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Press Release – 30 November 2020
PRESS RELEASE – 30 NOVEMBER 2020 IMAGES CAN BE DOWNLOADED HERE BIOGRAPHIES CAN BE DOWNLOADED HERE Twitter / Facebook / Instagram / Website UNDER EMBARGO UNTIL 00.01 ON MONDAY 30 NOVEMBER ROYAL SOCIETY OF LITERATURE CELEBRATES 200TH BIRTHDAY WITH 60 APPOINTMENTS AND FIVE-YEAR FESTIVAL ● NEW INITIATIVES CHAIRED BY BERNARDINE EVARISTO AND DANIEL HAHN TO CHAMPION UNDER-REPRESENTED VOICES AND CELEBRATE THE POWER OF LITERATURE TO TRANSCEND BORDERS ● ANITA DESAI; KAZUO ISHIGURO; HILARY MANTEL; EDNA O’BRIEN; PHILIP PULLMAN AND COLIN THUBRON ARE FIRST COMPANIONS OF LITERATURE TO BE ANNOUNCED SINCE 2012 ● ANDREA LEVY AND JEAN RHYS HONOURED AS THEIR PENS JOIN THE RSL’S PERMANENT COLLECTION ● 5 NEW CELEBRATORY VIDEOS RELEASED TODAY WITH ADJOA ANDOH, NATALIE SIMPSON, SIMON CALLOW, JULIET STEVENSON, RICHARD ARMITAGE AND SULE RIMI READING FROM THE PEN COLLECTION ● DALJIT NAGRA APPOINTED NEW CHAIR ● 9 NEW VICE-PRESIDENTS INCLUDING SIMON ARMITAGE, MARY BEARD, BERNARDINE EVARISTO, JACKIE KAY, BLAKE MORRISON, GRACE NICHOLS, ELIF SHAFAK, KAMILA SHAMSIE AND COLM TÓIBÍN ● 29 NEW FELLOWS INCLUDING RAYMOND ANTROBUS, DAMIAN BARR, MICHAEL PALIN, KATE MOSSE, JACK THORNE, KERRY HUDSON, ROGER ROBINSON, PETER FRANKOPAN, MAX PORTER, DIANA EVANS AND WINSOME PINNOCK ● 15 HONORARY FELLOWS INCLUDING URSULA OWEN, MELANIE ABRAHAMS, BARONESS LOLA YOUNG AND TOM SUTCLIFFE ● BOYD TONKIN AWARDED NEWLY DESIGNED BENSON MEDAL The Royal Society of Literature (RSL), the charity that represents the voice of literature in the UK, has today in celebration of its 200th birthday announced RSL 200, a five-year festival launched with a series of major new initiatives and 60 new appointments championing the great diversity of writing and writers in the UK. -
Contemporary British Literary Culture, Higher Education, and the Diversity Scandal
Contemporary British Literary Culture, Higher Education, and the Diversity Scandal by John Coleman A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English Language and Literature Carleton University Ottawa, Ontario © 2019, John Coleman Abstract Sociologists have demonstrated that neoliberal British education policies reproduce cultural and racial homogeneity in creative industries workforces. These policies have made fine art and design programs key pathways to work in the creative economy. Yet escalating tuition and the reliance on unpaid internships to gain course credit have meant that students are increasingly drawn from the more affluent socio-economic communities – often predominantly white. The impact on contemporary British literature, particularly writing by minoritized authors, has been remarkable. Despite efforts to increase diversity in the literary book trades, the vast majority of publishing professionals are white, independently wealthy graduates of elite universities. Scholars have said little about how the literary field responds to, manifests, and perpetuates this escalating – and racialized – inequality, whose ramifications are evident in everything from Brexit to the emboldening of the anti-immigrant alt-right movement. My research takes up this task. I discuss how neoliberal education policy has privileged a relatively homogenous creative class, whose hegemony resonates across literary production and literature itself. I analyze responses to this class’ control over the literary sphere in chapters studying the reading charity BookTrust, the decibel program’s prizing of Hari Kunzru’s 2005 novel Transmission, and Spread the Word’s Complete Works Scheme for poets of colour. ii Acknowledgements The devotion of many family members, friends and loved ones has combined to form an invaluable support system throughout my time in university and while writing this dissertation. -
Redgrove Papers: Letters
