Hunter S. Thompson and Gonzo Journalism: a Research Guide
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Joan Didion and the New Journalism
California State University, San Bernardino CSUSB ScholarWorks Theses Digitization Project John M. Pfau Library 1986 Joan Didion and the new journalism Jean Gillingwators Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd-project Part of the American Literature Commons Recommended Citation Gillingwators, Jean, "Joan Didion and the new journalism" (1986). Theses Digitization Project. 417. https://scholarworks.lib.csusb.edu/etd-project/417 This Thesis is brought to you for free and open access by the John M. Pfau Library at CSUSB ScholarWorks. It has been accepted for inclusion in Theses Digitization Project by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. JOAN DIDION AND THE NEW JOURNALISM A Thesis Presented to the Faculty of California State University, San Bernardino In Partial Fulfillment of the Requirements for the Degree Master of Arts in English Composition by Jean Gillingwators June 1986 JOAN DIDION AND THE NEW JOURNALISM ■ ■ A Thesis Presented to the Faculty of California State University, San Bernardino by Jean ^i^ingwators June 1986 Approved by: Jw IT m Chair Date Abstract Most texts designed to teach writing include primarily non-fiction models. Most teachers, though, have been trained in the belles lettres tradition, and their competence usually lies with fiction Or poetry. Cultural preference has traditionally held that fiction is the most important form of literature. Analyzing a selection of twentieth century non-fiction prose is difficult; there are too few resources, and conventional analytical methods too often do not fit modern non-fiction. The new journalism, a recent literary genre, is especially difficult to "teach" because it blends fictive and journalistic techniques. -
Texto Completo Apareció Por Primera Vez Publicado En Dos Volúmenes En La Revista Rolling Stone, En 1971
Angulo Egea, María De Las Vegas a Marina D'or. O como llegar desde el New Jornalism norteamericano de Hunter S. Thompson hasta la nueva narrativa española de Robert Juan-Cantavella Olivar 2011, año 12 no. 16, p. 109-135 Este documento está disponible para su consulta y descarga en Memoria Académica, el repositorio institucional de la Facultad de Humanidades y Ciencias de la Educación de la Universidad Nacional de La Plata, que procura la reunión, el registro, la difusión y la preservación de la producción científico-académica édita e inédita de los miembros de su comunidad académica. Para más información, visite el sitio www.memoria.fahce.unlp.edu.ar Esta iniciativa está a cargo de BIBHUMA, la Biblioteca de la Facultad, que lleva adelante las tareas de gestión y coordinación para la concre- ción de los objetivos planteados. Para más información, visite el sitio www.bibhuma.fahce.unlp.edu.ar Cita sugerida: Angulo Egea, M. (2011) De Las Vegas a Marina D'or. O como llegar desde el New Jornalism norteamericano de Hunter S. Thompson hasta la nueva narrativa española de Robert Juan-Cantavella. Olivar, 12 (16), 109-135. En Memoria Académica. Disponible en: http://www.memoria.fahce.unlp.edu.ar/art_revistas/pr.5124/pr.5124.pdf Licenciamiento Esta obra está bajo una licencia Atribución-No comercial-Sin obras derivadas 2.5 Argentina de Creative Commons. Para ver una copia breve de esta licencia, visite http://creativecommons.org/licenses/by-nc-nd/2.5/ar/. Para ver la licencia completa en código legal, visite http://creativecommons.org/licenses/by-nc-nd/2.5/ar/legalcode. -
Literary War Journalism: Framing and the Creation of Meaning J
Literary War Journalism: Framing and the Creation of Meaning J. Keith Saliba, Ted Geltner Journal of Magazine Media, Volume 13, Number 2, Summer 2012, (Article) Published by University of Nebraska Press DOI: https://doi.org/10.1353/jmm.2012.0002 For additional information about this article https://muse.jhu.edu/article/773721/summary [ Access provided at 1 Oct 2021 07:15 GMT with no institutional affiliation ] Literary War Journalism Literary War Journalism: Framing and the Creation of Meaning J. Keith Saliba, Jacksonville University [email protected] Ted Geltner, Valdosta State University [email protected] Abstract Relatively few studies have systematically analyzed the ways literary journalists construct meaning within their