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John Hughes' Family Films and Seriality
Article Title ‘Give people what they expect’: John Hughes’ Family Films and Seriality in 1990s Hollywood Author Details: Dr Holly Chard [email protected] Biography: Holly Chard is Lecturer in Contemporary Screen Media at the University of Brighton. Her research focuses on the U.S. media industries in the 1980s and 1990s. Her recent and forthcoming publications include: a chapter on Macaulay Culkin’s career as a child star, a monograph focusing on the work of John Hughes and a co- authored journal article on Hulk Hogan’s family films. Acknowledgements: The author would like to thank Frank Krutnik and Kathleen Loock for their invaluable feedback on this article and Daniel Chard for assistance with proofreading. 1 ‘Give people what they expect’: John Hughes’ Family Films and Seriality in 1990s Hollywood Keywords: seriality, Hollywood, comedy, family film Abstract: This article explores serial production strategies and textual seriality in Hollywood cinema during the late 1980s and early 1990s. Focusing on John Hughes’ ‘high concept’ family comedies, it examines how Hughes exploited the commercial opportunities offered by serial approaches to both production and film narrative. First, I consider why Hughes’ production set-up enabled him to standardize his movies and respond quickly to audience demand. My analysis then explores how the Home Alone films (1990-1997), Dennis the Menace (1993) and Baby’s Day Out (1994) balanced demands for textual repetition and novelty. Article: Described by the New York Times as ‘the most prolific independent filmmaker in Hollywood history’, John Hughes created and oversaw a vast number of movies in the 1980s and 1990s.1 In a period of roughly fourteen years, from the release of National Lampoon’s Vacation (Ramis, 1983) to the release of Home Alone 3 (Gosnell, 1997), Hughes received screenwriting credits on twenty-seven screenplays, of which he produced eighteen, directed eight and executive produced two. -
A Note from the Composer
Toronto Symphony Orchestra Sir Andrew Davis, Interim Artistic Director Friday, December 6, 2019 at 7:30pm Saturday, December 7, 2019 at 2:00pm Saturday, December 7, 2019 at 7:30pm Constantine Kitsopoulos, conductor Resonance Youth Choir Bob Anderson, director As a courtesy to musicians, guest artists, and fellow concertgoers, please put your phone away and on silent during the performance. A NOTE FROM THE COMPOSER Ever since Home Alone appeared, it has held a unique place in the affections of a very broad public. Director Chris Columbus brought a uniquely fresh and innocent approach to this delightful story, and the film has deservedly become a perennial at holiday time. I took great pleasure in composing the score for the film, and I am especially delighted that the magnificent Toronto Symphony Orchestra has agreed to perform the music in a live presentation of the movie. I know I speak for everyone connected with the making of the film in saying that we are greatly honoured by this event…and I hope that the audience at this performance will experience the renewal of joy that the film brings with it, each and every year. John Williams DECEMBER 6 & 7, 2019 17 TWENTIETH CENTURY FOX Presents A JOHN HUGHES Production A CHRIS COLUMBUS Film HOME ALONE Starring MACAULAY CULKIN JOE PESCI DANIEL STERN JOHN HEARD and CATHERINE O’HARA Music by JOHN WILLIAMS Film Editor RAJA GOSNELL Production Designer JOHN MUTO Director of Photography JULIO MACAT Executive Producers MARK LEVINSON & SCOTT ROSENFELT and TARQUIN GOTCH Written and Produced by JOHN HUGHES Directed by CHRIS COLUMBUS Soundtrack Album Available on CBS Records, Cassettes and Compact Discs Color by DELUXE® Tonight’s program is a presentation of the complete filmHome Alone with a live performance of the film’s entire score, including music played by the orchestra during the end credits. -
06 10-26-10 TV Guide.Indd 1 10/26/10 8:08:17 AM
