ROSE M. MILOVICH Curriculum Vitae SPECIAL COLLECTIONS AND ARCHIVES UTAH STATE UNIVERSITY LIBRARIES

EDUCATION Degree Programs Master of Fine Arts, Utah State University. Graduated magna cum laude. [1989] Bachelor of Fine Arts, Utah State University. Graduated magna cum laude. [1980]

Certificates and Continuing Education Drawing Nature, Science and Culture. Natural History Illustration; six-week online course. Instructors: Dr. Andrew Howells and Dr. Bernadette Drabsch. University of Newcastle, Australia. [2018] The History of the Book in 17t and 18th Century Europe; six-week online course, HarvardX. Instructor: Robert Darnton, Carl H. Pforzheimer University Professor, Harvard University, Cambridge, MA. [2017] Preservation Strategies, School of Library and Information Sciences, Emporia State University, Emporia, Kansas, fall semester, 2009. Rare Book School, University of Virginia. Five courses, 1997-2004 (see below, pp. 12-13.) Program Planning and Proposal Writing. Grantsmanship Training Center, Los Angeles, CA. [1998] MARC Records: Introduction to Tags, Indicators and Subfields. Bibliographic Center for Research, Aurora, Colorado. [1997] Supervisory Development Training Program. Nine-week course. Utah State University, Logan, Utah. [1993] Additional courses, certificates, workshops and seminars (see below, pp. 12-13.)

PROFESSIONAL APPOINTMENTS Merrill-Cazier Library, Special Collections and Archives Division, Utah State University, Logan, Utah v Art and Printing Arts Curator [2017-Present] v Exhibition Program Director [1996-2004, 2006-2017] and Preservation Manager [2009-2017] (concurrent appointments) v Exhibition Program Director [1996-2004, 2006-2017]; Art, Book Arts and Rare Books Curator, [1996-2009] and Grantsmanship Mentor [1996-2003] (concurrent appointments)

Adjunct Faculty, Utah State University, Logan, Utah Classroom Teaching Drawing I, Art Department. [Fall 2008, 2007, 2005; Spring 2008, 2004] Archives Management, History Department. Team teaching with Ann Buttars, Interim Head, Noel Carmack, Preservation Curator; Robert Parson, University Archivist; John Powell, Manuscript Curator; and Peter Schmid, Photograph Curator, Special Collections and Archives, University Libraries. [Spring 1997] Art in Interesting Times: Romanticism and Classicism, 1750-1850, Honors Program. Team teaching with Michael Timmons, Associate Professor of Landscape Architecture and Environmental Planning; Joe Morse, Honors Program Director and Professor of Chemistry; Mildred Johnson, Professor of Music. [Spring 1994]

Internship Program Instruction and Mentorships Special Collections and Archives Internships: Curatorial Studies and Preservation Practices, Special Collections and Archives Division, Academic credits offer through the Art Department, History Department and Museum Studies Certificate program, Utah State University. [August 1997-present] Museum Studies Internships. Initiated, developed and directed this program of nine-month internships at the Nora Eccles Harrison Museum of Art. Academic credits offered through the Art Department and the Cooperative Education Internship Program, College of Humanities, Arts and Social Sciences, Utah State University. [March 1989- September 1995]

Nora Eccles Harrison Museum of Art, Utah State University, Logan, Utah v Associate Curator [July 1990-July 1996] and Interim Curator and co-Director (with Susan Harris) [March 1989-June 1990] Overview of Accomplishments and Responsibilities Developed the permanent collection through acquisition and exhibition. Oversaw the management of the permanent collection including its research, cataloging, and conservation. Developed and oversaw

1 permanent collection information systems, the Museum’s library and archive. Developed and oversaw temporary exhibitions, public programs and publicity. Supervised the Museum staff of eleven part-time employees, two graduate assistants, two-to-four graduate and undergraduate interns and up to fifteen docents (para-professional museum educators). Educated and trained the museum staff and university students in museum practices and procedures. Initiated, developed and implemented public education programs (adult and youth programs). Researched, published and lectured on the permanent collection, permanent collection exhibitions and temporary exhibitions. Developed and implemented museum policies and standards of practice that met legal and professional criteria. Strategic and long-range planning concerning management of the permanent collection, exhibition program, and educational programs. Developed and prepared project and program budgets. Planned and coordinated the AAM Museum Accreditation process including the Museum’s institutional self-study, peer review process and on-site accreditation interviews. Authored and administered grants. Assisted the Museum director in development and fundraising activities by: planning and coordinating fundraising and social events; establishing and building endowments for collections and programs; cultivating donors; engaging and educating the Museum Advisory Board, Friends of the Nora Eccles Harrison Museum of Art members, Art Guild members, Summer Citizens, and community groups/organizations. Served as an ex-officio member of the Education Committee of the Museum Advisory Board. Liaison to and collaboration with Logan City and Cache County public schools, USU departments of Art, History, Music, Theater, Anthropology, American Studies, Student Services, and University Libraries on visiting artist exhibitions, visiting scholar lecture series, internships in museology, educational programs and events. v Traveling Exhibitions Coordinator [September 1986-February 1989] Overview of Accomplishments and Responsibilities Coordinated two traveling exhibitions organized by the Museum: Four by Four: Sixteen Printmakers from the Four Corners States. Six venues. Life and Land: The Farm Security Administration Photographers in Utah, 1936-41: Dorothea Land, Russell Lee and Arthur Rothstein. Thirteen venues.

Developed and monitored traveling itineraries. Prepared and distributed marketing and promotional materials. Corresponded with and answered inquiries from interested venues. Assisted the Director/Chief Curator in formulating traveling exhibition agreements. Registration activities including: creation of traveling exhibition information manuals; cumulative condition report binders; outgoing and incoming condition reports; processing loan and traveling exhibition agreements; preparing exhibition checklists; overseeing packing and crate organization; coordinating insurance and transportation arrangements. v Graduate Assistant: Collections and Exhibitions [September 1987-February 1989] Overview of Accomplishments and Responsibilities Assisted the Director is establishing and development of the Museum’s registration procedures and collections management program. Accessioned, researched, cataloged and coordinated the photographic documentation of artworks in the permanent collection including prints, photographs drawings, textiles, paintings, sculpture, and ceramics. Coordinated temporary exhibitions including packing and unpacking, artwork handling and movement, incoming and outgoing condition reports. Performed collections maintenance activities such as matting and framing, monitoring conservation environments (temperature, relative humidity and light levels), and organization and storage of the permanent collection. Developed and implemented two original research exhibitions. Designed exhibition installations and installed artworks in the galleries.

Graphic Services, Information and Learning Resources Program, Utah State University, Logan, Utah v Illustrator and Production Assistant [June 1983-August 1985] Overview of Accomplishments and Responsibilities Created scientific, technical and creative illustrations. Designed brochures, educational materials, research presentations and publications. Performed 35mm and PMT process camera photography. Planned and coordinated department work flow. Handled project billing and payroll.

Art Department, Utah State University, Logan, Utah v Graduate Teaching Assistant Advanced Drawing Studio [Fall 1985.] Intermediate Drawing [Spring 1984.] Drawing and Composition [Spring 1983.] Basic Drawing [Spring 1981, instructor of record.] 2 Anatomy for the Artist [Fall 1980, instructor of record.]