Redgrove Papers: letters Archive Date Sent To Sent By Item Description Ref. No. Noel Peter Answer to Kantaris' letter (page 365) offering back-up from scientific references for where his information came 1 . 01 27/07/1983 Kantaris Redgrove from - this letter is pasted into Notebook one, Ref No 1, on page 365. Peter Letter offering some book references in connection with dream, mesmerism, and the Unconscious - this letter is 1 . 01 07/09/1983 John Beer Redgrove pasted into Notebook one, Ref No 1, on page 380. Letter thanking him for a review in the Times (entitled 'Rhetoric, Vision, and Toes' - Nye reviews Robert Lowell's Robert Peter 'Life Studies', Peter Redgrove's 'The Man Named East', and Gavin Ewart's 'The Young Pobbles Guide To His Toes', 1 . 01 11/05/1985 Nye Redgrove Times, 25th April 1985, p. 11); discusses weather-sensitivity, and mentions John Layard. This letter is pasted into Notebook one, Ref No 1, on page 373. Extract of a letter to Latham, discussing background work on 'The Black Goddess', making reference to masers, John Peter 1 . 01 16/05/1985 pheromones, and field measurements in a disco - this letter is pasted into Notebook one, Ref No 1, on page 229 Latham Redgrove (see 73 . 01 record). John Peter Same as letter on page 229 but with six and a half extra lines showing - this letter is pasted into Notebook one, Ref 1 . 01 16/05/1985 Latham Redgrove No 1, on page 263 (this is actually the complete letter without Redgrove's signature - see 73 . -
2006, Stand 64
ESTABLISHED 1884 CLOCK Designed and painted by Lewis F. Day English, circa 1877 Furniture and Works of Art 119 Mount Street, London W1K 3NL, England e-mail: [email protected] Telephone: 020 7493 0444 Facsimile: 020 7495 0766 www.blairman.co.uk Open Monday – Friday, 9 am – 6 pm and on Saturday by appointment STOVE TILE Designed by A.W.N. Pugin and manufactured by Minton English, circa 1850 All objects are offered for sale, subject to their remaining unsold. Dimensions are in inches (and centimetres), height × width × depth. Exhibiting The Grosvenor House Art & Antiques Fair, London 15–22 June 2006, Stand 64. The International Fine Art and Antique Dealers Show, New York 20–26 October 2006, Booth B16. TEFAF, Maastricht 9–18 March 2007, Stand 183 © H. Blairman & Sons Ltd, 2006 ISBN 0–9542530–4–3 MEMBER OF THE BRITISH ANTIQUE DEALERS’ ASSOCIATION Now and again in the history of art, works appear that over time come to be recognised as iconic. Within the field of furniture history, the Godwin sideboard (below) and the Mackintosh ‘Argyle’ chair (no. 17), both the creations of architect-designers, undoubtedly fall into this category. Artists and craftsmen also contributed some of the nineteenth- century’s finest achievements. Such highlights are reflected, respectively, in two objects that passed through our hands last year: the wall clock designed and painted by Lewis F. Day (see page 1) and the richly damascened table clock created by Placido Zuloaga (see final page). The opportunity to offer the Bullock cabinet (no. 1) is the culmination of a story that began nearly twenty years ago. -
HEANEY, SEAMUS, 1939-2013. Seamus Heaney Papers, 1951-2004
HEANEY, SEAMUS, 1939-2013. Seamus Heaney papers, 1951-2004 Emory University Stuart A. Rose Manuscript, Archives, and Rare Book Library Atlanta, GA 30322 404-727-6887 [email protected] Collection Stored Off-Site All or portions of this collection are housed off-site. Materials can still be requested but researchers should expect a delay of up to two business days for retrieval. Descriptive Summary Creator: Heaney, Seamus, 1939-2013. Title: Seamus Heaney papers, 1951-2004 Call Number: Manuscript Collection No. 960 Extent: 49.5 linear feet (100 boxes), 3 oversized papers boxes (OP), and AV Masters: 1 linear foot (2 boxes) Abstract: Personal papers of Irish poet Seamus Heaney consisting mostly of correspondence, as well as some literary manuscripts, printed material, subject files, photographs, audiovisual material, and personal papers from 1951-2004. Language: Materials entirely in English. Administrative Information Restrictions on access Collection stored off-site. Researchers must contact the Rose Library in advance to access this collection. Special restrictions apply: Use copies have not been made for audiovisual material in this collection. Researchers must contact the Rose Library at least two weeks in advance for access to these items. Collection restrictions, copyright limitations, or technical complications may hinder the Rose Library's ability to provide access to audiovisual material. Terms Governing Use and Reproduction All requests subject to limitations noted in departmental policies on reproduction. Emory Libraries provides copies of its finding aids for use only in research and private study. Copies supplied may not be copied for others or otherwise distributed without prior consent of the holding repository. -
