TPTV Schedule April 13Th to April 19Th 2020
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The Magic Christian on Talking Pictures TV Directed by Joseph Mcgrath in 1969
Talking Pictures TV www.talkingpicturestv.co.uk Highlights for week beginning SKY 328 | FREEVIEW 81 Mon 6th April 2020 FREESAT 306 | VIRGIN 445 The Magic Christian on Talking Pictures TV Directed by Joseph McGrath in 1969. Stars: Peter Sellers and Ringo Starr, with appearances by Raquel Welch, John Cleese, Graham Chapman, Spike Milligan, Christopher Lee, Richard Attenborough and Roman Polanski. Sir Guy Grand is the richest man in the world, and when he stumbles across a young orphan in the park he decides to adopt him and travel around the world spending cash. It’s not long before the two of them discover on their happy-go-lucky madcap escapades that money does, in fact, buy anything you want. Airs on Saturday 11th April at 9pm Monday 6th April 08:55am Wednesday 8th April 3:45pm Thunder Rock (1942) Heart of a Child (1958) Supernatural drama directed by Roy Drama, directed by Clive Donner. Boulting. Stars: Michael Redgrave, Stars: Jean Anderson, Barbara Mullen and James Mason. Donald Pleasence, Richard Williams. One of the Boulting Brothers’ finest, A young boy is forced to sell the a writer disillusioned by the threat of family dog to pay for food. Will his fascism becomes a lighthouse keeper. canine friend find him when he is trapped in a snowstorm? Monday 6th April 10pm The Family Way (1966) Wednesday 8th April 6:20pm Drama. Directors: Rebecca (1940) Roy and John Boulting. Mystery, directed by Alfred Hitchcock Stars: Hayley Mills, Hywel Bennett and starring Laurence Olivier, John Mills and Marjorie Rhodes. Joan Fontaine and George Sanders. -
31 Days of Oscar® 2010 Schedule
31 DAYS OF OSCAR® 2010 SCHEDULE Monday, February 1 6:00 AM Only When I Laugh (’81) (Kevin Bacon, James Coco) 8:15 AM Man of La Mancha (’72) (James Coco, Harry Andrews) 10:30 AM 55 Days at Peking (’63) (Harry Andrews, Flora Robson) 1:30 PM Saratoga Trunk (’45) (Flora Robson, Jerry Austin) 4:00 PM The Adventures of Don Juan (’48) (Jerry Austin, Viveca Lindfors) 6:00 PM The Way We Were (’73) (Viveca Lindfors, Barbra Streisand) 8:00 PM Funny Girl (’68) (Barbra Streisand, Omar Sharif) 11:00 PM Lawrence of Arabia (’62) (Omar Sharif, Peter O’Toole) 3:00 AM Becket (’64) (Peter O’Toole, Martita Hunt) 5:30 AM Great Expectations (’46) (Martita Hunt, John Mills) Tuesday, February 2 7:30 AM Tunes of Glory (’60) (John Mills, John Fraser) 9:30 AM The Dam Busters (’55) (John Fraser, Laurence Naismith) 11:30 AM Mogambo (’53) (Laurence Naismith, Clark Gable) 1:30 PM Test Pilot (’38) (Clark Gable, Mary Howard) 3:30 PM Billy the Kid (’41) (Mary Howard, Henry O’Neill) 5:15 PM Mr. Dodd Takes the Air (’37) (Henry O’Neill, Frank McHugh) 6:45 PM One Way Passage (’32) (Frank McHugh, William Powell) 8:00 PM The Thin Man (’34) (William Powell, Myrna Loy) 10:00 PM The Best Years of Our Lives (’46) (Myrna Loy, Fredric March) 1:00 AM Inherit the Wind (’60) (Fredric March, Noah Beery, Jr.) 3:15 AM Sergeant York (’41) (Noah Beery, Jr., Walter Brennan) 5:30 AM These Three (’36) (Walter Brennan, Marcia Mae Jones) Wednesday, February 3 7:15 AM The Champ (’31) (Marcia Mae Jones, Walter Beery) 8:45 AM Viva Villa! (’34) (Walter Beery, Donald Cook) 10:45 AM The Pubic Enemy -
Exploring Films About Ethical Leadership: Can Lessons Be Learned?
