EDUCATORS/EDUCATED ARTISTS' BIOS Sue Amendolara Was Born In

Total Page:16

File Type:pdf, Size:1020Kb

EDUCATORS/EDUCATED ARTISTS' BIOS Sue Amendolara Was Born In EDUCATORS/EDUCATED ARTISTS’ BIOS Sue Amendolara was born in Youngstown, Ohio in 1963. She received a BFA degree from Miami University in 1985 and an MFA degree from Indiana University in 1988. Currently, she lives in Edinboro, PA and is Head of Metals at Edinboro University. She received Pennsylvania Council on the Arts Individual Fellowships in 2003, 1999, 1994 and a Mid- Atlantic/NEA in 1995. Her work has been exhibited in "The Art of Gold" and Mobilia Gallery's "The Ring." Her work has been collected by The Renwick Gallery, The Carnegie Museum and The White House Collection of Crafts. Diane A. Archer, born 1954, Akron, Ohio. She received a BFA from the University of Akron and an MFA from Kent State University. A residency at the Sitka Center for Art and Ecology took her to Oregon in 1999. She currently lives on the Oregon coast. Diane explores emotional and physical concepts of place in a variety of formats, including jewelry, mixed media assemblage and installation. Her work is primarily composed of metal and paper maps, drawings and found objects. Her work has appeared in SNAG Exhibition In Print and has been exhibited in museums and galleries across the country. Pamela Argentieri, born in 1964 in Shaker Heights, Ohio, received a BFA in Jewelry & Metals from Cleveland Institute of Art in 1987. She was awarded the first Agnes Gund Scholarship for international travel. Pamela designs jewelry and metalwork as an independent artist and has been faculty at Cleveland Institute of Art since 2002. Her work is shown nationally; it is held in the collection of the Renwick Gallery of Art, Washington, DC and the Ohio Crafts Museum. Kenneth Bates, born 1904, North Scituate, MA., deceased 1993. Education: Bachelor of Science, 1926, Mass. School of Art. Attended Fontainebleu School of Fine Arts, France, 1931 and Berkshire School of Art, 1927. Employment: Cleveland Institute of Art, 40 years, first teacher in enameling. Selected Exhibitions: "Objects USA" 1969, Smithsonian Museum, Washington, DC; Brussels Worlds Fair, 1959. Grants and awards: Horace Potter Silver Medal for Excellence in Craftsmanship, 1949, 1957, 1966; Visual Arts Award, City of Cleveland, 1963. Collections: Cleveland Museum of Art, Birmingham Museum of Art, AL, Butler Institute of American Art, Youngstown, OH, University of Notre Dame, Wichita Art Museum. Publications: "The Enamelist," Cleveland and New York: The World Publishing Company, 1967; "Basic Design: Principles and Practice," Cleveland and New York: The World Publishing Company, 1951. Jane D. Benjamin received her BFA in Metals from the Cleveland Art Institute in 1995.She teaches jewelry and metalsmithing at the DeCordova Museum, Lincoln, MA and the Brookfield Craft Center, Brookfield, CT.Her conceptual sculptural work has been influenced by time in Japan and extensive travel in Asia.She combines natural materials with the integrity of metals to explore ideas. Her work is in the collection of the Museum of ART & Design, NYC. She has been awarded a Professional Development Grant from the MA Cultural Council (2002) and numerous juror's awards. Jane is an Ohio Arts Council Individual Artist Fellowship Recipient. Christina Baitz Brandwie, born 1954, received her BFA from the College of Mt.St Joseph's, in Cincinnati, OH and then her masters degree in metals from Miami University in 1980. She is a self employed Art Jeweler/Metalsmith. She was adjunct professor, College of Mt. St. Joseph 1979-89. She exhibits regularly. Recently she participated in "Master Craft Works" College of Mt. St. Joseph, OH; Best of Ohio, 2001; "Annual Fine Crafts Exhibit", Crafts Guild of Cincinnati. Kathleen Browne received her BFA from San Diego State University (Metalsmithing) in 1983 and her MFA (Metalsmithing) in 1986 from Southern Illinois University, Carbondale, IL. She has taught at Kent State University from 1992 to the present; she