The Trickster Archetype: Tracing the Trickster Myths to Their Proto-Trickster Roots
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Myth, Metatext, Continuity and Cataclysm in Dc Comics’ Crisis on Infinite Earths
WORLDS WILL LIVE, WORLDS WILL DIE: MYTH, METATEXT, CONTINUITY AND CATACLYSM IN DC COMICS’ CRISIS ON INFINITE EARTHS Adam C. Murdough A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2006 Committee: Angela Nelson, Advisor Marilyn Motz Jeremy Wallach ii ABSTRACT Angela Nelson, Advisor In 1985-86, DC Comics launched an extensive campaign to revamp and revise its most important superhero characters for a new era. In many cases, this involved streamlining, retouching, or completely overhauling the characters’ fictional back-stories, while similarly renovating the shared fictional context in which their adventures take place, “the DC Universe.” To accomplish this act of revisionist history, DC resorted to a text-based performative gesture, Crisis on Infinite Earths. This thesis analyzes the impact of this singular text and the phenomena it inspired on the comic-book industry and the DC Comics fan community. The first chapter explains the nature and importance of the convention of “continuity” (i.e., intertextual diegetic storytelling, unfolding progressively over time) in superhero comics, identifying superhero fans’ attachment to continuity as a source of reading pleasure and cultural expressivity as the key factor informing the creation of the Crisis on Infinite Earths text. The second chapter consists of an eschatological reading of the text itself, in which it is argued that Crisis on Infinite Earths combines self-reflexive metafiction with the ideologically inflected symbolic language of apocalypse myth to provide DC Comics fans with a textual "rite of transition," to win their acceptance for DC’s mid-1980s project of self- rehistoricization and renewal. -
Native American POLYTHEISM - (Animism, Pantheism) Native American Tribes Have Maintained Numerous Mythologies Regarding Deities Throughout Their Histories
Native American POLYTHEISM - (animism, pantheism) Native American tribes have maintained numerous mythologies regarding deities throughout their histories. Native American belief systems include many sacred narratives . Such spiritual stories are deeply based in Nature and are rich with the symbolism of seasons, weather, plants, animals, earth, water, sky & fire. Deities play a large part in these narratives. Before the 'White Man' came trampling all over the land, the native tribes and nations of what would one day become America had all the space in their world. They made good use of it, living close to nature in what might seem to modern society like a glorious camping vacation. If you ignore the constant threat of starvation and war. Living so close to nature, you could see into the souls of animals — such as the BEAVER and BADGER — as they went about their business. You could feel WAUKHEON the Thunder Bird fixing the weather, and revel in the rascality of RAVEN , MANABOZHO and COYOTE with their tantalizing tricks. The Native American peoples had (and still have) a huge respect for nature. Animal spirits in particular were very powerful and it was necessary to thank them and placate them if you wanted to make a meal of them. When corn arrived courtesy of the deities, it was also given its due measure of respect. The thought of organic free-range food sounds alluring, but hunting wasn't as easy as getting up in the morning, taking a stroll and shooting a few passing bison with your bow. Even Plains societies who lived off the prolific buffalo fell under the threat of starvation at times. -
The Invention Of
How Did God Get Started? COLIN WELLS the usual suspects One day in the Middle East about four thousand years ago, an elderly but still rather astonishingly spry gentleman took his son for a walk up a hill. The young man carried on his back some wood that his father had told him they would use at the top to make an altar, upon which they would then perform the ritual sacrifice of a burnt offering. Unbeknownst to the son, however, the father had another sort of sacrifice in mind altogether. Abraham, the father, had been commanded, by the God he worshipped as supreme above all others, to sacrifice the young man himself, his beloved and only legitimate son, Isaac. We all know how things turned out, of course. An angel appeared, together with a ram, letting Abraham know that God didn’t really want him to kill his son, that he should sacrifice the ram instead, and that the whole thing had merely been a test. And to modern observers, at least, it’s abundantly clear what exactly was being tested. Should we pose the question to most people familiar with one of the three “Abrahamic” religious traditions (Judaism, Christianity, Islam), all of which trace their origins to this misty figure, and which together claim half the world’s population, the answer would come without hesitation. God was testing Abraham’s faith. If we could ask someone from a much earlier time, however, a time closer to that of Abraham himself, the answer might be different. The usual story we tell ourselves about faith and reason says that faith was invented by the ancient Jews, whose monotheistic tradition goes back to Abraham. -
