Tituba of Salem: the Racial, Gendered, and Encultured Dimensions of A
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Masterarbeit / Master's Thesis
MASTERARBEIT / MASTER’S THESIS Titel der Masterarbeit / Title of the Master’s Thesis “Paranoia in Tony Kushner’s Angels in America and Arthur Miller’s The Crucible” verfasst von / submitted by Dott. Marta Palandri angestrebter akademischer Grad / in partial fulfilment of the requirements for the degree of Master of Arts (MA) Wien 2018 / Vienna 2018 Studienkennzahl lt. Studienblatt / A 066 844 degree programme code as it appears on the student record sheet: Studienrichtung lt. Studienblatt / Anglophone Literatures and Cultures degree programme as it appears on the student record sheet: Betreut von / Supervisor: Univ.-Prof. Mag. Dr. Alexandra GANSER Table of Contents Introduction 3 Methodology 5 The Plays: Angels in America and The Crucible 6 Arthur Miller’s The Crucible in Context 6 Tony Kushner’s Angels in America in Context 9 Theory 11 New Historicism 11 The Fear of the Other 12 Binary Oppositions 13 Analysis and Theory Application 14 How Does Paranoia Affect Culture? 14 Paranoia and Identity 14 Paranoia and Fear 15 Paranoia in Postwar America 16 Mass Hysteria, Witch Hunts, and Scapegoating in The Crucible 18 A Dual Historical Context 18 Scapegoating 25 Monsters 30 The Role of Guilt 32 The Myth of Witchcraft 34 Conclusion 35 Psychosis, Symbolism, and Apocalypse in Angels in America 36 Historical Context through the Eyes of the Other 36 The Approach of the Millennium 37 Apocalyptic Narratives 41 Binary Oppositions 42 Symbolism and Apocalyptic Visions 44 Psychosis 46 Apocalyptic Otherness 47 Change and Stasis -
From Tongue to Text: the Transmission of the Salem Witchcraft Examination Records
KU ScholarWorks | http://kuscholarworks.ku.edu Please share your stories about how Open Access to this article benefits you. From Tongue to Text: The Transmission of the Salem Witchcraft Examination Records by Peter Grund 2007 This is the author’s accepted manuscript, post peer-review. The original published version can be found at the link below. Grund, Peter. 2007. “From Tongue to Text: The Transmission of the Salem Witchcraft Examination Records.” American Speech 82(2): 119–150. Published version: http://dx.doi.org/10.1215/00031283-2007-005 Terms of Use: http://www2.ku.edu/~scholar/docs/license.shtml This work has been made available by the University of Kansas Libraries’ Office of Scholarly Communication and Copyright. Peter Grund. 2007. “From Tongue to Text: The Transmission of the Salem Witchcraft Examination Records.” American Speech 82(2): 119–150. (the accepted manuscript version, post-peer review) From Tongue to Text: The Transmission of the Salem Witchcraft Examination Records1 Peter Grund, Uppsala University Introduction In the absence of audio recordings, scholars interested in studying the characteristics of spoken language in the early Modern period are forced to rely on written speech-related sources.2 These sources include, among others, drama and fiction dialogue, trial proceedings, and witness depositions. However, at the same time, it has been shown that, although purporting to represent spoken conversation, these texts probably reflect actual spoken language only partially and to different degrees (for the evaluation of the degree of “spokenness” of these text categories, see Culpeper and Kytö 2000; see also Kryk-Kastovsky 2000; Moore 2002). Drama and fiction dialogue, for example, represents constructed speech produced by an author who may have been more or less successful in mimicking contemporaneous spoken conversation. -
The 200 Plays That Every Theatre Major Should Read