The Arts and Crafts Movement: Exchanges Between Greece and Britain (1876-1930)
The Arts and Crafts Movement: exchanges between Greece and Britain (1876-1930) M.Phil thesis Mary Greensted University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. Contents Introduction 1 1. The Arts and Crafts Movement: from Britain to continental 11 Europe 2. Arts and Crafts travels to Greece 27 3 Byzantine architecture and two British Arts and Crafts 45 architects in Greece 4. Byzantine influence in the architectural and design work 69 of Barnsley and Schultz 5. Collections of Greek embroideries in England and their 102 impact on the British Arts and Crafts Movement 6. Craft workshops in Greece, 1880-1930 125 Conclusion 146 Bibliography 153 Acknowledgements 162 The Arts and Crafts Movement: exchanges between Greece and Britain (1876-1930) Introduction As a museum curator I have been involved in research around the Arts and Crafts Movement for exhibitions and publications since 1976. I have become both aware of and interested in the links between the Movement and Greece and have relished the opportunity to research these in more depth. It has not been possible to undertake a complete survey of Arts and Crafts activity in Greece in this thesis due to both limitations of time and word constraints. -
Iipsgp Summer 2005 Newsletter
INTERNATIONAL INSTITUTE FOR PEACE STUDIES AND GLOBAL PHILOSOPHY Rhos y Gallt, Llanerfyl, Near Welshpool, Powys, Wales, SY21 OER Tel/Fax: 01938 820586 website: www.educationaid.net email: [email protected] Director, Thomas Clough Daffern B.A. (Hons) D.Sc. (Hon) PGCE email: [email protected] Tel. 01938 820586 Mobile: (m) 07960 971620 Secretary General, Mary Napper White (B.A. Hons.) 01939 233834 email: [email protected] Treasurer: Jenny Wheatcroft B.A. (Hons.) Tel. 00 64 4 2932987Email: [email protected] IIPSGP SUMMER 2005 NEWSLETTER 1. IIPSGP PARLIAMENTARY WORK: The interested in coming, either to present a talk, or developing All Party Parliamentary Group For simply to listen in, please contact: International Peace And Conflict Resolution will hopefully be Institute for Peace Studies and Global Philosophy, restarting its work now that a new UK parliament Rhos Gallt, Llanerfyl, Powys, Wales, SY21 OER, has been elected, with an expected meeting in Tel. 01938 820586 email: [email protected] parliament to take place in November 2005. Further details to IIPGSP members and associates once the 3. 2005 GENERAL ELECTION U.K.: A paper date has been finalised. from IIPSGP Director was issued in the run up to the general election, in the form of an election 2. DR. JOHN DEE (1527-1608) SYMPOSIUM – response document, entitled: A GARLAND OF JULY 16, 2005: This special event is being IDEAS: A PHILOSOPHICAL CONTRIBUTION organised by IIPSGP to commemorate the life and TO THE DEBATES IN THE BRITISH work and influence of Dr John Dee, one of the ELECTION, APRIL 2005. It had 23 numbered unsung heroes of the Elizabethan Renaissance. -
The Ledbury Letter
THE LEDBURY LETTER Number 105 Spring 2018 Butcher Row House Ledbury & District Civic Society “Looking After Ledbury...” THE LEDBURY & DISTRICT CIVIC SOCIETY Burgage Hall Church Lane Ledbury HEREFORDSHIRE HR8 1DW Butcher Row House Folk Museum Objectives of the Society… To stimulate public interest; promote high standards of planning and architecture; and secure the preservation, protection and improvement of features of historic, natural and public interest in Ledbury and the surrounding district. In this Edition… Chairman’s report 4 Butcher Row House Museum 5 Planning Committee 6 Burgage Hall 8 Data Protection 9 Postscript on Phillip Clisset 10 Annual Accounts 11 Treasurer’s Comments 14 Postscript on Phillip Clisset cont 15 A short introduction to Brian Hatton 17 