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I'll Hang Around As Long As You Will Let Me : Hard Country Music, the White Working Class, and the Experience of Loss in the American Neoliberal Context
Smith ScholarWorks Theses, Dissertations, and Projects 2018 I'll hang around as long as you will let me : hard country music, the white working class, and the experience of loss in the American neoliberal context Nicholas Johnston Smith College Follow this and additional works at: https://scholarworks.smith.edu/theses Part of the Politics and Social Change Commons, Psychology Commons, and the Sociology of Culture Commons Recommended Citation Johnston, Nicholas, "I'll hang around as long as you will let me : hard country music, the white working class, and the experience of loss in the American neoliberal context" (2018). Masters Thesis, Smith College, Northampton, MA. https://scholarworks.smith.edu/theses/2096 This Masters Thesis has been accepted for inclusion in Theses, Dissertations, and Projects by an authorized administrator of Smith ScholarWorks. For more information, please contact [email protected]. I’LL HANG AROUND AS LONG AS YOU WILL LET ME: HARD COUNTRY MUSIC, THE WHITE WORKING-CLASS, AND THE EXPERIENCE OF LOSS IN THE AMERICAN NEOLIBERAL CONTEXT A project based upon an independent investigation, submitted in partial fulfilment of the requirements for the degree of Master of Social Work. Nicholas S. Johnston Smith College School for Social Work Northampton, Massachusetts 01063 2017 Nicholas S. Johnston I’ll Hang Around as Long as You Will Let Me: Hard Country Music, the White Working-Class, and the Experience of Loss in the American Neoliberal Context ABSTRACT This paper utilises the object relations theories of Ronald Fairbairn to conceptualise the narratives of Hard Country music, and understand how they relate to the shifting experiences of the male, white working-class in America in the latter half of the twentieth century. -
Campfire Songs
Antelope Books In collaboration with W1-609-17-2 Productions Antelope Books In collaboration with W1-609-17-2 Productions Four Reasons to Sing Loud SCOUT OATH 1. If God gave you a good voice, sing loud. On my honor, I will do my best He deserves to hear it. To do my duty to God and my country And to obey the Scout Law; 2. If God gave you a good voice, sing loud. To help other people at all times; We deserve to hear it. To keep myself physically strong, 3. If God did not give you a beautiful singing voice, sing loud. Mentally awake and morally straight. Who is man to judge what God has given you? SCOUT LAW OUTDOOR CODE 4. If God did not give you a beautiful singing voice, sing out A Scout is: As an American loud, sing out strong… God deserves to hear it. Trustworthy I will do my best to - He has no one to blame but Himself! Loyal Be clean in my outdoor manners Helpful Be careful with fire Friendly Be considerate in the outdoors Courteous Be conservation minded Kind Obedient SCOUT MOTTO Cheerful Be prepared! Thrifty Brave SCOUT SLOGAN Clean Do a good turn daily! Reverent Four Reasons to Sing Loud SCOUT OATH 1. If God gave you a good voice, sing loud. On my honor, I will do my best He deserves to hear it. To do my duty to God and my country And to obey the Scout Law; 2. If God gave you a good voice, sing loud. -
Crncentury2} PRODUCTIONS INC