is Professor of Jewelry, Metals and Enameling, Undergraduate and Graduate Faculty. She has been visiting artist, presenter, lecturer and critic numerous times and places, an active member of the Board of the Society of North American Goldsmiths, member of the Editorial Advisory Board of Metalsmith magazine and co-chair of the upcoming 2005 SNAG Conference, Cleveland. She has received numerous grants and artist fellowships: in 2000, she participated in a 2 month residency in the Czech Republic through support from the Ohio Arts Council and the Foundation and Center for Contemporary Art. She has been published numerous times in periodicals and catalogues. She exhibits nationally and internationally: at SOFA, New York and Chicago; in "Schmuck 2003", Munich, Germany; "The Ring Exhibition" 2001 traveling to Ruthin Wales; "Attitude & Action: North American Figurative Jewelry", Birmingham, England and Dublin, Ireland, 2000. Her unique work celebrates and comments on social imagery and jewelry history by employing dramatic images frozen in time and appropriated from magazine stories, then converted into enamel decals- "dated" pop culture portraits exploiting portrait miniatures- and addressing affordable jewels available to the broader public. Kathleen is an Ohio Arts Council Individual Artist Fellowship Recipient. Kathy Buszkiewicz received a BS from Ball State University, Muncie, IN in 1975; she received a MFA in Jewelry/Metalsmithing in 1980 from Indiana University, Bloomington IN. She has been affiliated with Cleveland Institute of Art since 1983 as Professor of Jewelry and Metals. She has received numerous grants from the Ohio Arts Council, the Murphy Foundation, the Lilly Foundation and the Alliance of Independent Colleges of Art Faculty Grant. She has exhibited broadly in Ohio and nationally, most recently in "The Art of Gold", a three year travelling show; "At Arms Length" Sybaris Gallery, Royal Oak, Michigan, "Charmed Lives: Jewelry As Memento" Facere Jewelry Art, Seattle, WA; "The Ring", Mobilia Gallery, Cambridge, MA and travelling venues; "Material Wealth" Kipp Gallery, IUP, Indiana, PA. She has been published extensively in Metalsmith magazine, American Craft, Sculptural Concerns: Contemporary American Metalworking/CD-ROM and numerous catalogue essays. She has lectured, presented slides and been a visiting artist and juror many times as well. Her unique work focuses on the ideas of 'value' -exploring issues of materialism, environmentalism, commodities exchange, status, economics and spiritual and cultural values. Catherine Butler was born in 1958 in Cleveland, OH. She holds a BFA in jewelry and metalsmithing from the Cleveland Institute of Art. Her primary focus is jewelry, hand fabricated from sterling silver,, gold and non-precious metals. She is the recipient of two Individual Artists Fellowships from the Ohio Arts Council. Her work has been included in numerous exhibition catalogs and in the book THE ART OF JEWELRY DESIGN by Deborah Krupenia, an in-depth survey of 20 American jewelers. In 2001 she was a finalist for the Elizabeth R. Raphael Founder's Prize given by The Society for Contemporary Craft. Her work has been included in the following exhibitions: MIKROMEGAS (currently travelling around the world), CHARMED LIVES, JEWELS FROM PAINTING, TIARAS WILL BE WORN, ATTITUDE and ACTION: North American Figurative Jewelry, and COMMEMORATIVE MEDALS / TROPHIES: THE POLITICS OF HISTORY among others. Butler resides in Cleveland Heights, Ohio. Jessica Calderwood Born in Cleveland, 1978 Currently resides in Phoenix, Arizona Shereceived her undergraduate degree from The Cleveland Institute of Art, with an emphasis in enameling. Coming from a painting background, enameling became an extension of that tradition. Soon after graduation, Jessica began a three month residency with Kohler’s Arts / Industry program as the first artist to focus on enameling cast iron. In 2002, Jessica began graduate school at Arizona State University, where she is currently finishing her degree.Jessica’s work has