Be Afraid. Be Very Afraid. an Overview of the Horror Genre
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Cyberpunking a Library
Cyberpunking a Library Collection assessment and collection Leanna Jantzi, Neil MacDonald, Samantha Sinanan LIBR 580 Instructor: Simon Neame April 8, 2010 “A year here and he still dreamed of cyberspace, hope fading nightly. All the speed he took, all the turns he’d taken and the corners he’d cut in Night City, and he’d still see the matrix in his sleep, bright lattices of logic unfolding across that colorless void.” – Neuromancer, William Gibson 2 Table of Contents Table of Contents ................................................................................................................................................ 2 Introduction ......................................................................................................................................................... 3 Description of Subject ....................................................................................................................................... 3 History of Cyberpunk .................................................................................................................................................... 3 Themes and Common Motifs....................................................................................................................................... 3 Key subject headings and Call number range ....................................................................................................... 4 Description of Library and Community ..................................................................................................... -
Come Celebrate the 15Th Year Aniversary of the Alameda Point Antiques Faire
The Official Faire Magazine and Program Guide FREE! Volume 4 Issue 9 SUNDAY, SEPTEMBER 2, 2012 come early for the faire and stay for the auction! Visit Our Website to Discover How to Shop the Faire 365 days a Year MICHAAN’S AUCTIONS PRESENTS Come Celebrate the 15th Year Aniversary of The Alameda Point Antiques Faire Details Inside! • Detailed Booth Maps for Antiques Faire • Additional Maps with Alternate • Partial Sellers Directories Routes to Freeways • Details About Our Rain-Out Policy • Fun and Informative Articles Antiques By The Bay, Inc. • 510-522-7500 Michaan’s auctions • 510-740-0220 www.alamedapointantiquesfaire.com www.michaans.com 2900SEPTEMBER Navy Way 2, (at 2012 Main Street) Alameda, CA 94510 2751 Todd Street, Alameda, CA 94501 1 Michaan’s Auctions presents Now Accepting Quality Consignments for our Upcoming Auctions. We are looking for consignments of fine art, American and European furniture, decorations, Asian art, fine jewelry and timepieces for our auctions. To schedule a private appointment or to inquire about consigning please contact Tammie Chambless at (510) 227-2530. 1. Hermann Herzog (American 1832-1932) Farallon Islands, Pacific Coast Sold for $43,875 2. A Finely Carved Rhinoceros Horn ‘Lotus’ Libation Cup, 17th/18th Century Sold for $70,200 3. Philip & Kelvin LaVerne Studios Chan Coffee Table Sold for $6,435 Ph. (800) 380-9822 • (510) 740-0220 2751 Todd Street, Alameda, California 94501 Bond #70044066 Michaan’s Auctions presents The Official Magazine and Program Guide of the Alameda Point Antiques Faire * The Alameda Point Antiques Faire and Alameda Point Vintage Fashion Faire are not affiliated with any other antique shows. -
Guillermo Del Toro’S Bleak House
GuillermoAt Home With Monstersdel Toro By James Balestrieri Guillermo del Toro’s Bleak House. Photo ©Josh White/ JWPictures.com. LOS ANGELES, CALIF. — The essence of “Guillermo del Toro: At Home With Monsters,” the strange and wonderful exhibition at the Los Angeles County Museum of Art (LACMA) through November 27, is this: Guillermo del Toro, born in 1964, is a major writer and director whose films include Cronos (1993), The Devil’s Backbone (2001), Hellboy (2004), Pan’s Labyrinth (2006), Pacific Rim (2013) and Crimson Peak (2015). He is a master who creates worlds that embrace horror, science fiction, fantasy and fairy tales. He insists that, as fantastic as they are, these worlds are located and grounded beside, beneath and in the real world, our world — a world, he might argue, that we merely imagine as real. The membrane separating these worlds is thin, porous