Art Farmer Art Farmer Meets Mulligan & Hall Mp3

Total Page:16

File Type:pdf, Size:1020Kb

Art Farmer Art Farmer Meets Mulligan & Hall Mp3 Art Farmer Art Farmer Meets Mulligan & Hall mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Art Farmer Meets Mulligan & Hall Country: Italy Released: 1994 Style: Cool Jazz, Bop MP3 version RAR size: 1756 mb FLAC version RAR size: 1417 mb WMA version RAR size: 1417 mb Rating: 4.7 Votes: 735 Other Formats: VOX APE DXD ASF DMF AC3 AU Tracklist 1 –Gerry Mulligan Quartet News From Blueport 7:45 2 –Gerry Mulligan Quartet Moonlight In Vermont 8:23 3 –Gerry Mulligan Quartet Spring Is Sprung 3:52 4 –Art Farmer Quartet Sometime Ago 7:50 5 –Art Farmer Quartet Bilbao Song 6:11 6 –Art Farmer Quartet Darn That Dream 4:55 7 –Art Farmer Quartet Walse Hot 11:22 8 –Art Farmer Quartet Theme 0:58 Credits Baritone Saxophone, Piano – Gerry Mulligan (tracks: 1 to 3) Bass – Bill Crow (tracks: 1 to 3), Steve Swallow (tracks: 4 to 8) Drums – Dave Bailey (tracks: 1 to 3), Pete La Roca (tracks: 4 to 8) Flugelhorn – Art Farmer (tracks: 4 to 8) Guitar – Jim Hall (tracks: 4 to 8) Trumpet – Art Farmer (tracks: 1 to 3) Related Music albums to Art Farmer Meets Mulligan & Hall by Art Farmer Gerry Mulligan Quartet with Chet Baker / Buddy DeFranco Quartet - Gerry Mulligan Quartet / Buddy DeFranco Quartet The Gerry Mulligan Quartet - Walkin' Shoes / Moonlight In Vermont Gerry Mulligan Quartet - What Is There To Say? Lee Konitz Plays With The Gerry Mulligan Quartet - Lee Konitz Plays With The Gerry Mulligan Quartet Gerry Mulligan Art Farmer Quartet - In Stockholm & Hollywood 1959 Gerry Mulligan Quartet - Gerry Mulligan Quartet Gerry Mulligan Meets Johnny Hodges - Gerry Mulligan Meets Johnny Hodges Annie Ross With The Gerry Mulligan Quartet - Sings A Song With Mulligan!.
Recommended publications
  • Victory and Sorrow: the Music & Life of Booker Little
    ii VICTORY AND SORROW: THE MUSIC & LIFE OF BOOKER LITTLE by DYLAN LAGAMMA A Dissertation submitted to the Graduate School-Newark Rutgers, The State University of New Jersey in partial fulfillment of the requirements for the degree of Master of Arts Graduate Program in Jazz History & Research written under the direction of Henry Martin and approved by _________________________ _________________________ Newark, New Jersey October 2017 i ©2017 Dylan LaGamma ALL RIGHTS RESERVED ABSTRACT OF THE DISSERTATION VICTORY AND SORROW: THE MUSICAL LIFE OF BOOKER LITTLE BY DYLAN LAGAMMA Dissertation Director: Henry Martin Booker Little, a masterful trumpeter and composer, passed away in 1961 at the age of twenty-three. Little's untimely death, and still yet extensive recording career,1 presents yet another example of early passing among innovative and influential trumpeters. Like Clifford Brown before him, Theodore “Fats” Navarro before him, Little's death left a gap the in jazz world as both a sophisticated technician and an inspiring composer. However, unlike his predecessors Little is hardly – if ever – mentioned in jazz texts and classrooms. His influence is all but non-existent except to those who have researched his work. More than likely he is the victim of too early a death: Brown passed away at twenty-five and Navarro, twenty-six. Bob Cranshaw, who is present on Little's first recording,2 remarks, “Nobody got a chance to really experience [him]...very few remember him because nobody got a chance to really hear him or see him.”3 Given this, and his later work with more avant-garde and dissonant harmonic/melodic structure as a writing partner with Eric Dolphy, it is no wonder that his remembered career has followed more the path of James P.
