Artist : M2M Lirik Lagu : M2M - The Day You Went Away M2M - The Day You Went Away
Well I wonder, Could it be? When I was dreaming 'bout you baby
You were dreaming of me Call me crazy, Call me blind, To still be suffering is stupid after all of this time
Did I lose my love to someone better And does she love you like I do, I do You know I really really do
Well hey... so much I need to say Been lonely since the day The day you went away So sad but true
For lonely since the day The day you went away. Go On, Yay... Oh...
I remember - date and time September 22nd Sunday twenty-five after nine In the doorway With your case No longer shouting at each other There were tears on our faces
And we were letting go of something special
Something we'll never have again, I know I guess I really really know
Well hey, so much i need to say Been lonely since the day The day you went away So sad but true, for me there's only you Been crying since the day The day you went away (The Day you went away)
The Day you went away Go on, Yay...
Oh oh oh Did I lose my love to someone better And does she love you like I do, I do You know i really really do
Well hey, so much I need to say
Been lonely since the day The day you went away So sad but true, for me there's only you Been crying since the day The day you went away
Why do we never know what we've got till it's gone How could I carry on The day you went away
Cause I've been missing you so much I have to say Been crying since the day The day you went away The day you went away The Day you went away... Go on, Yay... Oh...
Goodbye by Air Supply ( 48089 views) [ print lyric | tell a friend ]
I can see the pain living in your eyes
And I know how hard you try
You deserve to have so much more
I can feel your heart and I sympathize
And I'll never criticize
All you've ever meant to my life I don't want to let you down
I don't want to lead you on
I don't want to hold you back
From where you might belong
You would never ask me why
My heart is so disguised
I just can't live a lie anymore
I would rather hurt myself
Than to ever make you cry
There's nothing left to say but goodbye
You deserve the chance at the kind of love
I'm not sure I'm worthy of
Losing you is painful to me
I don't want to let you down
I don't want to lead you on
I don't want to hold you back
From where you might belong
You would never ask me why
My heart is so disguised
I just can't live a lie anymore
I would rather hurt myself
Than to ever make you cry
There's nothing left to say, but goodbye
You would never ask me why
My heart is so disguised
I just can't live a lie anymore
I would rather hurt myself
Than to ever make you cry
There's nothing left to try
Though it's gonna hurt us both
There's no other way than to say goodbye
The film revolves around a special FBI organization of trained secret agent animals, equipped with advanced tools including an advanced earpiece that allows the mammalian members to talk to humans. In addition to a team of cockroaches, the primary field team consists of guinea pigs Darwin (Sam Rockwell) (team leader), Juarez (Penelope Cruz) (martial arts), Blaster (Tracy Morgan) (weapons/transportation), star-nosed mole Speckles (Nicolas Cage) (cyber intelligence), and fly Mooch (reconnaissance) (Dee Bradley Baker). Hoping to impress his superiors on the eve of a budgetary review, the unit's leader, Ben (Zach Galifinakis), orders an unauthorized infiltration of the residence of home electronics and appliances magnate, Leonard Saber - Owner of Saberling Technology, who has been under FBI investigation for years. The team is able to successfully retrieve considerable sensitive information about a sinister scheme that is set to occur in 29 hours. However, when Ben's superior arrives for his evaluation, his astonishment at the team's capabilities and technology is overcome by his indignation at Ben's unauthorized mission and the fact that the downloaded intelligence appears to be useless information about Saber's coffee makers. As a result, the government agent orders the unit shut down, the equipment seized and the animals to be used as experimental subjects to be killed as security risks. With the help of their human compatriots, Darwin, Juarez, Blaster, Mooch, and Speckles escape with hopes of stopping Saber's scheme, but find themselves in a pet carrying case bound for a pet shop.
Now trapped in the store's pet rodent display case, G-Force meets Hurley (Jon Favreau), a gluttonous guinea pig, Bucky (Steve Buscemi) an irascible hamster and three sycophantic mice. Although Blaster and Juarez manage to get themselves sold to a family with plans to return to extract their comrades, Speckles' own attempt to escape by playing dead ends disastrously when he is thrown into and apparently crushed in, a garbage truck. Meanwhile, Mooch manages to return to Ben to tell him where his mammalian agents are, but Darwin escapes (with Hurley, who is convinced that Darwin is his brother, tagging along) before he can arrive to collect them.