The 200 Plays That Every Theatre Major Should Read Aeschylus The Persians (472 BC) McCullers A Member of the Wedding The Orestia (458 BC) (1946) Prometheus Bound (456 BC) Miller Death of a Salesman (1949) Sophocles Antigone (442 BC) The Crucible (1953) Oedipus Rex (426 BC) A View From the Bridge (1955) Oedipus at Colonus (406 BC) The Price (1968) Euripdes Medea (431 BC) Ionesco The Bald Soprano (1950) Electra (417 BC) Rhinoceros (1960) The Trojan Women (415 BC) Inge Picnic (1953) The Bacchae (408 BC) Bus Stop (1955) Aristophanes The Birds (414 BC) Beckett Waiting for Godot (1953) Lysistrata (412 BC) Endgame (1957) The Frogs (405 BC) Osborne Look Back in Anger (1956) Plautus The Twin Menaechmi (195 BC) Frings Look Homeward Angel (1957) Terence The Brothers (160 BC) Pinter The Birthday Party (1958) Anonymous The Wakefield Creation The Homecoming (1965) (1350-1450) Hansberry A Raisin in the Sun (1959) Anonymous The Second Shepherd’s Play Weiss Marat/Sade (1959) (1350- 1450) Albee Zoo Story (1960 ) Anonymous Everyman (1500) Who’s Afraid of Virginia Woolf Machiavelli The Mandrake (1520) (1962) Udall Ralph Roister Doister Three Tall Women (1994) (1550-1553) Bolt A Man for All Seasons (1960) Stevenson Gammer Gurton’s Needle Orton What the Butler Saw (1969) (1552-1563) Marcus The Killing of Sister George Kyd The Spanish Tragedy (1586) (1965) Shakespeare Entire Collection of Plays Simon The Odd Couple (1965) Marlowe Dr. Faustus (1588) Brighton Beach Memoirs (1984 Jonson Volpone (1606) Biloxi Blues (1985) The Alchemist (1610) Broadway Bound (1986) -
How John Nelson Darby Went Visiting: Dispensational Premillennialism In
University of Dayton eCommons History Faculty Publications Department of History 2000 How John Nelson Darby Went Visiting: Dispensational Premillennialism in the Believers Church Tradition and the Historiography of Fundamentalism William Vance Trollinger University of Dayton, [email protected] Follow this and additional works at: http://ecommons.udayton.edu/hst_fac_pub Part of the Comparative Methodologies and Theories Commons, History of Christianity Commons, History of Religion Commons, Other History Commons, and the Religious Thought, Theology and Philosophy of Religion Commons eCommons Citation Trollinger, William Vance, "How John Nelson Darby Went Visiting: Dispensational Premillennialism in the Believers Church Tradition and the Historiography of Fundamentalism" (2000). History Faculty Publications. Paper 8. http://ecommons.udayton.edu/hst_fac_pub/8 This Book Chapter is brought to you for free and open access by the Department of History at eCommons. It has been accepted for inclusion in History Faculty Publications by an authorized administrator of eCommons. For more information, please contact [email protected], [email protected]. Contents Introduction ............................................... ............ .. .... ....... .... .............. .. .. .. .. ......... 7 PART ONE: BIBLICAL PERSPECTIVES 1 Making Prophecy Come True: Human Responsibility for the End of the World, JAMES E. BRENNEMAN .... .............................................................. 21 2 Lions and Ovens and Visions, 0 My! A Satirical -
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FOR IMMEDIATE RELEASE Press Contact: Betsy Aldredge Media Relations Specialist 914-251-6959 [email protected] PURCHASE OPERA AND ALBANY RECORDS RELEASE “THE CRUCIBLE” THE FIRST RECORDING IN MORE THAN 50 YEARS OF THIS WORK Based on Arthur Miller’s Play with Music by Robert Ward Purchase, NY, January 13, 2017: Purchase Opera and Albany Records have partnered to release the first new recording in more than fifty years oF The Crucible, an opera by composer Robert Ward and librettist Bernard Stambler based on Arthur Miller’s play about the Salem witch trials. Originally commissioned by the New York City Opera, The Crucible premiered on October 26, 1961, just eight years after Miller’s play was first perFormed. The opera won a Pulitzer Prize among other accolades. The last recording oF the opera, also released by Albany Records, was From the early 1960s, and Featured the original New York City Opera cast, minus bass-baritone Norman Treigle. The production, directed by Jacque Trussel, was presented in March 2016 at Purchase College’s PerForming Arts Center and was later recorded in the Conservatory oF Music’s Recital Hall. This new recording of The Crucible (TROY 1656/57) features students and alumni oF the Conservatory of Music’s Department oF Opera PerFormance and Vocal Studies—a highly selective program that has won 13 top awards From the National Opera Association For its acclaimed productions, including one For this production. The recording also features Purchase Symphony Orchestra, conducted by Hugh Murphy. Maestro Murphy is a recent recipient oF the American Prize Competition’s Ernst Bacon Memorial Award for the Performance of American Music for his conducting of The Crucible. -