    [Show full text]
  • Selected Observations from the Harlem Jazz Scene By
    SELECTED OBSERVATIONS FROM THE HARLEM JAZZ SCENE BY JONAH JONATHAN A dissertation submitted to the Graduate School-Newark Rutgers, the State University of New Jersey in partial fulfillment of the requirements for the degree of Master of Arts Graduate Program in Jazz History and Research Written under the direction of Dr. Lewis Porter and approved by ______________________ ______________________ Newark, NJ May 2015 2 Table of Contents Acknowledgements Page 3 Abstract Page 4 Preface Page 5 Chapter 1. A Brief History and Overview of Jazz in Harlem Page 6 Chapter 2. The Harlem Race Riots of 1935 and 1943 and their relationship to Jazz Page 11 Chapter 3. The Harlem Scene with Radam Schwartz Page 30 Chapter 4. Alex Layne's Life as a Harlem Jazz Musician Page 34 Chapter 5. Some Music from Harlem, 1941 Page 50 Chapter 6. The Decline of Jazz in Harlem Page 54 Appendix A historic list of Harlem night clubs Page 56 Works Cited Page 89 Bibliography Page 91 Discography Page 98 3 Acknowledgements This thesis is dedicated to all of my teachers and mentors throughout my life who helped me learn and grow in the world of jazz and jazz history. I'd like to thank these special people from before my enrollment at Rutgers: Andy Jaffe, Dave Demsey, Mulgrew Miller, Ron Carter, and Phil Schaap. I am grateful to Alex Layne and Radam Schwartz for their friendship and their willingness to share their interviews in this thesis. I would like to thank my family and loved ones including Victoria Holmberg, my son Lucas Jonathan, my parents Darius Jonathan and Carrie Bail, and my sisters Geneva Jonathan and Orelia Jonathan.
    [Show full text]
  • Gerry Mulligan Discography
    GERRY MULLIGAN DISCOGRAPHY GERRY MULLIGAN RECORDINGS, CONCERTS AND WHEREABOUTS by Gérard Dugelay, France and Kenneth Hallqvist, Sweden January 2011 Gerry Mulligan DISCOGRAPHY - Recordings, Concerts and Whereabouts by Gérard Dugelay & Kenneth Hallqvist - page No. 1 PREFACE BY GERARD DUGELAY I fell in love when I was younger I was a young jazz fan, when I discovered the music of Gerry Mulligan through a birthday gift from my father. This album was “Gerry Mulligan & Astor Piazzolla”. But it was through “Song for Strayhorn” (Carnegie Hall concert CTI album) I fell in love with the music of Gerry Mulligan. My impressions were: “How great this man is to be able to compose so nicely!, to improvise so marvellously! and to give us such feelings!” Step by step my interest for the music increased I bought regularly his albums and I became crazy from the Concert Jazz Band LPs. Then I appreciated the pianoless Quartets with Bob Brookmeyer (The Pleyel Concerts, which are easily available in France) and with Chet Baker. Just married with Danielle, I spent some days of our honey moon at Antwerp (Belgium) and I had the chance to see the Gerry Mulligan Orchestra in concert. After the concert my wife said: “During some songs I had lost you, you were with the music of Gerry Mulligan!!!” During these 30 years of travel in the music of Jeru, I bought many bootleg albums. One was very important, because it gave me a new direction in my passion: the discographical part. This was the album “Gerry Mulligan – Vol. 2, Live in Stockholm, May 1957”.
