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Lawren S. Harris MG30-D208 Finding Aid 631
ii Lawren S. Harris MG30-D208 Finding Aid 631 TABLE OF CONTENTS BIOGRAPHICAL NOTE AND GENERAL DESCRIPTION OF THE PAPERS ........... iii CORRESPONDENCE ..........................................................1 BUSINESS PAPERS...........................................................1 SUBJECT FILES..............................................................1 NOTEBOOKS .............................................................2, 10 MANUSCRIPTS ..............................................................3 TRANSCRIPTS............................................................7, 10 PRINTED MATERIAL.........................................................8 Catalogues .............................................................8 Programmes............................................................8 Periodicals.............................................................9 Pamphlets, Press Releases, Reprints .........................................9 Clippings and Scrapbooks ................................................10 MEMORABILIA.............................................................10 APPENDIX A ...............................................................11 iii BIOGRAPHICAL NOTE Lawren Harris was born in Brantford, Ontario. After travelling in Europe and the Middle East, 1904-[1909] , Harris settled in Toronto where, with Dr. James MacCallum, he built the Studio Building on Severn Street and was instrumental in the formation of the Group of Seven. For the next twenty years, Harris painted throughout Canada with other -
Franklin Carmichael's Representation of The
TRANSCENDENTAL NATURE AND CANADIAN NATIONAL IDENTITY: FRANKLIN CARMICHAEL’S REPRESENTATION OF THE CANADIAN LANDSCAPE by NICOLE MARIE MCKOWEN Submitted to the Faculty Graduate Division College of Fine Arts Texas Christian University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2019 TRANSCENDENTAL NATURE AND CANADIAN NATIONAL IDENTITY: FRANKLIN CARMICHAEL’S REPRESENTATION OF THE CANADIAN LANDSCAPE Thesis Approved: ______________________________________________________________________________ Major Professor, Dr. Mark Thistlethwaite, Kay and Velma Kimbell Chair of Art History ______________________________________________________________________________ Dr. Frances Colpitt, Deedie Rose Chair of Art History ______________________________________________________________________________ Dr. Meredith Munson, Lecturer, Art History at University of Texas, Arlington ______________________________________________________________________________ Dr. Joseph Butler, Associate Dean for the College of Fine Arts Date ii iii Acknowledgements I would like to express my gratitude to my committee chair Dr. Mark Thistlethwaite and my committee members Dr. Frances Colpitt and Dr. Meredith Munson for their time and guidance throughout the writing of this thesis. I am also grateful to all of the faculty of the Art History Division of the School of Art at Texas Christian University, Dr. Babette Bohn, Dr. Lori Diel, and Dr. Jessica Fripp, for their support of my academic pursuits. I extend my warmest thanks to Catharine Mastin for her support of my research endeavors and gratefully recognize archivist Philip Dombowsky at the National Gallery of Canada, archivist Linda Morita and registrar Janine Butler at the McMichael Canadian Art Collection, and the archivists at the Library and Archives Canada for their enthusiastic aid throughout my research process. Finally, I am indebted to my husband and family, my champions, for their unwavering love and encouragement. -
Quaderni D'italianistica : Revue Officielle De La Société Canadienne