Sample File Under Licence
THE FIRST DOCTOR SOURCEBOOK THE FIRST DOCTOR SOURCEBOOK B CREDITS LINE DEVELOPER: Gareth Ryder-Hanrahan WRITING: Darren Pearce and Gareth Ryder-Hanrahan ADDITIONAL DEVELOPMENT: Nathaniel Torson EDITING: Dominic McDowall-Thomas COVER: Paul Bourne GRAPHIC DESIGN AND LAYOUT: Paul Bourne CREATIVE DIRECTOR: Dominic McDowall-Thomas ART DIRECTOR: Jon Hodgson SPECIAL THANKS: Georgie Britton and the BBC Team for all their help. “My First Begins With An Unearthly Child” The First Doctor Sourcebook is published by Cubicle 7 Entertainment Ltd (UK reg. no.6036414). Find out more about us and our games at www.cubicle7.co.uk © Cubicle 7 Entertainment Ltd. 2013 BBC, DOCTOR WHO (word marks, logos and devices), TARDIS, DALEKS, CYBERMAN and K-9 (wordmarks and devices) are trade marks of the British Broadcasting Corporation and are used Sample file under licence. BBC logo © BBC 1996. Doctor Who logo © BBC 2009. TARDIS image © BBC 1963. Dalek image © BBC/Terry Nation 1963.Cyberman image © BBC/Kit Pedler/Gerry Davis 1966. K-9 image © BBC/Bob Baker/Dave Martin 1977. Printed in the USA THE FIRST DOCTOR SOURCEBOOK THE FIRST DOCTOR SOURCEBOOK B CONTENTS CHAPTER ONE 4 CHAPTER SEVEN 89 Introduction 5 The Chase 90 Playing in the First Doctor Era 6 The Time Meddler 96 The Tardis 12 Galaxy Four 100 CHAPER TWO 14 CHAPTER EIGHT 104 An Unearthly Child 15 The Myth Makers 105 The Daleks 20 The Dalek’s Master Plan 109 The Edge of Destruction 26 The Massacre 121 CHAPTER THREE 28 CHAPTER NINE 123 Marco Polo 29 The Ark 124 The Keys of Marinus 35 The Celestial Toymaker 128 The -
Tolstoy in Prerevolutionary Russian Criticism
Tolstoy in Prerevolutionary Russian Criticism BORIS SOROKIN TOLSTOY in Prerevolutionary Russian Criticism PUBLISHED BY THE OHIO STATE UNIVERSITY PRESS FOR MIAMI UNIVERSITY Copyright ® 1979 by Miami University All Rights Reserved Library of Congress Cataloging in Publication Data Sorokin, Boris, 1922 Tolstoy in prerevolutionary Russian criticism. Bibliography: p. Includes index. 1. Tolstoi, Lev Nikolaevich, graf, 1828-1910—Criticism and interpretation—History. 2. Criticism—Russia. I. Title. PG3409.5.S6 891.7'3'3 78-31289 ISBN 0-8142-0295-0 Contents Preface vii 1/ Tolstoy and His Critics: The Intellectual Climate 3 2/ The Early Radical Critics 37 3/ The Slavophile and Organic Critics 71 4/ The Aesthetic Critics 149 5/ The Narodnik Critics 169 6/ The Symbolist Critics 209 7/ The Marxist Critics 235 Conclusion 281 Notes 291 Bibliography 313 Index 325 PREFACE Leo Tolstoy (1828-1910) has been described as the most momen tous phenomenon of Russian life during the nineteenth century.1 Indeed, in his own day, and for about a generation afterward, he was an extraordinarily influential writer. During the last part of his life, his towering personality dominated the intellectual climate of Russia and the world to an unprecedented degree. His work, moreover, continues to be studied and admired. His views on art, literature, morals, politics, and life have never ceased to influence writers and thinkers all over the world. Such interest over the years has produced an immense quantity of books and articles about Tolstoy, his ideas, and his work. In Russia alone their number exceeded ten thousand some time ago (more than 5,500 items were published in the Soviet Union between 1917 and 1957) and con tinues to rise. -
Stallings Book 4 Print.Pdf (3.603Mb)
Black Performance and Cultural Criticism Valerie Lee and E. Patrick Johnson, Series Editors Stallings_final.indb 1 5/17/2007 5:14:41 PM Stallings_final.indb 2 5/17/2007 5:14:41 PM Mutha ’ is half a word Intersections of Folklore, Vernacular, Myth, and Queerness in Black Female Culture L. H. Stallings The Ohio State University Press Columbus Stallings_final.indb 3 5/17/2007 5:14:42 PM Copyright © 2007 by The Ohio State University. All rights reserved. Library of Congress Cataloging-in-Publication Data Horton-Stallings, LaMonda. Mutha’ is half a word : intersections of folklore, vernacular, myth, and queerness in black female culture / L.H. Stallings. p. cm.—(Black performance and cultural criticism) Includes bibliographical references and index. ISBN-13: 978-0-8142-1056-7 (cloth : alk. paper) ISBN-10: 0-8142-1056-2 (cloth : alk. paper) ISBN-13: 978-0-8142-9135-1 (cd-rom) ISBN-10: 0-8142-9135-X (cd-rom) 1. American literature—African American authors—History and criticism. 2. American literature—women authors—History and criticism. 3. African American women in literature. 4. Lesbianism in literature. 5. Gender identity in literature. 6. African American women— Race identity. 7. African American women—Intellectual life. 8. African American women— Folklore. I. Title. II. Series PS153.N5H68 2007 810.9'353—dc22 2006037239 Cover design by Jennifer Shoffey Forsythe. Cover illustration by Michel Isola from shutterstock.com. Text design and typesetting by Jennifer Shoffey Forsythe in Adobe Garamond. Printed by Thomson-Shore, Inc. The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials. -