    [Show full text]
  • Reggie Workman Working Man
    APRIL 2018—ISSUE 192 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM REGGIE WORKMAN WORKING MAN JIM JONNY RICHARD EDDIE McNEELY KING WYANDS JEFFERSON Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East APRIL 2018—ISSUE 192 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : JIM Mcneely 6 by ken dryden [email protected] Andrey Henkin: [email protected] Artist Feature : JONNY KING 7 by donald elfman General Inquiries: [email protected] ON The COver : REGGIE WORKMAN 8 by john pietaro Advertising: [email protected] Encore : RICHARD WYANDS by marilyn lester Calendar: 10 [email protected] VOXNews: Lest WE Forget : EDDIE JEFFERSON 10 by ori dagan [email protected] LAbel Spotlight : MINUS ZERO by george grella US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or vOXNEWS 11 by suzanne lorge money order to the address above or email [email protected] Obituaries by andrey henkin Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Stuart Broomer, FESTIvAL REPORT Robert Bush, Thomas Conrad, 13 Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, CD REviews 14 Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Marilyn Lester, Suzanne
    [Show full text]
  • ART FARMER NEA Jazz Master (1999)
    Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. ART FARMER NEA Jazz Master (1999) Interviewee: Art Farmer (August 21, 1928 – October 4, 1999) Interviewer: Dr. Anthony Brown Dates: June 29-30, 1995 Repository: Archives Center, National Museum of American History Description: Transcript, 96 pp. Brown: Today is June 29, 1995. This is the Jazz Oral History Program interview for the Smithsonian Institution with Art Farmer in one of his homes, at least his New York based apartment, conducted by Anthony Brown. Mr. Farmer, if I can call you Art, would you please state your full name? Farmer: My full name is Arthur Stewart Farmer. Brown: And your date and place of birth? Farmer: The date of birth is August 21, 1928, and I was born in a town called Council Bluffs, Iowa. Brown: What is that near? Farmer: It across the Mississippi River from Omaha. It’s like a suburb of Omaha. Brown: Do you know the circumstances that brought your family there? Farmer: No idea. In fact, when my brother and I were four years old, we moved Arizona. Brown: Could you talk about Addison please? Farmer: Addison, yes well, we were twin brothers. I was born one hour in front of him, and he was larger than me, a bit. And we were very close. For additional information contact the Archives Center at 202.633.3270 or [email protected] 1 Brown: So, you were fraternal twins? As opposed to identical twins? Farmer: Yes. Right.
    [Show full text]
  • 21 April 2017 Page 1 of 11
    Radio 3 Listings for 15– 21 April 2017 Page 1 of 11 SATURDAY 15 APRIL 2017 Graham Pushee (countertenor), Australian Brandenburg (conductor) Orchestra, Paul Dyer (artistic director) AVIE AV2369 (2CD) SAT 01:00 Through the Night (b08ljvhk) 6:11 AM JE Bach©s Passion Oratorio Mozart, Wolfgang Amadeus (1756-1791) BACH, J S: St John Passion, BWV245 String Quartet in B flat major, K.458, "Hunt" Andreas Post (Evangelist), Christoph Schweizer (Christus), Catriona Young presents a performance of Johann Ernst Bach©s Quatuor Mosaïques Veronika Winter (soprano), Franz Vitzthum (alto), Thomas Laske Passion oratorio from Rheinische Kantorei with Das Kleine 6:33 AM (baritone), Bernhard Spingler (bass), Stefan Weible (tenor), Konzert. Beethoven, Ludwig van (1770-1827) Lucian Eller (bass), Hille Perl (viola da gamba), Stuttgarter 1:01 AM Piano Sonata No.15 in D major, Op.28, ©Pastoral© Hymnus-Chorknaben, Handel's Company, Rainer Joannes Bach, Johann Ernst (1722-1777) Ji-Yeong Mun (piano). Homburg (conductor) Passion Oratorio (1764) - for soprano, alto, tenor, bass, chorus MDG MDG902 (2CD) and orchestra SAT 07:00 Breakfast (b08mb2kg) Barbara Schlick (soprano), David Cordier (countertenor), Sunday - Martin Handley BACH, J S: St John Passion, BWV245 Christoph Prégardien (tenor), Stephen Varcoe (bass), Rheinische Lothar Odinius tenor (Evangelista, No.13), Christian Immler bass Kantorei, Das Kleine Konzert, Hermann Max (conductor) Martin Handley presents Radio 3©s classical breakfast show, (Christus, Nos 11b, 32), Ditte Andersen soprano (Ancilla, No.9), 2:35 AM featuring listener requests. Lenneke Ruiten soprano (No.35), Delphine Galou alto (No.30), Haydn, Joseph (1732-1809) David Hansen alto (No.7), Colin Balzer tenor (Servus, Nos 20, Symphony No.102 in B flat major, H.1.102 Email [email protected].