Utah Water Research Laboratory, Utah State University, Logan, Utah v Water Quality Laboratory Technician [June 1981-March 1983, Summers 1979 and 1980] Overview of Accomplishments and Responsibilities Performed water quality analysis including testing levels of nitrate/nitrite, boron, BOD COD, ammonia, surfactant, potassium, magnesium, calcium, PH; prepared reagents, glassware, titration solutions and indicators. Operated and maintained laboratory equipment including auto-analyzer, PH meter, micro- balance, autoclave, ampule sealer and desiccation chambers.

Utah Department of Transportation, District 4 Materials Laboratory, Price, Utah v Materials Laboratory Technician [Summers 1976, 1977, 1978] Overview of Accomplishments and Responsibilities Field sampling and laboratory analysis of road construction materials; operated and maintained lab equipment including viscometer, extractor, scales and balances, chemical immersion tanks, PSI testing equipment, desiccation ovens; traffic direction and flag person duties.

ACCOMPLISHMENTS ORIGINAL RESEARCH EXHIBITIONS, RELATED EDUCATIONAL PROGRAMS AND EVENTS (SELECTED) University Libraries, Utah State University International Copier Artists Bookworks Annualss. Three exhibitions August 2019 through April 2020. Utah State University Libraries. [2019-2020] Small Wonders: The Expansive World of Insects. Co-curated with USU Entomology Club. Opening reception. Lectures by Madeleine Dupey and Emily Sadler, doctoral candidates in ecology and biology, Utah State University. [2016] 150th Anniversary of Logan City. Co-curated with Daniel Davis. [2016] H. Reuben Reynolds: Photographs and Paintings. Co-curated with Adriane Dalton, Assistant Curator, Nora Eccles Harrison Museum of Art. [2015] Year of Water: Photographs, Documents and Books from USU Archives. Co-curated with Robert Parson, University Archivist, and Daniel Davis, Photograph Curator, Special Collections and Archives. [2015] Black Mountain and the James Prestini Design Collection. Co-curated with Kathleen Schockmel, Art Book Room Manager, University Libraries. [2015] The Culture of Monsters: Tales of Frankenstein, Vampires, Werewolves and Zombies. Co-curated with Vicki Read, Head of Circulation, Kathleen Schockmel, Art Book Room Manager, and Catharine Bunn, Preservation Assistant, University Libraries. [2014] Celebrating Folk Music in Cache Valley: Selections from Special Collections and Archives and Bridger Folk Music Society. Co-curated with Susan Jelus, Bridger Folk Music Society. Reception with gallery talk by Susan Jelus and Folk Music performance by members of Bridger Folk Music Society. [2014] Nobody Goes Home Sad. Co-curated with Brad Cole, Associate Dean for Special Collections, Kathleen Schockmel, Art Book Room Manager, University Libraries and John Suiter, journalist, photographer and independent scholar. Installed at the Nora Eccles Harrison Museum of Art, Utah State University. [2014] The Way of Sculpture: An Exhibition of Three-dimensional Art Forms by Ryoichi Suzuki, Assistant Professor of Art, and His Mentor, the late Larry E. Elsner, Professor of Art, Utah State University. [2013] 100th Birthday Celebration of May Swenson. Co-curated with Brad Cole, Associate Dean for Special Collections, Paul Crumbley, Associate Professor of English, and Vicki Read, Head of Circulation, University Libraries. [2013] Selections from The Associated American Artists Print Collection. [2013] Design Workshop: Landscape Architecture and Digital Archive Collection. Co-curated with Brad Cole, Associate Dean for Special Collections, Cheryl Walters, Head, Digital Initiatives, University Libraries, and Sean E. Michael, Department Head and Professor, and Michael Timmons, Associate Professor, Landscape Architecture and Environmental Planning Department, Utah State University. [2011] Lighting A Match: Enlightenment Through Ages of Intolerance. Organized in celebration of Banned Books Week. Co-curated with Vicki Read, Head of Circulation, and Kathleen Schockmel, Art Book Room Manager. Opening reception and panel discussion with Betty Rozum, Associate Dean for Technical Services, moderator; Kim Burgess, Higher Education Reporter, Herald Journal; Marcia Cheney, Library Director, North Logan Public Library; Dr. Pat Gantt, Professor of English and Associate Dean of the College of Humanities and Social Sciences, Utah State University; Karen William McCreary, Attorney and Executive Director of the ACLU of Utah; Vaughn Larson, Librarian, Anne Carroll Moore Children’s Library, Edith Bowen Laboratory School, Utah State University. [2010] A Valentine Sampler: Selections from the Mattie Abrams, Marjorie Hatch, and Edith Tippetts Hayes collections. [2009]

3 Bells: Connecting Animals, People and Land. Selections from the Collection of Thad Box. Co-curated with Randy Williams, Folklore Curator, Division of Special Collections and Archives, and Barbara Middleton, Senior Instructor, USU Department of Natural Resources. Public reception and a lecture by Thad Box. [2009] The Beat Generation: Selections from the Beat and Little Magazine Collection. Co-curated with Brad Cole, Associate Dean for Special Collections, and Kathleen Schockmel, Art Book Room Manager, University Libraries. Organized in conjunction with the 2006 O. C. Tanner Symposium, The 1950’s, the Beat Generation and the Power of Expression, Utah State University. [2006] Topaz: Artworks, artifacts and documents from a Japanese internment camp near Delta, Utah. Co-curated with Brad Cole, Associate Dean for Special Collections. [2005] Golden Celebration: The Hatch Memorial Library, 1953-2003. With public lectures and community tours of the Hatch Memorial Library. [2003] A Close Circle of Friends: Artists, Poets and Printers of the San Francisco Beat Generation. Guest curator at the Nora Eccles Harrison Museum of Art, Utah State University. [2002] Selections from the Beat Poetry Collection. Coffee house reception. Educational program included a poetry reading by Roberta Stearman, Assistant Professor, English Department, and students Adrienne Platero, Rob Kunz and David Jenson, Utah State University. Musical performance by Todd Milovich, Assistant Director, Admissions, Utah State University. [2002] Print Exchange Portfolio 2001. Public reception and a gallery talk by Koichi Yamamoto, Assistant Professor, Art Department, Utah State University. [2001] Lifting the Veil: The Graphic Art of R.P. Bissland. With a public reception and Friends of the Libraries membership drive; gallery talk by Robert P. Bissland. [2001] A Landmark Journey: Photographs of the Sesquicentennial Wagon Train on the Pioneer Trail. With artifacts on loan from the Museum of Church History, Salt Lake City, Utah, and a reproduction handcart built by the Brian and Nhora Anderson family using 1857 handcart specifications. Co-curated with Gary Peterson. [2000] San Francisco Fine Press Printing: Selections from the collection of Virginia C. Parker. Co-curated with Virginia C. Parker. Public reception. Lecture by Virginia C. Parker. [2000] True to Form: Journal Drawings, Writing and Related Sculpture by Larry E. Elsner. Opening reception, silent auction of the artist’s sculptures. Presentations by USU President, George Emert, Peter S. Briggs, PhD, Chief Curator, University of Arizona Museum of Art, and Barre Toelken, Professor of English and History, Folklore Program Director, Utah State University. [1999] Gifts of Beauty and Knowledge: Book Arts, Manuscripts and Art Objects. An Exhibition in Honor of the Marie Eccles Caine Foundation’s Contributions to the Arts and Humanities Research Collections. Co-curated with Kathleen Schockmel, Art Book Room Manager, University Libraries. Public reception with an introduction by William F. Lye, Professor Emeritus, History Department, and a poetry reading by Kenneth Brewer, Professor of English, Utah State University. [1999] Painted Illusions: Trompe l’oeil-embellished Furnishings and Architectural Details by Alice Brown-Wagner. [1997] Close to Home: Cache Valley Architectural Styles, 1880-1930. An Exhibition of Historic Home Photographs from the Cache County Archives. [1997] Home Arts and Occupations. Selections from the Arts, Science and Letters Book Collection. [1997]