narratives. This article employed rhetorical framing analysis to discover embedded meaning within the text of John Sack’s Gulf War Esquire articles. Analysis revealed several dominant frames that in turn helped construct an overarching master narrative—the “takeaway,” to use a journalistic term. The study concludes that Sack’s literary approach to war reportage helped create meaning for readers and acted as a valuable supplement to conventional coverage of the war. Keywords: Desert Storm, Esquire, framing, John Sack, literary journalism, war reporting Introduction Everything in war is very simple, but the simplest thing is difficult. The difficulties accumulate and end by producing a kind of friction that is inconceivable unless one has experienced war. —Carl von Clausewitz Long before such present-day literary journalists as Rolling Stone’s Evan Wright penned Generation Kill (2004) and Chris Ayres of the London Times gave us 2005’s War Reporting for Cowards—their poignant, gritty, and sometimes hilarious tales of embedded life with U.S. -
The Digital Animation of Literary Journalism
JOU0010.1177/1464884914568079JournalismJacobson et al. 568079research-article2015 Article Journalism 1 –20 The digital animation of © The Author(s) 2015 Reprints and permissions: literary journalism sagepub.co.uk/journalsPermissions.nav DOI: 10.1177/1464884914568079 jou.sagepub.com Susan Jacobson Florida International University, USA Jacqueline Marino Kent State University, USA Robert E Gutsche Jr Florida International University, USA Abstract Since The New York Times published Snow Fall in 2012, media organizations have produced a growing body of similar work characterized by the purposeful integration of multimedia into long-form journalism. In this article, we argue that just as the literary journalists of the 1960s attempted to write the nonfiction equivalent of the great American novel, journalists of the 2010s are using digital tools to animate literary journalism techniques. To evaluate whether this emerging genre represents a new era of literary journalism and to what extent it incorporates new techniques of journalistic storytelling, we analyze 50 long-form multimedia journalism packages published online from August 2012 to December 2013. We argue that this new wave of literary journalism is characterized by executing literary techniques through multiple media and represents a gateway to linear storytelling in the hypertextual environment of the Web. Keywords Content analysis, literary journalism, long-form, multimedia, New Journalism, storytelling Introduction As news has evolved, journalists have experimented with new formats to enhance and transform the news-consumption experience (Barnhurst, 2010; Pauly, 2014). The use of Corresponding author: Susan Jacobson, School of Journalism and Mass Communication, Florida International University, 3000 NE 151 Street, AC2, North Miami, FL 33181, USA. Email: [email protected] 2 Journalism literary techniques in journalism has been one of the methods that reporters and editors have employed to create variety in news storytelling. -
Antihero- Level 2 Theme 2008
DEFINITION AND TEXT LIST - ENGLISH - LITERATURE Teenage Anti-Hero UNIT STANDARD 8823 version 4 4 Credits - Level 2 (Reading) Investigate a theme across an inclusive range of selected texts Characteristics in protagonists that merit the label “Anti-hero” can include, but are not limited to: • imperfections that separate them from typically "heroic" characters (selfishness, ignorance, bigotry, etc.); • lack of positive qualities such as "courage, physical prowess, and fortitude," and "generally feel helpless in a world over which they have no control"; • qualities normally belonging to villains (amorality, greed, violent tendencies, etc.) that may be tempered with more human, identifiable traits (confusion, self-hatred, etc.); • noble motives pursued by bending or breaking the law in the belief that "the ends justify the means." Literature • Roland Deschain from Stephen King's The Dark Tower series Alex, the narrator of Anthony Burgess' A Clockwork • Raoul Duke from Hunter S. Thompson's Fear and Orange. • Loathing in Las Vegas Redmond Barry from William Makepeace • Tyler Durden and the Narrator of Chuck Palahniuk's Thackeray's The Luck of Barry Lyndon • Fight Club Patrick Bateman from Bret Easton Ellis' American • Randall Flagg from Stephen King's The Stand, Eyes of Psycho. • the Dragon and The Dark Tower. Leopold Bloom from James Joyce's Ulysses. • Artemis Fowl II from the Artemis Fowl series. Pinkie Brown from Graham Greene's Brighton Rock. • • Gully Foyle from Alfred Bester's The Stars My Holden Caulfield from J.D. Salinger's Catcher in the • • Destination Rye. Victor Frankenstein from Mary Shelley's Conan from the stories by Robert E. Howard, the • • Frankenstein archetypal "amoral swordsman" of the Sword and Jay Gatsby from F. -