    [Show full text]
  • Joe Henderson: a Biographical Study of His Life and Career Joel Geoffrey Harris
    University of Northern Colorado Scholarship & Creative Works @ Digital UNC Dissertations Student Research 12-5-2016 Joe Henderson: A Biographical Study of His Life and Career Joel Geoffrey Harris Follow this and additional works at: http://digscholarship.unco.edu/dissertations © 2016 JOEL GEOFFREY HARRIS ALL RIGHTS RESERVED UNIVERSITY OF NORTHERN COLORADO Greeley, Colorado The Graduate School JOE HENDERSON: A BIOGRAPHICAL STUDY OF HIS LIFE AND CAREER A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Arts Joel Geoffrey Harris College of Performing and Visual Arts School of Music Jazz Studies December 2016 This Dissertation by: Joel Geoffrey Harris Entitled: Joe Henderson: A Biographical Study of His Life and Career has been approved as meeting the requirement for the Degree of Doctor of Arts in the College of Performing and Visual Arts in the School of Music, Program of Jazz Studies Accepted by the Doctoral Committee __________________________________________________ H. David Caffey, M.M., Research Advisor __________________________________________________ Jim White, M.M., Committee Member __________________________________________________ Socrates Garcia, D.A., Committee Member __________________________________________________ Stephen Luttmann, M.L.S., M.A., Faculty Representative Date of Dissertation Defense ________________________________________ Accepted by the Graduate School _______________________________________________________ Linda L. Black, Ed.D. Associate Provost and Dean Graduate School and International Admissions ABSTRACT Harris, Joel. Joe Henderson: A Biographical Study of His Life and Career. Published Doctor of Arts dissertation, University of Northern Colorado, December 2016. This study provides an overview of the life and career of Joe Henderson, who was a unique presence within the jazz musical landscape. It provides detailed biographical information, as well as discographical information and the appropriate context for Henderson’s two-hundred sixty-seven recordings.
    [Show full text]
  • Checklist for Beginning Through Intermediate Jazz Students
    Checklist for Beginning through Intermediate jazz students by Michael Tracy - Director, Jamey Aebersold Jazz Studies Program at the University of Louisville One of the most challenging things for young students as they strive to study jazz, is where to begin and what to practice. Often I hear either ‘what do I do, where do I begin’ or ‘there is so much I just don’t know where to start’. I have found it most helpful to provide these students a checklist of what needs to be covered. This helps the student and teacher to plan how and what to practice and, even more importantly, how to budget practice time. The following are areas which any student must address if they are to improve their skills within the jazz idiom. I will list basic areas with specific tasks followed by a suggested practice schedule. I. LISTENING TO JAZZ MASTERS AND SIGNIFICANT RECORDINGS I cannot imagine any student wishing to be involved in a creative activity not immersing themselves in examples. An art student seeks out examples by master artists such as Di Vinci, Rembrandt, Van Gogh, Picasso or Dali. Writers will read the works of Shakespear, Dickens, Poe, Wilde or Hemingway. The young classical musician will most certainly listen to Hayden, Mozart, Beethoven, Debussy and much more. Unfortunately, many aspiring jazz students don’t seem to surround themselves with the examples that will help open their minds and more importantly their ears. Too often the young jazz student is attracted to recordings which, while popular, don’t challenge or enlighten them musically.