Nora Eccles Harrison Museum of Art, Utah State University Poetic Existence. The Emergent Surreal Image in Western American Art. Permanent collection exhibition. Gallery lecture and exhibition tours. [1995] Beasts and Birds: Contemporary Ceramic Vessel Forms. Permanent collection exhibition. [1993] Water Tower Series: Dan Anderson. Gallery talk by Dan Anderson. Visiting Artist Exhibition Series. [1993] The Allure of Illusionism: Trompe l’oeil in Contemporary American Painting. Guest lecture by Elizabeth Jane Connell, Columbus Museum of Art. [1992] Nuclear Landscapes: Photographs by Peter Goin. Visiting Artist Exhibition Series. [1992] Impressions: Woodcuts and Wood Engravings from the Permanent Collection of the Nora Eccles Harrison Museum of Art. Gallery talk. Children’s relief printing workshop and exhibition of resulting prints, Chase Fine Arts Center. [1991] Motif and Mythology: Southwest American Indian Basketry. Children’s event: Southwest Native American legends and myths narrated by Ruth Rice. Permanent collection exhibition. [1991] Water in the West: Photographs by Robert Dawson. Visiting Artist Exhibition Series. [1991] John Buck, Deborah Butterfield and Jay Schmidt: Sculpture, Prints, and Drawings. Visiting Artist Exhibition Series. [1991] Karen Kunc: Large-format Woodcuts. Visiting Artist Exhibition Series. Gallery talk by Karen Kunc. [1990] Jane Abrams: Landscape Paintings in Oil and Encaustic. Visiting Artist Exhibition Series. [1990] Yukio Yamamoto: Anagama-fired Ceramics. Summer Ceramics Workshop Series [1990] Paul Dresang: Salt-fired Sculptural Teapots. Summer Ceramics Workshop Series [1990] Second Biennial Mountain West Photography Juried Exhibition. Juror: John Pfhal. [1989]

4 Women’s Work: Paintings, Works-On-Paper and Textiles By 20th Century Western American Women Artists. Permanent Collection Exhibition. [1989]

PROJECT DIRECTOR: SELECTED COURSE-INTEGRATED, INTERN-CURATED, AND STUDENT EXHIBITIONS [SELECTED] University Libraries, Utah State University Heart Beats. Course-integrated exhibition, poetry reading, and coffee house event developed in partial fulfillment of the requirements for “American Literature” course taught by Paul Crumbley, Professor, English Department, Utah State University. Rose M. Milovich, mentor for collections research, exhibition development and event planning. [2019] Introduction to Book Arts, Annual Student Exhibition. With Dennise Gackstetter, Art Education Coordinator, Art and Design Department, Utah State University. [2018, 2017, 2016] A Beat State of Mind. Course-integrated exhibition, poetry reading, and coffee house event developed in partial fulfillment of the requirements for “American Literature and Culture” seminar, taught by Paul Crumbley, Professor, English Department, Utah State University. Rose M. Milovich, mentor for collections research, exhibition development and event planning. [2016] Books/Lives: Every Book Has a Story. A Student-Curated Exhibition of 13th-17th Century Manuscripts and Early Printed Books. Course-integrated exhibition developed in partial fulfillment of the requirements for Medieval Art History seminar taught by Alexa Sand, Associate Professor, Art and Design Department, Utah State University. Rose M. Milovich, mentor for exhibition planning, development and installation design. [2015] The Broadcasting Bullens: One Family’s Contribution to Cache Valley Newspaper, Radio and Television. Student curator, Elizabeth Cropper, co-mentored with Clint Pumphrey, manuscript curator, Special Collections and Archives. [2014] Frances Winton Champ: A Cornerstone of Cache Valley Musical Culture. Curated by Jeff Lyon, Intern, Special Collections and Archives. Opening reception with gallery talk by Jeff Lyon; piano performances by USU Music Department students. Co-mentor with Kathleen Schockmel, Art Book Room Manager. [2011] Senior Photography Exhibitions. With Craig Law, Professor of Art and senior students, Art Department, Utah State University [2012, 2011, 2010, 2009] Ideas in Flight: Architecture for Birds. With Darrin Brooks, Assistant Professor of Interior Design, and students in the Creative Projects course, Art and Design Department, Utah State University. [2006] Interior Design Sophomore Review Exhibitions. Interior Design Department, College of Family Life, Utah State University. [2003, 2002, 2001, 2000, 1999, 1998]

TRAVELING EXHIBITIONS Nobody Goes Home Sad, Version III. Co-curated with John Suiter for installation at Western Washington University Libraries, Bellingham, WA. Organized for travel with Devin Greener, Preservation Assistant and Shay Larson, Graphic Designer, University Libraries [2019] Small Wonders: The Expansive World of Insects. Co-curated with USU Entomology Club. Mikkel Skinner, Graphic design. Installation at Swaner EcoCenter, Park City, UT. [2017] True to Form: Journal Drawings, Writing and Related Sculpture by Larry E. Elsner. St. George Art Museum. [2000] Larry E. Elsner Retrospective. Organized by the Nora Eccles Harrison Museum of Art. Project Director and Supervisor. Heather Ferrell, Museum Intern and Traveling Exhibition Coordinator. [1993-94] Impressions, Woodcuts and Wood Engravings from the Permanent Collection of the Nora Eccles Harrison Museum of Art. Organized by the Nora Eccles Harrison Museum of Art. Rose M. Milovich, Curator and Traveling Exhibition Coordinator. [1991-1992] Recent Fires: Contemporary Ceramics from the Collections of the Utah Museum of Fine Arts and the Nora Eccles Harrison Museum of Art. Project Coordinator. Susan Harris, Curator. [1991-1992] Four by Four: Sixteen Printmakers from the Four Corners States. Organized by the Nora Eccles Harrison Museum of Art. Traveling Exhibition Coordinator. Peter S. Briggs, Curator. [1987-1989] Life and Land: The Farm Security Administration Photographers in Utah 1936-1941. Dorothea Lange, Russell Lee and Arthur Rothstein. Organized by the Nora Eccles Harrison Museum of Art. Traveling Exhibition Coordinator. Peter S, Briggs, Curator. [1987-1989]