, ® OPERATIONS MANUAL - PART TWO Here is your OPUS 74 Top 100 Special! This Billboard Magazine "Documentary of the Year" award-winning program is the culmination o f twelve months of research and interviewing, and over 500 production hours. We feel this year's "OPUS" is more special than ever. On the pages which follow you will find the OPUS 74 Music List/Time & Cue Sheets . These sheets provide full information to ensure a smooth-running and trouble-free presentation. Sheets are divided to correspond with the 8 separate OPUS program disks, representing each of the OPUS broad cast hours. Commercial avails and cutaway times may be precisely determined by referring to the segment lengths shown. The sheets also indicate out cues, disk changes, music content, local ID's, and jingle placement . Please refer to Part One of the OPUS Operations Manual for other operational r e lated details . • Season's Greetings and our best wishes for a Great 1975! crncentury2} PRODUCTIONS INC. 7263 Envoy Court I Dallas, Texas 75247 / 214-638-3222 @ 1974 OPUS PRQJ"'' -lONS,_ IJ-',. p. 2 This year's OPUS program is respectfully dedicated to the memory of John Gilbert, first host of the OPUS series, who lost his life this year in the crash of a station airplane at Houston, Texas. At the time of the accident he was doing what he loved most--broadcasting . Dick Starr Roy Nilson p. 3 FINAL CHECKOUT: 1. TECHNICAL Prior to broadcast we suggest a dry run of a few of the OPUS program segments to check out the technical end of reproduction. -
Bill Drafting Template
1 State of Arkansas 2 91st General Assembly 3 Regular Session, 2017 SR 13 4 5 By: Senator Irvin 6 7 SENATE RESOLUTION 8 HONORING JIMMY DRIFTWOOD FOR HIS CONTRIBUTIONS TO 9 FOLK MUSIC AND TO THE STATE OF ARKANSAS. 10 11 12 Subtitle 13 HONORING JIMMY DRIFTWOOD FOR HIS 14 CONTRIBUTIONS TO FOLK MUSIC AND TO THE 15 STATE OF ARKANSAS. 16 17 WHEREAS, Mr. Jimmy Driftwood was born James Corbitt Morris in Timbo, 18 Arkansas, on June 20, 1907, and died on July 12, 1998, in Fayetteville, 19 Arkansas; and was a prolific folk singer and songwriter, along with his 20 father, Neil Morris; and 21 22 WHEREAS, Jimmy Driftwood wrote over 6,000 folk songs, and is most 23 famous for “The Battle of New Orleans” and “Tennessee Stud“; and learned to 24 play guitar on his grandfather’s homemade instrument, which he used 25 throughout his career, noting that the neck was made from fence rail, the 26 sides from an old ox yoke, and the head and bottom from the headboard of his 27 grandmother’s bed; and 28 29 WHEREAS, Jimmy Driftwood received a degree in education from Arkansas 30 State Teacher’s College, now the University of Central Arkansas, married 31 Cleda Johnson in 1936, and began writing poetry and music; enjoyed his 32 teaching career in Arkansas and began a family; wrote songs during his 33 teaching career to help teach his students history in an entertaining manner; 34 and wrote his famous “The Battle of New Orleans” in 1936 to help his class 35 become interested in the event; and 36 *KLC253* 03-06-2017 14:08:28 KLC253 SR13 1 WHEREAS, it was not until the -
100 Years: a Century of Song 1950S
100 Years: A Century of Song 1950s Page 86 | 100 Years: A Century of song 1950 A Dream Is a Wish Choo’n Gum I Said my Pajamas Your Heart Makes / Teresa Brewer (and Put On My Pray’rs) Vals fra “Zampa” Tony Martin & Fran Warren Count Every Star Victor Silvester Ray Anthony I Wanna Be Loved Ain’t It Grand to Be Billy Eckstine Daddy’s Little Girl Bloomin’ Well Dead The Mills Brothers I’ll Never Be Free Lesley Sarony Kay Starr & Tennessee Daisy Bell Ernie Ford All My Love Katie Lawrence Percy Faith I’m Henery the Eighth, I Am Dear Hearts & Gentle People Any Old Iron Harry Champion Dinah Shore Harry Champion I’m Movin’ On Dearie Hank Snow Autumn Leaves Guy Lombardo (Les Feuilles Mortes) I’m Thinking Tonight Yves Montand Doing the Lambeth Walk