Page 6 THE NORTON TELEGRAM Tuesday, October 26, 2010 Monday Evening November 1, 2010 7:00 7:30 8:00 8:30 9:00 9:30 10:00 10:30 11:00 11:30 KHGI/ABC Dancing With Stars Castle Local Nightline Jimmy Kimmel Live WEEK OF FRIDAY , OCT . 29 THROUGH THURSDAY , NOV . 4 KBSH/CBS How I Met Rules Two Men Mike Hawaii Five-0 Local Late Show Letterman Late KSNK/NBC Chuck The Women of SNL Local Tonight Show w/Leno Late FOX MLB Baseball Local Cable Channels A&E Intervention Hoarders Hoarders Intervention Intervention AMC Red Planet Rubicon Mad Men Volcano ANIM Pit Bulls-Parole Pit Bulls-Parole River Monsters Pit Bulls-Parole Pit Bulls-Parole CNN Parker Spitzer Larry King Live Anderson Cooper 360 Larry King Live DISC Wreck Wreck American Chopper American Chopper Wreck Wreck American Chopper DISN Den Brother Deck Hannah Hannah Deck Deck Hannah Hannah E! Kardashian True Hollywood Story Fashion Soup Pres Chelsea E! News Chelsea Norton TV ESPN Countdown NFL Football SportsCenter ESPN2 2010 Poker 2010 Poker 2010 Poker E:60 SportsNation FAM Funniest Home Videos Funniest Home Videos Funniest Home Videos The 700 Club My Wife My Wife FX Spider-Man 3 Two Men Two Men Malcolm HGTV Property First House Designed House Hunters My First My First House Designed HIST Pawn Pawn American American Pawn Pawn Ancient Aliens Pawn Pawn LIFE Reba Reba Lying to Be Perfect How I Met How I Met The Fairy Jobmother Listings: MTV Jersey Shore World World World Buried World Buried Jersey Shore NICK My Wife My Wife Chris Chris Lopez Lopez The Nanny The Nanny The Nanny The Nanny SCI Scare Scare Scare Scare Scare Scare Gundam Gundam Darkness Darkness For your SPIKE Star Wars-Phantom Star Wars-Phantom Disorderly Con. -
Women's Affective Practices and a Haunting Within the Haunting of the UK Coalfields
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by E-space: Manchester Metropolitan University's Research Repository Ivinson, Gabrielle and Bright, Nigel (2019)Washing lines, whinberries and reworking ‘waste ground’: Women’s affective practices and a haunting within the haunting of the UK coalfields. Journal of Working-Class Studies, 4 (2). pp. 125-139. ISSN 2475-4765 Downloaded from: http://e-space.mmu.ac.uk/624678/ Version: Published Version Publisher: Journal of Working-Class Studies Association Please cite the published version https://e-space.mmu.ac.uk Journal of Working-Class Studies Volume 4 Issue 2, December 2019 Bright & Ivinson Washing lines, whinberries and reworking ‘waste ground’: Women's affective practices and a haunting within the haunting of the UK coalfields Geoff Bright and Gabrielle Ivinson, Education and Social Research Institute, Manchester Metropolitan University, UK Abstract This article reflects on a series of ‘Ghost lab’ events (Bright 2019) with local people where creative memory work – stimulated by songs, films, and readings from a pack of what we have called a ‘Community Tarot’ cards (our main focus here) – was used to register aspects of what, following Gordon (2008), we are calling a ‘social haunting’ of former coal-mining communities in the north of England and the valley communities of south Wales. The events were part of a joint 2018-19 research project called Song lines on the road – Life lines on the move! (On the Road for short) that sought to share two independent strands of longitudinal, co-produced, arts-based research in which we have developed approaches aimed at amplifying how living knowledge flows on in communities even when the shocks and intensities of lived experience defy articulation and representation. -
Storefront for Art and Architecture, in Collaboration with the New York Comedy Festival, Presents: Jonah Freeman and Justin Lowe
CONTACT: Jinny Khanduja, Director of Strategic Development [email protected] or 212.431.5795 STOREFRONT FOR ART AND ARCHITECTURE, IN COLLABORATION WITH THE NEW YORK COMEDY FESTIVAL, PRESENTS: JONAH FREEMAN AND JUSTIN LOWE PARANOIA MAN IN A RAT FINK ROOM NOVEMBER 2, 2016 - FEBRUARY 18, 2017 NEW YORK, NY - Storefront for Art and Architecture, in collaboration with the New York Comedy Festival (NYCF), has commissioned Jonah Freeman and Justin Lowe to create Paranoia Man in a Rat Fink Room at Storefront's gallery space. The exhibition opened on November 8, 2016, with special preview performances from November 2 - 6, 2016 during the NYCF. Paranoia Man in a Rat Fink Room continues after the festival with events and discussions brought together by Storefront through February 18, 2017. The exhibition