TEMPORARY EXHIBITIONS, RELATED EDUCATIONAL PROGRAMS AND PUBLIC EVENTS [SELECTED] University Libraries, Utah State University Utah Design Arts. Organized by Utah Arts and Museums Traveling Exhibition Program. [2016] Southern Paiute: A Portrait. Organized by Utah Arts and Museums Traveling Exhibition Program. [2015] 5 Navajo Children, Weaving the Future. Organized by Utah Arts and Museums Traveling Exhibition Program. [2015] Lessons in Printing, Adventures in Bookbinding. Organized by Utah Arts and Museums Traveling Exhibition Program. [2014] People, Places and Things Along U.S. 89: photographs by John Telford. Organized by Utah Arts and Museums Traveling Exhibition Program. [2014] Art Meets History: Sepia Drawings of John Wesley Powell’s Explorations of the West. Drawing by William Dean Fausett. Organized by Utah Arts and Museums Traveling Exhibition Program. [2013] From Humble Beginnings: 125th Anniversary of Utah State University. Robert Parson, text, Daniel Davis, photograph selection, Rose M. Milovich, installation design and implementation, Kristen Heal, graphic design. [2013] Everett Ruess Block Prints. Organized by Utah Arts and Museums Traveling Exhibition Program. [2012] 30 Years in Space: An Exhibition Celebrating the History and Future of the GAS Team. Lead installation designer with assistance from Mikkel Skinner. Co-organized with Betty Rozum and Andrew Wesolek, curators. [2012] Jack London at Utah State. Co-curators: Ann Buttars, Western Americana Curator; Clint Pumphrey, Manuscripts Curator; and Sara Skindelein, Special Collections Assistant. Public reception and an exhibition talk by Clint Pumphrey. Organized in conjunction with the 11th Biennial Jack London Society Symposium at Utah State University. Co-sponsored by University Libraries, USU English Department and the Jack London Society. [2012] Forgotten Photographs of the Union Pacific Railroad. With Daniel Davis, Photograph Curator, Division of Special Collections and Archives. [2012] Ka-Pow!! Graphic Novels and Their Use in Academia. Co-curated with Vicki Read, Head of Circulation; Jennifer Duncan, Head of Collection Development; and Andrea Hathaway, Library Assistant, University Libraries. [2011] Ancient Painters of the Colorado Plateau: Photographs by Craig Law. Exhibit traveled by the Utah Arts Council. Opening reception. Illustrated lecture by Craig Law. [2010] Books and Buckaroos: USU’s Cowboy Poetry Collection. With Randy Williams, Folklore Curator, University Libraries. Reception with guest speaker, Hal Cannon, Founding Director, Western Folklife Center and National Cowboy Poetry Gathering. [2009] Reinventing Barbie. Juried exhibition. Organized by the Women’s and Gender Studies Program, Utah State University, in celebration of Women’s History Month. [2009] Poetas y Pintores: Artists Conversing with Verse. Organized by the Center for Women’s InterCultural Leadership at Saint Mary’s College, Notre Dame, Indiana, and the Institute of Latino Studies at the University of Notre Dame. Public reception and lectures by co-coordinators Francisco Aragón, Director, Letras Latinas, Institute of Latino Studies, University of Notre Dame, Maria Meléndez, poet and lecturer, English Department and Rose M. Milovich, University Libraries, Utah State University. Gallery talks by artist, Sam Coronodo, and poet, Alieda Rodriguez. Performance by corridor singers, Anastacio and Elisa Castillo. [2008] Bear River: Last Chance to Change Course. Organized by the Utah Museum of Natural History. Photographs and exhibition text by Craig Denton, Professor of Communications, University of Utah. [2008] Special Houses, Special Fears: Prints by Elizabeth Catlett and Käthe Kollwitz. Organized by the Utah Museum of Fine Art, University of Utah. [2000] Bear River Quilt Guild Summer Exhibition. With Marilyn Liddle, Folklore Program Assistant. [2000] Willow Stories: Contemporary Navajo Baskets. Organized by the Utah Arts Council. [1999] Utah Photographers. Organized by the Utah Arts Council. [1998] Helping Hands: Utah Folk Artist Apprenticeships. Organized by the Utah Arts Council. Reception and a gallery talk by Anne Hatch, Folk Arts Program Coordinator, Utah Arts Council. [1997]

Nora Eccles Harrison Museum of Art, Utah State University Pacific Dreams: Currents of Surrealism and Fantasy in California Art, 1937-1957. Organized by the Armand Hammer Museum and Cultural Center. [1995] Art of Santera. Organized by the Museums of New Mexico. [1994] America’s Living Folk Traditions. Organized by the Museums of New Mexico. [1993] Paper Trails: Prints Drawings, and Watercolors of the San Francisco School of Abstract Expressionism. Gallery talk by Susan Landauer, art historian and curator of the exhibition. Organized by the Museum of Santa Cruz County, California. [1993] Auguste Rodin: Sculpture and Drawings from the G. B. Cantor Collection. Organized by G. B. Cantor Foundation. [1992] The Utah Women’s Art Project. Organized by the Utah Women’s Art Project. [1992] Paul Soldner: A Retrospective. Organized by the Lang Gallery, Scripps College. Children’s educational program: raku fire workshop taught by Rose M. Milovich and USU Art Department graduate students in ceramics. [1992] Ashen Beauty: Wood-fired Ceramics. Organized by the University of Oregon Museum of Art. [1992]

6 Turning the Tide: Early Los Angeles Modernists, 1920-1956. Gallery talk by Susan Erlich, PhD, art historian and curator of the exhibition. Organized by the Santa Barbara Museum of Art. [1991] Walls: Large-Scale Ceramic Sculpture, Eight Variations. Organized by the Nora Eccles Harrison Museum of Art. Susan Harris, curator. Visiting Artists: Von Allen, Wayne Higby, Don Reitz and Robert Sperry. [1991] Night Light: A Survey of Twentieth Century Photography. Selections from the Hallmark Collection. Organized by the Hallmark Corporation. [1990] NCECA Juried Members Exhibition, 1990-1991. Organized by the National Council on Education in the Ceramic Arts. [1990] Third International Shoebox Sculpture Exhibition. Organized by the University of Hawaii Museum of Art. [1990] Reclaiming Paradise: American Women Photograph the Land. Organized by the Tweed Museum, University of Minnesota. Public program organized with Carol O’Conner, Associate Professor, History Department, Utah State University. Lectures by Martha Sandweiss, exhibition curator, and Mary Peck, photographer and visiting artist. [1989] Twelfth Annual Stained Glass Association Associates Exhibition. Guest lecturer and curator: Ken Thornley, Heritage Glass Incorporated, Logan, Utah. Organized by the Stained Glass Association of American and the Nora Eccles Harrison Museum of Art. [1989] Costumes!! By Bruce McInroy. Lecture by Bruce McInroy, Assistant Professor of Costume Design, Theater Department, Utah State University. [1989] A South African Coloring Book. Organized by the Helias Foundation. Public reception organized with the African American Students Association, Utah State University. [1989] Ceramics of the Weimar Republic. Organized by Smithsonian Institution Traveling Exhibitions Program. [1988] Joan Myers. Japanese Relocation Camps: A Photographic Series. Visiting Artist Exhibition Series. [1987] Drawings of Jose’ Luis Cuevas. Curated by Peter S. Briggs, Director and Chief Curator, Nora Eccles Harrison Museum of Art. [1987] 15th to 18th Century Old Master Prints. Selections from the Utah Museum of Fine Arts. Curated by Peter S. Briggs, Director and Chief Curator, Nora Eccles Harrison Museum of Art. [1986]

