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Sing,Sing, ye ye HeavensHeavens HYMNS FOR ALL TIME the cambridge singers ✶ directed by john rutter ✶ The hymns heard on this recording span over fifteen centuries of the history of Christian Europe. They have been chosen not with the aim of representing every possible strand in the rich and complex history of hymnody, but simply to make up a varied programme which can be listened to for pleasure. Some items are accompanied by organ, some by harp where this lighter and more transparent sound seems appropriate; some, notably the ancient and inspiring Gregorian hymns, are left unaccompanied; and five of the grandest hymns are given festival arrangements with HYMNS FOR ALL TIME brass, timpani, percussion and organ. Every denomination and every country has its own special repertoire of hymns: there are remarkably few which are universally sung throughout Christendom, partly because of the difficulty of making satisfactory The Cambridge Singers translations, partly because every congregation loves the hymns it feels are especially Thelma Owen (harp) its own. The perspective of this album is Anglican; but the Anglican hymn tradition, John Scott (organ) since the appearance of Hymns Ancient and Modern in 1861 and that greatest of all The City of London Sinfonia Brass hymn-books in English, The English Hymnal of 1906, has been notably eclectic. directed by John Rutter Gregorian chants rub shoulders with eighteenth-century London street songs, German chorales, Celtic folk melodies and the other prolific outpourings of Trad. and Anon. Medieval Catholic monks bear poetic witness to their faith alongside The Cambridge Singers reformed slave traders, metaphysical poets, evangelical preachers of the time of the Industrial Revolution, and all manner of clergy, high, low and in between. -
Arrangements Free Accompaniments
A Resource List for Organists AArrrraannggeemmeennttss && FFrreeee AAccccoommppaanniimmeennttss of Hymns in the LDS Hymnal Compiled by DeeAnn D. Stone © 1999-2010 Latest revision February 2009 Contents Page 3 Sources of Information Page 4 Arrangements and Free Accompaniments of Hymns in the LDS Hymnal Alphabetical List Page 94 Numerical Listing of LDS Hymns by Key Page 98 Collections Containing Arrangements or Free Accompaniments of Hymns in the LDS Hymnal Page 257 Music Publishers Information List Page 268 Arrangements for Organ and Piano of Songs in the LDS Children’s Songbook 2 Sources of Information • Rulon Christiansen: list from 1993 Workshop on Church Music • Lella Pomeroy: list prepared for Utah Valley Chapter of the American Guild of Organists • James Welch: list for 1996 Workshop on Church Music and other handouts • Antone Godding: Index to Free Hymn Accompaniments, April 1980 issue of The American Organist, p. 31-32 • Carol Dean: personal collections • Claire Rogers: personal collections • Keith Jorgensen’s Music Center publications inventory • My own personal collections of organ books containing hymn arrangements and free accompaniments, music publishers’ catalogs, and issues of The American Organist. A special thanks to Claire Rogers for the large amount information she has compiled and shared with me. To supply additional information, suggestions, or corrections, please contact: DeeAnn D. Stone [email protected] “Resources for LDS Organists” www.LDSorganists.info 02/2009 3 Arrangements & Free Accompaniments of Hymns in the LDS Hymnal Alphabetical List of Hymns as found in the “First Lines and Titles Index” in the LDS Hymnal 4 Note: Some of the arrangements/free accompaniments may be out of print but are included as a reference for organists who may already own the books. -
Order of Worship
ORDER OF WORSHIP AUGUST 5, 2018 ELEVENTH SUNDAY AFTER PENTECOST (RED) Worship: 9:00 & 11:15 am | Live Broadcast: Frank 97.1 FM | Online Stream: www.cbpeedee.com/frank971 Prayer Focus: Those Affected by Natural Disasters GATHERING The people come together in the Lord’s Name. PARISH CONCERNS (The service of worship begins. The prelude is offered on behalf of the entire congregation. Quiet meditation and private prayers are encouraged.) OPENING VOLUNTARY ........................................................................ Paul Manz Hymn Prelude on “BUNESSAN” *CHIMING OF THE HOUR (*The asterisk signifies that all who are able to are invited to stand.) *GREETING Leader: Create in us clean hearts, O God, People: And renew a right spirit within us. Leader: Restore us to the joy of salvation, People: And uphold us with a willing spirit. *HYMN IN PROCESSION 145 .............................................................. BUNESSAN Morning Has Broken *AFFIRMATION OF FAITH 881 ............................................. The Apostles’ Creed *GLORIA PATRI 71 ..............................................................................GREATOREX COLLECT Almighty God, the Bread of Heaven and source of our life: Show us, we pray, your unspeakable mercy, that we may be set free from our sins and rescued from the punishments which for our sins we deserve. Give us always that which leads to eternal life; Through Jesus Christ our Lord, who lives and reigns with you and the Holy Spirit, one God for ever and ever. Amen. RITUAL OF FRIENDSHIP PROCLAMATION God’s word is shared. SOLO ................................................... William B. Bradbury, arr. Michael T. Smith Jesus Loves Me Jesus loves me, this I know; for the bible tells me so. Little ones to Him belong; they are weak; but He is strong. -
The Development of English-Language Hymnody and Its Use in Worship; 1960-95 Doctor of Philosophy, 2000
The Development of English-language Hymnody and its Use in Worship; 1960-1995 The copyright of this thesis rests with the author. No quotation from it should be published in any form, including Electronic and the Internet, without the author's prior written consent. All information derived from this thesis must he acknowledged appropriately. Margaret Anne Leask A thesis submitted to the University of Durham, in the Department of English Studies, in conformity with the requirements for the degree of Doctor of Philosophy 2000 0 Margaret Anne Leask 2000 2 0 MAR 00 Margaret Anne Leask: The Development of English-language Hymnody and its Use in Worship; 1960-95 Doctor of Philosophy, 2000 Abstract Beginning about 1960 a new spirit of religious belief developed amid the burgeoning of secular interests and popular culture in British society. A number of scholarly initiatives, including projects in biblical translation and liturgical reform, indicated that the study of religion was being taken seriously following the years of post- war reconstruction. By 1965 a 'hymn explosion' was underway: the renewal of religious belief was being expressed in new hymns and songs. This dissertation assesses the nature of the new hymn writing and its influence upon congregational worship. The 'hymn explosion' was one of three movements towards the reform of Christian worship in the twentieth century: ecumenism, the renewal of liturgy, and hymn writing converged in the creation of new hymn and worship books published during the closing decades of the century. This study charts the development of English-language hymnody between 1960 and 1995. Its purpose is to identify the main contributors, to note the factors which determined the content of the hymns and songs, and to assess the use of new hymnody in contemporary worship. -
Time Together Wednesday, While We Are Apart March 31, 2021 Trinity and St
Time Together Wednesday, While We are Apart March 31, 2021 Trinity and St. Mary’s Whitechapel Episcopal Churches Time Together Newsletter Wednesday, March 31st, 2021 We have two recipes today, both from Anne Clewell (SMWC). The first recipe, below, holds much wisdom, but feeds your spirit more than your belly! The second recipe feeds your belly and your sweet tooth and will make you laugh! Anne sent her recipe for Christ- mas Mice in January, an old holiday favorite of the Clewell family. They would take these treats to their church in Bal- timore on Christmas Eve, and share them after the family service. Additionally, these treats are admired by their cats, as we see in the photo below of their cat, Namaste, inspect- ing the finished products. (Tim said it looks like Namaste is counting the mice!) Yes, it is Easter soon, but it is never a bad time to make Christmas Mice! Christmas Mice Ingredients: 1 package Oreo cookies, overstuffed or regular, even mint flavored for base 1 bag of Hershey Kisses for heads 1 or 2 jars of Maraschino cherries WITH stems for body 1 bag of slivered almonds for ears 1 bag of milk chocolate chips, type for making candy 1 small tube each of green, white and red writing gel Prep work: Remove one side of Oreo cookies saving white side for base. Yes, you can eat the other half! Remove BEST cherries from jar, rinse and dry. Dry cherries work best for dipping in chocolate. Set up items: Base cookie, dry cherries, 2 slivers of almond per head, unwrapped Hershey Kisses Plan to make one Christmas mouse body at a time.