While Blaster and Juarez escape their new owners to return to Ben, he and his partner discover that the discredited intel has a destructive computer function that apparently hid the scheme. At this time, Darwin and Hurley make their own way to their superior. On route, Darwin sees a Saber coffeemaker and decides to investigate it, but his examination of the machine makes it come alive as a dangerous fighting robot that he and Hurley are barely able to defeat. Now with his suspicions vindicated, Darwin and Hurley transport the wreckage to Ben. However, upon arrival, Ben confesses the shattering information that they are not special genetically enhanced animals as previously told, but ordinary ones Ben took in and trained for the team. However, Hurley lifts them from their despair by reminding the team of the astounding feats he has seen them do and the fact that they obviously made themselves extraordinary on their own.
Emboldened but with little time to stop the scheme, Ben provides the field team with the means to infiltrate the Saber residence and plant a virus in the computer mainframe. Unfortunately, FBI agents are ordered to capture the animals dead or alive, forcing the team to elude them with an extended pursuit thanks to a high speed vehicle especially designed for them called the Rapid deployment vehicle(also known as the RDV that what Darwin called it). After that is accomplished and the team infiltrates Saber's mainframe, the plan is put into motion, and the resulting battle separates the group, only leaving Darwin to take the mainframe down. At the same time, Leonard Saber is shocked to discover that his appliances have become killing machines, expecting them to simply be able to effectively communicate with each other, while FBI takes advantage of this obvious pretext to finally openly move against the industrialist. When Darwin reaches the mainframe, he finds out that Speckles, whose home and family had been destroyed by humans, is the mastermind of the plan, whose masterstroke is to cause a massive planetwide bombardment of space junk pulled from orbit to make the planet surface uninhabitable. Speckles promptly amalgamates the various appliances in the vicinity into a giant walking being, which, combined with a localized bombardment of orbital debris, soon overpowers the police forces gathered at the mansion. Darwin manages to persuade Speckles that his new family is with the rest of the team and Ben, who had taken them all in. Speckles consents, and tries to shut it down, but realizes that it has gone too far. However, Darwin uses the computer virus on his PDA to take it down. At the end of the film, the guinea pigs are personally commended by the FBI Director who also appoints them special agents of the FBI. Furthermore, G-Force is reinstated as a unit of the Bureau and expanded with Hurley, Bucky and the mice inducted as new recruits. Meanwhile, Saber makes the largest product recall in history, and Speckles is given the punitive duty of personally removing the malicious chips from all Saber products, which number in the tens of millions.
Larry Daley (Ben Stiller) is divorced, unable to keep a stable job, and has failed at many business ventures. His ex- wife (Kim Raver) believes that he is a bad example to their ten-year-old son Nick (Jake Cherry), and Larry fears that Nick respects his future stepfather, bond traderDon (Paul Rudd), more than he does Larry.
Cecil (Dick Van Dyke), an elderly night security guard about to retire from the American Museum of Natural History, hires Larry despite his unpromising résumé. The museum plans to replace Cecil and two colleagues—Gus (Mickey Rooney) and Reginald (Bill Cobbs)—with one guard. They advise Larry to leave some of the lights on and warn him not to let anything "in...or out".
Once night comes, Larry discovers that the exhibits come to life, including a livingTyrannosaurus skeleton nicknamed "Rexy" who behaves like a dog; a mischievous capuchin monkey named Dexter, which always steals Larry's keys; rival miniature civilizations led by Old West cowboy Jedediah (Owen Wilson) and Roman general Octavius (Steve Coogan); an Easter Island Moai (Brad Garrett) obsessed with "gum-gum"; Larry is then attacked and chased by a wax model of Attila the Hun (Patrick Gallagher) and eventually meets a wax model of Theodore Roosevelt (Robin Williams).
Roosevelt explains that since an Egyptian artifact—the Golden Tablet of Pharaoh Akhmenrah—came to the museum in 1952, all of the exhibits come to life each night. If the exhibits are outside of the museum during sunrise, however, they turn to dust. Roosevelt helps Larry by restoring order, and he decides to remain as a guard.
On Cecil's advice, Larry studies history to prepare himself better. He also learns from a museum docent, Rebecca Hutman (Carla Gugino), who is writing a dissertation on Sacagawea(Mizuo Peck) but does not feel she knows enough about her subject.
The next night, Larry uses what he has learned to better control the exhibits. Four Neanderthalsset fire to a display, however, and one turns to dust when he leaves the museum at dawn, so museum director Dr. McPhee (Ricky Gervais) almost fires Larry. He offers Rebecca a meeting with Sacagawea, but she believes that he is mocking her and the museum.