and portal-ridden. The worlds are distorted reflections of one another. This distortion becomes the occasion for his ideas and art. Page from Notebook 2 by Guillermo del Toro. Leather-bound notebook, ink on paper, 8 by 10 by 1½ inches. Collection of Guillermo del Toro. ©Guillermo del Toro. Photo courtesy Insight Editions. Jointly organized by LACMA with the Minneapolis Institute of Art and the Art Gallery of Ontario, this first retrospective of the filmmaker’s work arrays sculpture, paintings, prints, photography, costumes, ancient artifacts, books, maquettes and film to create a complex portrait of a creative genius. Roughly 60 of the 500 objects on view are from LACMA’s collection. More belong to the artist. -
FANTASY FAIRE 19 81 of Fc Available for $4.00 From: TRISKELL PRESS P
FANTASY FAIRE 19 81 of fc Available for $4.00 from: TRISKELL PRESS P. 0. Box 9480 Ottawa, Ontario Canada K1G 3V2 J&u) (B.Mn'^mTuer KOKTAL ADD IHHOHTAl LOVERS TRAPPED Is AS ASCIEST FEUD... 11th ANNUAL FANTASY FAIRS JULY 17, 18, 19, 1981 AMFAC HOTEL MASTERS OF CEREMONIES STEPHEN GOLDIN, KATHLEEN SKY RON WILSON CONTENTS page GUEST OF HONOR ... 4 ■ GUEST LIST . 5 WELCOME TO FANTASY FAIRE by’Keith Williams’ 7 PROGRAM 8 COMMITTEE...................... .. W . ... .10 RULES FOR BEHAVIOR 10 WALKING GUIDE by Bill Conlln 12 MAP OF AREA ........................................................ UPCOMING FPCI CONVENTIONS 14 ADVERTISERS Triskell Press Barry Levin Books Pfeiffer's Books & Tiques Dangerous Visions Cover Design From A Painting By Morris Scott Dollens GUEST OF HONOR FRITZ LEIBER was bom in 1910. Son of a Shakespearean actor, Fritz was at one time an actor himself and a mem ber of his father’s troupe. He made a cameo appearance in the film "Equinox." Fritz has studied many sciences and was once editor of Science Digest. His writing career began prior to World War 11 with some stories in Weird Tales. Soon Unknown published his novel "Conjure Wife, " which was made into a movie under the title (of all things) "Bum, Witch, Bum!" His Gray Mouser stories (which were the inspira tion for the Fantasy Faire "Fritz Leiber Fantasy Award") were started in Unknown and continued in Fantastic, which magazine devoted its entire Nov., 1959 issue to Fritz's stories. In 1959 Fritz was awarded a Hugo, by the World Science Fiction Convention for his novel "The Big Time." His novel "The Wanderer," about an interloper into our solar system, won the Hugo again in 1965.'-His novelettes Gonna Roll the Bones," "Ship of Shadows" and "Ill Met in Lankhmar” won the Hugo in 1968, 1970 and 1971 in that order. -
Fafnir – Nordic Journal of Science Fiction and Fantasy Research Journal.Finfar.Org
ISSN: 2342-2009 Fafnir vol 2, iss 1, pages 29–30 Fafnir – Nordic Journal of Science Fiction and Fantasy Research journal.finfar.org A Book review: Andrzej Wicher, Piotr Spyra & Joanna Matyjaszczyk (eds.) – Basic Categories of Fantastic Literature Revisited. Markku SoikkeliSoikeli Andrzej Wicher, Piotr Spyra, and Joanna Matyjaszczyk (eds.). Basic Categories of Fantastic Literature Revisited. Newcastle upon Tyne: Cambridge Scholars Publishing, 2014. ISBN-13: 978-1443866798. A collection of academic articles is like a collection of short stories: the differences between articles (or stories) are more interesting than the thematic similarities. The free play of imagination is breaking even the genre rules, and that is exactly what makes the stories (or articles on genre texts) so interesting. This Polish-British collection Basic Categories of Fantastic Literature Revisited (2014) is aiming to rethink the concept of the fantastic as it is defined in the theory of Tzvetan Todorov. As stated in Todorov's Introduction à la littérature fantastique (1970), there are three modes of fiction outside the great barrier of mainstream literature: the marvellous (with recognizable supernatural elements), the uncanny (with explanations about exceptional things), and the fantastic (with ambivalent signs of the non-natural). Todorov's definition of the fantastic is usually considered to be more anachronistic than the texts that it is used for, but there still remains the mystery of readers’ pleasure in the kind of "Todorovian hesitation". And it is here where this Polish-British collection of twelve researchers steps in. According to the publisher's info-blurb, the articles are "unified by a highly theoretical focus." But is there anything "highly theoretical" in Todorov's legacy? It may be a valuable goal to rethink the usability of Todorov's view of the fantastic, but the articles in this collection consist of quite usual academic matter with emphasis on case studies. -