    [Show full text]
  • Roy Hargrove René Marie Pete Outnow Records Event
    February 2012 | No. 118 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com TIM BERNE Berne-ing the Midnight Snakeoil ROY • RENÉ • PETE • OUTNOW • EVENT HARGROVE MARIE LA ROCA SIMS RECORDS CALENDAR For the last several months, much of the national news has been devoted to the (not-all-that) upcoming presidential election. Now that it is less than ten months away, coverage will only intensify and voting, that great totem of democracy, will (or should) be on everyone’s mind. But you can get a headstart on the process: New York@Night participate in The New York City Jazz Record’s Second Decade poll. As we approach 4 the milestone of our 10th anniversary (May 2012), we‘d like to hear from you, our readers, about the job we’re doing and suggestions you have for improvement. Interview: Roy Hargrove Visit our homepage (nycjazzrecord.com) and click on the “Take Survey” button at 6 by Russ Musto the very top (no lines or newfangled electronic voting machines); a few minutes of your time will give us invaluable information as we at The New York City Jazz Artist Feature: René Marie Record start planning for the next 10 years. 7 by Marcia Hillman As we hunker down for the city’s coldest month (supposedly), don’t get too comfortable wrapped in your afghans and drinking hot chocolate with an excessive On The Cover: Tim Berne amount of marshmallows. There’s still plenty of music to stir you from your winter 9 by Martin Longley torpor. Saxophonist Tim Berne (On The Cover), a New York stalwart has released his debut on ECM Records and celebrates with a concert at the Rubin Museum.
    [Show full text]
  • February 2014 Newsletter
    Texas Jazz Educators Association Newsletter Highlighting Jazz Activities in the State of Texas February 2014 THE PRESIDENT’S . MESSAGE Dear Friends, Happy New Year! I hope y'all had a wonderful holiday break with family and friends, and are enjoying being back to work playing and teaching music! . It was great seeing many of you at the 2014 JEN Conference in Dallas. I hope all of you were as inspired as I was by the student performers, the presenters, invited professionals, trade vendors, JEN administration and volunteers. JEN is in great hands and I am sure it will be very healthy in performance and education for years to come. Mary Jo Papich , past JEN Marvin Stamm will be the guest artist with the Blocker president, sends all of us her best and wishes us well for Middle School Band in Texas City in April. See the coming year. College of the Mainland article, p 9. TMEA is coming up very quickly and I am looking INSIDE THIS ISSUE forward to seeing you all there. Our meeting is scheduled for Thursday, February 13th, 1:00-2:00pm in CC 102. One of the major topics for discussion will be the proposed four part process and responsibilities for the Houston HSPVA at JEN………….………... pp. 2 All-State Jazz Etudes going forward. My sincere thanks to Richard Birk and Alex Parker for taking the lead on Houston winner Thelonious sextet…….…..p. 3 bringing us back on target and I am very hopeful and positive that everyone will be satisfied with our initial Improved Drum Set skills……….……….pp.