ANGELO PRINCIPE CENTRING THE PERIPHERY. PRELIMINARY NOTES ON THE ITALLVN CANADL\N PRESS: 1950-1990 The Radical Press From the end of the Second World War to the 1980s, eleven Italian Canadian radical periodicals were published: seven left-wing and four right- wing, all but one in Toronto.' The left-wing publications were: II lavoratore (the Worker), La parola (the Word), La carota (the Carrot), Forze nuove (New Forces), Avanti! Canada (Forward! Canada), Lotta unitaria (United Struggle), and Nuovo mondo (New World). The right-wing newspapers were: Rivolta ideale (Ideal Revolt), Tradizione (Tradition), // faro (the Lighthouse or Beacon), and Occidente (the West or Western civilization). Reading these newspapers today, one gets the impression that they were written in a remote era. The socio-political reality that generated these publications has been radically altered on both sides of the ocean. As a con- sequence of the recent disintegration of the communist system, which ended over seventy years of East/West confrontational tension, in Italy the party system to which these newspapers refer no longer exists. Parties bear- ing new names and advancing new policies have replaced the older ones, marking what is now considered the passage from the first to the second Republic- As a result, the articles on, or about, Italian politics published ^ I would like to thank several people who helped in different ways with this paper. Namely: Nivo Angelone, Roberto Bandiera, Damiano Berlingieri, Domenico Capotorto, Mario Ciccoritti, Elio Costa, Celestino De luliis, Odoardo Di Santo, Franca lacovetta, Teresa Manduca, Severino Martelluzzi, Roberto Perin, Concetta V. Principe, Guido Pugliese, Olga Zorzi Pugliese, and Gabriele Scardellato. -
Lawren Harris' Painting
Lawren Harris’ painting ‘Little House’ casts a golden light on the city of Toronto Toronto Star By: Deborah Dundas January 9, 2021 Original URL: https://www.thestar.com/entertainment/visualarts/2021/01/09/lawren-harris-painting- little-house-casts-a-golden-light-on-the-city-of-toronto.html Sometimes the things that seem most familiar deserve a new eye. A house in the city, for example. A winter’s day. When we think of Group of Seven artist Lawren Harris, the first images that spring to mind are his stark landscapes. However, as Sarah Milroy, chief curator of the McMichael Canadian Collection notes, after he returned to Canada from studying in Germany in 1908, he painted Toronto houses, particularly homes in The Ward, a neighbourhood that housed working-class immigrants. (Parts of The Ward were demolished from the early 1900s through to the 1960s to make way for municipal buildings including City Hall and the hospital district.) “He was interested in the gritty texture of urban life,” says Milroy, adding that it wasn’t until many years later that he painted the landscapes that would make his work some of the most recognizable in the country, helping to define how Canadians see ourselves. Interestingly, those landscapes would cause the Group of Seven to be accused of creating the myth of an unpopulated land by leaving out the Indigenous peoples who lived here before settlers came, by leaving out the immigrants who were the engine of the country’s astonishing growth at that time — some of which Harris captured in his Toronto paintings and drawings. -
Lawren Harris at Toronto / Lawren S. Harris: Urban Scenes and Wilderness Landscapes, 1906-1930
Document generated on 09/29/2021 2:32 p.m. RACAR : Revue d'art canadienne Canadian Art Review --> See the erratum for this article Lawren Harris at Toronto Lawren S. Harris: Urban Scenes and Wilderness Landscapes, 1906-1930. An exhibition held at the Art Gallery of Ontario, Toronto, 14 January–26 February, 1978 Philip Monk Volume 5, Number 1, 1978 URI: https://id.erudit.org/iderudit/1077319ar DOI: https://doi.org/10.7202/1077319ar See table of contents Publisher(s) UAAC-AAUC (University Art Association of Canada | Association d'art des universités du Canada) ISSN 0315-9906 (print) 1918-4778 (digital) Explore this journal Cite this review Monk, P. (1978). Review of [Lawren Harris at Toronto / Lawren S. Harris: Urban Scenes and Wilderness Landscapes, 1906-1930. An exhibition held at the Art Gallery of Ontario, Toronto, 14 January–26 February, 1978]. RACAR : Revue d'art canadienne / Canadian Art Review, 5(1), 49–51. https://doi.org/10.7202/1077319ar Tous droits réservés © UAAC-AAUC (University Art Association of Canada | This document is protected by copyright law. Use of the services of Érudit Association d'art des universités du Canada), 1978 (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ KWtôtlTOhBB •/ exhibitions Lawren Harris at Toronto Lawren S. -