PROJECT DIRECTOR AND SUPERVISOR: JURIED EXHIBITION SERIES Book Works Annual. Utah State University Libraries, Logan, Utah. Jurors: Janet Shapero, Sculptor and Associate Professor of Art, Utah State University; Vicki Read, Acquisitions Specialist; Katheen Schockmel, Art Book Room Manager. [1997, 1998, 1999] Mountain West Biennial Juried Photography Exhibition. Nora Eccles Harrison Museum of Art. [1989-1995] Jurors included: Rodney Slemonds, Curator of Photography, Seattle Art Museum [1995]; Peter Goin, Professor of Photograph, University of Nevada, Reno [1993]; Richard Burton, Photographer, Salt Lake City, Utah [1991] and John Pfhal, professional photographer [1989] Mountain West Biennial Works-On-Paper Exhibition. Nora Eccles Harrison Museum of Art [1990-1994] Jurors included: Selma Holo, Director, Fisher Gallery, University of Southern California [1994]; Townsend Wolfe III, Director, Arkansas Art Center [1992]; Jane Abrams, Professor of Art, Printmaking and Painting, University of New Mexico, Albuquerque. [1990]

PROJECT DIRECTOR AND COORDINATOR: UTAH STATE UNIVERSITY ART DEPARTMENT FACULTY EXHIBITION AND LECTURE SERIES [SELECTED] Nora Eccles Harrison Museum of Art in collaboration with the Art Department, Utah State University Greg Schulte: Drawings and Paintings. Public reception and artist’s talk. [1994] Craig Law Photographs: Pictographs and Petroglyphs. Public reception and artist’s talk. [1994] Moishe Smith: Intaglio Prints and Monotypes. Public reception and artist’s talk. [1993] Janet Shapero: “Tessuto Vitale.” A Sculptural Installation. Public reception and artist’s talk. [1992] Nick Bonner: Ceramic Sculpture and Drawings. Public reception and artist’s talk. [1988] Alice Brown-Wagner: Drawings. Public reception and artist’s talk. [1988]

PROFESSIONAL PUBLICATIONS Exhibition Catalogs Milovich, Rose M. Golden Celebration: The Hatch Memorial Library, 1953-2003. Logan: Milton R. Merrill Library, Utah State University, 2003. Milovich, Rose M. and Parker, Virginia C. San Francisco Fine Press Printing: Selections from the collection of Virginia C. Parker. Logan: Milton R. Merrill Library, Utah State University, 2000. Milovich, Rose M. True to Form: Journal Drawings, Writing and Related Sculpture by Larry E. Elsner. Logan: Milton R. Merrill Library, Utah State University, 1999.

7 The Allure of Illusionism: Trompe l-oeil in Contemporary American Painting. Logan: Nora Eccles Harrison Museum of Art, Utah State University, 1992.

Exhibition Brochures and Guides Milovich, Rose M. A Genesis: Intaglio Prints by Gabor Peterdi. Logan: Utah State University Libraries, 2012. Milovich, Rose M. A Valentine Sampler: Selection from the collections of Mattie Abrams, Marjorie Hatch, and Edith Tippetts Hayes. Logan: Utah State University Libraries, 2009. Milovich, Rose M. Painted Illusions: Trompe l’oeil-embellished Furnishing and Architectural Details by Alice Brown- Wagner. Logan: Milton R. Merrill Library, Utah State University, 1998. Milovich, Rose M. Southwest American Indian Basketry from the Permanent Collection. Logan: Nora Eccles Harrison Museum of Art, Utah State University, 1994. Milovich, Rose M. Impressions: Woodcuts and Wood Engravings from the Permanent Collection of the Nora Eccles Harrison Museum of Art. Logan: Nora Eccles Harrison Museum of Art, Utah State University, 1991. Milovich, Rose M. Western Landscape Photographs from the Permanent Collection of the Nora Eccles Harrison Museum of Art. Logan: Nora Eccles Harrison Museum of Art, Utah State University, 1991.

Art Object Brochures (selected) Milovich, Rose M. “Clay Spohn, Rolling Forts, Flying Forts and Anti-aircraft Nets,” Artspecs, [Issue Number 3]. Logan, Utah: Nora Eccles Harrison Museum of Art, [1995]. Milovich, Rose M. “Edward Corbett, Number 8 Taos,” Artspecs, [Issue Number 3]. Logan, Utah: Nora Eccles Harrison Museum of Art, [1995]. Milovich, Rose M. “Ellwood Graham, Pudding Stone,” Artspecs, [Issue Number 3]. Logan, Utah: Nora Eccles Harrison Museum of Art, [1995]. Milovich, Rose M. “Wallace Berman, Untitled (Verifax Collage),” Artspecs, [Issue Number 3]. Logan, Utah: Nora Eccles Harrison Museum of Art, [1995]. Milovich, Rose M. “Agnes Pelton, Nurture,” Artspecs, [Issue Number 2]. Logan, Utah: Nora Eccles Harrison Museum of Art, [1993]. Milovich, Rose M. “Emil Bisttram, Dualities,” Artspecs, [Issue Number 2]. Logan, Utah: Nora Eccles Harrison Museum of Art, [1993]. Milovich, Rose M. “Henrietta Shore, Two Worlds,” Artspecs, [Issue Number 2]. Logan, Utah: Nora Eccles Harrison Museum of Art, [1993]. Milovich, Rose M. “Irving Norman, Blind Momentum,” Artspecs, [Issue Number 2]. Logan, Utah: Nora Eccles Harrison Museum of Art, [1993]. Milovich, Rose M. “John L. Howard, Elemental Drifts,” Artspecs, [Issue Number 2]. Logan, Utah: Nora Eccles Harrison Museum of Art, [1993]. Milovich, Rose M. “Kenneth Callahan, Multitudes,” Artspecs, [Issue Number 2]. Logan, Utah: Nora Eccles Harrison Museum of Art, [1993]. Milovich, Rose M “Oskar Fischinger, Blue Cristal,” Artspecs, [Issue Number 1]. Logan, Utah: Nora Eccles Harrison Museum of Art, [1992]. Milovich, Rose M. “Dorr Bothwell, Magic Puppet,” Artspecs, [Issue Number 1]. Logan, Utah: Nora Eccles Harrison Museum of Art, [1992]. Milovich, Rose M. “Louis Bunce, Sea Crags,” Artspecs, [Issue Number 1]. Logan, Utah: Nora Eccles Harrison Museum of Art, [1992]. Milovich, Rose M. ”Helen Lundeburg, The Mirror Enigma,” Artspecs, [Issue Number 1]. Logan, Utah: Nora Eccles Harrison Museum of Art, [1992]. Milovich, Rose M “Robert McChesney, Mexico B14,” Artspecs, [Issue Number 1]. Logan, Utah: Nora Eccles Harrison Museum of Art, [1992].