    [Show full text]
  • Jackie Mclean New Soil Mp3, Flac, Wma
    Jackie McLean New Soil mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: New Soil Country: Japan Released: 2009 Style: Hard Bop MP3 version RAR size: 1427 mb FLAC version RAR size: 1960 mb WMA version RAR size: 1531 mb Rating: 4.6 Votes: 169 Other Formats: ADX VQF ASF AC3 WAV VOX AHX Tracklist 1 Hip Strut 2 Minor Apprehension 3 Greasy 4 Sweet Cakes 5 Davis Cup Companies, etc. Recorded At – Van Gelder Studio, Hackensack, New Jersey Credits Alto Saxophone – Jackie McLean Bass – Paul Chambers Design [Cover] – Reid Miles Drums – Pete La Roca Liner Notes – Joe Goldberg Photography By [Cover Photo] – Francis Wolff Piano – Walter Davis Jr. Producer – Alfred Lion Recorded By – Rudy Van Gelder Trumpet – Donald Byrd Notes Recorded on May 2, 1959. Barcode and Other Identifiers Barcode: 4988006875111 Other versions Category Artist Title (Format) Label Category Country Year Jackie New Soil (LP, BLP 4013 Blue Note BLP 4013 US 1959 McLean Album, Mono) New Soil (CD, TOCJ-9169, Jackie Blue Note, Blue TOCJ-9169, Album, Ltd, RE, Japan 1999 BNST-84013 McLean Note BNST-84013 RM, Pap) Jackie New Soil (CD, CDP 7 84013 2 Blue Note CDP 7 84013 2 US 1988 McLean Album, RE) New Soil Analogue AP-84013, Jackie AP-84013, (2x12", Album, Productions, US 2008 ST-84013 McLean ST-84013 TP) Blue Note Jackie New Soil (LP, BST 84013 Blue Note BST 84013 US Unknown McLean Album, RE) Related Music albums to New Soil by Jackie McLean Jackie McLean - New And Old Gospel Jackie McLean Quintet - Jackie McLean Quintet Jackie McLean - It's Time! Lee Morgan - Leeway Jackie McLean - Swing, Swang, Swingin' McCoy Tyner & Jackie McLean - It's About Time Jackie McLean - Bluesnik Walter Davis Jr.
    [Show full text]
  • October 1995
    RICHIE HAYWARD Little Feat is back—with a new line-up, a new album, and a newly invigorated Richie Hayward behind the kit. An up-close look at one of our most esteemed practitioners. • Robyn Flans and William F. Miller 38 HIGHLIGHTS OF MD's FESTIVAL WEEKEND '95 Festival number eight: Steve Smith, Peter Erskine, Stephen Perkins, Mike Portnoy, Gregg Bissonette, Kenwood Dennard, Rayford Griffin, Alan White. What's that? Couldn't make it? Lucky for you, our flash bulbs were working overtime! 51 FERGAL LAWLER The Cranberries' name might suggest pretty, polite pop, but Fergal Lawler's drumming adds a burning passion that boosts this very hot band to fiery heights. • Ken Micallef 70 Volume 19, Number 10 Cover photo by Aldo Mauro Columns EDUCATION NEWS EQUIPMENT 82 ROCK 10 UPDATE 24 NEW AND PERSPECTIVES Chris Gorman of Belly, NOTABLE Bruford's Ostinato Dawn Richardson, Challenge jazzer Bob Gullotti, and 30 PRODUCT BY ROB LEYTHAM Tony McCarroll of Oasis, CLOSE-UP plus News Gibraltar Hardware 86 ROCK 'N' BY RICK MATTINGLY JAZZ CLINIC 142 INDUSTRY The "3 Hands" Concept HAPPENINGS BY JON BELCHER 88 DRUM SOLOIST DEPARTMENTS Paul Motian: "Israel" TRANSCRIBED BY STEVE KORN 4 EDITOR'S OVERVIEW 90 STRICTLY TECHNIQUE 6 READERS' 33 Specialty Bass Syncopation Accent PLATFORM Drum Beaters Exercises: Part 2 BY RICK VAN HORN BY DAVE HAMMOND 14 ASK A PRO 136 SHOP TALK 82 IN THE STUDIO David Garibaldi, Max A Non-Slip Tip The Drummer's Weinberg, and Jim Keltner BY J.J. VAN OLDENMARK Studio Survival Guide: Part 7, Multitrack 20 IT'S Recording QUESTIONABLE BY MARK
    [Show full text]