JOHN the REVEALATOR FREEFORM AMERICAN ROOTS #107 ROOTS BIRTHS & DEATHS REVIEWS & & & & & Cor Not)

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JOHN the REVEALATOR FREEFORM AMERICAN ROOTS #107 ROOTS BIRTHS & DEATHS REVIEWS & & & & & Cor Not) JOHN THE REVEALATOR FREEFORM AMERICAN ROOTS #107 ROOTS BIRTHS & DEATHS REVIEWS &&&&& Cor not) JOSH ALAN FRIEDMAN HACIENDA BROTHERS JIM STRINGER & THE AM BAND ABI TAPIA \ ERIC HISAW Nature of the Blues Eric d e liv e r s his b e st a l b u m to-date w ith 13 n e w ORIGINALS INCLUDING “CHEAP LIVING”, “SHOUT OUT Lo u d ” a n d “To m o r r o w ”. "AT ANOTHER TIME, HlSAW, LONG BASED IN A u s t i n , c o u l d h a v e b e e n d e s c r i b e d a s COUNTRY-ROCK, WITH THE EMPHASIS ON ROCK, BUT HIS COMBINATION OF LITERACY AND GRIT MAKES AMERICANA A RATHER MORE USEFUL LABEL THAN USUAL. I’VE SAID THIS BEFORE, BUT IT BEARS REPEATING BECAUSE IT’S THE SOURCE OF HlSAW’S STRENGTH, WHEN IT COMES TO WRITING ABOUT WORKING CLASS LIFE, HE’S NOT V *ÊÊÊÈÊÊmÊ£?r~' -} V- YOUR USUAL OVER-PRIVILEGED MIDDLE CLASS SONGWRITER STRIVING FOR DOWNWARD MOBILITY, HE’S THE REAL THING, WITH THE RAGGED EDGE OF AUTHENTICITY. THINK OF HIM AS THE a n t i -Ja m e s T a y l o r . ” JOHN CONQUEST'/ THIRD C O A S T M USIC www.saustexmedia.com © ® # bumstcle distribution corporation SAUSTEX & S.A. MUSIC GRINDER PRESENT... Saustex & Jovita's present... RICK BROUSSARD 8c TWO HOOTS ERIC HISAW BAND AND A HOLLER the "Tex-Mex Beatles' CELEBRATING THE RELEASE OF HIS NEW ALBUM ITDAVOT AG “Na t u r e o f t h e B l u e s ” ... I a H a i U L a 9 PLUS A VERY SPECIAL GUEST ERIC HISAW BAND Making a rare appearance and recording live... P l u s t h e l o v e l y a n d t a l e n t e d ... RICH MINUS JANE BOND ¿Tins s t a y o n t h e s i d e w a l k b o y s Friday July 18th SAW SABA COUNTY SAM’S _ FRIDAY JULY 25th _ BURGER JOIN 3 3 0 E .G r a y s o n at Br o a d w a y o v i t a s a n n t o n io e x a s 1619J South First St. Austin, TX 78704 512-447-7825’ S A , T 210-223-2830 / FREEFORM AMERICAN ROOTS #107 REAL MUSIC PLAYED FOR REAL PEOPLE BY REAL DJS d u r in g J u n e 2 0 0 8 #1 J im S tringer & T he AM B and: [V r HÎÏÏ«! T riskaioekaphilia pJayinc OU» ci (Music Room) *BL/*CP/*DF/*GM/*JH/*KD/*LB/*LMG/*MN/*NA/ *RS/*TB/*TR/*TS 2 Miss Leslie: Between The Whiskey And The Wine (Zero Label) *MP/*RH/*RM/*RT 3 Heybale: The Last Country Album (Shuffle 5) *3RC/*BR/*SH/*TF 4 Eliza Gilkyson: Beautiful World (Red House) *DD/*DJ/*ES 5 ’ I See Hawks In LA: Hallowed Ground (Big Book) *RH/*WR 6 Alejandro Escovedo: Real Animal (Back Porch) *LW/*MDT/*N&T 7 Emmylou Harris: All I Intended To Be (Nonesuch) *CR/*RJ 8 James McMurtry: Just Us Kids (Lightning Rod) *GC/*XE 9 1100 Springs: Country Jam (Palo Duro) *M M /*00 10= John Hiatt: Same Ola Man (New West) *MB/*RF The Wilders: Someone's Got to Pay (Free Dirt) *ST 11 Paul Evans: Aqua Noir (Mount Misery) 12 Hayes Carll: Trouble In Mind (Lost Highway) *CS 13= Elliott BROOD: Mountain Meadows (Six Shooter) *SB/*SR Fred Eaglesmith: Tinderbox (A Major Label) *KB 14 Randy Thompson: Further On (Jackpot) *EW 15= Band O f Heathens (BOH) *MY Crooked Still: Still Crooked (Signature Sounds) *JT 16= Arty Hill & The Long Gone Dadays: Bar O f Gold (Cow Island) *BP Miss Lauren Marie: I'm No Good Without You (Texas Jamboree) *DA/*DC Kimmie Rhodes: Walls Fall Down (Sunbird) *TG 17= Hacienda Brothers: Arizona Motel (self) *KF/*RV Tim Hus: Bush Pilot Buckaroo (Stony Plain) ’*'BS/*RA 18 Chip Taylor: New Sounds O f Freedom (Train Wreck) *AA 19= Rachel Harrington: City Of Refuge (Skinny Dennis) *JB RG Stark: Not Crazy Tonight (La Linda) *JS 20 Red Molly: Love And Other Tragedies (self) 21 Stephen Clair: What Luck (self)^BB 22= NQ Arbuckle: XOK (Six Shooter) *JR Dan Tyminski: Wheels (Rounder) *MA 23 Scotland Barr & the Slow Drags:AII the Great Aviators Agree (Monkey Barr) *RC 24= Angel Band: With Roots & Winas (Appleseed) Chatham County Line: IV (Yep Roc) 25= Joe Ely & Joel Guzman: Live Cactus! (Rack 'Em) Feufollet: Cow Island Hop (Valcour) *AG Loose Acoustic Trio: Sorrow Be Gone (Biq Book) *PP 26= The Belleville Outfit: Wanderin' (self) *GF Chuckanut Drive: Fidelity Grange (Ragtown) *R78 Dr John: City That Care Forgot (429)^JP Old 97's: Blame It On Gravity (New West) Otis Taylor: Recapturing