A town like Alice 20 Curiouser and curiouser 21 Officers of the Society 23 Notice of AGM 24 This newsletter has been produced by members of the Society. Any comments or contributions should be addressed to The Editor at Burgage Hall, to [email protected] The Ledbury and District Society Trust Ltd Company No: 1340233 Registered Charity No: 507391 2 DIRECTORS AND OFFICERS OF THE SOCIETY 2017 / 18 President Joe Hillaby Vice President Veslemøy Lunt Chairman Chris Johnson 635 069 Vice Chairman Booking Secretary Chris Johnson 635 069 Treasurer and Membership Secretary Graham Every 631 174 Planning & Conservation Anthony Peake 636 312 Planning & Conservation Vice Chairman Andy Tector 670 351 Butcher Row Volunteer Rota Prue Yorke 633 655 Speakers Education Link Mary Winfield 632 247 Natural Environment Anne Crane 07852 316 227 Co Opted Director Secretary Christine Tustin 634 934 Notice is hereby given that membership records of the Ledbury & Dis- trict Trust are held on a database system. -
Poetry Festival
heaf Poetry Festival Contemporary poetry for Sheffield Films Performances Readings Walks Workshops 17–26 May 2019 www.sheafpoetryfestival.com Welcome Welcome to Sheaf Poetry Festival, a new poetry festival for Sheffi eld and nearby. We’ve been working hard to programme a vibrant combination of poetry, spoken word and cross-disciplinary events for all poetry lovers to enjoy, and a friendly festival atmosphere in which that can happen, and we want to make you all feel as welcome as possible. We’ve previously been Sheffi eld Poetry Festival and South Yorkshire Poetry Festival, and we’re really proud of what we’ve already achieved. As Sheaf Poetry Festival, our mission is to keep on bringing world-class poetry to Sheffi eld and to share inspiring, exciting voices with our audiences. This is the fi rst year we’ve had a poet-in-residence and a young poet-in-residence as part of the festival, and it has been great to give this opportunity to two poets. Mark Pajak and Georgie Woodhead will be on hand at our launch event. Mark has brought a poetry ghost walk and a collaboration with the National Videogame Museum to our programme so do look out for those! The festival is spread over nine days, commencing on Friday 17 May with our festival launch event. The weekend will consist of a packed programme of readings, performances and workshops, and the following week includes an assortment of evening events, including Tuesday’s Festival of Debate special with Roger McGough at the Abbeydale Picture House. We’ll be closing the festival on Saturday 25 May with one of Longbarrow Press’s famous Sheffi eld poetry walks and a poetry fi lm night with Elephant’s Footprint. -
Inspire an Anthology Clcl Inspire a Centre for Language Culture and Learning (Clcl) an Anthology Anthology
INSPIRE AN ANTHOLOGY AN CLCL INSPIRE A CENTRE FOR LANGUAGE CULTURE AND LEARNING (CLCL) AN ANTHOLOGY ANTHOLOGY EXCITING WAYS OF TEACHING CREATIVE WRITING AN ANTHOLOGY AN Inspire: Exciting Ways of Teaching Creative Writing is an innovative anthology written by a wide spectrum of creative teachers who have a wealth of diverse experience. The focus here is on communicating how to teach creative writing in imaginative, practical and socially just ways. There is a CREATIVE particular emphasis upon helping people of all ages and WRITING backgrounds write stories, poems, plays and creative non- EDUCATORS fiction, including memoir and autobiography. Here you’ll learn many ways of teaching creative writing, including: • How to decolonise creative-writing workshops EXCITING WAYS OF TEACHING CREATIVE WRITING CREATIVE TEACHING OF WAYS EXCITING • How to use social media to engage teen writers • How to use therapeutic writing to cope with lockdown and bereavement • How to help students get creative in their essay writing INSPIRE • How to seek inspiration in nature and landscapes Inspire is essential reading for teachers, writers, academics EXCITING and anyone who values creativity. WAYS OF TEACHING CREATIVE WRITING CLCL A CENTRE FOR LANGUAGE CULTURE Editors: AND LEARNING (CLCL) Emma Brankin, ANTHOLOGY Francis Gilbert and Carinya Sharples In association with the MA in Creative Writing and Education, Goldsmiths INSPIRE EXCITING WAYS OF TEACHING CREATIVE WRITING EDITED BY EMMA BRANKIN, FRANCIS GILBERT AND CARINYA SHARPLES Inspire All rights reserved. This book contains material protected under International and Federal Copyright Laws and Treaties. Any unauthorized reprint or use of the original material written by the named authors is prohibited: these sections of the book may not be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system without express written permission from the author / publisher. -