follows a tradition of spatial experimentation at Storefront where the boundaries between architecture, art, and the subject are dissolved into one continuous environment. The installation is a historical pastiche of urban and architectural experiences linked through a mise-en-scène comprised of three architectural environments - a Canal Street style kiosk filled with the leftover DVDs and VHSs from Jungle Video (a now defunct media superstore in Los Angeles); a comedy club partially inspired by the original Rat Fink Room (the world's first dedicated stand-up comedy club, which opened in 1963); and a bathroom that has been converted into surveillance headquarters that will keep audio/video recordings of the last days of Storefront. ABOUT PARANOIA MAN IN A RAT FINK ROOM Storefront for Art and Architecture is closing its doors for good*. -
On Reality Television During the Great Recession
Societies 2012, 2, 235–251; doi:10.3390/soc2040235 OPEN ACCESS societies ISSN 2075-4698 www.mdpi.com/journal/societies Article Working Stiff(s) on Reality Television during the Great Recession Sean Brayton Department of Kinesiology and Physical Education, University of Lethbridge, 4401 University Drive, Lethbridge, AB, T1K 3M4, Canada; E-Mail: [email protected] Received: 6 August 2012; in revised form: 22 October 2012 / Accepted: 23 October 2012 / Published: 29 October 2012 Abstract: This essay traces some of the narratives and cultural politics of work on reality television after the economic crash of 2008. Specifically, it discusses the emergence of paid labor shows like Ax Men, Black Gold and Coal and a resurgent interest in working bodies at a time when the working class in the US seems all but consigned to the dustbin of history. As an implicit response to the crisis of masculinity during the Great Recession these programs present an imagined revival of manliness through the valorization of muscle work, which can be read in dialectical ways that pivot around the white male body in peril. In Ax Men, Black Gold and Coal, we find not only the return of labor but, moreover, the re-embodiment of value as loggers, roughnecks and miners risk both life and limb to reach company quotas. Paid labor shows, in other words, present a complicated popular pedagogy of late capitalism and the body, one that relies on anachronistic narratives of white masculinity in the workplace to provide an acute critique of expendability of the body and the hardships of physical labor. -
TV Listings SATURDAY, FEBRUARY 11, 2017
TV listings SATURDAY, FEBRUARY 11, 2017 11:40 Disneyʼs Aladdin 05:30 Henry Hugglemonster 06:00 Hollywood Medium With Tyler 13:10 The 7D 05:45 Zou Henry 13:20 Girl Meets World 06:00 Art Attack 06:55 E! News 13:45 Girl Meets World 06:30 Henry Hugglemonster 07:10 Hollywood Medium With Tyler 15:25 Jessie 06:45 Loopdidoo Henry 00:40 Mythbusters 15:50 Jessie 07:00 Zou 08:10 E! News 00:50 River Monsters 01:30 How Do They Do It? 16:15 Austin & Ally 07:15 Calimero 09:05 Botched 01:45 Bondi Vet 00:10 Hank Zipzer 01:55 Food Factory 00:35 Binny And The Ghost 16:40 Austin & Ally 07:30 Loopdidoo 09:55 Botched 02:40 Deadliest Snakes Of South 02:20 Mythbusters 17:05 Descendants Wicked World 07:45 Henry Hugglemonster 10:45 Mariahʼs World Africa 01:00 Violetta 03:10 Alien Encounters 01:45 The Hive 17:10 Elena Of Avalor 08:00 My Friends Tigger & Pooh 13:15 E! News 03:35 Tanked 04:00 Da Vinciʼs Machines 17:35 Stuck In The Middle 08:25 Mickey Mouse Clubhouse 13:45 Celebrity Style Story 04:25 Great Animal Escapes 01:50 Sabrina Secrets Of A Teenage 04:48 Mythbusters Witch 18:00 Frozen: Magic Of The Northern 08:50 Goldie & Bear 15:15 Keeping Up With The 05:15 Gator Boys 05:36 How Do They Do It? Lights 09:15 Miles From Tomorrow Kardashians 06:02 River Monsters 02:15 Sabrina Secrets Of A Teenage 06:00 Food Factory Witch 18:25 The Incredibles 09:30 Jake And The Never Land 16:05 Revenge Body With Khloe 06:49 Deadliest Snakes Of South 06:24 Mythbusters 20:25 Star Darlings Pirates Kardashian Africa 02:40 Hank Zipzer 07:12 Alien Encounters 03:05 Binny And The Ghost -
Television Academy Awards
