Jiro Saida, Tourokuya Hanno, Saitama Yoshinori & Yuriko Doke Okinawa, Japan https://www.bingata-higashiya.com 2020 Natural Color Exhibition https://tourokuya.net Natural dyes, pigments Hand-painted Yuzen Uchikui1: , Tsutsu-biki, Venue : SAPPORO MOERENUMA PARK Tsumugi obi, Gradational with a brush Pigments,/Dyes: Common garcinia, slaked lime Glass Pyramid “HIDAMARI” space1,2 using a technique called “Tegaki-yuzen” Dimentions: 58cm×67cm 1-1, Moerenuma-koen, Higashi-ku, Sapporo Dyes/Pigments: Enju, walnut peel, indigo Uchikui pattern garnishment Date : 13:00-17:00 Sun Sep 20, 2020 rice cake powder for glue. Ramie, pigments, Dyes: Common garcinia, 10:00-17:00 Mon Sep 21 slaked lime 10:00-15:00 Tue Sep 22 Mayumi Ujita Yokosuka, Japan Dimensions: 58cm×1:40cm Organiser : Earth Network Tsumugi Kimono, Dyes: Sukumo vat Co-organiser : Hokkaido Arts Foundation warp:raw of "Gunma 200" spring worm weft:hand spun silk yarn by Sekine shyoten NPO Earth Network Tsumugi Obi In the steps of Antoine Janot dyes:Sukumo vat, Shikon, akane, others Name Sponsorship : Hokkaido, Sapporo-shi warp:raw yarn of ＊Contact : Earth Network "Gunma 200" Mail : [email protected] spring silk worm Tel/Fax : +81-134-25-1470 Space1: Exhibition by video, weft:hand spun Web site : https://earthnetwork.or.jp Ryukyu- silk yarn by Sekine Buyo & shyoten in Hand Bingata spun yarn Kimono with floss silk

Kamisuki Laboratory Karatsu, Japan http://shikoushitsu.jp Kitta Okinawa, Japan Hisako Sumi Otaru https://north-indigo.com https://kittaofficial.com Kozo paper and fibre：Kozo, Nagashikomi Space1: Exhibition by video, “Hiraku” Dimensions: 122cm×122cm、2 pieces Dyeing: Sukumo vat, couched woad-indigo vat

Jiro Saida Chikara Kumagai Sapporo, Japan Gina Morino Sapporo, Japan Satomi Ikarashi Kawasaki, Japan http://chikara-houseisitu.com Silk stole dyed with 300 petals of saffron https://www.asagiya5.com Cradle Silk cloth is used to create a Design drawing, At the Natural delicate transparency. The white round lumps in indigo pigments Color Exhibition, the cloth are made by rolling . A lump of Indigo long coat 15 silk stoles cotton is sandwiched between cloths and sewn, design and sawing dyed with petals and then embroidered with gold and silver such as garden embroidery threads. peony and roses are on display. Blue landscape I am a sashiko of traditional Japanese embroidery technique. In this work, I imagined "blue" by piercing a cloth and combining aluminum plates of different materials. The sashiko is embroidered with circles, triangles, and squares using a technique called Ichimoku sashimi with different tones of blue color. Hiroko Onmura Sapporo, Japan Naoko Nakajima Tenri, Sapporo,Japan Be born Linen cloth is lined up in a round shape raw , Sukumo vat Materials:Ramie clothes, many times. After sewing to make a hemisphere, it Pigments: Enju, Akane, Indigo was fixed in a round mold and a thin layer of cotton was attached.

Imagination This work uses "Karamatsu squeezing" which is one of the tie-dyeing techniques. The flat cloth was transformed into various shapes by the technique and became three-dimensional, expressing Shoko Yade Tokyo, Japan the different beauty of the cloth. Ramie, resist pattern Works of 2018-2019 Northern Color dye with rice glue Workshop: Aigata, Bingata, Katazome, Sarasa with brush dyeing Sephora pigments, indigo stick、 over dyeing