A Bright Room Called Day Tuesday, October 29
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Abby Wiggins, Soprano Junior Recital
THE BELHAVEN COLLEGE DEPARTMENT OF MUSIC Dr. Stephen W. Sachs, Chair presents Abby Wiggins, soprano Junior Recital assisted by Hannah Thomas, accompanist John Mathieu, bass & Eleana Davis, soprano Saturday, March 27, 2010 2:00 p.m. Belhaven University Center for the Arts Concert Hall BELHAVEN UNIVERSITY DEPARTMENT OF MUSIC MISSION STATEMENT The Music Department seeks to produce transformational leaders in the musical arts who will have profound influence in homes, churches, private studios, educational institutions, and on the concert stage. While developing the God-bestowed musical talents of music majors, minors, and elective students, we seek to provide an integrative understanding of the musical arts from a Christian world and life view in order to equip students to influence the world of ideas. The music major degree program is designed to prepare students for graduate study while equipping them for vocational roles in performance, church music, and education. The Belhaven University Music Department exists to multiply Christian leaders who demonstrate unquestionable excellence in the musical arts and apply timeless truths in every aspect of their artistic discipline. The Music Department of Belhaven University directs you to “Arts Ablaze 2009-2010.” Read about many of the excellent performances and presentations scheduled throughout this academic year at Belhaven University by the Arts Division. Please take a complimentary copy of “Arts Ablaze 2009-2010” with you. The Music Department would like to thank our many community partners for their support of Christian Arts Education at Belhaven University through their advertising in “Arts Ablaze 2009-2010”. It is through these and other wonderful relationships in the greater Jackson community that makes an afternoon like this possible at Belhaven. -
Coded21 Press Release
FOR IMMEDIATE RELEASE Media contact: Rebecca Wallace [email protected] CITY LIGHTS REOPENS SEPT. 16 WITH KIRSTEN BRANDT'S POWERFUL PLAY ABOUT WOMEN IN VIDEO-GAME DESIGN 'Coded' had to close before opening night in March 2020. Now it's back. Sept. 16-Oct. 17, 2021 L I N K S SAN JOSE, CA (Aug. 30, 2021) – On Sept. 16, City Lights Theater Company More information reopens its doors to live performance with the play that Covid tried to close: Kirsten Brandt’s . This timely story of women video-game creators finally about Coded is at Coded gets its world premiere, running through Oct. 17. cltc.org/coded, and the direct link for After having only two previews of the City Lights-commissioned play in March downloading high-res 2020 before the shutdown, the Coded artists are ecstatic to be back. Even if show photos is that means rehearsing in masks. The whole theater team has also been busy bit.ly/coded21photos. making the theater safer, from upgrading the ventilation system to instituting reserved seating for the first time in the company’s 39 years. “It’s time to come together again, with cautious optimism,” Executive Artistic City Lights is a fully Director Lisa Mallette said. “We want to do it safely, responsibly and with the vaccinated company, utmost care.” and everyone in the City Lights is a fully vaccinated company. Everyone entering the building must building is masked provide proof of full Covid-19 vaccination, with matching ID. Those with a except for actors religious or medical exemption must contact the theater in advance, and bring performing on stage. -
Curran San Francisco Announces Cast for the Bay Area Premiere of Soft Power a Play with a Musical by David Henry Hwang and Jeanine Tesori
FOR IMMEDIATE RELEASE Curran Press Contact: Julie Richter, Charles Zukow Associates [email protected] | 415.296.0677 CURRAN SAN FRANCISCO ANNOUNCES CAST FOR THE BAY AREA PREMIERE OF SOFT POWER A PLAY WITH A MUSICAL BY DAVID HENRY HWANG AND JEANINE TESORI JUNE 20 – JULY 10, 2018 SAN FRANCISCO (March 6, 2018) – Today, Curran announced the cast of SOFT POWER, a play with a musical by David Henry Hwang (play and lyrics) and Jeanine Tesori (music and additional lyrics). SOFT POWER will make its Bay Area premiere at San Francisco’s Curran theater (445 Geary Street), June 20 – July 8, 2018. Produced by Center Theatre Group, SOFT POWER comes to Curran after its world premiere at the Ahmanson Theatre in Los Angeles from May 3 through June 10, 2018. Tickets for SOFT POWER are currently only available to #CURRAN2018 subscribers. Single tickets will be announced at a later date. With SOFT POWER, a contemporary comedy explodes into a musical fantasia in the first collaboration between two of America’s great theatre artists: Tony Award winners David Henry Hwang (M. Butterfly, Flower Drum Song) and Jeanine Tesori (Fun Home). Directed by Leigh Silverman (Violet) and choreographed by Sam Pinkleton (Natasha, Pierre, & the Great Comet of 1812), SOFT POWER rewinds our recent political history and plays it back, a century later, through the Chinese lens of a future, beloved East-meets-West musical. In the musical, a Chinese executive who is visiting America finds himself falling in love with a good-hearted U.S. leader as the power balance between their two countries shifts following the 2016 election. -
Musical! Theatre!
