IIPA Submission for the USTR Special
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How Can I Download a Torrent
how can i download a torrent How To Download Torrent Files From Torrent Sites? Lately, if you have been hanging out with tech-savvy people, then you are bound to hear terms like BitTorrent , Torrenting Websites , and Torrent Clients . The primary reason behind the drastic increment in the popularity of Torrent files is that these files can be used to download Movies , Music , Books , Games , and Software for free. As you might have guessed by the title, this article is dedicated to new torrent users, and it will guide them to download their first torrent file. On the other hand, If you are a veteran reader of Techworm, then this guide won’t reveal any new information for you. However, you can contribute to the community by leaving a comment. What Is A Torrents? In simple terminology, Torrent is a file that stores metadata, and programs like uTorrent can use this meta info to download all sorts of content. A torrent file generally comes with the extension .torrent , and it’s hardly a few KB in size. In many instances, Torrent and BitTorrent are used synonymously. However, they are not the same. In reality, BitTorrent is a peer to peer (P2P) file-sharing protocol that relies on a swarm-like approach for sharing files. A seeder in torrent terminology is a person who is sharing the file; the more seeds, the more potential locations to download the file. While a person who is downloading the seeded file is a leech , if the number of leeches exceeds the number of seeds, it will make the file download slower, as more people are accessing the data at the same time. -
Prc) International Intellectual Property Alliance (Iipa) 2011 Special 301 Report on Copyright Protection and Enforcement
PEOPLE’S REPUBLIC OF CHINA (PRC) INTERNATIONAL INTELLECTUAL PROPERTY ALLIANCE (IIPA) 2011 SPECIAL 301 REPORT ON COPYRIGHT PROTECTION AND ENFORCEMENT Special 301 Recommendation: IIPA recommends that USTR maintain China on the Priority Watch List in 2011.1 Executive Summary: High copyright piracy levels persist in China, from pervasive use of unlicensed software by businesses and pre-installation of unlicensed software (hard disk loading piracy) at the distribution level, to widespread online piracy of music, films, television programming and other copyright materials, and piracy of hard goods. The continued overall lack of deterrence against piracy, market closures or barriers for creative content (some of which have been found to violate China’s WTO commitments), and the imposition or spectre of discriminatory policies toward foreign content, suggest a conscious policy seeking to drive Chinese competitiveness while permitting free access to foreign content through unapproved pirate channels. China’s principal reliance on its woefully under- resourced administrative system to deal with IPR infringements rather than through criminal enforcement presents a significant hurdle to effective enforcement.2 At the same time, with the launch of a new Special Campaign on IP enforcement, and through commitments made in recent bilateral forums, the Chinese Government has indicated measures it will take to achieve higher levels of copyright protection. Specifically, the recent meeting of the Joint Commission on Commerce and Trade (JCCT) in December 2010 and the summit between President Obama and President Hu in January 2011 resulted in a number of important commitments by the Chinese to ensure legal use of software in the government and state-owned enterprises (SOEs), seek effective measures to deal with Internet infringements (including intermediary liability), deal with digital library infringements, and ensure that China’s “indigenous innovation” policies do not effectively limit market access for U.S. -
Revisiting Transnational Media Flow in Nusantara: Cross-Border Content Broadcasting in Indonesia and Malaysia
Southeast Asian Studies, Vol. 49, No. 2, September 2011 Revisiting Transnational Media Flow in Nusantara: Cross-border Content Broadcasting in Indonesia and Malaysia Nuurrianti Jalli* and Yearry Panji Setianto** Previous studies on transnational media have emphasized transnational media organizations and tended to ignore the role of cross-border content, especially in a non-Western context. This study aims to fill theoretical gaps within this scholarship by providing an analysis of the Southeast Asian media sphere, focusing on Indonesia and Malaysia in a historical context—transnational media flow before 2010. The two neighboring nations of Indonesia and Malaysia have many things in common, from culture to language and religion. This study not only explores similarities in the reception and appropriation of transnational content in both countries but also investigates why, to some extent, each had a different attitude toward content pro- duced by the other. It also looks at how governments in these two nations control the flow of transnational media content. Focusing on broadcast media, the study finds that cross-border media flow between Indonesia and Malaysia was made pos- sible primarily in two ways: (1) illicit or unintended media exchange, and (2) legal and intended media exchange. Illicit media exchange was enabled through the use of satellite dishes and antennae near state borders, as well as piracy. Legal and intended media exchange was enabled through state collaboration and the purchase of media rights; both governments also utilized several bodies of laws to assist in controlling transnational media content. Based on our analysis, there is a path of transnational media exchange between these two countries. -