Larry brings Nick to the museum to show him the exhibits, but none is alive. They find Cecil, Gus, and Reginald stealing the tablet and other valuable objects. Like the exhibits, the guards receive enhanced vitality from the artifact; wishing to retain their health and fund their retirements, the three plan to frame Larry for the thefts, and disabled the tablet to stop the exhibits from interfering. Nick reactivates the artifact, but Cecil locks him and his father in the Egyptian room and flees with the tablet.
Larry releases the Akhmenrah's (Rami Malek) mummy from his sarcophagus. The pharaoh speaks English from many years as an exhibit at Cambridge, and helps Larry and Nick escape. The three find the other exhibits fighting, and Larry convinces them to work together. Although some of the exhibits capture Gus and Reginald without difficulty, Cecil escapes bystagecoach with Larry, Nick, Akmenrah, and Atilla the Hun in pursuit in Central Park, where they stop him and regain the tablet. Cecil is then taken by the Huns back to the museum, where he is thrown in with Gus and Reginald. Rebecca sees the exhibits return to the museum before sunrise and realizes that Larry was telling the truth; he introduces her to Sacagawea.
Dr. McPhee fires Larry due to the chaos during the night, but rehires him when news reports of the strange events around the museum—such as cave paintings in the museum's subway station, dinosaur footprints in Central Park, and cavemen sightings—raise attendance. Larry, Nick, and the exhibits celebrate, while Cecil, Gus, and Reginald are forced to become museum janitors as punishment.
Plot
A girl named Penny (voiced by Miley Cyrus) and a dog named Bolt (voiced by John Travolta) star on a hit television series called Bolt in which the titular character has various superpowers and must constantly thwart the evil plans of the nefarious Doctor Calico (voiced by Malcolm McDowell). To gain a more realistic performance, the TV show's producers have deceived Bolt his entire life, arranging the filming in such a way that Bolt believes the television show is real and he really has superpowers. After filming completes for the latest episode, Bolt escapes from his on-set trailer mistakenly believing Penny has been kidnapped by the television villain. He attempts to break through a window, knocking himself unconscious as he falls into a box of foam peanuts. With no one aware Bolt is in the box, it is shipped from Hollywood to New York City. In New York, he meets Mittens (voiced by Susie Essman), a female alley cat who bullies pigeons out of their food. Bolt, convinced this is another adventure, forces Mittens to help him get back to Hollywood, and the two start their journey westward on a truck after Bolt knocks Mittens unconscious. Meanwhile, in Hollywood, Penny is deeply saddened over Bolt's disappearance but is convinced by the studio to continue filming with a Bolt look alike. As their adventure proceeds, Bolt starts to notice that his superpowers aren't working, and rationalizes this is the effect that styrofoam has on his body.
Surprised at his first feelings of both pain and hunger, Bolt is shown by Mittens how to act like a cute, but needy dog, and is rewarded by food. They meet Rhino (voiced by Mark Walton), a fearless, TV-obsessed hamster and huge Bolt fan who joins their team. Mittens tries to convince Bolt that his superpowers aren't real, but their discussion is cut short by the arrival of Animal Control, who captures them both and transports them to an animal shelter. After being freed en route by Rhino, Bolt finally realizes that he is just a normal dog, but regains his confidence after Rhino (oblivious to this revelation) gives him a pep talk. They rescue Mittens from the shelter and escape, allowing them to continue their journey. Along the way, Bolt learns to enjoy typical dog activities (such as hanging his head out the window), but Mittens refuses to go farther than Las Vegas. She tells Bolt that his Hollywood life is fake and there is no real love for him there. Her emotional rant reveals that she was once a house cat, but was abandoned by her previous owner and left to brave the harsh streets alone and declawed. Bolt refuses to believe that Penny doesn't love him, and continues on alone, wishing Mittens the best. Rhino, learning of Bolt's departure, convinces Mittens that they must help him, and the two set off to find Bolt once again.
Bolt reaches the studio, finding Penny embracing his lookalike. Unaware that Penny still misses him and that her affection for the lookalike was only a part of a rehearsal for the show, he leaves, brokenhearted. Mittens, on a gantry in the studio, sees what Bolt does not -Penny telling her mother how much she misses Bolt. Realizing that Penny truly does love Bolt, Mittens follows Bolt and explains. At the same time, the Bolt-lookalike panics during filming and accidentally knocks over some torches, setting the sound stage on fire and trapping Penny. Bolt arrives and reunites with Penny inside the burning studio, but cannot get her out. In desperation, and unwilling to abandon Penny, Bolt tries using his super bark. The firefighters hear Bolt's barking through the building's vents and manage to pinpoint his location, rescuing him and Penny before they succumb to smoke inhalation.