EXPLORING FILMS ABOUT ETHICAL LEADERSHIP: CAN LESSONS BE LEARNED? By Richard J. Stillman II University of Colorado at Denver and Health Sciences Center Public Administration and Management Volume Eleven, Number 3, pp. 103-305 2006 104 DEDICATED TO THOSE ETHICAL LEADERS WHO LOST THEIR LIVES IN THE 9/11 TERROIST ATTACKS — MAY THEIR HEORISM BE REMEMBERED 105 TABLE OF CONTENTS Preface 106 Advancing Our Understanding of Ethical Leadership through Films 108 Notes on Selecting Films about Ethical Leadership 142 Index by Subject 301 106 PREFACE In his preface to James M cG regor B urns‘ Pulitzer–prizewinning book, Leadership (1978), the author w rote that ―… an im m ense reservoir of data and analysis and theories have developed,‖ but ―w e have no school of leadership.‖ R ather, ―… scholars have worked in separate disciplines and sub-disciplines in pursuit of different and often related questions and problem s.‖ (p.3) B urns argued that the tim e w as ripe to draw together this vast accumulation of research and analysis from humanities and social sciences in order to arrive at a conceptual synthesis, even an intellectual breakthrough for understanding of this critically important subject. Of course, that was the aim of his magisterial scholarly work, and while unquestionably impressive, his tome turned out to be by no means the last word on the topic. Indeed over the intervening quarter century, quite to the contrary, we witnessed a continuously increasing outpouring of specialized political science, historical, philosophical, psychological, and other disciplinary studies with clearly ―no school of leadership‖with a single unifying theory emerging. -
Talking Heads Alan Bennett Thora Hird
Talking heads alan bennett thora hird Talking Heads is a series of dramatic monologues written for BBC television by British playwright Alan Bennett. Julie Walters, Patricia Routledge and Thora Hird appear as different characters in both series. The show was produced by Innes Summary · Cast and crew · Episodes · Nominations and awards. Great actress. Thank you Thora Hird - thank you Alan Bennet - thank you Ken Doh. I don't really understand. Waiting for the Telegram | Alan Bennett Talking Heads | Alan Bennett . A Cream Cracker under the Settee. meanwhile at Thora Hirds warden controlled flat, playwright and author of talking heads, Alan Bennett has. Main image of Thora Hird and Alan Bennett for Hird, this time placing her centre stage in the two monologues that closed each series of Talking Heads (BBC. A monologue by Alan Bennett, starring Thora Hird as an independent old lady who has a fall that decides her future. Drama monologue written by Alan Bennett, starring Dame Thora Hird. Violet's long life includes two telegrams, both from the monarch. Awaiting. Alan Bennett at the BBC [DVD] by John Normington DVD £ The likes of Thora Hird, Patricia Routledge, Maggie Smith and Julie Walters deliver a. Talking Heads - The Complete Talking Heads: Thora Hird, Alan Bennett, Maureen Lipman, Maggic Smith: : LOVEFiLM By Post. Drama · Six monologues tell the stories of six different repressed souls: a man dominated by his With Alan Bennett, Stephanie Cole, Thora Hird, Patricia Routledge. Six monologues tell the stories of six different repressed souls: a man. Obituary: Thora Hird, a much-loved actor whose performances this time for Alan Bennett's Talking Heads monologue, Waiting For The. -
The Development of the Role of the Actor-Musician in Britain by British Directors Since the 1960’S
1 The Development of the Role of the Actor-Musician in Britain by British Directors Since the 1960’s Francesca Mary Greatorex Theatre and Performance Department Goldsmiths University of London A thesis presented in fulfilment of the requirements for the degree of Doctor of Philosophy (PhD) 2 I hereby declare that the work presented in this thesis is my own. Signed: ……………………………………………. 