Premier Sponsors: Sound Designer Video Producer Costume Coordinator Lance Perl Chrissy Guest Megan Rutherford Production Stage Manager Assistant Stage Manager Stage Management Apprentice Mackenzie Trowbridge* Kat Taylor Lyndsey Connolly Production Manager Dramaturg Assistant Director Adam Zonder Hollyann Bucci Jacob Ettkin Musical Director Daniel M. Lincoln Directors Gerry McIntyre+ & Michael Barakiva+ We wish to express our gratitude to the Performers’ Unions: ACTORS’ EQUITY ASSOCIATION AMERICAN GUILD OF MUSICAL ARTISTS AMERICAN GUILD OF VARIETY ARTISTS SAG-AFTRA through Theatre Authority, Inc. for their cooperation in permitting the Artists to appear on this program. * Member of the Actor's Equity Association, the Union of Professional Actors and Stage Managers in the United States. + ALEXA CEPEDA is delighted to be back at The KRIS COLEMAN* is thrilled to return to the Hangar. Hangar! Select credits: Mamma Mia (CFRT), A Broadway Credit: Jersey Boys (Barry Belson) Chorus Line (RTP), In The Heights (The Hangar Regional Credit: Passing Strange (Narrator), Jersey Theatre), The Fantasticks (Skinner Boys - Las Vegas (Barry Belson), Chicago (Hangar Barn), Cabaret (The Long Center), Anna in the Theatre, Billy Flynn), Dreamgirls (Jimmy Early), Sister Tropics (Richard M Clark Theatre). She is the Act (TJ), Once on This Island (Agwe), A Midsummer founder & host of Broadway Treats, an annual Nights Dream (Oberon) and Big River (Jim). benefit concert organized to raise funds for Television and film credits include: The Big House Animal Lighthouse Rescue (coming up! 9/20/20), and is (ABC), Dumbbomb Affair, and The Clone. "As we find ourselves currently working on her two-person musical Room 123. working through a global pandemic and race for equality, work Proud Ithaca College BFA alum! "Gracias a mamacita y papi." like this shows the value and appreciation for all. -
Bullseye with Jesse Thorn Is a Production of Maximumfun.Org and Is Distributed by NPR
00:00:00 Music Music Gentle, trilling music with a steady drumbeat plays under the dialogue. 00:00:01 Promo Promo Speaker: Bullseye with Jesse Thorn is a production of MaximumFun.org and is distributed by NPR. [Music fades out.] 00:00:11 Jesse Host I’m Jesse Thorn. It’s Bullseye! Thorn 00:00:14 Music Music “Huddle Formation” from the album Thunder, Lightning, Strike by The Go! Team plays. A fast, upbeat, peppy song. Music plays as Jesse speaks, then fades out. 00:00:20 Jesse Host Lin-Manuel Miranda grew up in a working-class neighborhood, north of Harlem. He went to a fancy school for gifted kids, on the Upper East Side. He went to college at Wesleyan, and not long after he graduated, he had a hit Broadway musical— [“Huddle Formation” fades out to be replaced with “In the Heights”.] In the Heights. 00:00:34 Clip Clip “In the Heights” from the Broadway musical In the Heights plays. ENSEMBLE: In the Heights I can’t survive without café USNAVI: I serve café ENSEMBLE: 'Cause tonight... [Music fades out as Jesse speaks] 00:00:41 Jesse Host He’s also the creator and star of Hamilton: the award-winning, massively influential musical about the founding f—well, you know what. This is a little silly. I’m explaining the plot of Hamilton on NPR. You know what Hamilton is. These days, Lin-Manuel is in a spot where not many artists find themselves. He can do pretty much whatever he wants! He can take on almost any project. -
For Immediate Release January 25, 2018
