kind of subjectivity; it’s a distinctive assumption of theory. In other words, to speak of Italian Theory means less to speak of Italy and more to suggest another historical phase of critical thought. -
Gianni Vattimo and a Form of Faith in Contemporary Culture
Pontifical University St Patrick’s College Maynooth Believing Anew: Gianni Vattimo and A Form of Faith in Contemporary Culture A Dissertation Submitted to the Faculty of Theology in Partial Fulfilment of the Conditions for the Doctoral Degree in Theology By Sarah Gorman Supervisor: Rev. Prof. Michael A. Conway February 2020 TABLE OF CONTENTS Page ACKNOWLEDGEMENTS ......................................................................................... v Believing Anew: Gianni Vattimo and A Form of Faith in Contemporary Culture PART ONE A Foundation for a Contemporary Discussion of Faith Introduction ........................................................................................................ 1 Chapter One Only Interpretations: Vattimo’s Reading of Nietzsche 1.0 Introduction .......................................................................................... 9 1.1 Vattimo’s Understanding of Nietzsche’s Nihilism .............................. 10 1.1.1 Nietzsche’s Influence For Vattimo ............................................. 10 1.1.2 Active and Passive Nihilism ....................................................... 14 1.1.3 Nihilism and Historicism: The Historical Malady ...................... 20 1.1.4 Temporality and the Eternal Return ............................................ 25 1.2 How the World Became a Fable: Myth, Interpretation, and Culture ... 30 1.2.1 From Philology to Philosophy .................................................... 30 1.2.2 Philology: A Basis for Truth ...................................................... -
Form, Person, and Inexhaustible Interpretation (On Luigi Pareyson)
PARRHESIA NUMBER 12 • 2010 • 99-108 REVIEW ARTICLE FORM, PERSON, AND INEXHAUSTIBLE INTERPRETATION: LUIGI PAREYSON, EXISTENCE, INTERPRETATION, FREEDOM. SELECTED WRITINGS. TRANSLATED, AND WITH AN INTRODUCTION, BY PAOLO DIEGO BUBBIO. DAVIES GROUP PUBLISHERS, 2009. Peter Carravetta The appearance of a substantial selection of Luigi Pareyson’s writings in English is motive for a transnational celebration in the history of ideas. A thinker of the rank of Gadamer and Ricoeur, to whom he is often compared, surprisingly little has been known or written about him.1 An original interpreter of existentialism and German Idealism, Pareyson developed an authentic hermeneutic in the nineteen-fifties, a time in which the Italian panorama was being shaped by growing Marxist hegemony and the turn toward the sciences, especially linguistics. Bubbio’s fine Introduction (8-25) breaks down Pareyson’s contribution into three areas, Existence, Knowledge and Interpretation, and the Ontology of Freedom; these obviously overlap and to some degree represent developments of some key ideas first fully theorized in his 1954 masterpiece, Estetica. Teoria della formatività. The great merit of this collection is that it gathers articles and selections from his books which cover the entirety of his career, from a 1940 article on the genesis of existentialism to a draft on suffering and faith found in his notebooks when he passed away in 1991. The volume thus constitutes an ideal introduction, and a starting point from which to begin the revaluation of a major thinker of interpretation, especially in the areas of ontology, art, and ethics. In the following remarks, I will focus mainly on the Pareyson of his mature key writings from the fifties through the seventies. -
2020 APA Central Division Meeting Program
The American Philosophical Association CENTRAL DIVISION ONE HUNDRED SEVENTEENTH ANNUAL MEETING PROGRAM PALMER HOUSE HILTON HOTEL CHICAGO, ILLINOIS FEBRUARY 26 – 29, 2020 Mention coupon code ZAPC20 and receive a 20% discount on all pb & a 40% discount on all hc only Offer good until 3/29/20 Order online: www.sunypress.edu Order by phone: 877.204.6073 or 703.661.1575 Hyperthematics Life as Insinuation The Real The Logic of Value George Santayana’s Metaphysical Club Marc M. Anderson Hermeneutics of Finite The Philosophers, Life and Human Self Their Debates, John Dewey Katarzyna and Selected Writings and Daoist Thought Kremplewska from 1870 to 1885 Experiments in Frank X. Ryan, Intra-cultural Beyond the Brian E. Butler, and Philosophy, Troubled Water James A. Good, eds Volume One of Shifei Introduction by Jim Behuniak From Disputation John R. Shook to Walking-Two-Roads John Dewey in the Zhuangzi Pragmatism and Confucian Lin Ma and Applied Thought Jaap van Brakel William James Experiments and the Challenges in Intra-cultural Psychoanalysis of Contemporary Life Philosophy, and Repetition Clifford S. Stagoll and Volume Two Why Do We Keep Making Michael P. Levine, eds Jim Behuniak the Same Mistakes? Juan-David Nasio Genealogies Speaking Translated by of the Secular Face to Face David Pettigrew The Making of Modern The Visionary Philosophy German Thought of María Lugones Beyond Bergson Willem Styfhals and Pedro J. DiPietro, Examining Race Stéphane Symons, eds Jennifer McWeeny, and and Colonialism Shireen Roshanravan, through the Writings Beyond the Subject eds. of Henri Bergson Nietzsche, Heidegger, Andrea J. Pitts and and Hermeneutics Subjects Mark William Gianni Vattimo That Matter Westmoreland, eds Translated, edited, and Philosophy, Feminism, with an introduction by and Postcolonial Theory John Marshall’s Peter Carravetta Namita Goswami Constitutionalism Clyde H.