been seen on the cover of Metalsmith Magazine’s Exhibition in Print, as well as Aaron Faber Gallery’s SOFA New York exhibition Focus on Enamels. Sofia Calderwood earned a BA in Design specializing in Silversmithing and jewelry at the Glasgow School of Art, 1993, Scotland, and a MFA, in 2000, at Kent State University. She has been adjunct professor in enameling and jewelry for several programs at CIA, Cleveland, Kent State and University of Akron. She has taught numerous workshops at Kent State. She has exhibited in diverse shows including Charmed Lives: Jewelry As Memento, Facere Jewelry Art, Seattle; Rings-12 Designers, The Scottish Gallery, Edinburgh, Scotland; Jewelry: Hard & Soft, The Society of Arts & Crafts, Boston, MA and The Best of Ohio 2000, The Ohio Craft Museum, Columbus, OH. She has been in print in Metalsmith magazine, Metalsmith Exhibition In Print 2000, and the upcoming 1000 Rings, Lark Books, 2004. Susan Lovell Campbell currently resides in Little Rock, Arkansas. Born in 1975, she grew up in Detroit, Michigan. After finishing a BFA in photography and metalsmithing/jewelry design at Miami University, she earned an MFA in metalsmithing and jewelry design from Indiana University at Bloomington. Susan has participated in both SOFA Chicago and SOFA New York with the Yaw Gallery as well exhibitions at the Decorative Arts Museum and Arkansas Arts Center both in Little Rock. She currently runs her own design and manufacture business named Revelious Design Studio specializing in custom adornment for both the body and the home. Katy Bergman Cassell “In my recent work in enamel, Islamic tile motifs become metaphors for the way in which culture is cyclically built and eroded. I integrate imagery that refers to the losses incurred by patterns of conflict.” Born 1975, lives in Akron, OH. She maintains an active studio and teaches enameling the Cleveland Institute of Art (BFA 1998) and Kent State University (MFA 2004). She was recently included in: Metalsmith Magazine’s Exhibition in Print 2003; the book The Art of Enameling: Techniques, Projects, Inspiration by Linda Darty; and exhibitions “Rising Stars”, Studio Fusion, London; “25th Annual Contemporary Crafts”, Mesa, AZ; and “bigLITTLE”, Oakland, CA. Cynthia Cetlin earned an MFA in Metalsmithing at SUNY, New Paltz in 1983.
Recommended publications
  • The Factory of Visual
    ì I PICTURE THE MOST COMPREHENSIVE LINE OF PRODUCTS AND SERVICES "bey FOR THE JEWELRY CRAFTS Carrying IN THE UNITED STATES A Torch For You AND YOU HAVE A GOOD PICTURE OF It's the "Little Torch", featuring the new controllable, méf » SINCE 1923 needle point flame. The Little Torch is a preci- sion engineered, highly versatile instrument capa- devest inc. * ble of doing seemingly impossible tasks with ease. This accurate performer welds an unlimited range of materials (from less than .001" copper to 16 gauge steel, to plastics and ceramics and glass) with incomparable precision. It solders (hard or soft) with amazing versatility, maneuvering easily in the tightest places. The Little Torch brazes even the tiniest components with unsurpassed accuracy, making it ideal for pre- cision bonding of high temp, alloys. It heats any mate- rial to extraordinary temperatures (up to 6300° F.*) and offers an unlimited array of flame settings and sizes. And the Little Torch is safe to use. It's the big answer to any small job. As specialists in the soldering field, Abbey Materials also carries a full line of the most popular hard and soft solders and fluxes. Available to the consumer at manufacturers' low prices. Like we said, Abbey's carrying a torch for you. Little Torch in HANDY KIT - —STARTER SET—$59.95 7 « '.JBv STARTER SET WITH Swest, Inc. (Formerly Southwest Smelting & Refining REGULATORS—$149.95 " | jfc, Co., Inc.) is a major supplier to the jewelry and jewelry PRECISION REGULATORS: crafts fields of tools, supplies and equipment for casting, OXYGEN — $49.50 ^J¡¡r »Br GAS — $49.50 electroplating, soldering, grinding, polishing, cleaning, Complete melting and engraving.