2019 Primetime Emmy® Awards Ballot Outstanding Comedy Series A.P. Bio Abby's After Life American Housewife American Vandal Arrested Development Atypical Ballers Barry Better Things The Big Bang Theory The Bisexual Black Monday black-ish Bless This Mess Boomerang Broad City Brockmire Brooklyn Nine-Nine Camping Casual Catastrophe Champaign ILL Cobra Kai The Conners The Cool Kids Corporate Crashing Crazy Ex-Girlfriend Dead To Me Detroiters Easy Fam Fleabag Forever Fresh Off The Boat Friends From College Future Man Get Shorty GLOW The Goldbergs The Good Place Grace And Frankie grown-ish The Guest Book Happy! High Maintenance Huge In France I’m Sorry Insatiable Insecure It's Always Sunny in Philadelphia Jane The Virgin Kidding The Kids Are Alright The Kominsky Method Last Man Standing The Last O.G. Life In Pieces Loudermilk Lunatics Man With A Plan The Marvelous Mrs. Maisel Modern Family Mom Mr Inbetween Murphy Brown The Neighborhood No Activity Now Apocalypse On My Block One Day At A Time The Other Two PEN15 Queen America Ramy The Ranch Rel Russian Doll Sally4Ever Santa Clarita Diet Schitt's Creek Schooled Shameless She's Gotta Have It Shrill Sideswiped Single Parents SMILF Speechless Splitting Up Together Stan Against Evil Superstore Tacoma FD The Tick Trial & Error Turn Up Charlie Unbreakable Kimmy Schmidt Veep Vida Wayne Weird City What We Do in the Shadows Will & Grace You Me Her You're the Worst Young Sheldon Younger End of Category Outstanding Drama Series The Affair All American American Gods American Horror Story: Apocalypse American Soul Arrow Berlin Station Better Call Saul Billions Black Lightning Black Summer The Blacklist Blindspot Blue Bloods Bodyguard The Bold Type Bosch Bull Chambers Charmed The Chi Chicago Fire Chicago Med Chicago P.D. -
Apologetic Resources
APOLOGETIC RESOURCES A Young Earth ministry perspective, namely contrasting Scripture to true science now and during the ages. By Dr. Jim Pagels [email protected] 9/2016 Editor Dr. John Fricke, Emeritus Professor of Biology, Concordia University, Ann Arbor, Michigan. Copyright This book is offered as an educational resource on a no cost basis. Contents are not to be reproduced for the purpose of sale. Note that all Scriptural passages are taken from the English Standard Version. 1 I HAVE NO GREATER JOY THAN TO HEAR THAT MY CHILDREN WALK IN THE TRUTH III JOHN 1:4 Forward - Although there is much young Earth information available from commercial sources and on the internet, it was the impression of this writer that no resource that deals with basic topical issues correlating the young Earth philosophy and science exists for professional church workers. To this end, Apologetic Resources is being offered. Intended Audience – The intended audience of this reference material is primarily use by professional church workers, i.e., teachers, pastors, youth workers, etc., namely those who choose to uphold the literal interpretation of Genesis and the inerrancy of Holy Scripture. The focus in this regard is Young Earth Creationism and the catastrophic nature of the global Genesis Flood keeping in mind that Genesis 1-11 is foundational to most of the significant doctrines of Holy Scripture. Of course, laymen may well also find this reference a valuable resource. There is obviously a realistic interplay between Scripture, apologetics and true science. The goal of this document is to provide clarity to this interaction. -
Into the Woods Character Descriptions
Into The Woods Character Descriptions Narrator/Mysterious Man: This role has been cast. Cinderella: Female, age 20 to 30. Vocal range top: G5. Vocal range bottom: G3. A young, earnest maiden who is constantly mistreated by her stepmother and stepsisters. Jack: Male, age 20 to 30. Vocal range top: G4. Vocal range bottom: B2. The feckless giant killer who is ‘almost a man.’ He is adventurous, naive, energetic, and bright-eyed. Jack’s Mother: Female, age 50 to 65. Vocal range top: Gb5. Vocal range bottom: Bb3. Browbeating and weary, Jack’s protective mother who is independent, bold, and strong-willed. The Baker: Male, age 35 to 45. Vocal range top: G4. Vocal range bottom: Ab2. A harried and insecure baker who is simple and loving, yet protective of his family. He wants his wife to be happy and is willing to do anything to ensure her happiness but refuses to let others fight his battles. The Baker’s Wife: Female, age: 35 to 45. Vocal range top: G5. Vocal range bottom: F3. Determined and bright woman who wishes to be a mother. She leads a simple yet satisfying life and is very low-maintenance yet proactive in her endeavors. Cinderella’s Stepmother: Female, age 40 to 50. Vocal range top: F#5. Vocal range bottom: A3. The mean-spirited, demanding stepmother of Cinderella. Florinda And Lucinda: Female, 25 to 35. Vocal range top: Ab5. Vocal range bottom: C4. Cinderella’s stepsisters who are black of heart. They follow in their mother’s footsteps of abusing Cinderella. Little Red Riding Hood: Female, age 18 to 20. -