Agenda Item History - 2013.MM41.25
Agenda Item History - 2013.MM41.25 http://app.toronto.ca/tmmis/viewAgendaItemHistory.do?item=2013.MM... Item Tracking Status City Council adopted this item on November 13, 2013 with amendments. City Council consideration on November 13, 2013 MM41.25 ACTION Amended Ward:All Requesting Mayor Ford to respond to recent events - by Councillor Denzil Minnan-Wong, seconded by Councillor Peter Milczyn City Council Decision Caution: This is a preliminary decision. This decision should not be considered final until the meeting is complete and the City Clerk has confirmed the decisions for this meeting. City Council on November 13 and 14, 2013, adopted the following: 1. City Council request Mayor Rob Ford to apologize for misleading the City of Toronto as to the existence of a video in which he appears to be involved in the use of drugs. 2. City Council urge Mayor Rob Ford to co-operate fully with the Toronto Police in their investigation of these matters by meeting with them in order to respond to questions arising from their investigation. 3. City Council request Mayor Rob Ford to apologize for writing a letter of reference for Alexander "Sandro" Lisi, an alleged drug dealer, on City of Toronto Mayor letterhead. 4. City Council request Mayor Ford to answer to Members of Council on the aforementioned subjects directly and not through the media. 5. City Council urge Mayor Rob Ford to take a temporary leave of absence to address his personal issues, then return to lead the City in the capacity for which he was elected. 6. City Council request the Integrity Commissioner to report back to City Council on the concerns raised in Part 1 through 5 above in regard to the Councillors' Code of Conduct. -
Group of Seven / Tom Thomson Mural Proposal by the Friends of the Dwight Library
Group of Seven / Tom Thomson Mural Proposal by the Friends of the Dwight Library Proposal: The Friends of the Dwight Library propose to commission an artist to complete a mural of a Group of Seven or Tom Thomson painting that reflects the local landscape, and to have the mural erected in 2017 on the easterly end of the Dwight Community Centre at 1014 Dwight Beach Road. Goals: 1) Commemorate the Sesquicentennial (150th) Anniversary of Canada, as well as the 100th Anniversary of the death of Canadian artist Tom Thomson; 2) Beautify the Dwight Community Centre and Library; and 3) Enhanced marketing of Dwight and area by becoming a participant in the Group of Seven Outdoor Gallery initiative and become a location on the mobile tour advertised in the Huntsville/Lake of Bays/Algonquin area under the website www.TheGroupOfSevenOutdoorGallery.ca, as well as their Tour Guide, with a view to helping to increase exposure and visitation to the community. Request: That the Council of the Township of Lake of Bays approve the installation of the proposed mural, and perhaps up to three others should other individuals, groups or businesses be interested, on the walls of the Dwight Community Centre. Background: The Group of Seven Outdoor Gallery is a world class mural collection that was started in 1997 by artist Gerry Lantaigne, and are re-creations of paintings by famous Canadian artists The Group of Seven and Tom Thomson, who began painting extensively in this region over 100 years ago. The murals are located on the exterior walls of stores and businesses throughout Huntsville, Lake of Bays and Algonquin Park, and has been a successful marketing initiative, beautifying our area while paying homage to these iconic artists. -
NATIONAL GALLERY of CANADA and the VANCOUVER ART GALLERY