of My Blue Eyes / Noel Gay Baldhead Chattanoogie John Byrd & His Don’t Dilly Dally on Shoe-Shine Boy Blues Jumpers the Way (My Old Man) Joe Loss (Professor Longhair) Marie Lloyd If I Knew You Were Comin’ Beloved, Be Faithful Down at the Old I’d Have Baked a Cake Russ Morgan Bull and Bush Eileen Barton Florrie Ford Beside the Seaside, If You were the Only Beside the Sea Enjoy Yourself (It’s Girl in the World Mark Sheridan Later Than You Think) George Robey Guy Lombardo Bewitched (bothered If You’ve Got the Money & bewildered) Foggy Mountain Breakdown (I’ve Got the Time) Doris Day Lester Flatt & Earl Scruggs Lefty Frizzell Bibbidi-Bobbidi-Boo Frosty the Snowman It Isn’t Fair Jo Stafford & Gene Autry Sammy Kaye Gordon MacRae Goodnight, Irene It’s a Long Way Boiled Beef and Carrots Frank Sinatra to Tipperary -
Songwriter Mike O'reilly
Interviews with: Melissa Sherman Lynn Russwurm Mike O’Reilly, Are You A Bluegrass Songwriter? Volume 8 Issue 3 July 2014 www.bluegrasscanada.ca TABLE OF CONTENTS BMAC EXECUTIVE President’s Message 1 President Denis 705-776-7754 Chadbourn Editor’s Message 2 Vice Dave Porter 613-721-0535 Canadian Songwriters/US Bands 3 President Interview with Lynn Russworm 13 Secretary Leann Music on the East Coast by Jerry Murphy 16 Chadbourn Ode To Bill Monroe 17 Treasurer Rolly Aucoin 905-635-1818 Open Mike 18 Interview with Mike O’Reilly 19 Interview with Melissa Sherman 21 Songwriting Rant 24 Music “Biz” by Gary Hubbard 25 DIRECTORS Political Correctness Rant - Bob Cherry 26 R.I.P. John Renne 27 Elaine Bouchard (MOBS) Organizational Member Listing 29 Gord Devries 519-668-0418 Advertising Rates 30 Murray Hale 705-472-2217 Mike Kirley 519-613-4975 Sue Malcom 604-215-276 Wilson Moore 902-667-9629 Jerry Murphy 902-883-7189 Advertising Manager: BMAC has an immediate requirement for a volunteer to help us to contact and present advertising op- portunities to potential clients. The job would entail approximately 5 hours per month and would consist of compiling a list of potential clients from among the bluegrass community, such as event-producers, bluegrass businesses, music stores, radio stations, bluegrass bands, music manufacturers and other interested parties. You would then set up a systematic and organized methodology for making contact and presenting the BMAC program. Please contact Mike Kirley or Gord Devries if you are interested in becoming part of the team. PRESIDENT’S MESSAGE Call us or visit our website Martha white brand is due to the www.bluegrassmusic.ca. -
Top 4000 Is Marco De Best Vertegenwoordigde Nederlandse Artiest in De Grootste Hitlijst Aller Tijden!
Vanaf 1 december t/m 24 december luister je van 07.00 tot 21.00 uur naar de Top 4OOO op Radio 1O! NR Artiest Titel Jaar 4000 THE O’JAYS I LOVE MUSIC 1976 3999 KANE GANG CLOSEST THING TO HEAVEN 1984 3998 WILL DOWNING A LOVE SUPREME 1988 3997 THE BEATLES DAY TRIPPER 1965 3996 THE J. GEILS BAND CENTERFOLD 1982 3995 THE JUDDS WHY NOT ME 1989 3994 ROBBIE WILLIAMS SOMETHING BEAUTIFUL 2002 3993 DAVID DUNDAS JEANS ON 1977 3992 SHANIA TWAIN I’M GONNA GETCHA GOOD 2002 3991 MICHAEL JACKSON GONE TOO SOON 1993 3990 STEVE WINWOOD WHILE YOU SEE A CHANCE 1981 3989 LOS DEL RIO MACARENA 1996 In 1993 kwam ´Macarena´ van het Spaanse zangduo Los Del Río voor het eerst uit. Het nummer brak echter pas echt door toen de Bayside Boys er in 1996 een remix van maakten en het een wereldwijde zomerhit werd. Helaas is het daar ook bij gebleven. 3988 TIME BANDITS I’M SPECIALIZED IN YOU 1983 3987 ROD STEWART I DON’T WANT TO TALK ABOUT IT 1977 3986 A-HA THE LIVING DAYLIGHTS 1987 3985 TAMMY WYNETTE STAND BY YOUR MAN 1975 3984 KOOL & THE GANG TOO HOT 1980 3983 WENDY & LISA ARE YOU MY BABY 1989 3982 QUEEN HEAVEN FOR EVERYONE 1995 3981 KIM WILDE NEVER TRUST A STRANGER 1988 3980 ENGLAND DAN & JOHN FORD-COLEY I’D REALLY LOVE TO SEE YOU TONIGHT 1976 3979 EURYTHMICS IT’S ALRIGHT 1986 3978 THE REAL THING CAN YOU FEEL THE FORCE 1979 3977 UB40 HOMELY GIRL 1989 3976 JAKI GRAHAM BREAKING AWAY 1986 3975 THE BEACH BOYS DARLIN’ 1968 3974 THE CORRS BREATHLESS 2000 3973 JULIAN LENNON TOO LATE FOR GOODBYES 1984 3972 MARVIN GAYE LET’S GET IT ON 1973 3971 I.O.S. -