Literary Tricksters in African American and Chinese American Fiction
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 2000 Far from "everybody's everything": Literary tricksters in African American and Chinese American fiction Crystal Suzette anderson College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the African American Studies Commons, American Literature Commons, and the Ethnic Studies Commons Recommended Citation anderson, Crystal Suzette, "Far from "everybody's everything": Literary tricksters in African American and Chinese American fiction" (2000). Dissertations, Theses, and Masters Projects. Paper 1539623988. https://dx.doi.org/doi:10.21220/s2-z7mp-ce69 This Dissertation is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. -
The Big Book & the Sword: a Study of Native American Disappointment
University of New Hampshire University of New Hampshire Scholars' Repository Master's Theses and Capstones Student Scholarship Fall 2011 The big book & the sword: A study of Native American disappointment with white morality Brendan McCaughey University of New Hampshire, Durham Follow this and additional works at: https://scholars.unh.edu/thesis Recommended Citation McCaughey, Brendan, "The big book & the sword: A study of Native American disappointment with white morality" (2011). Master's Theses and Capstones. 150. https://scholars.unh.edu/thesis/150 This Thesis is brought to you for free and open access by the Student Scholarship at University of New Hampshire Scholars' Repository. It has been accepted for inclusion in Master's Theses and Capstones by an authorized administrator of University of New Hampshire Scholars' Repository. For more information, please contact [email protected]. THE BIG BOOK & THE SWORD: A STUDY OF NATIVE AMERICAN DISAPPOINTMENT WITH WHITE MORALITY BY Brendan McCaughey BS, Endicott College, 2008 THESIS Submitted to the University of New Hampshire In Partial Fulfillment of the Requirements for the Degree of Master of Arts in History September, 2011 UMI Number: 1504956 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. UMI Dissertation Publishing UMI 1504956 Copyright 2011 by ProQuest LLC. All rights reserved. This edition of the work is protected against unauthorized copying under Title 17, United States Code. -
I. the Word of God Is Everything We Need II. God Has Given Us
What people need to understand today is that the truth is important. What you beLieve to be true is important, because it wiLL determine how you see Life and how you Live your Life. It wiLL determine your abiLity to understand Life and obey God. Truth exists because God is trustworthy. The biblical understanding of truth is that all truth comes from God. God has breathed life into all of Scripture. It is useful for teaching us The entirety of Your word is truth, and every one of Your what is true. It is useful for correcting our mistakes. It is useful for righteous judgments endures forever. PsaLm 119:160 making our lives whole again. It is useful for training us to do what is right. By using Scripture, a man of God can be completely prepared Truth is a gift that God gives to mankind. As we honor that to do every good thing. 2 Timothy 3:16-17 NIRV truth by believing in it and living by it we are blessed and preserved because of it. I. The Word of God is Everything We Need 4. God’s Word is to be obeyed as God directLy telling us what to do. It has been written, Man shall not live and be upheld and sustained by bread alone, but by every word that comes forth from the mouth of When God commands, we are to obey. When he asserts, we are God. Matthew 4:4 (AMP) to believe Him. When he promises, we are to embrace and trust those promises; thus, we respond to the sheer authority of For the Christian, the Bible is the measuring rod, and final word God’s word. -
Trialogue in an Interreligious Context: Reinterpreting the Dialogue Model of Martin Buber