    [Show full text]
  • Textile Society of America Newsletter 23:2 •Fl Spring/Summer 2011
    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Newsletters Textile Society of America Spring 2011 Textile Society of America Newsletter 23:2 — Spring/Summer 2011 Textile Society of America Follow this and additional works at: https://digitalcommons.unl.edu/tsanews Part of the Art and Design Commons Textile Society of America, "Textile Society of America Newsletter 23:2 — Spring/Summer 2011" (2011). Textile Society of America Newsletters. 61. https://digitalcommons.unl.edu/tsanews/61 This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Newsletters by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Textile VOLUME 23 n NUMBER 2 n SPRING/SUMMER, 2011 Society of America Tinkuy de Tejedores by Marilyn Murphy CONTENTS accompanied with translations in English, Quechua, and Spanish. 1 Tinkuy de Tejedores Topics covering fiber and natu- 2 TSA News ral dyes, ancient and traditional 3 From the President weaving, and the recovery and commercialization of textiles 4 TSA Study Tours were crammed into two days. 5 TSA Member News Representatives from the commu- 8 Tinkuy de Tejedores, cont’d. nities spoke alongside the scholars and other invited guests. Q&A 9 Conference Reviews time followed each presentation. 10 Symposium 2010: Reports by For most of the first day, the TSA Award Recipients questions came from the English- 11 Textile Community News speaking participants. But slowly, 13 Book Reviews the indigenous women’s voices emerged. 14 Publication News GATHERING OF WEAVERS The Welcome Ceremony The richness of Tinkuy went 15 Featured Collection: American took place in the Sacred was led by an Andean priest, far beyond the speakers and their Swedish Institute A Valley of Peru Nov.
    [Show full text]
  • The Sculpture Center 1834 East 123Rd Street Cleveland, Ohio 44106-1910
    THE SCULPTURE CENTER 1834 EAST 123RD STREET CLEVELAND, OHIO 44106-1910 November 15, 2004 Contact: Deirdre Lauer, Director of Exhibitions & Public Programs 216-229-6527 Significant Sculpture Presented in Private Collections Exhibition The Sculpture Center presents Private Collections, December 17, 2004 – January 21, 2005, a rare opportunity to view an exciting display of impressive sculpture culled from Cleveland’s most significant private collections, that includes works by internationally recognized sculptors, members of The Cleveland School and significant local artists. Many of these works have never been publicly exhibited before. The Sculpture Center, best known for its exhibitions of emerging artists, offers Private Collections to place the work of emerging artists in context with an informed look at what are considered more traditional forms. Private Collections will prompt discussion of what makes a lasting artistic impression and what led certain artists to success in their careers. Generous private collectors have loaned two- and three-dimensional works by sculptors with international reputations such as Isamu Noguchi, Claes Oldenburg, Arnaldo Pomodoro and Mark di Suvero, among others, as well as pieces by venerated Cleveland artists such as Viktor Schreckengost, William McVey, Edris Eckhardt and David E. Davis. Collectors have also loaned valuable works by local artists David Deming, Robert Thurmer, Terry Durst, Bruce Biro and Andrew Chakalis. The exhibition will open December 17, 2004 and run through January 21, 2005. The opening night reception will take place December 17 from 5:30 pm – 8:30 pm and will feature a gallery talk by the curator, noted art historian Professor Edward J. Olszewski. The cost for this special reception is $15 per person or $25 per couple.