3 Acknowledgements This thesis could not have been written without the generosity of many individuals who were kind enough to share their knowledge and theatre experience with me. I have spoken with actors, musical directors, set designers, directors, singers, choreographers and actor-musicians and their names and testaments exist within the thesis. I should like to thank Emily Parsons the archivist for the Liverpool Everyman for all her help with my endless requests. I also want to thank Jonathan Petherbridge at the London Bubble for making the archive available to me. A further thank you to Rosamond Castle for all her help. On a sadder note a posthumous thank you to the director Robert Hamlin. He responded to my email request for the information with warmth, humour and above all, great enthusiasm for the project. Also a posthumous thank you to the actor, Robert Demeger who was so very generous with the information regarding the production of Ninagawa’s Hamlet in which he played Polonius. Finally, a big thank you to John Ginman for all his help, patience and advice. 4 The Development of the Role of the Actor-Musician in Britain by British Directors During the Period 1960 to 2000. -
The Magic Christian on Talking Pictures TV Directed by Joseph Mcgrath in 1969
Talking Pictures TV www.talkingpicturestv.co.uk Highlights for week beginning SKY 328 | FREEVIEW 81 Mon 6th April 2020 FREESAT 306 | VIRGIN 445 The Magic Christian on Talking Pictures TV Directed by Joseph McGrath in 1969. Stars: Peter Sellers and Ringo Starr, with appearances by Raquel Welch, John Cleese, Graham Chapman, Spike Milligan, Christopher Lee, Richard Attenborough and Roman Polanski. Sir Guy Grand is the richest man in the world, and when he stumbles across a young orphan in the park he decides to adopt him and travel around the world spending cash. It’s not long before the two of them discover on their happy-go-lucky madcap escapades that money does, in fact, buy anything you want. Airs on Saturday 11th April at 9pm Monday 6th April 08:55am Wednesday 8th April 3:45pm Thunder Rock (1942) Heart of a Child (1958) Supernatural drama directed by Roy Drama, directed by Clive Donner. Boulting. Stars: Michael Redgrave, Stars: Jean Anderson, Barbara Mullen and James Mason. Donald Pleasence, Richard Williams. One of the Boulting Brothers’ finest, A young boy is forced to sell the a writer disillusioned by the threat of family dog to pay for food. Will his fascism becomes a lighthouse keeper. canine friend find him when he is trapped in a snowstorm? Monday 6th April 10pm The Family Way (1966) Wednesday 8th April 6:20pm Drama. Directors: Rebecca (1940) Roy and John Boulting. Mystery, directed by Alfred Hitchcock Stars: Hayley Mills, Hywel Bennett and starring Laurence Olivier, John Mills and Marjorie Rhodes. Joan Fontaine and George Sanders. -
Simply-Hitchcock-1587911892. Print
Simply Hitchcock Simply Hitchcock DAVID STERRITT SIMPLY CHARLY NEW YORK Copyright © 2017 by David Sterritt Cover Illustration by Vladymyr Lukash Cover Design by Scarlett Rugers All rights reserved. No part of this publication may be reproduced, distributed, or transmitted in any form or by any means, including photocopying, recording, or other electronic or mechanical methods, without the prior written permission of the publisher, except in the case of brief quotations embodied in critical reviews and certain other noncommercial uses permitted by copyright law. For permission requests, write to the publisher at the address below. [email protected] ISBN: 978-1-943657-17-9 Brought to you by http://simplycharly.com Dedicated to Mikita, Jeremy and Tanya, Craig and Kim, and Oliver, of course Contents Praise for Simply Hitchcock ix Other Great Lives xiii Series Editor's Foreword xiv Preface xv Acknowledgements xix 1. Hitch 1 2. Silents Are Golden 21 3. Talkies, Theatricality, and the Low Ebb 37 4. The Classic Thriller Sextet 49 5. Hollywood 61 6. The Fabulous 1950s 96 7. From Psycho to Family Plot 123 8. Epilogue 145 End Notes 147 Suggested Reading 164 About the Author 167 A Word from the Publisher 168 Praise for Simply Hitchcock “With his customary style and brilliance, David Sterritt neatly unpacks Hitchcock’s long career with a sympathetic but sharply observant eye. As one of the cinema’s most perceptive critics, Sterritt is uniquely qualified to write this concise and compact volume, which is the best quick overview of Hitchcock’s work to date—written with both the cineaste and the general reader in mind. -
