Bruce Spence
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January 2021
FILMS RATED/CLASSIFIED From 01 Jan 2021 to 31 Jan 2021 Films and Trailers FILM TITLE DIRECTOR RUN TIME DATE APPROVED DESCRIPTION MEDIA NAME Aadhaar Suman Ghosh 114 14/01/2021 PG Violence & coarse language Film - DCP American Desert Adrian Bartol 0.35 26/01/2021 M Trailer American Desert Adrian Bartol 81.09 28/01/2021 Refused Classification Film - DCP Bamboozled Spike Lee 130 19/01/2021 R16 Violence & offensive language Film - DVD Beauty and the Beast (1991) Gary Trousdale, 84 19/01/2021 PG Some scenes may scare very young children Film - DCP Kirk Wise Billie Eilish: The Worlds a Little Blurry R. J. Cutler 1.56 12/01/2021 PG Trailer Blackbird Roger Michell 2.01 19/01/2021 M Suicide references Trailer Bombshell: The Hedy Lamarr Story Alexandra Dean 85 19/01/2021 M Nudity Film - DVD Boonie Bears The Wild LIfe Liang Ding 99 21/01/2021 PG Violence Film - DCP Boss Level Joe Carnahan 100.5 28/01/2021 R16 Violence & offensive language Film - DCP Brimstone & Glory Viktor Jakovleski 67 19/01/2021 PG Some scenes may disturb Film - DVD Chaos Walking Doug Liman 109 12/01/2021 M Violence Film - DCP City Of Lies Brad Furman 107.12 20/01/2021 R16 Violence, offensive language & content that may disturb Film - Harddrive Clockers Spike Lee 128 19/01/2021 R18 Violence & offensive language Film - DVD Cousins Ainsley Gardiner, 2.22 21/01/2021 PG Trailer Briar Grace Smith Cousins Ainsley Gardiner, 98.25 28/01/2021 PG Offensive language Film - DCP Briar Grace Smith Craft, The Zoe Lister-Jones 94 20/01/2021 M Adult themes Film - Harddrive Daisy Quokka: Worlds -
Benjamin Winspear
SHANAHAN MARTA DUSSELDORP | Actor TELEVISION Year Production / Character Director Company 2021 JACK IRISH: SERIES 3 Various Easy Tiger Productions Linda 2020 WENTWORTH: SERIES 8 Kevin Carlin, Fremantle Media Sheila Fiona Banks 2019 STATELESS Emma Freeman, Dirty Films / ABC / Matchbox Margot Verner Jocelyn Moorhouse Pictures 2018 A PLACE TO CALL HOME: SERIES 6 Various Foxtel / Seven Network Sarah Adams 2018 WHO DO YOU THINK YOU ARE Various SBS Australia 2017 JACK IRISH: SERIES 2 Various Essential Media & Entertainment Linda 2017 A PLACE TO CALL HOME: SERIES 5 Various Foxtel / Seven Network Sarah Adams 2016 JANET KING: SERIES 3 Peter Andrikidis, Screentime Janet King Grant Brown, Catherine Millar 2016 A PLACE TO CALL HOME: SERIES 4 Various Foxtel / Seven Network Sarah Adams 2015 JANET KING: SERIES 2 Various Screentime Janet King Shanahan Management Pty Ltd PO Box 1509 Darlinghurst NSW 1300 Australia ABN 46 001 117 728 Telephone 61 2 8202 1800 Facsimile 61 2 8202 1801 [email protected] SHANAHAN 2015 JACK IRISH SERIES 1 Various Essential Media & Entertainment Linda 2015 A PLACE TO CALL HOME: SERIES 3 Various Foxtel / Seven Network Sarah Adams 2013 A PLACE TO CALL HOME: SERIES 2 Various Seven Network Sarah Adams 2013 JACK IRISH: DEAD POINT Jeffrey Walker Essential Media & Entertainment Linda Hillier 2013 JANET KING Various Screentime Janet King 2012 A PLACE TO CALL HOME: SERIES 1 Various Seven Network Operations Sarah Adams 2012 DEVIL’S DUST Jessica Hobbs Fremantle Media Meredith Hellicar 2012 JACK IRISH: BLACK TIDE Jeffrey Walker Essential -
Sydney Film Festival Award Winners Announced at Closing Night Gala 19/06/2016
MEDIA RELEASE EMBARGOED UNTIL 08:30PM SUNDAY 19 JUNE 2016 SYDNEY FILM FESTIVAL AWARD WINNERS ANNOUNCED AT CLOSING NIGHT GALA The 63rd Sydney Film Festival tonight awarded Aquarius, directed by Kleber Mendonça Filho, the prestigious Sydney Film Prize, out of a selection of 12 Official Competition films. The $63,000 cash prize was awarded at the Festival’s Closing Night Gala awards ceremony and event: the Australian premiere screening of Whit Stillman’s Love & Friendship, held at the State Theatre. Sydney filmmaker Dan Jackson was awarded the Documentary Australia Foundation Award for Australian Documentary, a $15,000 cash prize, for In the Shadow of the Hill; with a special mention going to Destination Arnold directed by Sascha Ettinger Epstein. The Dendy Awards for Australian Short Films were