    [Show full text]
  • Fully-Integ Supplier O
    Fully-integrated Supplier of Titanium Now safely and effectively etch/prepare titanium For Aerospace for anodizing without using Hydrofluoric Acid! In use since 1993, join the growing number of Applications medical, dental and jewelry users who’ve made the switch to a more environmentally sound process. AIRFRAME • ENGINES • LANDING GEAR Developed as a safe alternative to the dangers of Bar • Billet • Sheet • Plate • Ingot • Forgings • Wire • Seamless Tube Hydrofluoric acid, Multi Etch, with its pH of 6.8, has quickly become the favored safer etch to: ISO 9001 and AS9100 certified US, UK, Germany and China sales and distribution locations. •Remove surface oxides & contaminants on titanium Inventory in stock and available today. which cause dull colors and block the full color range VSMPO-AVISMA is the World’s Largest Producer of Titanium. •Erase anodizing mistakes on titanium & niobium Holding more than 300 international quality certifications and customer approvals, VSMPO-Tirus operations provide sales, distribution and service center processing of VSMPO-AVISMA titanium mill products to the aerospace, military, •Prepare platinum for soldering/welding consumer and medical markets. VSMPO has approvals at all major airframe and engine OEMs and produces titanium for every major commercial aerospace program in production today. •Enhance patterns on mokume and meteorite Anodized titanium treated with Multi Etch (top) and untreated (bottom) PO Box 890, Clarkdale, AZ 86324 [email protected], www.reactivemetals.com 928-634-3434 • 928-634-6734 fx [email protected] Fully-integrated Fully-integrated SupplierSupplier ofof TitaniumTitanium For For Aerospace Aerospace Applications Applications AIRFRAMEAIRFRAME • • ENGINES ENGINES •• LANDINGLANDING GEARGEAR BarBar • Billet • Billet • Sheet • Sheet • Plate• Plate • Ingot• Ingot • •Forgings Forgings •• WireWire • Seamless TubeTube ISO ISO9001 9001 and and AS9100 AS9100 certified certified US, US,UK, UK, Germany Germany and and China China sales sales and and distribution distribution locations.
    [Show full text]
  • TECH NEWS Some Theory: Efficient Polishing Is Dependent on Surface-Feet-Per-Minute This Marks My First Issue As Technical Editor Forsnag News
    The Society of North American Goldsmiths TECH NEWS Some Theory: Efficient polishing is dependent on surface-feet-per-minute This marks my first issue as Technical Editor forSNAG News. (SFM), not pressure applied to the polishing wheels. Excessive I want to thank Sean for all the work he has done for SNAG pressure mainly produces excessive heat. Of course, even when News in bringing us these articles in the past. These articles using proper polishing supplies and techniques the piece is have helped our community share the wealth of knowledge gonna get warm; ya can’t fight friction. Speaking of SFM, the housed within its members. choice of buffing motors and wheel size selection naturally fol- I have hit the ground running with e-mail and phone solicita- lows. In my shop the smallest wheel I spin is a 6", the largest is a tions for articles. It is my intent to bring you as many views of 10". My polishing motor is 1 HP and spins at 1725 RPM. A quick our chosen medium as possible. Sometimes the experts I con- look at Rio Grande’s catalog reveals that their wheels range in tact will lie outside of our field. size from 8" to 2". Their motor choices are 1725 and 3450 RPM; some dual speed motors range in horsepower from 1/4 to 1/2. So Other times they, like the author today, are metalsmiths who if you think about motor speeds with respect to wheel diameter, have learned a great deal about a technique from another it just makes sense that if we run small diameter wheels we occupation and have applied it to their artwork.
    [Show full text]
  • Library Author List 12:2020