Penny's mother (voiced by Grey Delisle), subsequently quits the show when their agent attempts to exploit the incident for publicity purposes. Penny herself adopts Mittens and Rhino, and moves to a rural home to enjoy a simpler, happy lifestyle with Bolt and her new pets. The show continues, but with a replacement "Bolt" and "Penny" – "Penny's" new appearance being explained in the show as being serious injuries necessitating her undergoing facial reconstruction surgery, and adopting an alien abduction storyline (one that even Rhino finds unrealistic, and Bolt finds "ridonculous"). The epilogue scenes during the credits show Bolt, Penny, her mother, Mittens, and Rhino enjoying their new life together.
Source of the name
The title originates in Mark Twain's description of Sullivan as a "miracle worker." The famed American humorist and author was an admirer of both women, and although his own personal finances were problematic, he helped arrange the funding of Keller's Radcliffe College education by his friend, financier and industrialist Henry Huttleston Rogers.
The water controversy. This section may contain original research. Please improve it by verifying the claims made and adding references. Statements consisting only of original research may be
removed. More details may be available on the talk page. (May 2010)
The "miracle" in The Miracle Worker occurs when Sullivan and Keller are at the water pump refilling a pitcher of water. It is at this moment that Keller makes the intellectual connection between the word Sullivan spells into her hand and the tangible substance splashing from the pump. Keller demonstrates her understanding by miraculously whispering "wah-wah," the baby talk or gibberish equivalent of "water."
Many have questioned the reality of this depiction, as Keller had not uttered a single vowel in the course of the film, and, as an apparently pre-lingually deaf and blind child, would not have been aware of the existence of verbal communication. Although the moment of comprehension is the most satisfying scene in the film, it was designed for hearing audiences. A hearing audience would not be expected to fully relate to the importance of the moment by seeing Keller merely spell the word, which would require an understanding of the manual alphabet. Keller mimics the words Sullivan spells into her hand throughout the film by spelling them back in Sullivan's hand, so at this moment it would only seem that Keller was continuing to mimic without understanding the concept. To bridge that problem, the film's writer and director had actress Patty Duke (and others who portrayed Keller in subsequent remakes of the film) speak the word "wah wah" while she finger-spelled "water." The moment of revelation thus becomes clear for hearing audiences, but has been criticized for setting unrealistic expectations for deaf children to "be like Helen Keller" and speak, when even the most gifted deaf child realistically takes years to utter a comprehensible syllable and a lifetime of speech therapy to maintain the ability. Keller herself never spoke with complete clarity although she practiced daily from her tenth year.
Nevertheless, according to Keller's own account in The Story Of My Life, she was not actually just a little baby when she experienced the illness that destroyed her sight and hearing; she was a year and a half old, at a developmental stage where she understood what was said to her and she had a small spoken vocabulary, including "How d'ye," "tea, tea, tea," and "water," which she in fact pronounced "wah-wah." She continued to say "wah-wah" long after becoming deaf; she describes it as the one word she kept, while substituting a large vocabulary ofsigns for everything else she wanted to say. She not only remembered that speech existed, but she constantly put her hands over others' mouths as they were talking and attempted to talk as well. This is depicted accurately in the play. Like Laura Bridgman, she did have that year and a half of developmental normalcy, and it is not unreasonable to assume that this is one reason "water" was the first spelled word that gave her the understanding that the symbol and the water itself were meant to be linked.
William Gibson did not use The Story of My Life as his exclusive source for the play. In interviews, he has said he also relied on a printed volume of Sullivan's letters written during the time of her early stay with the Kellers. This is alluded to during the film, which depicts her writing letters in her room. Some of these letters were also reprinted in several editions of The Story of My Life. Finally, Helen's utterance of "wah-wah" is consistent within the dramatic unity of the play and film. In the middle of the play, Helen's mother tells Sullivan that Helen, before her illness, had been precocious in her learning of language and that her first word had been "wah-wah" for water. This sets up the emotional power of the scene at the well. Through Helen's echoing of the first word that she had spoken as an infant, the viewer is immediately made aware that she has made an intellectual breakthrough and now grasps the existence and purpose of language.
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