Irish Gothic Fiction
THE ‘If the Gothic emerges in the shadows cast by modernity and its pasts, Ireland proved EME an unhappy haunting ground for the new genre. In this incisive study, Jarlath Killeen shows how the struggle of the Anglican establishment between competing myths of civility and barbarism in eighteenth-century Ireland defined itself repeatedly in terms R The Emergence of of the excesses of Gothic form.’ GENCE Luke Gibbons, National University of Ireland (Maynooth), author of Gaelic Gothic ‘A work of passion and precision which explains why and how Ireland has been not only a background site but also a major imaginative source of Gothic writing. IRISH GOTHIC Jarlath Killeen moves well beyond narrowly political readings of Irish Gothic by OF IRISH GOTHIC using the form as a way of narrating the history of the Anglican faith in Ireland. He reintroduces many forgotten old books into the debate, thereby making some of the more familiar texts seem suddenly strange and definitely troubling. With FICTION his characteristic blend of intellectual audacity and scholarly rigour, he reminds us that each text from previous centuries was written at the mercy of its immediate moment as a crucial intervention in a developing debate – and by this brilliant HIST ORY, O RIGI NS,THE ORIES historicising of the material he indicates a way forward for Gothic amidst the ruins of post-Tiger Ireland.’ Declan Kiberd, University of Notre Dame Provides a new account of the emergence of Irish Gothic fiction in the mid-eighteenth century FI This new study provides a robustly theorised and thoroughly historicised account of CTI the beginnings of Irish Gothic fiction, maps the theoretical terrain covered by other critics, and puts forward a new history of the emergence of the genre in Ireland. -
Kgb Fantastic Fiction Online Raffle
KGB FANTASTIC FICTION ONLINE RAFFLE Press Release For Immediate Release Contacts: Ellen Datlow, KGB co-host, [email protected] , Matthew Kressel, KGB co-host, [email protected] , Mary Robinette Kowal, raffle consultant, [email protected] The Hosts of KGB Fantastic Fiction will raffle off donations from well-known authors, editors, artists, and agents to help support the reading series. Event takes place from July 14 th , 2008 through July 28 th , 2008. Raffle tickets will be $1 each and can be purchased from www.kgbfantasticfiction.org New York, NY (July 2008) – The hosts of the KGB Fantastic Fiction reading series in New York City are holding a raffle to help support the series. Well-known artists and professionals have donated prizes (see Partial List of Prizes below) which will be raffled off in July. All proceeds from the raffle will go to support the reading series, which has been a bright star in the speculative fiction scene for more than a decade. Raffle tickets will cost one dollar US ($1) and can be purchased at www.kgbfantasticfiction.org . You may purchase as many tickets as you want. Tickets will be available from July 14 th , 2008 through July 28 th , 2008. At midnight on July 28 th , raffle winners will be selected randomly for each item and announced on the web. Prizes will be mailed to the lucky winners. (See a more detailed explanation in Raffle Rules ). Partial List of Prizes (a full list is available at the website) • Story in a bottle by Michael Swanwick • Tuckerization (your name in a story) by Lucius Shepard • Tuckerization by Elizabeth Hand • Tuckerization by Jeffrey Ford • Pen & Ink drawing of an animal-your choice- by Gahan Wilson • Original art for a George R. -
“Posthistorical University” in James Hynes's Gothic Academic