    SDCWG LIBRARY INVENTORY December 2020 SORTED BY AUTHOR Shelf Author Title Subject Location Abel, Isabel Multiple Harness Patterns Weaving Instruction Adelson, Laurie Weaving Tradition of Highland Bolivia Ethnic Textiles Adrosko, Rita Natural Dyes and Home Dyeing Dyeing Adrosko, Rita Natural Dyes in the United States Dyeing Ahnlund, Gunnila Vava Bilder (Swedish Tapestry) Ethnic Textiles Albers, Anni On Designing Design Albers, Anni On Weaving General Weaving Albers, Josef Interaction of Color Design Alderman, Sharon D. Handwoven, Tailormade Clothing Alderman, Sharon D. Handweaver's Notebook General Weaving Alderman, Sharon D. Mastering Weave Structures Weaving Patterns Alexander, Marthann Weaving Handcraft General Weaving Allard, Mary Rug Making Techniques and Design Rug Weaving Allen, Helen Louise American & European Hand Weaving General Weaving American Craft Museum Diane Itter: A retrospective Catalog American Tapestry American Tapestry Biennial I Tapestry Alliance American Tapestry American Tapestry Today Tapestry Alliance American Tapestry Panorama of Tapestry, Catalog Tapestry Alliance American-Scandinavian The Scandinavian Touch Ethnic Textiles Foundation Amos, Alden 101 Questions for Spinners Spinning 1 SDCWG LIBRARY INVENTORY December 2020 SORTED BY AUTHOR Shelf Author Title Subject Location Amsden, Charles A. Navaho Weaving Navajo Weaving Anderson, Clarita Weave Structures Used In North Am. Coverlets Weave Structures Anderson, Marilyn Guatemalan Textiles Today Ethnic Textiles Anderson, Sarah The Spinner’s Book of Yarn Designs
    [Show full text]
  • Ontario Crafts Council Periodical Listing Compiled By: Caoimhe Morgan-Feir and Amy C
    OCC Periodical Listing Compiled by: Caoimhe Morgan-Feir Amy C. Wallace Ontario Crafts Council Periodical Listing Compiled by: Caoimhe Morgan-Feir and Amy C. Wallace Compiled in: June to August 2010 Last Updated: 17-Aug-10 Periodical Year Season Vo. No. Article Title Author Last Author First Pages Keywords Abstract Craftsman 1976 April 1 1 In Celebration of pp. 1-10 Official opening, OCC headquarters, This article is a series of photographs and the Ontario Crafts Crossroads, Joan Chalmers, Thoma Ewen, blurbs detailing the official opening of the Council Tamara Jaworska, Dora de Pedery, Judith OCC, the Crossroads exhibition, and some Almond-Best, Stan Wellington, David behind the scenes with the Council. Reid, Karl Schantz, Sandra Dunn. Craftsman 1976 April 1 1 Hi Fibres '76 p. 12 Exhibition, sculptural works, textile forms, This article details Hi Fibres '76, an OCC Gallery, Deirdre Spencer, Handcraft exhibition of sculptural works and textile House, Lynda Gammon, Madeleine forms in the gallery of the Ontario Crafts Chisholm, Charlotte Trende, Setsuko Council throughout February. Piroche, Bob Polinsky, Evelyn Roth, Charlotte Schneider, Phyllis gerhardt, Dianne Jillings, Joyce Cosgrove, Sue Proom, Margery Powel, Miriam McCarrell, Robert Held. Craftsman 1976 April 1 2 Communications pp. 1-6 First conference, structures and This article discusses the initial Weekend programs, Alan Gregson, delegates. conference of the OCC, in which the structure of the organization, the programs, and the affiliates benefits were discussed. Page 1 of 153 OCC Periodical Listing Compiled by: Caoimhe Morgan-Feir Amy C. Wallace Periodical Year Season Vo. No. Article Title Author Last Author First Pages Keywords Abstract Craftsman 1976 April 1 2 The Affiliates of pp.
    [Show full text]
  • Ceramics Monthly / \ Pottery \ MAKER MONTHLY ~ ] Power Driven \~ Variable Speed Volume 19, Number 3 March 1971 $595O Letters to the Editor
    f i! li I /i /! .>, / /I I /i i II ...j • I ~i ~ ~ L =~ ,~ ~ ~ ~i!~=i~ ~V~ ~ i~~ ~ i~i ¸¸¸¸¸'I~!i!ii ¸ • ~i ~ ~L ~ ~,~:~i!ii~iL~!~i~ii~!::~~ ~ :~ !~!~ ~L~I~I ~ ~ ~!i~ ::i, i~::~i:~ i:~i~iiiiii~i!~ ;~i~i,~i~i~i~i~ii~i~m~ For Hobbyists • Schools • Art & Craft Centers * Institutions Manufactured by GILMOUR CAMPBELL 14258 Maiden - Detroit, Michigan 48213 KINGSPIN Electric Banding Wheel KINGSPIN Wheel • Heavy Kinalloy 7-inch table NEW with Wagon Wheel Base • Top and base are cast Kinalloy • New m with height trimmer • Top measures 61/4', • Shipping weight 3 Ibs. • Solid cast aluminum case • 110 volt motor, 35 RPM Model W-6 only .......... $4.25 • On & Off switch, g-ft. cord • One-year service guarantee With 7 inch table • For light throwing Model W-7 ................. $5.25 Model E-2 .............. $21.95 With 8 inch table E-2T with trimmer ........... $23.95 Model W-8 ................. $7.25 Model E-3T................ $27.50 (More power for light throwing) With 10 inch table E-3 less trimmer ........... $25.50 Model W-10 ................ $9.50 KINGSPIN Kinolite Turntable KINGSPIN Kinalloy Turntable New 12-1nch model with many uses • A 12-inch wheel for the price • 10" model of an g-inch • Made of KINOLITE m latest slnktop material used • Heavy KINALLOY Table in newest homes • Heavy Kinalloy round base • Just the thing to use on those lace dolls. • Heavy Kinalloy round base • Easy Spinning With Wagon Wheel Base Model W-12 ................ $6.25 Model KR-7 .............. $6.25 With 7" Table With 12-inch Aluminum Table ~ Model KR-8 ................