Exhibition Reviews 157 Exhibition Reviews Emily Carr: New Perspectives on a Canadian Icon . NATIONAL GALLERY OF CANADA and the VANCOUVER ART GALLERY. Mounted at the National Gallery of Canada, Ottawa. 2 June–4 September 2006. Accompanying publication: Charles Hill, Johanne Lamoureux, and Ian M. Thom. Emily Carr: New Perspectives on a Canadian Icon. Toronto: Douglas McIntyre, 2006. 335 p. ISBN 1-55365-173-1. Another exhibition about Emily Carr could not be unpopular , could it? Everyone, even schoolchildren, has at least heard of Emily Carr . As a child, I first noticed her when snooping through my father ’s art books, where I found Emily Carr, Her Paintings and Sketches, the exhibition catalogue for the 1945 memorial show put on after her death by the National Gallery of Canada and the Art Gallery of Ontario. The odd cover image of fantastic totem creatures near bundled Native women made me look inside, and there I saw massive plasticine structures in the forms of buildings, trees, and columns. That moment of discovery bubbled up again when I entered the 2006 show , organ- ized by the National Gallery of Canada and the Vancouver Art Gallery. My anticipation grew, knowing that Emily Carr ’s paintings were waiting silently beyond the first doorway, simmering with their intensity and grandeur. The concept of this show was a key element of the Vancouver Art Gallery’s seventy-fifth anniversary plans, since the Emily Carr collection is an important part of the Gallery’ s holdings. What was planned was a fresh look at the artist that involved revisiting the major twentieth-century exhibitions that had formerly presented her work, an honest presentation that would rely on new sources and perhaps dispel or at least deflate myths or assumptions about the artist. -
Download Guide
TEACHER RESOURCE GUIDE FOR GRADES 5–12 LEARN ABOUT MODERN CANADIAN LANDSCAPES & THE GROUP OF SEVEN through the art of TOM THOMSON Click the right corner to MODERN CANADIAN LANDSCAPES & THE GROUP OF SEVEN TOM THOMSON through the art of return to table of contents TABLE OF CONTENTS PAGE 1 PAGE 2 PAGE 3 RESOURCE WHO WAS TIMELINE OF OVERVIEW TOM THOMSON? HISTORICAL EVENTS & ARTIST’S LIFE PAGE 4 PAGE 9 PAGE 12 LEARNING CULMINATING HOW TOM THOMSON ACTIVITIES TASK MADE ART: STYLE & TECHNIQUE PAGE 13 READ ONLINE DOWNLOAD ADDITIONAL TOM THOMSON: TOM THOMSON RESOURCES LIFE & WORK IMAGE FILE BY DAVID P. SILCOX EDUCATIONAL RESOURCE MODERN CANADIAN LANDSCAPES & THE GROUP OF SEVEN through the art of TOM THOMSON RESOURCE OVERVIEW This teacher resource guide has been designed to complement the Art Canada Institute online art book Tom Thomson: Life & Work by David P. Silcox. The artworks within this guide and images required for the learning activities and culminating task can be found in the Tom Thomson Image File provided. Tom Thomson (1877–1917) is one of Canada’s most famous artists: his landscape paintings of northern Ontario have become iconic artworks, well-known throughout the country and a critical touchstone for Canadian artists. Thomson was passionate about the outdoors, and he was committed to experimenting with new ways to paint landscape. He had several friends who shared these interests, such as A.Y. Jackson (1882–1974), Lawren Harris (1885–1970), and J.E.H. MacDonald (1873–1932); a few years after his premature death, these friends helped establish the Group of Seven, a collection of artists often credited with transforming Canadian art by creating modern depictions of national landscapes. -
March 29, 2018 Mayor John Tory Office of the Mayor City Hall, 2Nd Floor 100 Queen St. W. Toronto, on M5H 2N2 Realizing Toronto Y
March 29, 2018 Mayor John Tory Office of the Mayor City Hall, 2nd Floor 100 Queen St. W. Toronto, ON M5H 2N2 Realizing Toronto’s Opportunity to Redevelop Downsview Your Worship, On behalf of the Ontario Society of Professional Engineers (OSPE), I am writing to request your support for the redevelopment of the Downsview lands: an incredible, multi-billion dollar opportunity for the city of Toronto to increase its supply of housing, attract investment and jobs and cement itself as a global centre for engineering innovation. As you are aware, Bombardier Aerospace announced their intention to relocate their operations at Downsview. For Toronto, this move presents a tremendous prospect for innovation and urban renewal that is unparalleled in modern history. Spanning an impressive 375-acres of prime development lands, Toronto’s opportunity at Downsview supersedes previous urban development success stories such as New York’s Hudson Yards and London’s Canary Wharf (24 and 97-acres respectively). Not only is its sheer size unprecedented—Downsview is also shovel-ready, presenting Toronto with a turn-key public project that complements existing