Published Scientific and Creative Illustrations (selected) Briggs, Peter S. Art, Death and Social Order: Pre-Conquest Mortuary Arts from the Central Region of Panama. Archaeology site maps and [ninety] artifact drawings by Rose M. Milovich. Oxford, England: British Archaeology Reports, 1989. Simms, Steven R. The Bustos Wickiups: The Archaeology of an 18th Century Shoshoni Pine Nut Camp. Site reconstructions conceptualized and drawn by Rose M. Milovich. Exhibition design by Rose M. Milovich. Circulated by the Nevada Humanities Council. Long-term installation: United States Forest Service, Ely, Nevada. [1989] Designed and illustrated Women and Gender Research Institute brochure and funding proposal. Women and Gender Research Institute, Utah State University. [1987]

8 Administrative and Procedural Documents (selected) Exhibition Program Mission and Policy Statement, University Libraries, Utah State University [1997, revisions 1999, 2007, 2014] Exhibition Production Protocol. Co-authored with Kristin Heal, Graphic Designer, University Libraries, Utah State University. [2010] Comprehensive Collection Development Policy, Special Collections and Archives Division, University Libraries, Utah State University. Co-authored with Robert Parson, Interim Head, Special Collections and Archives with draft section policies by Ann Buttars, Mormon and Western Americana Curator; Daniel Davis, Photograph Curator; Steven Sturgeon, Manuscripts Curator; Randy Williams, Folklore Curator. [2003-2004.] Collection Development Policy: Art, Book Arts and Rare Books Section, Special Collections and Archives Division, University Libraries, Utah State University. [1999, revisions 2003] Registration Manual for Original Artworks and Artifacts in the Special Collections and Archives Division of University Libraries. [1999] Comprehensive Collections Management Policy. Nora Eccles Harrison Museum of Art. [Revisions, 1992]

GRANTS, CASH DONATIONS AND FUNDRAISING EVENTS v Larry E. Elsner Art Foundation: ongoing funding, awarded annually to support an undergraduate research fellow in the Special Collections and Archives Division of University Libraries. [thus far awarded in 2017, 2018] v Library Services and Technology Act Grant. Digitization of audio recordings. Co-authored with Brad Cole, Clint Pumphrey, Darcy Pumphrey, Becky Thoms, University Libraries. [2016] v National Endowment for the Humanities: Preservation Assistance Grant. [2011] v Larry E. Elsner Art Foundation: Preservation Grant. [2010] v Utah Arts Council: Community Arts Development Grant. [2007] v Utah Humanities Council: Public Programming Grant. [2007] v George S. and Dolores Doré Eccles Foundation: To upgrade Digital Initiatives Lab and digitize rare, extra-illustrated, history of science books ca. 1600-1900. Co-authored with Brad Cole, Associate Dean, Special Collections and Archives Division, and Cheryl Walters, Head, Digital Initiatives. [2006] v Hatch Room Holiday Gala. With Kent Clark, USU Libraries Development Officer and Kim Winger, USU Libraries Public Relations Specialist. [2004] v Marie Eccles Caine Foundation: Grant to fund conservation treatment of original drawings, text elements and lithographic prints in the John L. Ridgway scrapbook (containing the artist’s 19th C. scientific illustration exemplars). [2002] v Friends of USU Libraries membership drive for alumni of Utah State University living near the area of St. George, Utah. Held at the St. George Art Museum in conjunction with the opening of the traveling exhibition: True to Form: Journal Drawings, Writing and Related Sculpture by Larry E. Elsner. [2000] v Friends of the USU Libraries membership drive and reception in conjunction with Lifting the Veil: The Graphic Art of R. P. Bissland. [2001] v Larry E. Elsner Art Foundation: Grant for Library Acquisitions. [2000] v Library Services and Technology Act Grant: To purchase a server and ether switch for University Libraries, Utah State University. [1999] v Raymond and Roselena Sanders: Unrestricted cash donation. [1999] v Utah Arts Council: Community Arts Development Grant [1999] v Silent Auction of Artworks by Larry E. Elsner [1999] v Larry E. Elsner Art Foundation: Exhibition and Publication Grant [1998] v Larry E. Elsner Art Foundation: Exhibition and Publication Grant [1997] v Utah Office of Museum Service: Publication Grant, Utah Sesquicentennial. Co-authored with Steven W. Rosen, Director, Nora Eccles Harrison Museum of Art. [1995] v Utah Arts Council: Arts in Education Grant: Teacher and Docent Training Program. Co-authored with Nilla Childs, Graduate Assistant, Education Program, Nora Eccles Harrison Museum of Art. [1993] v Marie Eccles Caine Foundation: Publication Grant, Southwest American Indian Basketry collection brochure. [1993] v Springtime in Paris. Gala and Friends of the Nora Eccles Harrison Museum of Art membership drive. Co-organized with Steven W. Rosen, Director, and the Museum Advisory Board of the Nora Eccles Harrison Museum of Art. [1992] v National Endowment for the Arts: Conservation and Collections Maintenance Grant. [1992] v Institute of Museum Services: General Operating Support Grant. Co-authored by Susan Harris and Rose M. Milovich, Interim Curators and Co-Directors, Nora Eccles Harrison Museum of Art. [1990]

9 v Utah Arts Council: General Operating Support. Co-authored by Susan Harris and Rose M. Milovich, Interim Curators and Co-Directors, Nora Eccles Harrison Museum of Art. [1990] v Women’s Center, Utah State University: Educational Assistance Grant. [1988] v Women’s Center, Utah State University: Educational Assistance Grant. [1987]

Collection Development: selected donations v Intermountain Herbarium, Utah State University: 2162 original pen-and-ink illustrations of the flora (grasses) of North America. [2009] v Yoko Elsner: Larry E. Elsner Sketchbook Collection; 80 sketchbooks. [2006-2009] v Collection of Sid Perkes: Original stage set and costume design renderings; 510 renderings. [2007] v Sydney Hatch di Villarosa: Rare children’s book collection. [2003-2005] v Branda Branyon Zinskey: Little Red Riding Hood collection; 853 books and artifacts. [2000-08] v Peter Van der Pas: History of Science Rare Book Collection; 1245 volumes. With Richard Schockmel, Head, Acquisitions and Collections Development, and Ann Buttars, Head, Special Collections and Archives. [2001-2005] v Design Workshop: Landscape Architecture and Environmental Planning Company Drawings. Co- cultivated with Stephen Sturgeon, Manuscript Curator. [1999-2002]