For Immediate Release January 25, 2018 SINGER/ACTRESS MEGAN HILTY RETURNS TO CAFÉ CARLYLE, APRIL 17-28 Acclaimed singer/actress Megan Hilty returns to Café Carlyle with an all-new show, April 17-28. Her previous residencies at the Café received praise from The New York Times, HuffPost, TheaterMania, and New York Daily News among a multitude of other outlets. This time, she’ll be celebrating some of her favorite musical theater composers — Sondheim, Schwartz, Shaiman & Whitman, Jeanine Tesori, Alan Menken, Sara Bareilles, and more. Performances will take place Tuesday – Saturday at 8:45pm. Weekday pricing begins at $80 per person / Bar Seating: $60 / Premium Seating: $130. Weekend pricing begins at $95 per person / Bar Seating: $75 / Premium Seating: $145. Reservations can be made by phone at 212.744.1600 or online via Ticketweb. Café Carlyle is located in The Carlyle, A Rosewood Hotel (35 East 76th Street, at Madison Avenue). Megan Hilty is most recognizable for her portrayal of seasoned triple-threat Ivy Lynn in NBC’s musical drama Smash. She followed up the series with a starring role on the comedy Sean Saves the World. Hilty received critical acclaim for her role of Brooke Ashton in the Roundabout Theater Company’s revival of Noises Off. She earned nominations for a Tony Award, Drama Desk Award and Drama League Award and won a Broadway.com Audience Award for Favorite Featured Actress in a Play. Her television credits include recurring roles on Girlfriends Guide to Divorce, The Good Wife, Braindead, and Louie, among many others. Hilty regularly performs with orchestras and symphonies across the country. -
PDF Program Download
Interlochen, Michigan 224th Program of the 59th Year * FESTIVAL 2021 MUSICAL THEATRE SHOWCASE Thursday, May 27, 2021 10:00am, Corson Auditorium “Bye Bye Blackbird” from FOSSE ............................... Music by Ray Henderson Lyrics by Mort Dixon Charlotte Krieger and Company “All Falls Down” from CHAPLIN .............. Music and Lyrics by Christopher Curtis Lindsay Gross “Stay” from THE NOTEWORTHY LIFE OF HOWARD BARNES ... Music by Michael Kooman Lyrics by Christopher Dimond Audree Hedequist “Singin’ in the Rain” from SINGIN’ IN THE RAIN ....... Music by Nacio Herb Brown Lyrics by Arthur Freed Student Choreographers: Mia McManamy, Charlotte Krieger “Nowadays/Hot Honey Rag” from CHICAGO .................... Music by John Kander Lyrics by Fred Ebb Paris Manzanares and Myles Mathews Student Choreographer: Myles Mathews “Don’t Wanna Be Here” from ORDINARY DAYS ..... Music & Lyrics by Adam Gwon JT Langlas “No One Else” from NATASHA, PIERRE AND THE GREAT COMET OF 1812 ......... Music and Lyrics by Dave Malloy Mia McManamy “Run, Freedom, Run” from URINETOWN ...................... Music by Mark Hollmann Lyrics by Mark Hollmann and Greg Kotis Scout Carter and Company “Forget About the Boy” from THOROUGHLY MODERN MILLIE ........................... Music by Jeanine Tesori Lyrics by Dick Scanlan Hannah Bank and Company Student Choreographer: Nicole Pellegrin “She Used to Be Mine” from WAITRESS ........ Music and Lyrics by Sara Bareilles Caroline Bowers “Change” from A NEW BRAIN ......................... Music and Lyrics by William Finn Shea Grande “We Both Reached for the Gun” from CHICAGO .............. Music by John Kander Lyrics by Fred Ebb Theo Gyra and Company Student Choreographer: Myles Mathews “Love is an Open Door” from FROZEN ............ Music & Lyrics by Kristen Anderson-Lopez & Robert Lopez Charlotte Krieger and Daniel Rosales “Being Alive” from COMPANY ............... -
Mark Sonnenblick Contact Mark Orsini at Bret Adams, Ltd