announced; awarding Slapper, directed and written by Luci Schroder, The Dendy Live Action Short Award; The Crossing, directed and written by Marieka Walsh, The Yoram Gross Animation Award; and Goran Stolevski, the Rouben Mamoulian Award for Best Director, for You Deserve Everything. The Event Cinema Australian Short Screenplay Award was awarded to Spice Sisters, written and directed by Sheila Jayadev, who received a $5,000 cash prize, with a special mention to Matthew Vesely for My Best Friend Is Stuck On The Ceiling. The new annual Sydney UNESCO City of Film Prize was awarded to Ms Lynette Wallworth, who received $10,000 prize awarded by Screen NSW, presented by Margaret Pomeranz AM. Sydney Film Festival CEO Leigh Small said, “Cinemas were full again this year with an average of 73% capacity across all sessions and more sellouts than ever before. -
Sydney Film Festival Announces 10 Finalists for Dendy Awards for Australian Short Films
MEDIA RELEASE SYDNEY FILM FESTIVAL ANNOUNCES 10 FINALISTS FOR DENDY AWARDS FOR AUSTRALIAN SHORT FILMS The 63rd Sydney Film Festival announces the 10 finalists in the Dendy Awards for Australian Short Films. The Festival’s short-film competition – now in its 47th year – has been sponsored by Dendy Cinemas for 28 of those years. These ground-breaking awards have kick-started the careers of many prominent filmmakers, with past competitors Warwick Thornton, Ariel Kleiman, Cate Shortland, Jane Campion, Phillip Noyce and Ivan Sen among Dendy Awards among the alumni. This year’s 10 finalists will be screened twice, on Saturday 18 June and again on Sunday 19 June, in two sessions. The winners will be announced at the Festival’s Closing Night Gala on Sunday 19 June, at the State Theatre. The 10 finalists compete for three prizes: the Dendy Live Action Short Award, which provides a $5000 cash prize; the Yoram Gross Animation Award, which carries a $5000 cash prize; and the Rouben Mamoulian Award for Best Director, which offers a $5000 cash prize. In addition, each finalist (and all of the Australian shorts in the Festival) qualifies for the Event Cinemas Australian Short Screenplay Award. “The Dendy Shorts Award is such an important opportunity for talented filmmakers to get exposure in the local film industry,” said Dendy Cinemas National Film, Content and Programming Manager, Claire Gandy. “Dendy takes immense pride in providing local talent with such a prestigious platform as Sydney Film Festival to showcase their visions to a diverse and receptive audience.” The competition for Australian Short Films was established by the Festival in 1970. -
The Marrakech International Film Festival Unveils Its Official Selection
The 18th edition of the Marrakech International Film Festival runs from November 29th to December 7th, 2019. THE MARRAKECH INTERNATIONAL FILM FESTIVAL UNVEILS ITS OFFICIAL SELECTION Rabat, November 7th, 2019. Some 98 flms from 34 different countries have been selected for the 18th edition of the Marrakech International Film Festival, which runs from November 29th to December 7th, 2019. The flms have been programmed in various sections, including the Offcial Competition, Gala Screenings, a tribute to Australian Cinema, Special Screenings, the 11th Continent, a Moroccan Panorama, Cinema for Young Audiences, Jemaa El Fna open-air screenings, Audio-Described Cinema, and tributes to signifcant cinema personalities. The 18th edition of the Marrakech International Film Festival is a showcase of the diversity and creativity of world cinema. Across a wide range of sections, no fewer than 98 movies from 34 countries will be screened. The Ofcial Competition remains faithful to the Festival’s determination to screen frst or second feature-length movies to reveal and promote new talent in international cinema. The 14 flms in competition for the Étoile d’Or de Marrakech all bear witness to an astonishing sense of style and depth of thought, daring to explore new territories and establish personal and very original approaches to cinematographic creation. The Competition also represents an eclectic selection that showcases multiple cinematographic universes from different parts of the world, with three European flms from the UK, Italy, and Serbia; two flms from Latin America, hailing from Brazil and Colombia; one US flm; another from Australia; three Asian flms from China, India, and South Korea; and four flms from the Middle East and Africa, from Morocco, Tunisia, Saudi Arabia and Senegal. -