Headline Hunters: Two New Films Underscore Hollywood's Ever-Changing Fascination with Journalists • a Life in Focus More Stories | Complete Entertainment Index
Headline hunters: Two new films underscore Hollywood's ever-... http://ijpc.org/Stephen%20Whitty%20Star-Ledger%20Headlin... SEARCH Pick Newspaper Enter Keyword(s) FIND A BUSINESS Enter Keyword » Search for Colleges and Schools » More From The Star-Ledger » Fun Guide: Things to do in NJ INSIDE » Autos: Free price quote on new Entertainment vehicles Headline hunters: Two new films underscore » Arts & Events » Cool Contests and Giveaways Hollywood's ever-changing fascination with » Dining & Bars journalists » Movies » Music Sunday, October 09, 2005 » Television BY STEPHEN WHITTY Star-Ledger Staff For journalists, it was a sort of good news/bad SPEAK UP! news sort of thing, although the good news was » Movies Forum hardly positive: Forty-nine percent of Americans think they're liars. » More Forums The bright side was that, last year, the number had reached 55 percent. MORE REVIEWS Of course, the Gallup Poll is too polite to use the word "liar." But asked » Read All Recent last month if they had "a great deal" or even "a fair amount" of trust in the Reviews From The Star-Ledger media, a bare 50 percent of respondents said yes. And judging by a recent slate of movies, Hollywood agrees. Advertisement Not Not Found Found The requested URL /RealMedia The requested /ads/Creatives/NJONLINE URL /MK_BLJOBS_NJ15 /RealMedia /AdInteraxVideo.html was not found NEW JERSEY on this server. LOTTERY » MEGAMILLIONS JACKPOT is $ 128 128 Apache/2.0.63 (CentOS) Server at MEGA MILLION ads.advance.net Port 80 » PICK 6 JACKPOT is $ 16.5 16.5 MILLION An Advertising Section 2006 Mitsubishi Galant Advertisement 2006 Mitsubishi Galant STAR-LEDGER » Commercial/Industrial Real Estate » Eastern PA Real Estate Mainstream moviemakers used to see reporters as heroes, truth-tellers » Fall Education Guide who exposed corruption; now they're bit players, yelling fatuous » Long Branch Renaissance questions. -
What Is Gonzo? Hirst, UQ Eprint Edition 2004-01-19 Page: 1
What is gonzo? Hirst, UQ Eprint edition 2004-01-19 Page: 1 What is Gonzo? The etymology of an urban legend [word count: 6302] Dr Martin Hirst, School of Journalism & Communication, University of Queensland [email protected] Abstract: The delightfully enigmatic and poetic ‘gonzo’ has come a long way from its humble origins as a throw-away line in the introduction to an off-beat story about the classic American road trip of discovery. Fear and loathing in Las Vegas is definitely a classic of post-war literature and this small word has taken on a life of its own. A Google search on the Internet located over 597000 references to gonzo. Some had obvious links to Hunter S. Thompson’s particular brand of journalism, some were clearly derivative and others appear to bear no immediate connection. What, for example, is gonzo theology? Despite the widespread common usage of gonzo, there is no clear and definitive explanation of its linguistic origins. Dictionaries differ, though they do tend to favour Spanish or Italian roots without much evidence or explanation. On the other hand, biographical sources dealing with Thompson and new journalism also offer different and contradictory etymologies. This paper assesses the evidence for the various theories offered in the literature and comes close to forming a conclusion of its own. The paper then reviews the international spread of gonzo in a variety of areas of journalism, business, marketing and general weirdness by reviewing over 200 sites on the Internet and many other sources. Each of these manifestations is assessed against several gonzo criteria. -
Transmetropolitan: Back on the Street Vol 1 Free