infrastructure. Unlike most urban renewal projects around the globe, this development is able to monopolize on existing public infrastructure stock, thereby avoiding the time and resource costs typically associated with the construction of new service and transit linkages. The Downsview lands are situated at the epicentre of three world-class universities and benefits from exceptional connections to existing subway, rail, and highway transportation infrastructure. Developing Downsview can improve the flow and functionality of Toronto’s transit network. The development of the Downsview lands promises to improve ridership and the efficiency of the entire transit network by encouraging two-way passenger flows. -
In Brief: TVO Sets up Fourth Round of Political Blind Date
SUBSCRIBE NOW SIGN IN ! FILM TV MAGAZINE VIDEO CAREERS BANFF SPOTLIGHTS FILTER SPONSORED In brief: TVO sets up fourth round of Political Blind Date BY PLAYBACK STAFF 22 hours ago The PSP also launches the Story Department Internship, while doc The Paper Man picks up Whistler Film Festival's Audience Award. Political Blind Date returns to TVO TVO has brought back its original unscripted series Political Blind Date (6 x 28 minute; pictured) back for a fourth season, which premieres on Jan. 19. The series is produced by Open Door Co. and Nomad Films, in association with TVO, and brings together politicians with varying points of view on a critical political issue and offers a chance to find common ground. Political Blind Date is created and executive produced by Open Door Co.’s Tom Powers. Mark Johnston is director and executive producer while Nomad Film’s Amanda Handy is executive and series producer. Topics discussed in season four include the Trans Mountain Pipeline expansion, hospital capacity and health cuts, and the protection of green spaces. Featured political figures include Elizabeth May, former Green Party leader and current MP, Sara Singh, NDP MPP and Deputy Party Leader, and former Flint, MI mayor Karen Weaver. RELATED STORIES Exclusive: Political Blind marblemedia Angela Heck Date gets a third greenlit for All- upped to date Round Champion managing director at Whistler fest PSP unveils new story department internship The Pacific Screenwriting Program (PSP) has launched a new initiative: the Story Department Internship. The program is a reimagined version of the CMPA/Creative BC internship and encompasses production and development room roles. -
AGENDA TORONTO COACH TERMINAL INC. MEETING of DIRECTORS Meeting No. 139 Tuesday, June 21, 2011
AGENDA TORONTO COACH TERMINAL INC. MEETING OF DIRECTORS Meeting No. 139 Tuesday, June 21, 2011 (Immediately following TCTI Annual Meeting of Shareholders No. 138) Committee Room 1, 2nd Floor Toronto City Hall, 100 Queen Street West DECLARATIONS OF INTEREST - MUNICIPAL CONFLICT OF INTEREST ACT RESOLUTION TO CONDUCT A PORTION OF THE MEETING IN THE ABSENCE OF THE PUBLIC (COMMITTEE OF THE WHOLE) IN ACCORDANCE WITH SECTION 29 OF THE TTC BY-LAW TO GOVERN COMMISSION PROCEEDINGS AND SECTION 190 OF THE CITY OF TORONTO ACT_________________________ CONFIDENTIAL ATTACHMENTS (TTC PROCEDURAL BY-LAW SECTION 29 AND CITY OF TORONTO ACT SECTION 190 (2)_________________________ EDUCATION/TRAINING (TTC PROCEDURAL BY-LAW SECTION 29(B) AND CITY OF TORONTO ACT SECTION 190 (3.1)___________________________ MINUTES OF THE PREVIOUS MEETING - Special Meeting of Directors No. 132 - Monday, June 21, 2010 - Meeting of Directors No. 134 - Monday, June 21, 2010 - Meeting of Directors No. 136 - Wednesday, February 2, 2011 TCTI MEETING OF DIRECTORS NO. 139 AGENDA Page 1 TUESDAY, JUNE 21, 2011 BUSINESS ARISING OUT OF MINUTES PUBLIC PRESENTATIONS Requests to speak must be registered in writing by 12:00 Noon of day preceding meeting day. NOTICE OF MOTIONS NIL MOTIONS WITHOUT NOTICE NIL ITEMS OF WHICH NOTICE HAS PREVIOUSLY BEEN GIVEN NIL ITEMS DEFERRED FROM LAST MEETING TO PERMIT DEBATE/PUBLIC PRESENTATIONS NIL 1. REPORTS WITH CONFIDENTIAL ATTACHMENTS (COMMITTEE OF THE WHOLE) NIL 2. PRESENTATIONS NIL 3. OTHER BUSINESS (a) Election of Chair and Vice-Chair (FOR ACTION) (b) Appointment of Officers (FOR ACTION) (c) Financial Report for the Period Ending April 30, 2011 (FOR INFORMATION) 4.