Culture and Dialogue 6 (2018) 126-150 brill.com/cad Trialogue in an Interreligious Context: Reinterpreting the Dialogue Model of Martin Buber Josef Boehle School of Philosophy, Theology and Religion, University of Birmingham, UK [email protected] Abstract In this article it is proposed to reflect on the structures of all dialogue by using a Tria- logue model: in the encounter between the dialogue partners the presence of a third dimension, Ultimate Reality, as well as the Ultimate Self of each of the dialogue part- ners are postulated and reflected upon. Trialogue, with this meaning, is a new model and is reinterpreting the core concepts used in the dialogical thinking of Martin Buber: I-It; I-Thou; and the eternal Thou. The concepts used in the Trialogue model are ap- propriate for an interreligious context: Ultimate Self and Ultimate Reality are concepts not limited to a specific religious tradition. Trialogue, understood as a universal type of encounter between persons, goes beyond the confines of Abrahamic traditions and a Western Enlightenment understanding of selfhood. Keywords Trialogue – dialogue – interreligious – Ultimate Reality – Ultimate Self – Martin Buber – consciousness – spirituality … © koninklijke brill nv, leiden, 2018 | doi:10.1163/24683949-12340050Downloaded from Brill.com09/24/2021 02:01:20PM via free access Trialogue in an Interreligious Context 127 All real living is meeting. Through the Thou a man becomes I. Martin Buber1 ∵ 1 Introduction This essay reflects on the structures of all dialogue by using a Trialogue model:2 in the encounter between the dialogue partners a “third presence,” Ultimate Reality, as well as the Ultimate Self of each of the dialogue partners are pos- tulated and reflected upon. -
Sociopathetic Abscess Or Yawning Chasm? the Absent Postcolonial Transition In
Sociopathetic abscess or yawning chasm? The absent postcolonial transition in Doctor Who Lindy A Orthia The Australian National University, Canberra, Australia Abstract This paper explores discourses of colonialism, cosmopolitanism and postcolonialism in the long-running television series, Doctor Who. Doctor Who has frequently explored past colonial scenarios and has depicted cosmopolitan futures as multiracial and queer- positive, constructing a teleological model of human history. Yet postcolonial transition stages between the overthrow of colonialism and the instatement of cosmopolitan polities have received little attention within the program. This apparent ‘yawning chasm’ — this inability to acknowledge the material realities of an inequitable postcolonial world shaped by exploitative trade practices, diasporic trauma and racist discrimination — is whitewashed by the representation of past, present and future humanity as unchangingly diverse; literally fixed in happy demographic variety. Harmonious cosmopolitanism is thus presented as a non-negotiable fact of human inevitability, casting instances of racist oppression as unnatural blips. Under this construction, the postcolonial transition needs no explication, because to throw off colonialism’s chains is merely to revert to a more natural state of humanness, that is, cosmopolitanism. Only a few Doctor Who stories break with this model to deal with the ‘sociopathetic abscess’ that is real life postcolonial modernity. Key Words Doctor Who, cosmopolitanism, colonialism, postcolonialism, race, teleology, science fiction This is the submitted version of a paper that has been published with minor changes in The Journal of Commonwealth Literature, 45(2): 207-225. 1 1. Introduction Zargo: In any society there is bound to be a division. The rulers and the ruled. -
Orthia & Morgain 2016 the Gendered Culture of Scientific Competence
CULTURE OF SCIENTIFIC COMPETENCE 1 The Gendered Culture of Scientific Competence: A Study of Scientist Characters in Doctor Who 1963-2013 Lindy A. Orthia and Rachel Morgain The Australian National University Author Note Lindy A. Orthia, Australian National Centre for the Public Awareness of Science, The Australian National University; Rachel Morgain, School of Culture, History and Language, College of Asia and the Pacific, The Australian National University. Thanks to Emlyn Williams for statistical advice, and two anonymous peer reviewers for their useful suggestions. Address correspondence concerning this manuscript to Lindy A. Orthia, Australian National Centre for the Public Awareness of Science, The Australian National University, Peter Baume Building 42A, Acton ACT 2601, Australia. Email: [email protected] Published in Sex Roles. Final publication available at Springer via http://dx.doi.org/10.1007/s11199-016-0597-y CULTURE OF SCIENTIFIC COMPETENCE 2 Abstract The present study examines the relationship between gender and scientific competence in fictional representations of scientists in the British science fiction television program Doctor Who. Previous studies of fictional scientists have argued that women are often depicted as less scientifically capable than men, but these have largely taken a simple demographic approach or focused exclusively on female scientist characters. By examining both male and female scientists (n = 222) depicted over the first 50 years of Doctor Who, our study shows that, although male scientists significantly outnumbered female scientists in all but the most recent decade, both genders have consistently been depicted as equally competent in scientific matters. However, an in-depth analysis of several characters depicted as extremely scientifically non-credible found that their behavior, appearance, and relations were universally marked by more subtle violations of gender expectations.