From Snow White to Frozen
From Snow White to Frozen An evaluation of popular gender representation indicators applied to Disney’s princess films __________________________________________________ En utvärdering av populära könsrepresentations-indikatorer tillämpade på Disneys prinsessfilmer __________________________________________________ Johan Nyh __________________________________________________ Faculty: The Institution for Geography, Media and Communication __________________________________________________ Subject: Film studies __________________________________________________ Points: 15hp Master thesis __________________________________________________ Supervisor: Patrik Sjöberg __________________________________________________ Examiner: John Sundholm __________________________________________________ Date: June 25th, 2015 __________________________________________________ Serial number: __________________________________________________ Abstract Simple content analysis methods, such as the Bechdel test and measuring percentage of female talk time or characters, have seen a surge of attention from mainstream media and in social media the last couple of years. Underlying assumptions are generally shared with the gender role socialization model and consequently, an importance is stated, due to a high degree to which impressions from media shape in particular young children’s identification processes. For young girls, the Disney Princesses franchise (with Frozen included) stands out as the number one player commercially as well as in customer awareness. -
Affidavit of Performance
OnMedia Advertising Sales 1037 Front Avenue Suite C Columbus , GA31901 Affidavit of Performance Client Name KELLY LOEFFLER FOR SENATE/GA COL Contract ID 238373 Remarks 62722413-1456 Contract Type Political Bill Cycle 1/20 Bill Type Condensed EAI Broadcast Standard Date Weekday Network Zone Program Name Air Time Spot Name Spot Contract Billing Spot Length Line Status Cost 01/24/2020 Friday CNN_E GA-CBS MC CHARTER New Day Berman 6:44 AM GASKL 011620H 00:00:30 1 Charged 48.00 * 01/24/2020 Friday CNN_E GA-CBS MC CHARTER New Day Berman 6:50 AM GASKL 011620H 00:00:30 1 Charged 48.00 * 01/24/2020 Friday CNN_E GA-CBS MC CHARTER Senate Trial Trump 6:31 PM GASKL 011620H 00:00:30 1 Charged 48.00 * 01/24/2020 Friday CNN_E GA-CBS MC CHARTER CNN Tonight 10:59 PM GASKL 011620H 00:00:30 1 Charged 48.00 * 01/25/2020 Saturday CNN_E GA-CBS MC CHARTER Smerconish 9:57 AM GASKL 011620H 00:00:30 1 Charged 48.00 * 01/25/2020 Saturday CNN_E GA-CBS MC CHARTER Situation Room 5:26 PM GASKL 011620H 00:00:30 1 Charged 48.00 * 01/26/2020 Sunday CNN_E GA-CBS MC CHARTER Inside Politics 7:51 AM GASKL 011620H 00:00:30 1 Charged 48.00 * 01/26/2020 Sunday CNN_E GA-CBS MC CHARTER State Union Tapper 9:28 AM GASKL 011620H 00:00:30 1 Charged 48.00 * 01/26/2020 Sunday CNN_E GA-CBS MC CHARTER Iowa Caucus 7:37 PM GASKL 011620H 00:00:30 1 Charged 48.00 * 01/24/2020 Friday ESPN_E GA-CBS MC CHARTER SportsCenter 6:57 AM GASKL 011620H 00:00:30 5 Charged 48.00 * 01/24/2020 Friday ESPN_E GA-CBS MC CHARTER NFL Live 2:01 PM GASKL 011620H 00:00:30 5 Charged 48.00 * 01/24/2020 Friday ESPN_E GA-CBS MC CHARTER Around the Horn 5:25 PM GASKL 011620H 00:00:30 5 Charged 48.00 * 01/25/2020 Saturday ESPN_E GA-CBS MC CHARTER Baylor at Florida 9:00 PM GASKL 011620H 00:00:30 5 Charged 48.00 * 01/25/2020 Saturday ESPN_E GA-CBS MC CHARTER X Games 11:36 PM GASKL 011620H 00:00:30 5 Charged 48.00 * 01/26/2020 Sunday ESPN_E GA-CBS MC CHARTER SportsCenter 6:25 AM GASKL 011620H 00:00:30 5 Charged 48.00 * 01/26/2020 Sunday ESPN_E GA-CBS MC CHARTER Post.