Ijost Article
International Journal of Scottish Theatre and Screen Volume 4 Number 2, 2011 The media and literature in contemporary Scotland: challenges and opportunities David Hutchison Glasgow Caledonian University This article explores the relationship between literature and the media in the Scottish milieu. The emphasis, as far as the former is concerned, is firmly on the novel, though some comment is made on drama. The analysis moves on to consider not only problematic aspects of the current situation but also the difficulties which may lie ahead, given the uncertain nature of Scotland’s constitutional future. General Background The devolution settlement, under which a Scottish parliament has been elected every four years since 1999, is wide ranging, with Holyrood having legislative power over the Scottish legal system, criminal justice, local government, education and social policy. Indeed there is very little that is not devolved, outside of defence, foreign affairs and the social security system.1 Criticism has tended to focus on the financial arrangements and on the few anomalies which exist. The Scottish government, although it was given the right to vary the standard rate of income tax by three pence in the pound up or down – a power which has never been used – derives its revenue from a block grant made by Westminster, £30 billion in the current financial year. 2 It might be argued that with Holyrood’s real income increasing substantially in its first twelve years, the system can encourage an irresponsible attitude to public expenditure when there is no need to seek a mandate from the electorate to pay directly for the services provided, and every incentive to keep spending, since Westminster will provide. -
BBC SCOTLAND 2007/2008 BBC Scotland Executive Report
BBC SCOTLAND 2007/2008 BBC Scotland Executive Report 1 Contents Controller’s Overview 2 Television 3 Radio 6 Online & Multiplatform 8 News & Current Affairs 10 Gaelic 12 BBC Scottish Symphony Orchestra 14 Children in Need 16 Facts & Figures 17 Get in touch 18 Cover: Mountain Above: Still Game 1 Controller’s Overview Ken MacQuarrie Controller, BBC Scotland When I wrote my Controller’s Overview last year I did so Scottish Broadcasting Commission have seen broadcasting having just moved into our new headquarters at Pacifi c Quay move further into the public spotlight. I fi rmly believe that BBC in Glasgow. Our offi cial opening soon followed and, in the ten Scotland is entering a period of production growth. It has an months since then, we have started to realise some of the important contribution to make to Scotland’s creative sector incredible potential of this building. Indeed many thousands and for that reason I very much welcome the public debate have already been able to attend numerous large scale live which is currently focussed on broadcasting. events right here at Pacifi c Quay in a way that was not possible in Queen Margaret Drive. Now settled in at Pacifi c Quay, we are pushing to deliver a wide variety of creative content from our production centres Although this happened at a time when the BBC as a whole across Scotland over the next few years. In drama, comedy was having to be as effi cient as possible, following the smaller and entertainment, children’s, factual, sport and news, our than expected licence fee settlement, I was excited by the production teams are working on a diverse range of different prospect of creating great content for audiences in Scotland projects for audiences. -
TELEVISION in the 1960'S. in TERMS of TELEVISION the 1960'S Was an Exceptional Era for Broadcasting Innovation and Ex- Cite