PROFESSIONAL PRESENTATIONS [SELECTED] Collaboration in the Development of Course-Integrated Library Exhibitions. Utah Academic Library Consortium Professional Development Retreat. Presented with Dan Davis, Jennifer Duncan and Alison Gardner [2017] Conservation Matting and Framing: Materials and Methods. One-day workshop and demonstrations for University Libraries’ Exhibition Program Committee members. [2012] Extra-Illustrated Rare Books in the Hatch Memorial Library Collection. Presented to senior citizen participants of the Senior University program, Utah State University, Logan, UT. [2011] Conducted more than thirty tours of the Hatch Memorial Library Room directed toward Cache Valley elementary, middle school and concurrent enrollment high school students. [2006-present] Artworks, Illustrated Treasures, and Decorative Arts in the Hatch Memorial Library Room. Presented to “The Grannies Club.” [2008] Art and Book Arts Collection of the Division of Special Collections and Archives. Presentation to the AC Women’s Club, University Libraries. [2004] Botanical Illustration: Relief, Intaglio and Lithographic Prints in the Rare Book Collection of the Hatch Memorial Library. Illustrated lecture using rare books from the Hatch Memorial Library. Presented to the Northern Utah Chapter of the Native Plant Society, Logan, Utah. [2001] Care and Conservation of Material Culture Collections. Presentation given to Folklore Colloquium class, History and English Departments, Utah State University. Conducted with Noel Carmack, Preservation Librarian, University Libraries [2001] Journal Drawings, Writing and Related Sculpture. Larry E. Elsner’s Creative Process. Gallery talk at the St. George Art Museum, St. George, Utah. [2000] A Path to Sculptural Form: Larry E. Elsner’s Practice of Drawing. Instructional presentation for the Intermediate Drawing class, Art Department, Milton R. Merrill Library. [1999] Genesis of the Hatch Memorial Library Reading Room. Lecture presented at the Benefactor’s Dinner, Utah State University Library. [1996] The Emergent Surreal Image In Western American Art. Gallery lecture at the Nora Eccles Harrison Museum of Art. [1995] Dada, Surrealism and Related Movements: An Historical Overview. Illustrated lecture and an exhibition tour presented to the Sun Citizens Jewish Social Club, Logan, Utah. [1995] Contemporary Drawing: The Drawn West Biennial 1994. Gallery lecture at the Nora Eccles Harrison Museum of Art. [1994] Three Women Artists: Helen Lundeberg, Agnes Pelton, and Henrietta Shore. Opening lecture for Women’s History Week, Utah State University. [1993] Impressions: Woodcuts and Wood Engravings. Selections from the Permanent Collection of the Nora Eccles Harrison Museum of Art. Lecture at the Nora Eccles Harrison Museum of Art. [1991] Woodblock Printing: Brief History, Tools, Materials, and Techniques. Lecture and studio demonstration at the Nora Eccles Harrison Museum of Art. [1991] Kenneth Callahan, John L. Howard and Irving Norman: Their Lives and Works. Permanent collection gallery lecture presented to the Friends of the Nora Eccles Harrison Museum of Art. [1990] Collage and Collage-derived Imagery. Lecture and studio demonstration presented to Drawing and Composition class, Art Department, Utah State University, Logan. [1986]

10 CHILD AND YOUTH EDUCATION WORKSHOPS Family Art Days. Organized by University Libraries and Nora Eccles Harrison Museum of Art [2017-2018] Coptic Binding Workshop. Instructor. Taught fifty Mount Logan Middle School students. [2011] Children’s Artshops Program [Program Director and Creator, 1991-94] Nora Eccles Harrsion Museum of Art v Pinhole Camera Photography. Instructors: Heather Ferrell and Shayne Christiansen, Museum interns and Art Department photography students. [1994] v Navajo Weaving: Techniques, Materials and Patterns. Instructor: Lynn Underwood, Graduate Museum Intern and Lyle McNeil, Director, Navajo Sheep Project, Utah State University. [1993] v Ceramic Hand-building and Raku Firing Workshop for Children and Parents. Instructors: Rose M. Milovich, hand-building techniques, bisque fire, and glazing, and MFA candidates, Ceramics, demonstrating raku firing techniques. [1992] v Trompe l’oeil Picture-making. Instructor: Nilla Childs, Graduate Assistant, Museum Education. [1992] v Motif and Mythology: Native American Myths and Legends; reading by Ruth Rice. [1992] v Relief Printing Workshop and Exhibition of Children’s Prints. Instructors: Diane Terry and Rose M. Milovich, demonstration of drawing and relief printing techniques. [1991]

CONSERVATION AND COLLECTIONS MANAGEMENT PROJECTS (SELECTED) Project Director of the following: v Conservation treatment of a large-scale lithograph of Ogden City, Utah, 1889. Undertaken by Antionette Dwan, paper conservator in private practice, Sebastopol, California. [2012] v Conservation treatment of an oil painting by French Barbizon School painter, Jules Dupre. Undertaken by Steven Prins, Steven Prins and Company Conservation, Santa Fe, New Mexico. [2009] v Planned and oversaw the relocation of the Hatch Memorial Library Room from Milton R. Merrill Library to the new Merrill-Cazier Library facility, Utah State University. This involved conservation assessment, de-installation, restoration, relocation and re-installation of the room’s elements, including 15th -18th century furniture, textiles, paintings, architectural elements and decorative arts. [2003-2005] v Conservation assessment and removal of marouflage mural titled, Allegory of Knowledge, (10’ h. x 20’ w.) from the Milton R. Merrill Library in preparation for full conservation treatment and re-installation in the new Merrill-Cazier Library facility, Utah State University. Undertaken by Steven Prins and Marc Spencer, Steven Prins and Company Conservation, Santa Fe, New Mexico, with assistance from Rose M. Milovich and Nelson Ahrnsbrak, curatorial intern. [2005] v Conservation assessment of 17th, 18th and 19th century easel paintings in the Hatch Memorial Library and the Tanner Reading Room of Special Collections and Archives, Milton R. Merrill Library, Utah State University. Undertaken by Steven Prins, Steven Prins and Company Conservation, Santa Fe, New Mexico with assistance from Nelson Ahrnsbrak and Rose Milovich. [2004] v Conservation survey of 15th-18th century furniture, architectural elements and decorative arts in the Hatch Memorial Library room, Special Collections and Archives Division, Milton R. Merrill Library. Survey undertaken by Linnaea Dawson, architectural conservator, Silverlake Conservation, Los Angeles, and Arlen Heginbotham, Assistant Conservator of Decorative Arts, J. Paul Getty Museum. [2004] v Condition assessment and conservation treatment of the John L. Ridgway Scrapbook containing drawings, prints and text elements; Special Collections and Archives Division, Milton R. Merrill Library, Utah State University. Undertaken by Antionette Dwan, paper conservator in private practice, Sebastopol, California. [2001-02] v Risk Management Survey. Undertaken by Kenneth Peterson, Director, Risk Management. Special Collections and Archives Division, Milton R. Merrill Library, Utah State University. [1997-98] v Project Coordinator. Native American Grave Protection and Repatriation Act compliance project. Nora Eccles Harrison Museum of Art, Utah State University. [1992-95] v Principal Investigator and Project Supervisor. Conservation and Collections Maintenance Grant, National Endowment for the Arts. Upgrades to permanent collection storage facilities and fabrication of custom- designed boxes for housing Native American Indian ceramics and baskets. Nora Eccles Harrison Museum of Art, Utah State University. [1992-93] v Member of the security enhancement team responsible for upgrading security technology and monitoring for three exhibition galleries of the Nora Eccles Harrison Museum of Art, Utah State University. [1991] v Project Supervisor. Conservation and Collections Maintenance Grant, National Endowment for the Arts: two-week conservation survey of 150 paintings in the permanent collection of the Nora Eccles Harrison Museum of Art, Utah State University. Survey undertaken by Steven Prins, Steven Prins and Company, Santa Fe, New Mexico. [1989]

11 v Project Supervisor. Conservation Grant, Institute of Museum Services: Museum Facilities Survey. Nora Eccles Harrison Museum of Art, Utah State University. Survey undertaken by Carl Patterson, Director, Rocky Mountain Conservation Center, Denver, Colorado. [1989] v Workshop Instructor. Matting, framing, and storage of artworks on paper using Library of Congress conservation matting techniques. Presented at the North Cache High School, Richmond, Utah. [1989] v Instructor. Library of Congress Conservation Matting Techniques: hands-on training for student employees of the Special Collections and Archives Division, Milton R. Merrill Library, Utah State University. [1988]