Digital Fountain Erasure-Recovery in Bittorrent
UNIVERSITÀ DEGLI STUDI DI BERGAMO Facoltà di Ingegneria Corso di Laurea Specialistica in Ingegneria Informatica Classe n. 35/S – Sistemi Informatici Digital Fountain Erasure Recovery in BitTorrent: integration and security issues Relatore: Chiar.mo Prof. Stefano Paraboschi Correlatore: Chiar.mo Prof. Andrea Lorenzo Vitali Tesi di Laurea Specialistica Michele BOLOGNA Matricola n. 56108 ANNO ACCADEMICO 2007 / 2008 This thesis has been written, typeset and prepared using LATEX 2". Printed on December 5, 2008. Alla mia famiglia “Would you tell me, please, which way I ought to go from here?” “That depends a good deal on where you want to get to,” said the Cat. “I don’t much care where —” said Alice. “Then it doesn’t matter which way you go,” said the Cat. “— so long as I get somewhere,” Alice added as an explanation. “Oh, you’re sure to do that,” said the Cat, “if you only walk enough.” Lewis Carroll Alice in Wonderland Acknowledgments (in Italian) Ci sono molte persone che mi hanno aiutato durante lo svolgimento di questo lavoro. Il primo ringraziamento va ai proff. Stefano Paraboschi e Andrea Vitali per la disponibilità, la competenza, i consigli, la pazienza e l’aiuto tecnico che mi hanno saputo dare. Grazie di avermi dato la maggior parte delle idee che sono poi confluite nella mia tesi. Un sentito ringraziamento anche a Andrea Rota e Ruben Villa per l’aiuto e i chiarimenti che mi hanno gentilmente fornito. Vorrei ringraziare STMicroelectronics, ed in particolare il gruppo Advanced System Technology, per avermi offerto le infrastrutture, gli spa- zi e tutto il necessario per svolgere al meglio il mio periodo di tirocinio. -
From Sony to SOPA: the Technology-Content Divide
From Sony to SOPA: The Technology-Content Divide The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation John Palfrey, Jonathan Zittrain, Kendra Albert, and Lisa Brem, From Sony to SOPA: The Technology-Content Divide, Harvard Law School Case Studies (2013). Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:11029496 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Open Access Policy Articles, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#OAP http://casestudies.law.harvard.edu By John Palfrey, Jonathan Zittrain, Kendra Albert, and Lisa Brem February 23, 2013 From Sony to SOPA: The Technology-Content Divide Background Note Copyright © 2013 Harvard University. No part of this publication may be reproduced, stored in a retrieval system, used in a spreadsheet, or transmitted in any form or by any means – electronic, mechanical, photocopying, recording, or otherwise – without permission. "There was a time when lawyers were on one side or the other of the technology content divide. Now, the issues are increasingly less black-and-white and more shades of gray. You have competing issues for which good lawyers provide insights on either side." — Laurence Pulgram, partner, Fenwick & Westi Since the invention of the printing press, there has been tension between copyright holders, who seek control over and monetary gain from their creations, and technology builders, who want to invent without worrying how others might use that invention to infringe copyrights. -
You Are Not Welcome Among Us: Pirates and the State
International Journal of Communication 9(2015), 890–908 1932–8036/20150005 You Are Not Welcome Among Us: Pirates and the State JESSICA L. BEYER University of Washington, USA FENWICK MCKELVEY1 Concordia University, Canada In a historical review focused on digital piracy, we explore the relationship between hacker politics and the state. We distinguish between two core aspects of piracy—the challenge to property rights and the challenge to state power—and argue that digital piracy should be considered more broadly as a challenge to the authority of the state. We trace generations of peer-to-peer networking, showing that digital piracy is a key component in the development of a political platform that advocates for a set of ideals grounded in collaborative culture, nonhierarchical organization, and a reliance on the network. We assert that this politics expresses itself in a philosophy that was formed together with the development of the state-evading forms of communication that perpetuate unmanageable networks. Keywords: pirates, information politics, intellectual property, state networks Introduction Digital piracy is most frequently framed as a challenge to property rights or as theft. This framing is not incorrect, but it overemphasizes intellectual property regimes and, in doing so, underemphasizes the broader political challenge posed by digital pirates. In fact, digital pirates and broader “hacker culture” are part of a political challenge to the state, as well as a challenge to property rights regimes. This challenge is articulated in terms of contributory culture, in contrast to the commodification and enclosures of capitalist culture; as nonhierarchical, in contrast to the strict hierarchies of the modern state; and as faith in the potential of a seemingly uncontrollable communication technology that makes all of this possible, in contrast to a fear of the potential chaos that unsurveilled spaces can bring. -