TELEVISION IN THE 1960’S. IN TERMS OF TELEVISION the 1960’s was an exceptional era for broadcasting innovation and ex- citement. Since its inception in the late 1920’s by American Philo Taylor Farnsworth aged 21 who was brought up in a home with no electricity until he was 14, the first electronic television began to grow in popu- larity across the english speaking world. John Reith ( 1889 - 1971 ) was the founder of the BBC. He was the first general manager when it was set up as the British Broadcasting Company in 1922, and he was its first Director General when it be- came a public broadcasting corporation in 1927. A towering man in every sense of the word he fought off the politicians’ attempts to influence the BBC whilst offering the British people programmes to “ EDUCATE, INFORM AND ENTERTAIN “ By the early 1950’s TELEVISION began its special role as a focus point for a shared nation culture - a national pride - and it all began with the Queen’s Coronation. Elizabeth 11 was crowned in Westmin- ster Abbey on June 2nd 1953. At that time fewer than 2 million homes had televisions, and these were mainly grouped around large conurbations , London, Birmingham, Manchester, Cardiff and Glasgow. In the build up to the day 526, 000 sets were sold as Coronation fever swept the country and although there was only 2.5 millions sets in Britain , somehow 20 million people managed to watch the event. My survey says that many families 58% acquired a TV for the Coronation, one of my contributors as a young boy helped his Dad construct a television for the occasion, and those houses without a telly were invited to friends or neighbours to watch. -
Caroline Cornish Management
CAROLINE CORNISH MANAGEMENT 12 SHINFIELD STREET, LONDON W12 OHN Tel: 44 (0) 20 8743 7337 Mobile: 44 (0) 7725 555711 e-mail: [email protected] www.carolinecornish.co.uk CLAIRE LYNCH - COSTUME DESIGNER Countries worked in: France, Germany, Morocco, Spain Language spoken: French and Spanish CALL THE MIDWIFE 11 Directors: Annie Tricklebank, Noreen Kershaw, Thomas Hescott Christmas Special: Syd Macartney CALL THE MIDWIFE 10 Directors: Annie Tricklebank, Noreen Kershaw, Thomas Hescott, David O’Neill, Sarah Ersdaile, James Larkin, Syd Macartney Producers: Annie Tricklebank, Heidi Thomas, Pippa Harris THE MALLORCA FILES 2 Production Suspended due to Coronavirus 10pt drama series Directors: Bryn Higgins, Rob Evans, Craig Pickles, Mallorca Christina Ebohon-Green Producer: Dominic Barlow Prod Co: Clerkenwell Films/BBC Featuring: Maria Fernandez Ache, Julian Looman, Elen Rhys, CALL THE MIDWIFE 9 Directors: Syd Macartney, Kate Cheeseman, David O’Neill Noreen Kirkshaw Producer: Annie Trickleback, Pippa Harris Directors: Syd Macartney, Annie Tricklebank, David O’Neill, Noreen Kershaw, Afia Nkrumah, Thomas Hescott BAGHDAD CENTRAL Director: Ben Williams Ep. 4, 5, 6 Producer: Jonathan Curling Shot in Morocco CALL THE MIDWIFE 8 Directors: Christiana Ebohon, Kate Cheesman, Kate Saxon, Syd Macartney Producers: Annie Tricklebank, Heidi Thomas, Pippa Harris Prod Co: Neal Street Productions/BBC Featuring: Annabelle Apison, Annette Crosbie, Ann Mitchell, Cliff Parisi, Helen George, Jennifer Kirby, Jenny Agutter, Judy Parfitt, Laura Main, Leonie Elliot, Linda -
File Stardom in the Following Decade
Margaret Rutherford, Alastair Sim, eccentricity and the British character actor WILSON, Chris Available from the Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/17393/ A Sheffield Hallam University thesis This thesis is protected by copyright which belongs to the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Please visit http://shura.shu.ac.uk/17393/ and http://shura.shu.ac.uk/information.html for further details about copyright and re-use permissions. Sheffield Hallam University Learning and IT Services Adsetts Centre City Campus 2S>22 Sheffield S1 1WB 101 826 201 6 Return to Learning Centre of issue Fines are charged at 50p per hour REFERENCE Margaret Rutherford, Alastair Sim, Eccentricity and the British Character Actor by Chris Wilson A thesis submitted in partial fulfilment of the requirements of Sheffield Hallam University for the degree of Doctor of Philosophy September 2005 I should like to dedicate this thesis to my mother who died peacefully on July 1st, 2005. She loved the work of both actors, and I like to think she would have approved. Abstract The thesis is in the form of four sections, with an introduction and conclusion. The text should be used in conjunction with the annotated filmography. The introduction includes my initial impressions of Margaret Rutherford and Alastair Sim's work, and its significance for British cinema as a whole.