COMMITTEE SERVICE AND OUTREACH (SELECTED) Research Week Planning Committee, Merrill-Cazier Library, Utah State University. [2019] Faculty Reviewer, Honors Program admissions. Honors Program, Utah State University. [2019] Collections Development Committee. University Libraries. [2018-present] Subject Liaison Team: Arts and Humanities Group. University Libraries. [2018-Present] Advisory Board, Museum Studies Certificate Program. Utah State University [2017-Present] Search Committee Member and Chair: Graphic Design Assistant. University Libraries. [2017] Exhibition Program Committee, Chair, University Libraries, Utah State University [1997-2004; 2006-2017] Disaster Planning, Response and Recovery Committee, University Libraries, Utah State University. [2016-2018] Search Committee: Graphic Design Assistant. University Libraries. [2013] National Endowment for the Humanities, Preservation Assistance Grant to upgrade storage environments for glass plate photograph negatives at the Utah Historical Society. Co-authored by Rose M. Milovich, Preservation Manager, University Libraries, Utah State University, and Randy Silverman, Head of Preservation, Marriott Library, University of Utah. [2009] State of Utah Visual Arts Committee, Utah Arts Council, Salt Lake City, UT. [2006-2007] Education Curator Search Committee, Nora Eccles Harrison Museum of Art. [2006] Planning Committee; design and construction of the Merrill-Cazier Library Facility, Utah State University. [2002-2005] Consultant. American West Heritage Center, Wellsville, Utah. De-accession policy development. [2005] Collections Development Advisory Committee, University Libraries, Utah State University, Special Collections and Archives Division Representative. [2002-2004] Friends of USU Libraries: Ex-officio board member. [1998-2004] Development Committee, USU Libraries. [1996-2002] Juror, Art Department Student Art Exhibition. Twain Tippets Gallery, Utah State University. [2002] Guest Faculty. Graduate Seminar: Interdisciplinary Graduate Studio Critique, Art Department, Utah State University. [2001] Ad Hoc Quilt Museum Committee, Bear River Quilt Guild and the College of Family Life, Utah State University. Determined the feasibility of a jointly established community/University museum devoted to quilting and related arts. [1999-2000] Grantsmanship Training Center, five-day program planning and proposal writing workshop. Attendance open to University Libraries staff, USU community and non-profit organizations in Utah, Idaho and Wyoming. Science and Technology Library, Utah State University. [1999] Liaison of the Nora Eccles Harrison Museum of Art to the Cache County School District. To develop art education experiences for children of seasonal migrant agricultural workers. [1995] Juror, Annual Visual Arts Juried Competition. Capital Arts Alliance, Bullen Center, Logan, Utah. [1995] Perpetrators. An exhibition designed to educate, provoke discussion and encourage study (of The Holocaust) among all age groups Original prints by Sidney Chafetz. Coordinated for installation at the Milton R Merrill Library, Utah State University. [1993] A Test of Love: Photographs and statements of people and their loved ones living with AIDS. Photographs by Cheri Piefke. Exhibition coordinated for installation at the Milton R. Merrill Library, Utah State University. [1992] Juror, Student Art Exhibition. Weber State University, Ogden, Utah. [1991] Pro-bono consultant. Accessioned, documented and created basic descriptive catalog records for 750 artworks in the estate of sculptor and USU Professor of Art, Larry E. Elsner. Undertaken for Yoko Elsner, estate executor, with assistance from seven volunteers. [1990]

PROFESSIONAL AFFILIATIONS Current: Utah Library Association; American Printing History Association; American Library Association; Rare Books and Manuscripts Section of the Association of College and Research Libraries

Past 12 Preservation Committee of the Utah Academic Library Consortium [2009-2017] Greater Western Library Association. Liaison, with Randy Silverman, to GWLA to institute a Preservation Committee within the Utah Alliance for Response [2009-2017] American Alliance of Museums {1987-1996]

CONTINUING EDUCATION Rare Book School, University of Virginia, Charlottesville. Competitive admission usually limited to twelve or fewer professionals per course. Advanced Seminar in Book Illustration Processes. Instructor: Terry Belanger, Director, Rare Book School; University Professor and Honorary Curator of Special Collections, University of Virginia, Charlottesville. (Three persons admitted) [2004] Artists’ Books: Strategies for Collecting. Instructor: Johanna Drucker, Robertson Professor of Media Studies, University of Virginia, Charlottesville. [2000] History of the Book to 1800. Instructor: Martin Antoinetti, Curator of Rare Books, Smith College, Northampton, Massachusetts. [2000] Lithography: The Popularization of Printing In the 19th Century. Instructor: Michael Twyman, Emeritus Professor, Department of Typography and Graphic Communication, University of Reading, England. [1999] Book Illustration to 1890. Instructor: Terry Belanger, Director, Rare Book School; University Professor and Honorary Curator of Special Collections, University of Virginia, Charlottesville. [1998] Introduction to Descriptive Bibliography. Instructors: Terry Belanger, University Professor and Honorary Curator of Special Collections, University of Virginia, Charlottesville and Richard Noble, Rare Books Cataloger, John Hay Library, Brown University. (Twenty-five persons admitted) [1997]

Utah State University Folklore Seminar. Instructor: Barre Toelken, Professor of English and History (attended on a non-credit basis; participated in all readings, discussions, and class sessions) [2003] Evans Biography Writing Workshop. Instructors: Ross Peterson and Michael Nicholls, History Department; Shannon Hoskins, Associate Director, Mountain West Center for Regional Studies; Andrew Jeff Simmonds, Director of Special Collections and Archives. [1994] Great Basin Archaeology. Instructor: Steven R. Simms, Associate Professor, Anthropology Department. [1989]

Courses, Seminars and Workshops (selected) Creating Online Exhibits Using OMEKA. Alison Lewis, Instructor. Four-week online course. Library Juice Academy. [2017] Shake ‘Em Don’t Break ‘Em. Presenters: William Thomas, Utah Museum of Natural History, state-of-the art earthquake-resistant mounts for protecting displayed objects; David Carroll, Utah Museum of Fine Arts, earthquake-resistant strategies to hang paintings safely and affordably; and Randy Silverman, J Willard Marriott Library, earthquake-resistant glass plate negatives storage. [2013] Utah Alliance for Response Forum. Utah State Capitol, Salt Lake City, UT. [2011] WESTPAS Disaster Planning Workshop. J. Willard Marriott Library, University of Utah. [2010] Physical Evidence In Books. Instructor: Paul Needham, Scheide Librarian, Princeton University. Organized by the Utah Preservation Consortium. Conducted at the Salt Palace Convention Center, Salt Lake City, Utah. [1998] Book Illustration Processes. Instructor: Terry Belanger, Director, Rare Book School; University Professor and Honorary Curator of Special Collections, University of Virginia. Organized by the Utah Preservation Consortium. Conducted at the Egyptian Theater, Ogden, Utah. 1997 Conservation Environments for Museums and Libraries. Instructor: William F. Lull, William F. Lull and Associates. Organized by the Museum of Church History. One-day seminar conducted in Salt Lake City, Utah. [1991] Care and Conservation of Artworks on Paper. Patricia Morris, Conservator and Restorer of Art and Artifacts on Paper, Santa Fe, New Mexico. One-day seminar in conjunction with a ten-day paper conservation survey, Nora Eccles Harrison Museum of Art, Logan, Utah. [1987]

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