Torrent Download Audio Tv Torrent Downloads Proxy – Best Torrent Downloads Unblocked Alternative | Mirror Sites
torrent download audio tv Torrent Downloads Proxy – Best Torrent Downloads Unblocked Alternative | Mirror Sites. We all know that the torrent sites banned over the last few days and users are facing problems like browser bans, ISP bans across the country. At present, the site is banned in the UK, India and so many countries because of court orders. Luckily, Torrent downloads professional staff and different torrent lovers are offering Torrent downloads proxy and mirror sites for us with newest proxies. These websites will have the same records, appearance, and functions just like the original one. Torrent Downloads: Torrent Downloads is one of the popular torrent sites which come in the list of top 10. This site is providing you the latest TV shows, Movies, Music, Games, Software, Anime, Books and so on for many years. The content of this site is very unique where you will get the latest movies, software within a few minutes. That’s why many of the users are still visit this site on a daily basis to download for free of cost. Torrent Downloads Proxy and Mirrors list: These Torrent Downloads Proxy/Mirror sites are used in such countries where it is not banned yet. So, If you couldn’t get right of entry to Torrent Downloads, with the assist of Torrent Downloads proxy/mirror websites , you’ll usually be able to get right of entry to your favorite torrent website, Torrent Downloads. Your Internet Service Provider and Government can track your browsing Activity! So, hide your IP Address with a VPN! Torrent Downloads Proxy/Mirror Sites: https://freeproxy.io/ https://sitenable.top/ https://sitenable.ch/ https://filesdownloader.com/ https://sitenable.pw/ https://sitenable.co/ https://torrentdownloads.unblockall.org/ https://torrentdownloads.unblocker.cc/ https://torrentdownloads.unblocker.win/ https://torrentdownloads.immunicity.cab/ How to Download Torrent Downloads Movies securely? Using torrents is illegal in some countries. -
Download The
CSEASPANORAMA2008 A (Balinese) Tempest Ian Falconer (MA, Asian Studies) starred as Prospero in the Department of Theatre and Dance’s version of the Bard’s lauded comedy, a performance infused with Balinese wayang and gamelan and Larry Reed’s famed shadowcasting. Center for Southeast Asian Studies University of Hawai‘i By Director Barbara Watson Andaya Dear friends and including the highlight of the Prospero, Miranda, Ariel and year, the Balinese shadow-play Caliban were given a new life as colleagues... version of Shakespeare’s The the shadows of human “puppets” In late July 2008, when I re- Tempest. Under the auspices of wearing specially made masks turned from twelve months’ the Department of Theatre and were projected onto a large sabbatical leave, I began to ask Dance, Kirstin invited Larry screen. And the “Southeast myself if my presence as director Reed, founder and artistic Asian” content was not merely was really necessary. So much had director of Shadowlight Produc- visual, for an important feature of CSEAS Panorama (Vol. XII) is published been accomplished in my absence tions and one of the few the production was the music annually by the Center Americans trained in wayang kulit, provided by the University of for Southeast Asian that I really felt quite dispensable! Studies at the or shadow puppetry, to spend a Hawai‘i Balinese Gamelan University of Hawai‘i. I would like to express my deep gratitude to Acting Director semester in Hawai‘i. Larry and Ensemble directed by a second For more information about the program, Kirstin Pauka (Professor, Asian Kirstin worked with students in artist-in-residence, Balinese please visit the Theatre and Dance to produce a puppet master, I Nyoman Center’s website at Theatre), Associate Director Paul www.hawaii.edu/cseas Rausch, and our graduate assis- memorable and innovative Sumandhi. -
A Dissertation Submitted to the Faculty of The
A Framework for Application Specific Knowledge Engines Item Type text; Electronic Dissertation Authors Lai, Guanpi Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 25/09/2021 03:58:57 Link to Item http://hdl.handle.net/10150/204290 A FRAMEWORK FOR APPLICATION SPECIFIC KNOWLEDGE ENGINES by Guanpi Lai _____________________ A Dissertation Submitted to the Faculty of the DEPARTMENT OF SYSTEMS AND INDUSTRIAL ENGINEERING In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY In the Graduate College THE UNIVERSITY OF ARIZONA 2010 2 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Dissertation Committee, we certify that we have read the dissertation prepared by Guanpi Lai entitled A Framework for Application Specific Knowledge Engines and recommend that it be accepted as fulfilling the dissertation requirement for the Degree of Doctor of Philosophy _______________________________________________________________________ Date: 4/28/2010 Fei-Yue Wang _______________________________________________________________________ Date: 4/28/2010 Ferenc Szidarovszky _______________________________________________________________________ Date: 4/28/2010 Jian Liu Final approval and acceptance of this dissertation is contingent -
