Trick film: Neil Brand’s radio dramas and the silent film experience McMurtry, LG http://dx.doi.org/10.1386/iscc.10.1-2.1_1 Title Trick film: Neil Brand’s radio dramas and the silent film experience Authors McMurtry, LG Type Article URL This version is available at: http://usir.salford.ac.uk/id/eprint/51763/ Published Date 2019 USIR is a digital collection of the research output of the University of Salford. Where copyright permits, full text material held in the repository is made freely available online and can be read, downloaded and copied for non-commercial private study or research purposes. Please check the manuscript for any further copyright restrictions. For more information, including our policy and submission procedure, please contact the Repository Team at:
[email protected]. Trick Film: Neil Brand’s Radio Dramas and the Silent Film Experience Leslie McMurtry, University of Salford Abstract At first glance, silent film and audio drama may appear antithetical modes of expression. Nevertheless, an interesting tradition of silent film-to-radio adaptations has emerged on BBC Radio Drama. Beyond this link between silent film and radio drama, other radio dramas have highlighted that Neil Brand, a successful silent film accompanist, radio dramatist, and composer, links the silent film experience and audio drama in two of his plays, Joanna (2002) and Waves Breaking on a Shore (2011). Using theories of sound and narrative in film and radio, as well as discussing the way radio in particular can stimulate the generation of imagery, this article examines layered points of view/audition as ways of linking the silent film experience and the use of sound within radio drama.