Salem Witch Trials - 1692 Salem - Economic and Social Divisions - Discoveryschool.Com
Salem Witch Trials - 1692 Salem - Economic and Social Divisions - DiscoverySchool.com In 1692, Salem was divided into two distinct parts: Salem Town and Salem Village. Salem Village (also referred to as Salem Farms) was actually part of Salem Town but was set apart by its economy, class, and character. Residents of Salem Village were mostly poor farmers who made their living cultivating crops in the rocky terrain. Salem Town, on the other hand, was a prosperous port town at the center of trade with London. Most of those living in Salem Town were wealthy merchants. For many years, Salem Village tried to gain independence from Salem Town. The town, which depended on the farmers for food, determined crop prices and collected taxes from the village. Despite the three-hour walk between the two communities, Salem Village did not have its own church and minister until 1674. But there was also a division within Salem Village. Those who lived near Ipswich Road, close to the commerce of Salem Town, became merchants, such as blacksmiths, carpenters, and innkeepers. They prospered and supported the economic changes taking place. But many of the farmers who lived far from this prosperity believed the worldliness and affluence of Salem Town threatened their Puritan values. One of the main families to denounce the economic changes was the Putnams—a strong and influential force behind the witchcraft accusations. Tensions became worse when Salem Village selected Reverend Samuel Parris as their new minister. Parris was a stern Puritan who denounced the worldly ways and economic prosperity of Salem Town as the influence of the Devil. -
The Salem Witch Trials Quick Questions
The Salem Witch Trials Quick Questions 11 The Salem witch trials were arrests made in the town of 1. In which country did the Salem witch trials 19 Salem, USA, between February 1692 and May 1693. occur? 29 They began when two little girls, Betty Parris (aged 9) 38 and Abigail Williams (aged 11), began to have seizures, 46 which would make them twitch and scream – moving 55 their bodies in an unusual way and making strange 2. Find two words which the author uses to show 64 noises. The village doctor, William Griggs, said that they that the girls’ movements and noises were not 74 were ‘bewitched’ and people began to hunt for the ‘witch’ normal. 79 that had cursed the girls. 88 Three women were accused: Sarah Good, a local homeless 98 person; Sarah Osborne, an old lady who did not attend 3. Why might the village doctor have said that the 108 church; and Tituba, a servant. Over the course of the girls had been ‘bewitched’? 117 trials, over 150 innocent people were put into prison 122 after being accused of witchcraft. 4. How does William Griggs’ diagnosis compare to what a doctor might say today? visit twinkl.com visit twinkl.com The Salem Witch Trials Answers 11 The Salem witch trials were arrests made in the town of 1. In which country did the Salem witch trials 19 Salem, USA, between February 1692 and May 1693. occur? Accept: ‘USA’ or ‘United States of America’ 29 They began when two little girls, Betty Parris (aged 9) only. -
Crown V. Susannah North Martin Court of the County of Essex, Colony of Massachusetts Salem, Year of Our Lord 1692