Annual Report 2014-2015
AUSTRALIAN FILM, TELEVISION AND RADIO SCHOOL Building 130, The Entertainment Quarter, Moore Park NSW 2021 PO Box 2286, Strawberry Hills NSW 2012 Tel: 1300 131 461 Tel: +61 (0)2 9805 6611 Fax: +61 (0)2 9887 1030 www.aftrs.edu.au © Australian Film, Television and Radio School 2015 Published by the Australian Film, Television and Radio School ISSN 0819-2316 The text in this Annual Report is released subject to a Creative Commons BY-NC-ND licence, except for the text of the independent auditor’s report. This means, in summary, that you may reproduce, transmit and otherwise use AFTRS’ text, so long as you do not do so for commercial purposes and do not change it. You must also attribute the text you use as extracted from the Australian Film, Television and Radio School’s Annual Report. For more details about this licence, see http://creativecommons.org/licenses/by-nc-nd/3.0/ deed.en_GB. This licence is in addition to any fair dealing or other rights you may have under the Copyright Act 1968. You are not permitted to reproduce, transmit or otherwise use any still photographs included in this Annual Report, without first obtaining AFTRS’ written permission. The report is available at the AFTRS website http://www.aftrs.edu.au Cover Image: Production still from AFTRS student film Foal 2014. Photo courtesy of Vanessa Gazy. LETTER FROM THE CHAIR 28 August 2015 Senator the Hon Mitch Fifield Minister for the Arts Parliament House Canberra ACT 2600 Dear Minister It is with great pleasure that I present the Annual Report for the Australian Film, Television and Radio School (AFTRS) for the financial year ended 30 June 2015. -
Bruce Spence
BRUCE SPENCE THEATRE A Cheery Soul TBA as Cast Sydney Theatre Company Dir: Kip Williams The Harp in the South Various Sydney Theatre Company Dir: Kip Williams Dinner The Waiter Sydney Theatre Company Dir: Imara Savage The Secret River Loveday Sydney Theatre Company Dir: Neil Armfield A Midsummer Night’s Dream Snout/Fair Sydney Theatre Company Dir: Kip Williams Endgame Nagg Sydney Theatre Company Dir: Andrew Upton Cyrano De Bergerac Lingniere Sydney Theatre Company Dir: Andrew Upton The Secret River Loveday Sydney Theatre Company Dir: Kip Williams Under Milkwood Captain Cat Sydney Theatre Company Dir: Kip Williams Push 10 Kittenbone Bridge Doctor Sydney Theatre Company Dir: Nick Coyle The Marvellous Boy Cast Griffin Theatre Company Dir: David Berthold The White Devil Camillo Sydney Theatre Company Dir: Gale Edwards Twelfth Night Cast Melbourne Theatre Company Dir: Roger Hodgman Les Miserables Thenardier Australian and New Zealand Tour Dir: Trevor Nunn As You Like It Cast Sydney Theatre Company Dir: Simon Phillips. A Midsummer Night’s Dream Bottom Sydney Royal Botanic Gardens, Sydney Dir: Glenn Elston How to Succeed in Business Bud Frump Kardana Productions Inc. Without Really Trying Dir: Christopher Renshaw Sunday Lunch Cast Melbourne Theatre Company Dir: Frank Gallacher Mixed Doubles Cast Sydney Theatre Company Dir: David Pross The Servant of Two Masters Cast Melbourne Theatre Company Dir: Roger Hodgman Don Juan Cast Adelaide Festival of Arts Dir: Jean-Pierre Mignon BRUCE SPENCE THEATRE cont. A Midsummer Night's Dream Puck Melbourne Theatre Company Dir: Roger Hodgman A Stretch of the Imagination Monk O’Neill Sydney / Canberra Dir: Jack Hibbered The Floating World Les Aus. -
Factsheet on Accelerator