    [Show full text]
  • The Care and Preservation of Historical Silver by CLARA DECK, CONSERVATOR REVISIONS by LOUISE BECK, CONSERVATOR
    The Care and Preservation of Historical Silver BY CLARA DECK, CONSERVATOR REVISIONS BY LOUISE BECK, CONSERVATOR Introduction Historical silver can be maintained for years of use and enjoyment provided that some basic care and attention is given to their preservation. The conservation staff at The Henry Ford have compiled the information in this fact sheet to help individuals care for their objects and collections. The first step in the care of all collections is to understand and minimize or eliminate conditions that can cause damage. The second step is to follow basic guidelines for care, handling and cleaning. Most people know that silver is a white, lustrous metal. Pure or “fine” silver is called “Sterling” if it is made up of no less than 925 parts silver to 75 parts alloy. Sterling will thus often have ‘.925’ stamped somewhere on it, as an identifier. Silver objects, especially coins and jewelry, contain copper as an alloying metal for added hardness. The copper may corrode to form dark brown or green deposits on the surface of the metal. Silver is usually easy to differentiate from lead or pewter, which are generally dark gray and not very shiny. Silver is often plated (deposited) onto other metallic alloys, almost always with an intermediate layer of copper in between. The earliest plating process, “Sheffield Plate” was developed in England in 1742. By the mid-19th century, the process was largely replaced by electroplating (which used less silver). The base metal in plated artifacts may consist of any of the following metals or alloys: copper, brass, “German silver” or “nickel silver” (50% copper, 30% nickel, 20% zinc), “Brittania metal” (97% tin, 7% antimony, 2% copper), or a “base” silver containing a high percentage of copper.
    [Show full text]
  • Annual Report 2005°2006
    "OOVBM3FQPSU ° #PBSEPG5SVTUFFT Roger Hertog, Chair 4FOJPS4UBGG Richard Gilder, Co-Chair, Louise Mirrer Laura Smith Executive Committee President and Chief Executive Officer Senior Vice President for Institutional Nancy Newcomb, Co-Chair, Stephanie Benjamin Advancement and Strategic Initiatives Executive Committee Executive Vice President and Janine Jaquet Chief Operating Officer Vice President for Development and Louise Mirrer, President and CEO Linda S. Ferber Executive Director of the Chairman’s Vice President and Council William Beekman Director of the Museum Andrew Buonpastore Judith Roth Berkowitz Jean W. Ashton Vice President for Operations David Blight Vice President and Director Richard Shein Ric Burns of the Library Chief Financial Officer James Chanos Laura Washington Roy Eddey Craig Cogut Vice President for Communications Director of Museum Administration Elizabeth B. Dater Barbara Knowles Debs 8MJJER]7XYHMSW8VYQTIX'VIITIVWLEHISRQSWEMG 'SZIV9RMHIRXMJMIHTLSXSKVETLIV'EIWEV%7PEZI Joseph A. DiMenna FEWIG+MJXSJ(V)KSR2IYWXEHX (EKYIVVISX]TI'SPPIGXMSRSJXLI2I[=SVO Charles E. Dorkey, III 2 ,MWXSVMGEP7SGMIX]0MFVEV] Henry Louis Gates, Jr. Richard Gelfond Kenneth T. Jackson Joan C. Jakobson David R. Jones Patricia Klingenstein Sidney Lapidus Lewis E. Lehrman Alan Levenstein Glen S. Lewy Tarky Lombardi, Jr. Sarah E. Nash Russell Pennoyer Charles M. Royce Thomas A. Saunders, III Pam B. Schafler Benno C. Schmidt, Jr. Bernard Schwartz Emanuel Stern Ernest Tollerson Sue Ann Weinberg Byron R. Wien Hope Brock Winthrop )POPSBSZ5SVTUFFT Patricia Altschul Leila Hadley Luce 'SPNUIF$P$IBJST Christine Quinn and Betsy Gotbaum, undisputed “first ladies” of New York City government, at our Strawberry Luncheon this year. Lynn Sherr, award-winning correspondent for ABC’s 20/20, spoke eloquently on the origins and significance of the song America the Beautiful and the backgrounds of its authors.