Making Speech-Matter: Recurring Mediations in Sound Poetics and Its Contemporary Practice
ORBIT - Online Repository of Birkbeck Institutional Theses Enabling Open Access to Birkbecks Research Degree output Making Speech-Matter: Recurring Mediations in Sound Poetics and its Contemporary Practice http://bbktheses.da.ulcc.ac.uk/35/ Version: Full Version Citation: Pester, Holly (2013) Making Speech-Matter: Recurring Mediations in Sound Poetics and its Contemporary Practice. PhD thesis, Birkbeck, University of London. c 2013 The Author(s) All material available through ORBIT is protected by intellectual property law, including copyright law. Any use made of the contents should comply with the relevant law. Deposit guide Contact: email 1 Making Speech-Matter: Recurring Mediations in Sound Poetics and its Contemporary Practice Holly Pester Birkbeck, University of London PhD 2013 2 I, Holly Pester, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. ---------------------------------------------- 3 Abstract This thesis produces a critical and creative space for new forms of sound poetics. Through a reflective process combining theoretical research and poetic practice – performances, text-scores and installations – the thesis tests the contemporary terms of intermedial poetics and sound poetry, establishing a conceptual terminology for speech-matter. Beginning with a study of 1960s sound poet Henri Chopin and his relation to the tape machine, I argue that this technological mediation was based on a poetics of analogue sound hinged on bodily engagement. Social and physical properties of the tape machine contribute to a mode of practice that negotiates the body, machine, and effort. Exploring Michel Serres’s concept of parasitic noise and the relation of interference to lyric appeal, via the work of Denise Riley and Hannah Weiner, I understand sound poetics as a product of lyrically active noise. -
“Cosmology, Masculinity and Mental Health Take Centre Stage at Africa Writes 2019”
FOR IMMEDIATE RELEASE 23 May 2019 “Cosmology, Masculinity and Mental Health take centre stage at Africa Writes 2019” Africa Writes, the UK’s biggest celebration of contemporary African writing brought to you by the Royal African Society, returns to The British Library from Friday 5 July to Sunday 7 July 2019 featuring three headline events and a packed festival weekend. Bringing together over 60 of the most influential African writers and thought leaders, this 8th festival edition covers over 20 countries and explores a cross-section of themes and critical ideas about African literature today. Following on from the likes of Chimamanda Ngozi Adichie and Ngugi wa Thiong’o, previous festival headliners, Man Booker shortlisted author Chigozie Obioma will headline this year’s Africa Writes. Closing the festival on Sunday, 7 July, Obioma will talk about his writing, Igbo cosmology and the blurred lines between myth and reality in his latest novel An Orchestra of Minorities. The event will open with an evocative staged reading of Obioma’s critically acclaimed debut novel, The Fishermen, followed by an in-conversation led by award-winning author and curator Irenosen Okojie. Chigozie Obioma says: “I'm really excited to be a part of this celebration of the written word and to be in company of a cohort of writers from Africa. I'm certain those three days will be like being at a concert in Lagos while in London.” Africa Writes 2019 will open on Friday, 5 July, with Our Bodies Speak Poetry, an evening of intergenerational poetry, story-telling and performance exploring the body as a site of power, possibilities and resistance.