BILLBOARD COUNTRY UPDATE [email protected]
Country Update BILLBOARD.COM/NEWSLETTERS NOVEMBER 25, 2019 | PAGE 1 OF 20 INSIDE BILLBOARD COUNTRY UPDATE [email protected] Lady A’s Country Artists As Emotionally Torn Ocean Sails >page 4 By Impeachment As Their Fan Base “Old Town” Rode November Lee Greenwood might need to rewrite “God Bless the U.S.A.” in the current climate, and it’s particularly discouraging that Awards Nearly three years into a divisive presidency, the 53rd annual they have a difficult time even settling on reality. >page 10 Country Music Association Awards coincided with the start of “It’s he said/she said,” said LOCASH’s Chris Lucas. “I don’t impeachment hearings on Nov. 13. Judging from the reaction know who to believe or what to believe. There’s two sides, and of the genre’s artists, the opening line in Greenwood’s chorus — the two sides have figured out how to work [the media].” “I’m proud to be an Cash’s father, The Word From American” — is still Johnny Cash, was Garth Brooks a prominent belief. an outspoken sup- >page 11 But “I’m frustrated porter of inclusive to be an American” values, challeng- is hard on its heels as ing the ruling class Still In The Swing: a replacement. in his 1970 single An unscientific “What Is Truth.” Asleep At 50 LOCASH RAY CASH red-carpet poll of Just two years later, >page 11 the creative com- Rosanne cam- munity about the hearings found a wide range of awareness, paigned as a teenager for Democrat George McGovern in his from Rosanne Cash, who said she was “passionate” about bid to unseat Richard Nixon in the White House, and she has Makin’ Tracks: watching them, to a slew of artists who barely knew they were consistently stood up for progressive policies and politicians Tenpenny, Seaforth happening. -
Songs by Title Karaoke Night with the Patman
Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P. -
CONCESSION 23 Opens for the JAMES KING BAND
BMACC Notes The Bluegrass Music Association of Central Canada Newsletter—Volume 4 Issue 2—April 2010 Winter Concert Series—February 23—Ottawa hosted by The Ottawa Valley Bluegrass Association CONCESSION 23 opens for THE JAMES KING BAND www.bmacc.ca BMACCPhotos CourtesyNotes—April of Rosemary 2010 Page Davis1 BOARD OF DIRECTORS ADVERTISING RATES Publicize your event, band or organization in “NOTES” or President – Denis Chadbourn on our website. Home: 705-776-7754 Work: 705-474-2271 BMACC NOTES Vice-president – Donald Tarte Single Issue Annual 877-876-3369 1/8 Page (Business Card) $25.00 $ 90.00 Secretary – Leann Chadbourn 1/4 Page 35.00 126.00 705-776-7754 1/2 Page 55.00 198.00 Treasurer – Roland Aucoin Full Page 80.00 288.00 905-635-1818 Envelope stuffing is 10¢ per insert Directors at Large WEBSITE Gord deVries 519-668-0418 Quarterly Annual Karen May 100 px X 250 pixels $20.00 $ 72.00 705-788-4362 200 px X 250 pixels 30.00 108.00 Open 400 px X 250 pixels 35.00 180.00 Full Page 50.00 252.00 Bernie Melosh Open COMBO NEWSLETTER + WEBSITE Larry Johnston BEST VALUE 519-576-9768 Quarterly Annual Open 100 px X 250 pixels $35.00 $126.00 200 px X 250 pixels 50.00 180.00 400 px X 250 pixels 75.00 270.00 Full Page 115.00 414.00 Members receive 25% discount off the above rates. Maximize Your Membership WHAT”S INSIDE From the President—Page 3 If there are individual members of BMACC that belong to a band or Leadership Bluegrass 2010—Page 5/6 other organization, you should consider paying an additional $30 to take advantage of what BMACC can offer. -