www.miffaccelerator.com WHAT IS ACCELERATOR LAB? • A part of the Melbourne International Film Festival’s MIFF 37°South Market suite of industry programs, Accelerator Lab is an acclaimed emerging director program that provides a talent “hot-housing” environment for promising short filmmakers preparing to become feature filmmakers. • Helping tomorrow's hottest filmmaking talent today, up to 25 short film directors (selected from all short film entries to the MIFF screening program of the year in question) are chosen for the four-day Accelerator Lab program, which exposes participants to a series of talks, workshops, seminars, screenings and discussions on the business and creative aspects of the film industry by leading local and international film practitioners. • Accelerator Lab draws on the international guests (chiefly directors) attending the main MIFF screening festival to present their films, as well as MIFF Premiere Fund directors and leading experts from Australia’s film funding agencies and distribution companies to help the selected short filmmakers hone their skills, craft and contacts for their transition to feature filmmaking. Previous guest speakers include directors Mike Mills (Beginners), Robert Connolly (Paper Planes), Tony Ayres (Cut Snake), Alex Proyas (Dark City), Greg McLean (Wolf Creek), Ana Kokkinos (Head On), Desiree Akhavan (The Miseducation of Cameron Post), Joe Swanberg (Drinking Buddies), Garth Davis (Lion), Matt Saville (Felony), Mark Hartley (Not Quite Hollywood), Joe Dante (Gremlins), Rolf de Heer (Ten Canoes), Ben Lewin (The Sessions) and Morgan Spurlock (Super-Size Me), plus editors Nick Meyers (Balibo) and Matt Villa (Great Gatsby), composers Lisa Gerrard (Whale Rider) and David Hirschfelder (Shine), actors Terry Norris (Innocence), Emma Booth (Hounds of Love), Melissa George (The Good Wife) and Kerry Fox (Shallow Grave) and major distributors/sales agents Roadshow, Universal, Madman, eOne, Bankside, Charades and Level K. -
Annual Report 2013/14 Report | Annual Australia Screen
Screen Australia | Annual Report 2013/14 Screen Australia Annual Report 2013/14 www.screenaustralia.gov.au Published by Screen Australia October 2014 ISSN 1837-2740 © Screen Australia 2014 The text in this Annual Report is released subject to a Creative Commons BY licence (Licence). This means, in summary, that you may reproduce, transmit and distribute the text, provided that you do not do so for commercial purposes, and provided that you attribute the text as extracted from Screen Australia’s Annual Report 2013/14. You must not alter, transform or build upon the text in this Annual Report. Your rights under the Licence are in addition to any fair dealing rights which you have under the Copyright Act 1968 (Cwlth). For further terms of the Licence, please see http://creativecommons.org/licenses/ by-nc-nd/3.0/au/. You are not licensed to reproduce, transmit or distribute any still photographs contained in this Annual Report without the prior written permission of Screen Australia. TV ratings data Metropolitan market data is copyright to OzTAM. The data may not be reproduced, published or communicated (electronically or in hard copy) in whole or part without the prior All Annual Report enquiries should be addressed to: consent of OzTAM. Regional market data is copyright to Publishing Unit RegionalTAM. The data may not be reproduced, published or communicated Screen Australia (electronically or in hard copy) in whole Level 7, 45 Jones Street or part without the prior consent of Ultimo NSW 2007 RegionalTAM. Toll free: 1800 213 099 This Annual Report is available to download Phone: 02 8113 5800 as a PDF from www.screenaustralia.gov.au Email: [email protected] Front cover image from INXS: Never Tear Us Apart. -
Australian Film Productions, 1990-2019
AUSTRALIAN FILM PRODUCTIONS, 1990-2019 TITLE PRODUCTION CO. PRODUCERS SCRIPT DIRECTOR DOP PROD DESIGNER COSTUME DESIGN EDITOR SOUND DESIGN #7 DAYS LATER * Ludo Studio Pty Ltd Dave Jansen, Nicholas Nicholas Boshier Daley Pearson James L Brown, Josh Ella Carey Mia Harris Que Minh Lu Luke Mynott, Mick Teleseries 2013 Boshier, Daley Pearson, Flavell Boraso Charlie Aspinwall $9.99 * Feature (A) 2007 Sherman Pictures/Lama Amir Harel, Emile Etgar Keret, Tatia Tatia Rosenthal Susan Stitt Melinda Doring Caroline Sherman Dany Cooper Christopher Bowen Productions Ltd Sherman Rosenthal 02:37:00 * Feature 2005 Moon On A Stick