The Banjo (Telarc) *DWT Railroad Earth: Amen Corner (SCI Fidelity) *MF Compact Discs Records * Video WATERLOO m t a - 1SM1 Sun 8*KMfc Nk»r*N ’LMMftr YX T*T&a w M e m m u s i c s t i l l m a t t e r s *XX = D J’s A l b u m o f th e M o n t h Freeform American Roots is compiled from reports provided by 140 freeform DJs. More information can be found at http://tcmnradio.com/far/ theswindles.com [email protected] Jim STRIMBR ' M r t ( W y . m io TH« m n kufiiiD www.cdbaby.com “Top 7 CD 2008” www.villagerecords.com Hal Bogerd www.texasmusicroundup.com hickorywind.com See Jim Stringer & the AM Band live: Every Tuesday at Ginny’s Little Longhorn, 9pm; July 5, Patsy’s Cowgirl Cafe, 8pm; July 3 1st, Patsy’s, Cowgirl Cafe, 8pm. And don’t forget, Jim’s Country Jam on the 1st and 3rd Sundays of each month at “R.G. Stark...chronicles his border-state life with such W aterloo Ice House, 38th & Medical Parkway... all in Austin, TX. aplomb that it’s a wonder he hasn’t been picked up on yet be the legions of Guy Clark and Townes Van Zandt A HAC€ fOU GO O D TEXAS MUSXt .the music room acolytes.” Fred Mills, Harp M agazine/blurt.com * a u s t » n tc cs x rt s **** Four Stars, John Conquest, 3rd Coast Music (512) 302-0766 www.musicroom.org cd ba b v. co m/rq sta rk rqstark.com Since 1987 Cektsrating 20 years W E ’VE Buy-Self-Trade MOVED! 2928 Suadaiupc now at A m f'm , T m . 78705 2213 S 1st, (512) 222-0660 Austin, TX lP s-C t> s-45 S“ 7 Ss- Pasters- Wog« RETRSVOGUe 78704 8fiues-J«ucr-ftack-fihli - Texas -Zydeco - Cm m fry & RELICS www. antonesrecordshop. com 5 12/442-4446 You can update your web site yourself AND have your own custom design. 'CAFE AND BAR* Want to add & update your own gigs, write a blog, upload photos to your on-line scrapbook, post the latest news, and modify it anytime from anywhere? Sat 5th ABI TAPIA, BETTY SOO, JESS KLEIN & More Don't know a scrap of HTML? Don't want to puzzle out a generic-looking Wed 9th BEPPE GAMBETTA Thu 1 Oth SISTERS MORALES template? No problem! websiteCOPILOT is easy to use and as unique as you are. Sat 12 th DARDEN SMITH Wed 16th BARBARA K HiMgfcfrja w e b s it e COPILOT Wed 23 rd SUSAN GIBSON Frl 25 th JIMMY WEBB FARM Site Design, Hosting, Domain Names & much, much more. Friends of Sat 26 th JIMMY LaFAVE American Affordable Rates for Musicians & Small Businesses Roots Music www.utexas.edu/student/txunion/ ae/cactus For more information: www.websiteCOPILOT.com - 512 442-8953 JOHN THE REVEALATOR JIM STRINGER & THE AM BAND o idea how other music writers operate, but what works for me is coming T riskaidekaphilia up with an opening line, putting the mechanical bits (songs, credits) in the (Music Room middle and finally wrapping up before I hit the JC exit. Thing is, this tends ad I been thinking about hot country guitar pickers last month, rather thar toN happen in installments, I let the album brew—or fester—in my mind, going back Hgreat all-rounders like John Inmon, Jim Stringer would definitely have been ir to the review as ideas bubble to the top, but last month I plain forgot to plug in one contention. So what does he do? Opens his latest album with a terrific revisit of Duane last section. I did get Mitch Webb’s Lonely Kind rather late in the month, so I was Eddy’s Rebel Rouser, that’s what. So much for pigeon-holing. Maybe I have a warpec a bit rushed. So a bit belated and detached, but what I intended to say was “Most taste in guitarists or maybe Austin Chronicle readers are a bunch of meatheads. Texas musicians will, at least, pay lip service to St Doug, but Mitch Webb & The but my favorite Austin pickers never seem to get any respect in the Chron’s music Swindles are just about his only true disciples.” awards, but I personally know people who put Jim Stringer at the top of their lis1 • One correction to last month’s cover story, John Inmon actually started playing of reasons for coming to Austin. As NotSXSW regular Bob Howell remarked in the with Austin bands in 1966, not, as I said, in the early 70s, thus his remark about “plenty April issue, “I’ve never seen Jim Stringer be anything less than rock solid.” The same of work, good money, big crowds” speaks to an earlier period than I implied.
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