    [Show full text]
  • The Forming of the Metal Arts Guild, San Francisco (1929-1964)
    Metal Rising: The Forming of the Metal Arts Guild, San Francisco (1929-1964) Jennifer Shaifer Submitted in partial fulfillment of the requirements for the degree Master’s of Arts in the History of Decorative Arts. The Smithsonian Associates and Corcoran College of Art + Design 2011 © 2011 Jennifer Shaifer All Rights Reserved ACKNOWLEDGEMENTS This thesis is a project I hold dear to my heart. A milestone in my life in which I will never forget. My research started as a journey across the United States to tell a story about the formation of the Metal Arts Guild, but has ended with a discovery about the strength of the human spirit. I was not fortunate to meet many of the founding members of the Metal Arts Guild, but my research into the lives and careers of Margaret De Patta, Irena Brynner, and Peter Macchiarini has provided me with invaluable inspiration. Despite the adversity these artists faced, their strength still reverberates through the trails of history they left behind for an emerging scholar like me. Throughout this project, I have received so much support. I would like to thank Heidi Nasstrom Evans, my thesis advisor, for her encouragement and patience during the thesis writing process. It was during her Spring 2007 class on modernism, that I was introduced to a whole new world of art history. I also want to thank Cynthia Williams and Peggy Newman for their constant source of support. A huge thank you to Alison Antleman and Rebecca Deans for giving me access to MAG’s archives and allowing me to tell their organization’s story.
    [Show full text]
  • Blacksmith Metalsmith Knifemaker Farrier •
    Pieh Tool Company Pieh Tool Product Catalog Blacksmith Metalsmith Knifemaker Farrier • www.piehtoolco.com www.piehtoolco.com 888.743.4866 928.554.0700 $7 Pieh Tool Company is located in Arizona’s pristine Yavapai County, just minutes from captivating Sedona. We are in a country that is rich with metalsmiths, sculptors, artists and horse enthusiasts! We stock a variety of machinery, vises, power tools, saws, anvils, forges, fluxes, finishes, hammers, tongs, horseshoes, feed, nails, rivets, lag bolts, videos & hundreds of book titles. We serve blacksmiths, fabricators, knifemakers, jewelers, farriers, horseowners and hobbyists. The Pieh Legacy Collection™ demonstrates our commitment to quality blacksmith tools. Be sure to check out the Billy™ tongs, our new Ergonomic Hammer line, and other Pieh Tool products. We’re sure you will be Pieh Tool Company Distribution Center in Camp Verde, Arizona extremely satisfied! EDUCATION The "Bill Pieh Resource for Metalwork" offers educational opportunities to the metal working trades in the United States. Classes are held monthly. Reservations are required. SEMINARS Semi-annual demonstrations offer you an opportunity to learn from the masters in your craft. Be sure to visit the Calendar on our website for our schedule of events. CONVENIENCE Secure online shopping is available to you at www.piehtoolco.com. We ship worldwide. The following trademarks are owned by their respective companies; Pieh Tool Company: Pieh Legacy Collection, the Billy, the Bonnie; Radians: Radians AV; Rad Band, Thoro’Bred: Thoro’Bred, Queens Plate, Easy Care: Easy Boot Glove, Hoof Suspension; Equine Innovations: Hoofjack; Gene Ovnicek: Natural Balance; JET, WILTON, Powermatic: Milwaukee, Sawzall, Hackzall, Thunderbolt, M12, M18, Shockwave.
    [Show full text]