Crown v. Susannah North Martin Court of the County of Essex, Colony of Massachusetts Salem, Year of Our Lord 1692 Case Description and Brief Susannah Martin was born in Buckinghamshire, England in 1621. She was the fourth daughter, and youngest child, of Richard North and Joan (Bartram) North. Her mother died when she was a young child, and her father remarried a woman named Ursula Scott. In 1639, at the age of 18, Susannah and her family came to the United States, settling in Salisbury, Massachusetts. Richard North, a highly respected man, was listed as one of the first proprietors and founders of Salisbury On August 11, 1646, Susannah, now 24, married the widower George Martin, a blacksmith. Making their home in Salisbury, the couple had a loving marriage, that produced nine children, one of which died in infancy. Prosperous in business, George and Susannah became one of the largest landholders of the region. George died in 1686, leaving Susannah a widow. After her husband’s death she managed his estate and lands with acumen and talent. As a young woman she was known for her exceptional beauty. Descriptions of Susanna say that she was short, active, and of remarkable personal neatness. She was also said to be very outspoken, contemptuous of authority, and defiant in the face of challenge. Due to her attractiveness and family’s prosperity, she had been the target of jealous slander, which had followed her for years, all of which had been proven unfounded. In January 1692, a a group of young girls began to display bizarre behavior in nearby Salem, Massachusetts. -
A Comprehensive Look at the Salem Witch Mania of 1692 Ashley Layhew
The Devil’s in the Details: A Comprehensive Look at the Salem Witch Mania of 1692 __________ Ashley Layhew Nine-year-old Betty Parris began to convulse, seize, and scream gibber- ish in the winter of 1692. The doctor pronounced her bewitched when he could find no medical reason for her actions. Five other girls began ex- hibiting the same symptoms: auditory and visual hallucinations, fevers, nausea, diarrhea, epileptic fits, screaming, complaints of being bitten, poked, pinched, and slapped, as well as coma-like states and catatonic states. Beseeching their Creator to ease the suffering of the “afflicted,” the Puritans of Salem Village held a day of fasting and prayer. A relative of Betty’s father, Samuel Parris, suggested a folk cure, in which the urine of the afflicted girls was taken and made into a cake. The villagers fed the cake to a dog, as dogs were believed to be the evil helpers of witches. This did not work, however, and the girls were pressed to name the peo- ple who were hurting them.1 The girls accused Tituba, a Caribbean slave who worked in the home of Parris, of being the culprit. They also accused two other women: Sarah Good and Sarah Osbourne. The girls, all between the ages of nine and sixteen, began to accuse their neighbors of bewitching them, saying that three women came to them and used their “spectres” to hurt them. The girls would scream, cry, and mimic the behaviors of the accused when they had to face them in court. They named many more over the course of the next eight months; the “bewitched” youth accused a total of one hundred and forty four individuals of being witches, with thirty sev- en of those executed following a trial. -
Joint School District No. 2 English Language Arts Curriculum English 11 Revised 2012-13
Joint School District No. 2 English Language Arts Curriculum English 11 Revised 2012-13 Curriculum Revision Committee: David Knife, Central Academy Kristina Haasakker, Centennial High School Josh McDonald, Eagle Academy Debra Smith, Meridian High School Kristin Galloway, Mountain View High School Nicole Thomas, Mountain View High School Justin Tharpe, Rocky Mountain High School Suzanne Mackelprang, Academic Coach Laura Gilchrist, English Language Arts Curriculum Coordinator Quarter 1 Quarter 2 Quarter 3 Quarter 4 What is The Individual and Assimilation and The Future of the Happiness/Success/ Society Cultural Identity American Dream Freedom? Table of Contents Page Scope and Sequence 2-4 Unit 1 5-12 Unit 2 13-23 Unit 3 24-33 Unit 4 34-44 1 |Revised April 2013, Hotlinks updated May, 2014 ELA Scope and Sequence Grade 11 F indicates that the standard is a focus standard and will be explicitly taught during the unit. X indicates that this standard will be met through throughout the year, but will not be explicitly taught; rather, teachers will need to ensure that students are meeting these standards as a result of explicit instruction through other standards. Standard Unit 1 Unit 2 Unit 3 Unit 4 Reading Literature 1 F F x F 2 F x x F 3 F x F 4 F x x 5 F x 6 F x x x 7 F x 8 n/a n/a n/a n/a 9 F F x 10 x x x x Standard Unit 1 Unit 2 Unit 3 Unit 4 Reading Informational Text 1 x x F F 2 F F F 3 x x F x 4 x F F x 5 F F F 6 x F x 7 x F x F 8 F x 9 F F 10 x x x x 2 |Revised April 2013, Hotlinks updated May, 2014 Standard Unit 1 Unit 2 Unit 3 Unit -