Karaoke Book
10 YEARS 3 DOORS DOWN 3OH!3 Beautiful Be Like That Follow Me Down (Duet w. Neon Hitch) Wasteland Behind Those Eyes My First Kiss (Solo w. Ke$ha) 10,000 MANIACS Better Life StarStrukk (Solo & Duet w. Katy Perry) Because The Night Citizen Soldier 3RD STRIKE Candy Everybody Wants Dangerous Game No Light These Are Days Duck & Run Redemption Trouble Me Every Time You Go 3RD TYME OUT 100 PROOF AGED IN SOUL Going Down In Flames Raining In LA Somebody's Been Sleeping Here By Me 3T 10CC Here Without You Anything Donna It's Not My Time Tease Me Dreadlock Holiday Kryptonite Why (w. Michael Jackson) I'm Mandy Fly Me Landing In London (w. Bob Seger) 4 NON BLONDES I'm Not In Love Let Me Be Myself What's Up Rubber Bullets Let Me Go What's Up (Acoustative) Things We Do For Love Life Of My Own 4 PM Wall Street Shuffle Live For Today Sukiyaki 110 DEGREES IN THE SHADE Loser 4 RUNNER Is It Really Me Road I'm On Cain's Blood 112 Smack Ripples Come See Me So I Need You That Was Him Cupid Ticket To Heaven 42ND STREET Dance With Me Train 42nd Street 4HIM It's Over Now When I'm Gone Basics Of Life Only You (w. Puff Daddy, Ma$e, Notorious When You're Young B.I.G.) 3 OF HEARTS For Future Generations Peaches & Cream Arizona Rain Measure Of A Man U Already Know Love Is Enough Sacred Hideaway 12 GAUGE 30 SECONDS TO MARS Where There Is Faith Dunkie Butt Closer To The Edge Who You Are 12 STONES Kill 5 SECONDS OF SUMMER Crash Rescue Me Amnesia Far Away 311 Don't Stop Way I Feel All Mixed Up Easier 1910 FRUITGUM CO. -
Johnny Cash Returns to ‘Stamping Ovation’ Legendary Singer Is Second Inductee Into Multi-Year Music Icons Series
FOR IMMEDIATE RELEASE Media Contact: Mark Saunders June 5, 2013 [email protected] 202-268-6524 usps.com/news Release No. 13-056 To obtain a high-resolution of the stamp image for media use only, please email [email protected]. Johnny Cash Returns to ‘Stamping Ovation’ Legendary Singer is Second Inductee into Multi-Year Music Icons Series NASHVILLE — John Carter Cash, Rosanne Cash, Larry Gatlin, Jamey Johnson, The Oak Ridge Boys, The Roys, Marty Stuart, Randy Travis and other entertainers paid tribute to Johnny Cash as he was inducted today into the Postal Service’s Music Icons Forever stamp series at the Grand Ole Opry’s Ryman Auditorium. “With his gravelly baritone and spare percussive guitar, Johnny Cash had a distinctive musical sound — a blend of country, rock ’n’ roll and folk — that he used to explore issues that many other popular musicians of his generation wouldn’t touch,” said U.S. Postal Service Board of Governors member Dennis Toner. “His songs tackled sin and redemption, good and evil, selfishness, loneliness, temptation, love, loss and death. And Johnny explored these themes with a stark realism that was very different from other popular music of that time.” “It is an amazing blessing that my father, Johnny Cash be honored with this stamp. Dad was a hardworking man, a man of dignity. As much as anything else he was a proud American, always supporting his family, fans and country. I can think of no better way to pay due respect to his legacy than through the release of this stamp,” said singer-songwriter, producer John Carter Cash, Johnny Cash’s son.