Nick Matthews Murali K Thalluri Murali K Thalluri Nick Matthews Jeni Lee Murali K Thalluri, Nick Mark Tschanz Productions Matthews 1 * Feature 2018 BarrLipp Productions Tristan Barr Robert Braiden Robert Braiden Damien E. Lipp Ellie Popov 1% * Feature 2017 Ticket To Ride Pty Ltd Jamie Hilton, Michael Matthew Nable Stephen McCallum Shelley Farthing-Dawe Louise Brady Terri Lamera Pontin 100 BLOODY ACRES * Cyan Films Pty Ltd Kate Croser, Julie Ryan, Cameron Cairnes, Colin Cameron Cairnes, Colin John Brawley Tony Cronin Chloe Spalding Joshua Waddell Emma Bortignon Feature 2012 Bryce Menzies, Jonathan Cairnes Cairnes Page 100% WOLF * Feature Flying Bark Productions, Alexia Gates-Foale, Fin Edquist Alexs Stadermann Shane Devries 2019 Siamese Pty Ltd Barbara Stephen 100% WOLF * Teleseries Flying Bark Productions Barbara Stephen, Michael Fin Edquist, Tim Lee, Serg Delfino, Jacquie 2019 Bourchier Joshua Tyler, Michelle Trowell Offen, -
DP MILLA Au 17 Fev Aurelien V3 Clean
MILLA (Babyteeth) Un film de Shannon Murphy Synopsis Milla n’est pas une adolescente comme les autres et quand elle tombe amoureuse pour la première fois, c’est toute sa vie et celle de son entourage qui s’en retrouvent bouleversées. 1h58 – Australie – 1.85 – 5.1 Sortie le 29 avril 2020 Matériel téléchargeable sur www.memento-films.com Distribution Relations presse Memento Films Distribution Laurence Granec – Vanessa Fröchen 01 53 34 90 39 01 47 20 36 66 [email protected] [email protected] A propos de MILLA L’origine du projet « La scénariste Rita Kalnejais et moi venons toutes les deux du théâtre. Sa pièce intitulée Babyteeth s’est jouée en 2012 à Sydney. Je ne l’ai pas vue, mais j’en ai entendu beaucoup de bien. Nos deux productrices, Jan Chapman, qui a notamment produit La Leçon de piano, et Alex White, étaient à la première. Dès le baisser de rideau, elles avaient décidé que leur prochain film serait une adaptation de ce texte. Je crois que Rita avait également senti la puissance cinématographique de sa pièce. Je ne suis arrivée sur le projet qu’il y a deux ans. En rencontrant Jan Chapman, j’étais assez nerveuse : dans son bureau, il y a quand même le piano de La Leçon de piano ! J’avais lu pas mal de scénarios qui auraient pu devenir mon premier film, mais celui- ci m’avait émue, et j’y ai retrouvé exactement mon sens de l’humour. La façon dont Rita Kalnejais refuse le sentimentalisme me plaisait beaucoup. -
Annual Report 2017/18
Screen Australia Annual | Report 2017/18 Screen Australia Annual Report 2017/18 Published by Screen Australia October 2018 ISSN 1837-2740 © Screen Australia 2018 The text in this Annual Report is released subject to a Creative Commons BY licence (Licence). This means, in summary, that you may reproduce, transmit and distribute the text, provided that you do not do so for commercial purposes, and provided that you attribute the text as extracted from Screen Australia’s Annual Report 2017/18. You must not alter, transform or build upon the text in this Annual Report. Your rights under the Licence are in addition to any fair dealing rights which you have under the Copyright Act 1968 (Cwlth). For further terms of the Licence, please see http://creativecommons.org/licenses/ by-nc-nd/3.0/au/. You are not licensed to reproduce, transmit or distribute any still photographs contained in this Annual Report without the prior written permission of Screen Australia. TV ratings data Metropolitan and National market data is copyright to OzTAM. The data may not be reproduced, published or communicated (electronically or in hard copy) in whole or part without the prior consent of OzTAM. Regional market data is copyright to RegionalTAM. The data may not be reproduced, published or communicated (electronically or in hard copy) in whole or part without the prior consent of All Annual Report enquiries should be addressed to: RegionalTAM. Communications Department Screen Australia This Annual Report is available to download as a Level 7, 45 Jones Street PDF from www.screenaustralia.gov.au Ultimo NSW 2007 Toll free: 1800 213 099 Front cover image from Sweet Country.