Perjurium Maleficis: the Great Salem Scapegoat
Perjurium Maleficis: The Great Salem Scapegoat by Alec Head The Salem Witch Trials, often heralded as a sign of a religious community delving too deep into superstition, were hardly so simple. While certainly influenced by religion, the trials drew upon numerous outside elements. Though accusations were supposedly based in a firm setting of religious tradition, an analysis of individual stories—such as those of Rebecca Nurse, John Alden, and George Burroughs—shows that the accused were often targeted based on a combination of either fitting the existing image of witches, personal feuds, or prior reputations. The Puritans of Salem considered themselves to be “God’s chosen people,” building a new land, a heaven on earth.1 As with many endeavors in the New World, the Puritans faced innumerable struggles and hardships; their path would never be an easy one. However, rather than accepting their hurdles through a secular perspective, the Puritans viewed matters through a theological lens to explain their difficulties. While other, non-Puritan colonies faced similar challenges, the Puritans took the unique stance that they lived in a “world of wonders,” in which God and Satan had hands in the daily lives of humanity.2 In effect, this led to desperate—eventually deadly— searches for scapegoats. Upon his arrival in Salem, Reverend Samuel Parris publicly insisted that the hardships were neither by chance nor mere human hand. After all, if they were God’s chosen people, any opposition must have been instigated by the devil.3 Satan would not simply content himself with individual attacks. Rather, Parris insisted, grand conspiracies were formed by diabolical forces to destroy all that the Puritans built. -
WITCHCRAFT in SALEM VILLAGE. Harmony So
134 WITCHCRAFT IN SALEM VILLAGE. given was that certain changes be made in the records. Harmony could not be secured, how- ever, and Mr. Lawson withdrew in 1688. Fol- lowing him came Rev. Samuel Parris, who was ordained on Monday, Nov. 19, 1689. It is evi- dent, therefore, that from the calling of Mr. Bayley in 1672 to the ordination of Mr. Parris in 1689 there was wanting in the parish that harmony so essential to church prosperity. That the disagreements about the settlements of the different pastors and over the parish rec- ords affected the minds of the people after the witchcraft delusion appeared among them there is little doubt. That it was the cause of the first charges being made seems hardly probable. George Burroughs, on leaving Salem Village, returned to Casco, Maine, He remained there a long time, for he and others were there in 1690 when the settlement was raided by Indians. Burroughs then went to Wells, Maine, and preached a year or more. There he was living in peace and quietness when the messenger from Portsmouth came to arrest him, at the demand of the Salem magistrates, in 1692. After leav- ing Salem Village he had married a third wife, a woman who had been previously married and of her own for after had children ; Burroughs' death, when the Massachusetts colony granted compensation to his family, his children com- plained that this third Mrs. Burroughs took the KEV. GEOBGE BUBBOUGHS. 135 entire amount for herself and her children/ Mr. Burroughs was a small, black-haired, dark com- plexioned man, of quick passions and possessing great strength.® We shall see by the testimony to be quoted further on that most of the evi- dence against him consisted of marvellous tales of his great feats of strength.