AMY SIEGEL

Solo shows include: Amie Siegel: Provenance, The Metropolitan Museum of Art, New York, USA (2014); Amie Siegel: Provenance, University of Michigan Museum of Art, Ann Arbor, Missouri, USA (2014); Amie Siegel: Provenance, Center for Contemporary Art, , Israel (2014); Amie Siegel: Winter, Ratio 3 Gallery, San Francisco, USA (2014); Amie Siegel: Provenance, Simon Preston Gallery, New York, USA (2013); Black Moon, Arthouse - Austin Museum of Art, Austin, Texas, USA (2012); Amie Siegel. Part 1: Black Moon, Kunstmuseum Stuttgart, Germany (2011); Amie Siegel: Black Moon, Krome Gallery, , Germany (2010); Berlin Remake, Carpenter Center for the Visual Arts, Harvard University, Cambridge, Massachussetts, USA (2007); Berlin Remake, Edith-Ruß-Haus für Medienkunst, Oldenburg, Germany (2006).

Group exhibitions/screenings include: Infinite City, Zabludowicz Collection, , England (2014); Utopia for Sale?, MAXXI National Museum of XXI Century Arts, Rome, Italy (2014); Forum Expanded: Provenance, Berlin International Film Festival, Berlin, Germany (2014); Future Projections: Provenance, Museum of Contemporary Canadian Art, International Film Festival, Toronto, Canada (2014); Adaptation, Herzliyah Museum of Contemporary Art, Herzliyah, Israel (2014); Pop Departures, Seattle Art Museum, Seattle, WA (2014); Amie Siegel: Provenance, Simon Preston Gallery, New York, USA (2013); City of Disappearances, CCA Wattis Institute for Contemprary Art, San Francisco (2013); Approximately Infinite Universe, Museum of Contemporary Art, San Diego, USA (2013); The 5th Auckland Triennial: If You Were to Live Here, Auckland Art Gallery, New Zealand (cat.) (2013); Brute, Carpenter Center for Visual Arts, Harvard University, Cambridge, USA (2013); Mad, Bad and Sad, Freud Museum, London, England (2013); Permutation 03.2: Re-Place, P!, New York, USA (2013); The Future’s Not What it Used To Be, Newlyn Art Gallery, Cornwall, England (2013); The Future’s Not What it Used To Be, Chapter, Cardiff, Wales (2012); Black Moon, Anthology Film Archives, New York, USA (2012); American Originals Now: Amie Siegel, National Gallery of Art, Washington, DC, USA (2012); Out-of ______, Michael Benevento Gallery, , USA (2012); Dohyang Lee, , France (2012); Video in the City, Art - 30th Contemporary Art Fair, Brussels, Belgium (2012); Emotional Blackmail, Kitchener-Waterloo Art Gallery, Ontario, Canada (2012); Ready for Extinction, Pleasure Dome, Toronto, Canada (2012); Cannes International Film Festival, Semaine de la Critique, Cannes, France (2011); After the Fall, TULCA, Galway, Ireland (cat.) (2011); Signal and Noise, Vivo Media Arts Centre, , Canada (2011); East Meets West, Walter and McBean Galleries, San Francisco, USA (2011); Migration/Dislocation, Millennium Film Workshop, New York, USA (2011); Emotional Blackmail, Southern Alberta Art Gallery, Lethbridge, Canada (cat.) (2011); Fear, Lo and Behold, Salon de Vortex, Athens, Greece (cat.) (2011); Virtual Corps, Residency Unlimited, Brooklyn, NY (travelled to Salon Populaire, Berlin) 2010 The Talent Show, Walker Art Center, Minneapolis, MN (traveled to MoMA/PS1, New York; Henry Art Gallery, Seattle) (2010); Foster Prize, The Institute for Contemporary Art, Boston, USA (2010); Another Point of View, Centre d’Art Contemporain, Noisy-le-sec, France (cat.) (2010); Auto-Kino! Temporaäre Kunsthalle Berlin, Germany (curated by Phil Collins, cat.) (2010); Into the Eye of the Storm, VideoZone: International Video Art Biennial, Israel (cat.) (2010); Amie Siegel: Three Films, Harvard Film Archive, Cambridge, USA (2010); Transmodern, Baltimore Museum of Art, Baltimore, USA (2010); Migrating Forms, Anthology Film Archives, New York, USA (2010); Territories of the Inhuman, Württemburhischer Kunstverein Stuttgart, Stuttgart, Germany (2010); DDR/DDR, The Museum of Modern Art, New York, USA (2010); DDR/DDR, Pacific Film Archive, Berkeley, CA, USA (2010); DDR/DDR, Portland Art Museum, Portland, OR, USA (2010); DDR/DDR, Northwest Filmforum, Seattle, USA (2010); DDR/DDR, Anthology Film Archives (2010); DDR/DDR, Rice Cinema, Houston, TX, USA (2010); DDR/DDR, Harn Museum of Art, Gainesville, FL, USA (2010); DDR/DDR, Pacific Cinematheque, Vancouver, Canada (2010); DDR/DDR, Filmoteca de Catalunya, , Spain (2010); The Russian Linesman, Hayward Gallery, London, England (curated by Mark Wallinger, cat.) (traveled to Leeds Art Gallery and Glynn Vivian, Swansea) (2009); MONITAUR, Aspen Art Museum, Aspen, CO, USA (2009); Imagining History, CA2M Centro de Arte 2 de Mayo, , Spain (cat.) (2009); Views from the Avant-Garde, The New York Film Festival, USA (2009); DDR/DDR, The Gene Siskel Film Center, Art Institute of , Chicago, USA (2009); DDR/DDR, Migrating Forms /Anthology Film Archives, New York, USA (2009); DDR/DDR, DAAD Galerie, Berlin, Germany (2009); DDR/DDR, Feinkost Galerie, Berlin, Germany (2009); Zeigen. Temporäre Kunsthalle Berlin, Germany (curated by Karin Sander, cat.) (2009); Whitney Biennial, Whitney Museum of American Art, New York, USA (cat.) (2008); Werkleitz Bienniale “Amerika,” Halle/Leipzig, Germany (cat.) (2008); VideoPanel 2008, Hamburg, Germany (2008); Now (and Again), BFI Southbank, London, England (2007); Split Screen, Recontres Internationales, Círculo de Bellas Artes, Madrid, Spain (2007); Liar Lies: Contemporary Performance for the Camera, DePaul Art Museum, Chicago, USA (2007); Forum Expanded, KW Institute for Contemporary Art, Berlin, Germany (2006); Berlin International Film Festival, Berlin, Germany (2006); Now Again the Past: Rewind, Replay, Resound, Carnegie Arts Center, Buffalo, NY (cat.) (2006); Fair Play, Palazzo Genovese, Salerno, Italy (2006); 3 Videoarbeiten: Filmische Rekonstruktion mit Walter Benjamin, Kino Arsenal, Berlin (2006); Monitoring, Kassel Documentary Film & Video Festival, Kassel, Germany (2006); Kinovi[sie]on, Cinematograph, Innsbruck, Austria (2006); Kino im Kopf. Psychologie und Film seit Sigmund Freud, Film Museum Berlin, Germany (2006); Empathy, Gene Siskel Film Center, The Art Institute of Chicago, USA (2005); Empathy, Pacific Film Archive, Berkeley, USA (2005); Empathy, San Francisco Cinematheque, San Francisco, USA (2005); Empathy, Museum of Fine Arts Boston, Boston, USA (2005); Empathy, LA Filmforum, Egyptian Theater, Los Angeles, USA (2005); Empathy, Anthology Film Archives, New York, USA (2005); After Effects, Lower Manhattan Cultural Council, New York, USA (2005); Empathy, Casablanca Kino, Dresden, Germany (2005); Empathy, Cornell Cinema, Ithaca, NY, USA (2005); Film Forum, New York (American theatrical premiere: Empathy) Empathy, The Andy Warhol Museum, Pittsburgh, PA, USA (2004); Asynchron, Kino Arsenal, Deutsche Kinemathek, Berlin, Germany (2004); Infame Bilder- Im Kino der Kontrollgesellschaft, Austrian Film Museum, Vienna, Austria (2004); Stranger Than Fiction, Cologne Filmhaus, Cologne, Germany (2004); Empathy, Facets Cinematheque, Chicago, IL, USA (2004); Empathy, Cinematheque, Cleveland Institute of Art, OH, USA (2004); Empathy, Detroit Institute of the Arts, Detroit, MI, USA (2004); Empathy, Pacific Cinematheque, Vancouver, Canada (2004); Empathy, Leipzig Kino, Leipzig, Germany (2004); Empathy, Kommunales Kino Freiburg, Freiburg, Germany (2004);Theatrical runs in Philadelphia, Portland, Denver, Miami, Houston, & other US cities. (2003); Berlin International Film Festival, (Forum), Berlin, Germany (2003); Chicago International Film Festival (World Cinema), Chicago, USA (2003); International Film Festival (Panorama), Israel (2003); Amie Siegel: Die Performanz des Performativen, Kino Arsenal, Berlin, Germany (2003); Empathy, Film Museum, Frankfurt, Germany (2003); Empathy, Künstlerhaus Hannover, Hannover, Germany (2003); Empathy, Kommunales Kino Leipzig, Germany (2003); Empathy, Kommunales Kino Freiburg, Germany (2003); Empathy, Brotfabrik Kino, Berlin, Germany (2003); Empathy, Kamera Kino, Heidelberg, Germany (2003); Empathy, Shaubuhne Kino / Künstlerhaus Bremen, Germany (2003); Empathy, Brotfabrik Kino, Berlin, Germany (2003); Empathy, Kamera Kino, Heidelberg, Germany (2003); Kameraauge und Filmraum, Kinemathek Karlsruhe, Karlsruhe, Germany (2003); New York: Present Tense, Museo de Arte Latinamericano de Buenos Aires, (2003); Überwachen und Aufzeichen, Kino Arsenal, Berlin, Germany (2002); New Views: DUMBO, Lower Manhattan Cultural Council, Brooklyn, USA (2002); Nightscapes, Urban Drift, Berlin, Germany (2002); The Brewster Project, Brewster, NY, USA (2002); Stories That Refuse to be Told, Cornell Cinema, Ithaca, NY, USA (2002); Hallwalls Media Art Space, Buffalo, NY (2002); Word & Image, The Poetry Project at St. Marks Church, New York, USA (2002); School of Sound, Glasgow, Scotland (2001); Eine andere Kunst - ein anderes Kino, Kino Arsenal, Berlin, Germany (2001); Stories That Refuse to be Told, Robert Beck Memorial Cinema, New York, USA (2001); Dreaming Narrative, Filmforum, UCLA Hammer Museum of Art, Los Angeles, USA (2001); The Color of Ritual, The Color of Thought: Women Avant-Garde Filmmakers in America 1930-2000, Whitney Museum of American Art, New York, USA (2000); Stories That Refuse to be Told, San Francisco Cinematheque, San Francisco, USA (2000); New Filmmakers, Anthology Film Archives, New York, USA (2000); New Century/New Cinema, The Pacific Film Archive, Berkeley, USA (2000); Five Travelers, Filmforum, UCLA Hammer Museum of Art, Los Angeles, USA (2000).