FREE TRANSMETROPOLITAN: BACK ON THE STREET VOL 1 PDF Darick Robertson,Warren Ellis | 144 pages | 18 Nov 2011 | DC Comics | 9781401220846 | English | New York, NY, United States Transmetropolitan - Wikipedia After years of self-imposed exile from a civilizati on rife with degradati on and indecency, cynical journalist Spider Jerusalem is forced to return to a job that he hates and a city that he loa the Transmetropolitan: Back on the Street Vol 1. Working as an investigative reporter for the newspaper The Word, Spider attacks the injustices of his surreal 23rd Century surroundings. Combining black humor, life-threatening situati on s, and moral ambiguity, this book is the first look into the mind of an outlaw journalist and the world he seeks to destroy. Short-link Link Embed. Share from cover. Share from page:. More magazines by this user. Close Flag as Inappropriate. You Transmetropolitan: Back on the Street Vol 1 already flagged this document. Thank you, for helping us keep this platform clean. The editors will have a look at it as soon as possible. Delete template? Cancel Delete. Cancel Overwrite Save. Don't wait! Try Yumpu. Start using Yumpu now! Resources Blog Product changes Videos Magazines. Integrations Wordpress Zapier Dropbox. Cooperation partner: bote. Terms of service. Privacy policy. Cookie policy. Change language. Main languages. Transmetropolitan Vol. 1: Back on the Street - Warren Ellis - Google книги Transmetropolitan is a cyberpunk transhumanist comic book series written by Warren Ellis and co-created and designed by Darick Robertson ; it was published by the American company DC Comics in — Transmetropolitan chronicles the battles of Spider Jerusaleminfamous renegade gonzo journalist of the future. -
Feature Journalism
Feature Journalism Oxford Research Encyclopedia of Communication Feature Journalism Steen Steensen Subject: Journalism Studies Online Publication Date: Aug 2018 DOI: 10.1093/acrefore/9780190228613.013.810 Summary and Keywords Feature journalism has developed from being a marginal and subordinate supplement to (hard) news in newspapers to becoming a significant part of journalism on all platforms. It emerged as a key force driving the popularization and tabloidization of the press. Feature journalism can be defined as a family of genres that share a common exigence, understood as a publicly recognized need to be entertained and connected with other people on a mainly emotional level by accounts of personal experiences that are related to contemporary events of perceived public interest. This exigence is articulated through three characteristics that have dominated feature journalism from the very beginning: It is intimate, in the sense that it portrays people and milieus in close detail and that it allows the journalist to be subjective and therefore intimate with his or her audience; it is literary in the sense that it is closely connected with the art of writing, narrativity, storytelling, and worlds of fiction; and it is adventurous, in the sense that it takes the audiences on journeys to meet people and places that are interesting. Traditional and well-established genres of feature journalism include the human-interest story, feature reportage, and the profile, which all promote subjectivity and emotions as key ingredients in feature journalism in contrast to the norm of objectivity found in professional news journalism. Feature journalism therefore establishes a conflict of norms that has existed throughout the history of journalism. -
Transmetropolitan: Year of the Bastard Volume 3 Free
FREE TRANSMETROPOLITAN: YEAR OF THE BASTARD VOLUME 3 PDF Rodney Ramos,Darick Robertson,Warren Ellis | 144 pages | 11 Aug 2009 | DC Comics | 9781401223120 | English | New York, NY, United States Read: Transmetropolitan volume 3 by Warren Ellis and Darick Robertson | ReadWriteLib Reads! In this third volume, Spider Jerusalem begins to crumble under the pressure of sudden and unwanted fame. Having had enough of the warped 23rd century Babylon that he lives in, Spider escapes into a world of bitterness and pills. As he stumbles through this haze of depression and drugs, he must find a way to cover the biggest story of the year, the presidential election. Armed with only his demented mind and Transmetropolitan: Year of the Bastard Volume 3 sense of humor, Spider embarks on an adventure of political cynicism, horrific sex, and unwelcome celebrity which