87 “Cash Is Better than Tenure ” DOI: 10.1515/abcsj-2016-0006 “Cash Is Better than Tenure”: (De)Constructing the “Posthistorical University” in James Hynes’s Gothic Academic Satire The Lecturer’s Tale RALUCA ANDREESCU University of Bucharest Abstract This article analyzes the manner in which James Hynes’s novel The Lecturer’s Tale (2001) can be read as a satire of what Bill Readings identified in his influential The University in Ruins (1996) as the “posthistorical university.” I argue that, in the contemporary context in which higher education establishments are becoming more like corporations and the idea of culture is replaced by the “discourse of excellence,” Hynes’s novel offers an insightful discussion of universities’ negotiation of the Scylla of the pursuit of profit and the Charybdis of self- absorbed literary theorizing and its association with political correctness, the exploitation of junior and non-tenured faculty, and the quest for academic stardom. At the same time, I discuss the way in which the Gothic elements that permeate the novel fittingly double and deepen the critique of contemporary educational establishments and professors. Keywords : academic satire, the Gothic, university of excellence, literary trends, academic superstars, privatization of universities “People who come downstairs from Ivory Towers splash straight into the gutter.” (Smith 156) Whether it brings to light the vibrant life of the academic community with a certain degree of veracity or, on the contrary, it distorts the image of the scholastic environment to the point of grotesque, the contemporary academic novel can be read as “a fun-house mirror held up to the nature of our colleges and universities, one that, for all its grotesquerie, packs a American, British and Canadian Studies / 88 good deal of truth within its pages” (Pinsker 183). -
Teaching Speculative Fiction in College: a Pedagogy for Making English Studies Relevant
Georgia State University ScholarWorks @ Georgia State University English Dissertations Department of English Summer 8-7-2012 Teaching Speculative Fiction in College: A Pedagogy for Making English Studies Relevant James H. Shimkus Follow this and additional works at: https://scholarworks.gsu.edu/english_diss Recommended Citation Shimkus, James H., "Teaching Speculative Fiction in College: A Pedagogy for Making English Studies Relevant." Dissertation, Georgia State University, 2012. https://scholarworks.gsu.edu/english_diss/95 This Dissertation is brought to you for free and open access by the Department of English at ScholarWorks @ Georgia State University. It has been accepted for inclusion in English Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. TEACHING SPECULATIVE FICTION IN COLLEGE: A PEDAGOGY FOR MAKING ENGLISH STUDIES RELEVANT by JAMES HAMMOND SHIMKUS Under the Direction of Dr. Elizabeth Burmester ABSTRACT Speculative fiction (science fiction, fantasy, and horror) has steadily gained popularity both in culture and as a subject for study in college. While many helpful resources on teaching a particular genre or teaching particular texts within a genre exist, college teachers who have not previously taught science fiction, fantasy, or horror will benefit from a broader pedagogical overview of speculative fiction, and that is what this resource provides. Teachers who have previously taught speculative fiction may also benefit from the selection of alternative texts presented here. This resource includes an argument for the consideration of more speculative fiction in college English classes, whether in composition, literature, or creative writing, as well as overviews of the main theoretical discussions and definitions of each genre. -
TABLE of CONTENTS July 1997 Issue 438 Vol
TABLE OF CONTENTS July 1997 Issue 438 Vol. 39 No. 1 30th Year of Publication 18-Time Hugo Winner CHARLES N. BROWN Publisher & Editor-in-Chief MAIN STORIES MARIANNE S. JABLON Sale of TSR Finalized/10 Ghosh Wins Clarke Award/10 Managing Editor Some SF at BookExpo/10 1997 Prix Aurora Nominees/10 FAREN C. MILLER African-American SF Writers Gather/10 CAROLYN F. CUSHMAN Sovereign Buys Sci-Fi Universe/11 Spectrum Becomes Earthlight/11 Editors THE DATA FILE KIRSTEN GONG-WONG Assistant Editor Internet Book War/11 Announcements/11 Readings & Signings/11 EDWARD BRYANT On the Web/11 Award News/11 Publishing News/65 Financial News/65 MARK R. KELLY Worldcon Update/65 Legal News/65 Book News/65 Rights & Options/65 RUSSELL LETSON Publications Received/65 Multi-Media Received/66 Catalogs Received/66 GARY K. WOLFE INTERVIEWS Contributing Editors JONATHAN STRAHAN Joe Haldeman: Forever War & Peace/6 Visiting Editor Eric S. Nylund: Writing Down the Middle/8 WILLIAM G. CONTENTO INTERNATIONAL Special Projects SF in Brazil/36 SF in Australia/37 SF in Scandinavia/38 BETH GWINN Photographer CONVENTION Locus, The Newspaper of the S cience Fiction Field (ISSN World Horror Convention: 1997/39 0047-4959), is published monthly, at $4.50 per copy, by Locus Publications, 34 Ridgewood Lane, Oakland CA 94611.'Please send all mail to: Locus Publications, P.O. OBITUARIES Box 13305, Oakland CA 94661. Telephone (510) 339- 9196; (510) 339-9198. FAX (510) 339-8144. E-mail: George Turner/62 [email protected]. Individual subscriptions in the US: $43.00 for 12 issues, $80.00 for 24 issues via peri George Turner: Appreciations by Peter Nicholls, Russell Letson, John Douglas/62 odical mail. -