Materials for a Rejang-Indonesian-English Dictionary
PACIFIC LING U1STICS Series D - No. 58 MATERIALS FOR A REJANG - INDONESIAN - ENGLISH DICTIONARY collected by M.A. Jaspan With a fragmentary sketch of the . Rejang language by W. Aichele, and a preface and additional annotations by P. Voorhoeve (MATERIALS IN LANGUAGES OF INDONESIA, No. 27) W.A.L. Stokhof, Series Editor Department of Linguistics Research School of Pacific Studies THE AUSTRALIAN NATIONAL UNIVERSITY Jaspan, M.A. editor. Materials for a Rejang-Indonesian-English dictionary. D-58, x + 172 pages. Pacific Linguistics, The Australian National University, 1984. DOI:10.15144/PL-D58.cover ©1984 Pacific Linguistics and/or the author(s). Online edition licensed 2015 CC BY-SA 4.0, with permission of PL. A sealang.net/CRCL initiative. PACIFIC LINGUISTICS is issued through the Linguistic Circle of Canberra and consists of four series: SERIES A - Occasional Papers SERIES B - Monographs SERIES C - Books SERIES D - Special Publications EDITOR: S.A. Wurm ASSOCIATE EDITORS: D.C. Laycock, C.L. Voorhoeve, D.T. Tryon, T.E. Dutton EDITORIAL ADVISERS: B.W. Bender K.A. McElhanon University of Hawaii University of Texas David Bradley H.P. McKaughan La Trobe University University of Hawaii A. Capell P. MUhlhiiusler University of Sydney Linacre College, Oxford Michael G. Clyne G.N. O'Grady Monash University University of Victoria, B.C. S.H. Elbert A.K. Pawley University of Hawaii University of Auckland K.J. Franklin K.L. Pike University of Michigan; Summer Institute of Linguistics Summer Institute of Linguistics W.W. Glover E.C. Polome Summer Institute of Linguistics University of Texas G.W. Grace Malcolm Ross University of Hawaii University of Papua New Guinea M.A.K. -
My Torrent Stopped Downloading Why Some Torrents Don’T Download? a Torrent That Doesn’T Start Downloading Or One That Suddenly Stops Can Be Very Frustrating
my torrent stopped downloading Why Some Torrents Don’t Download? A torrent that doesn’t start downloading or one that suddenly stops can be very frustrating. You check your Internet connection, the cables, and everything looks good. So what can be the reasons for those torrents that don’t seem to work? Some Torrents Don’t Download. The main reason behind a torrent file that doesn’t even start downloading is the lack of seeders and peers. In other words, there is no one seeding that file, meaning there’s no place where you can download it from. That’s why it’s very important that you have a look at the number of seeders and peers every time you start a new download. Seeders are the users who already finished downloading and are only sharing. The peers are the ones like you, the ones who are downloading and uploading at the same time. Some Files Suddenly Stop Downloading. This is another common scenario. We’ve all been there when a torrent stops at some moment, such as 99%. That usually happens when there are only peers, but no seeders . If you think about it, it makes total sense. The peers have many parts of the torrent in common, and they will share those between them. But because there are zero seeders, no one has the entire file , and everyone will share the same parts and stop in the same percentage point. A Dead Torrent. Both of the situations we just saw are what users in the community call a “dead torrent”. -
Genaro Yellow Paper
Genaro Network Yellow Paper Genaro Network Roadmap Towards a Multi-Source Data Governance Framework Yellow Paper v1.0.1 Page | 1 Genaro Network Yellow Paper Abstract The Genaro Network is a new public blockchain platform based on peer-to-peer encryption and sharing. The platform aims to realize highly efficient node management on the public chain based on PoS (Proof of Stake) and SPoR (Sentinel Proof of Retrievability). The vision of Genaro is to establish a new medium of distributed and encrypted storage, and to enable each user to use and share data, and to establish abundant distributed applications (DApps) on the blockchain and provide stable support for these. Compared with other public chains, Genaro has the following advantages: (1) Genaro modified the use of file sentinels to better suit distributed systems through the combination of PoS and SPoR, thus enhancing the ability to defend against replay attacks; (2) in the design of chain-style PoS, Genaro studied famous PoS methods such as Casper (CFFG, CTFG), Tendermint, and Ouroboros, analyzed the major ways of attacking PoS and proposed relevant schemes; and (3) in terms of management structure, Genaro combines the proof of data integrity and PoS, and provides effective methods of defense against potential problems in PoS. In addition, in terms of the data structure in the public chain, Genaro has developed the GSIOP protocol in line with up-to-date methods of storage encryption, so as to settle different layers of data usage. Finally, in terms of adding data, Genaro has also added relevant VM order sets. Table of Contents 1 Genaro's Vision..................................................3 3.3 File Sharing Based on Proxy Recryption...............................................