culminates in a shocking and ruinous ending. I actually really did enjoy them for what they were and what purpose they served. I liked learning more about the world that this series takes place in, and the limits and limitlessness that society lives with. But then he is approached by Vita Severn, the campaign manager of the candidate who is going to rival The Beast. This man is known as The Smiler, as he perpetually smiles and tries to show off a chipper demeanor to counteract The Beast. As much as maybe in this moment Transmetropolitan: Year of the Bastard Volume 3 needed someone to rail against The Beast in any way, shape, and form, it was very nice to see that Spider Jerusalem stayed true to form and showed a blatant mistrust for any and all politicians, even ones that could possibly take down the monster in charge. -
Univerzita Pardubice Fakulta Filozofická Bakalářská
UNIVERZITA PARDUBICE FAKULTA FILOZOFICKÁ BAKALÁŘSKÁ PRÁCE 2012 František Formánek University of Pardubice Faculty of Arts and Philosophy Gonzo journalism in the work of Hunter S. Thompson František Formánek Bachelor Paper 2012 Prohlašuji: Tuto práci jsem vypracoval samostatně. Veškeré literární prameny a informace, které jsem v práci využil, jsou uvedeny v seznamu použité literatury. Byl jsem seznámen s tím, že se na moji práci vztahují práva a povinnosti vyplývající ze zákona č. 121/2000 Sb., autorský zákon, zejména se skutečností, že Univerzita Pardubice má právo na uzavření licenční smlouvy o užití této práce jako školního díla podle § 60 odst. 1 autorského zákona, a s tím, že pokud dojde k užití této práce mnou nebo bude poskytnuta licence o užití jinému subjektu, je Univerzita Pardubice oprávněna ode mne požadovat přiměřený příspěvek na úhradu nákladů, které na vytvoření díla vynaložila, a to podle okolností až do jejich skutečné výše. Souhlasím s prezenčním zpřístupněním své práce v Univerzitní knihovně. V Pardubicích dne 27. 11. 2012 František Formánek Acknowledgement I would like to thank my supervisor, Mgr. Šárka Bubíková, for her kind and valuable advice. Secondly, I express my gratitude to my family, for their constant support. Abstract This paper discusses Gonzo journalism and its characteristics in the work of Hunter S. Thompson. The genre’s main features are described in the theoretical part of this paper, and then exemplified in Thompson’s seminal novel Fear and Loathing in Las Vegas. The paper also concentrates on the novel’s underlying theme; the search for the American Dream. This term is briefly described in the theoretical part and then contrasted with Thompson’s opinion about such phenomenon. -
Hunter S. Thompson: a Ritual Reenactment of Deviant Behavior
Connecticut o BRtl92-138 State • - r University P.O. Box 2008, New Britain, Connecticut 06050 Central .• Eastern .•. Southern •. Western Phone: (203) 827-7700 Fax: (203) 827-7406 RESOLtJrION granting PERMISSION 'IO REPRINI' COPYRIGHTED ARTICLE PUBLISHED IN CONNECTlcur REVIEW December 4, 1992 RESOLVED, That the Board of Trustees of the Connecticut State University hereby grants pemission to Dr. Janes N. Stull to reprint the article by him, entitled "Hunter S. Thanpson: A Ritual ReenaC'tlrent of Deviant Behavior," published in Connecticut Review, Vol. XIII, • No.1, Spring 1991. A Certified True Copy: ~-, President • An Equal Opportunity Employer • Hunter S. Thompson: A Ritual Reenactment of Deviant Behavior JAMES N. STULL Hunter S. Thompson grew up in "the stifling small-town atmosphere of Louisville, KentuckY:' 1 His father was an insurance agent whose only amusement was going out to the track early in the morning to time the horses. As a teenager Thompson "rebelled;' according to Timothy Crouse, by "knocking off' liquor stores and gas stations.2 In one three-day period, Thompson and two friends robbed the same gas station three times. Thompson recalls standing by his apartment window - which overlooked the gas sta tion - and watching the police investigate the burglaries while he and his friends drank beer. Thompson was also an accomplished shoplifter; he would go empty-handed, he explained, into a jewelry store and leave with a half dozen watches. Though Thompson was never arrested, Louisville authorities "managed to put him in jail for thirty days on a phony rape charge:'3 He was eighteen at the time, and very frightened by his brief period of incarceration.