The 2019 Bram Stoker Award Finalists – the Bram Stoker Awards
The 2019 Bram Stoker Award Finalists – The Bram Stoker Awards MENU SIDEBAR THE 2019 BRAM STOKER AWARD FINALISTS The 2019 Bram Stoker Awards® Final Ballot Special Internet Mailer The Horror Writers Association (HWA) is pleased to release the Final Ballot for the 2019 Bram Stoker Awards®. The HWA (see http://www.horror.org/) is the premier writers organization in the horror and dark fiction genre, with over 1,600 members. We have presented the Bram Stoker Awards® in various categories since 1987 (see http://www.thebramstokerawards.com/). The HWA Board of Trustees and the Bram Stoker Awards® Committee congratulate all of those appearing on the Final Ballot. Notes about the voting process will appear after the ballot listing. 2019 Bram Stoker Awards® Final Ballot Superior Achievement in a Novel Goingback, Owl – Coyote Rage (Independent Legions Publishing) Malerman, Josh – Inspection (Del Rey) Miskowski, S.P. – The Worst is Yet to Come (Trepidatio Publishing) Murray, Lee – Into the Ashes (Severed Press) Wendig, Chuck – Wanderers (Del Rey) http://www.thebramstokerawards.com/front-page/the-2019-bram-stoker-award-finalists/[2/21/2020 9:36:35 PM] The 2019 Bram Stoker Award Finalists – The Bram Stoker Awards Superior Achievement in a First Novel Amor, Gemma – Dear Laura (Independently Published) Guignard, Eric J. – Doorways to the Deadeye (JournalStone) Lane, Michelle Renee – Invisible Chains (Haverhill House Publishing) Read, Sarah – The Bone Weaver’s Orchard (Trepidatio Publishing) Starling, Caitlin – The Luminous Dead (Harper Voyager) Superior Achievement in a Young Adult Novel Bérubé, Amelinda – Here There Are Monsters (Sourcebooks Fire) Dávila Cardinal, Ann – Five Midnights (Tor Teen) Gardner, Liana – Speak No Evil (Vesuvian Books) Marshall, Kate Alice – Rules for Vanishing (Viking Books for Young Readers) Nzondi – Oware Mosaic (Omnium Gatherum) Salomon, Peter Adam – Eight Minutes, Thirty-Two Seconds (PseudoPsalms Press) Superior Achievement in a Graphic Novel Bunn, Cullen – Bone Parish Vol. -
Post-Human Nightmares
Post-Human Nightmares Mark Player 13 May 2011 A man wakes up one morning to find himself slowly transforming into a living hybrid of meat and scrap metal; he dreams of being sodomised by a woman with a snakelike, strap-on phallus. Clandestine experiments of sensory depravation and mental torture unleash psychic powers in test subjects, prompting them to explode into showers of black pus or tear the flesh off each other's bodies in a sexual frenzy. Meanwhile, a hysterical cyborg sex-slave runs amok through busy streets whilst electrically charged demi-gods battle for supremacy on the rooftops above. This is cyberpunk, Japanese style : a brief filmmaking movement that erupted from the Japanese underground to garner international attention in the late 1980s. The world of live-action Japanese cyberpunk is a twisted and strange one indeed; a far cry from the established notions of computer hackers, ubiquitous technologies and domineering conglomerates as found in the pages of William Gibson's Neuromancer (1984) - a pivotal cyberpunk text during the sub-genre's formation and recognition in the early eighties. From a cinematic standpoint, it perhaps owes more to the industrial gothic of David Lynch's Eraserhead (1976) and the psycho-sexual body horror of early David Cronenberg than the rain- soaked metropolis of Ridley Scott's Blade Runner (1982), although Scott's neon infused tech-noir has been a major aesthetic touchstone for cyberpunk manga and anime institutions such as Katsuhiro Otomo's Akira (1982- 90) and Masamune Shirow's Ghost in the Shell (1989- ). In the Western world, cyberpunk was born out of the new wave science fiction literature of the sixties and seventies; authors such Harlan Ellison, J.G.