Mark Sonnenblick Contact Mark Orsini at Bret Adams, Ltd. [email protected] PROFESSIONAL THEATER • Independents (lyricist, revised book) FringeNYC/SoHo Playhouse 2012. Won “Best Overall Production,” the Fringe’s highest honor. Extended off-Broadway and designated a NYTimes “Critics’ Pick.” • Midnight at The Never Get (composer, lyricist, bookwriter) New York Musical Festival July 2016. Special event; played for three sold-out nights. Being developed for a full production in 2017. • Ship Show (lyricist, bookwriter) Yale Institute for Music Theatre June 2015. Directed by Mark Brokaw. • Stompcat in Lawndale (lyricist, bookwriter, co-composer) Ars Nova 2014, various bars Ant Fest June 2014; played in bars all over New York. Immersive rock musical experience. • Wheel of Misfortune (co-writer, composer, performer) Denver Center for the Performing Arts 2013. New multimedia performance piece in the style of a live game show. • NYC Cabaret Circuit (composer, lyricist) Songs performed at Lincoln Center, Symphony Space, NYMF (’12 and ’13), Don’t Tell Mama, Duplex, etc. PROFESSIONAL DEVELOPMENT • American Opera Initiative (librettist) Washington National Opera Commissioned for 2015—opera premiered at the Kennedy Center in December 2015. • Johnny Mercer Writers Colony Goodspeed Musicals February 2016. • Dramatists Guild Fellowship (lyricist, bookwriter) 2014-2015. Developed Ship Show with composer Ben Wexler. Led by Michael Korie and Diana Son. • Rhinebeck Writers Retreat Summer 2016. Previous attendees include Duncan Sheik, Michael Friedman, Heidi Rodewald/Stew. • Composers And The Voice (librettist fellow) American Opera Projects 2015-2017. Led by Stephen Osgood, Mark Campbell. • Johnny Mercer Songwriting Project American Music Theatre Project June 2014. Weeklong songwriting intensive. Studied with Craig Carnelia, Andrew Lippa, Lari White. -
History and Background
History and Background Book by Lisa Kron, music by Jeanine Tesori Based on the graphic novel by Alison Bechdel SYNOPSIS Both refreshingly honest and wildly innovative, Fun Home is based on Vermont author Alison Bechdel’s acclaimed graphic memoir. As the show unfolds, meet Bechdel at three different life stages as she grows and grapples with her uniquely dysfunctional family, her sexuality, and her father’s secrets. ABOUT THE WRITERS LISA KRON was born and raised in Michigan. She is the daughter of Ann, a former community activist, and Walter, a German-born lawyer and Holocaust survivor. Kron spent much of her childhood feeling like an outsider because of her religion and sexuality. She attended Kalamazoo College before moving to New York in 1984, where she found success as both an actress and playwright. Many of Kron’s plays draw upon her childhood experiences. She earned early praise for her autobiographical plays 2.5 Minute Ride and 101 Humiliating Stories. In 1989, Kron co-founded the OBIE Award-winning theater company The Five Lesbian Brothers, a troupe that used humor to produce work from a feminist and lesbian perspective. Her play Well, which she both wrote and starred in, opened on Broadway in 2006. Kron was nominated for the Best Actress in a Play Tony Award for her work. JEANINE TESORI is the most honored female composer in musical theatre history. Upon receiving her degree in music from Barnard College, she worked as a musical theatre conductor before venturing into the art of composing in her 30s. She made her Broadway debut in 1995 when she composed the dance music for How to Succeed in Business Without Really Trying, and found her first major success with the off- Broadway musical Violet (Obie Award, Lucille Lortel Award), which was later produced on Broadway in 2014. -
In Lucas Hnath's 'Dana H.,'
13 WEEKS ONLY 99¢ TOPICS LOG IN Sale ends 6/25 SPECIAL OFFER | GET 13 WEEKS FOR 99¢ Costco shooting: Mother L.A. is losing its weird edges After college admissions wounded by LAPD officer to bland, boxy and scandal, UC rolls out who killed her son is still i… Instagram-friendly reforms to avoid more fraud ADVERTISEMENT ARTS & CULTURE ENTERTAINMENT By CHARLES MCNULTY THEATER CRITIC | JUN 03, 2019 Actress Deirdre O'Connell. lip-syncing to an audio interview of playwright Lucas Hnath's mother, recounts her kidnapping and captivity in "Dana H.," Center Theatre Group's world premiere at the Kirk Douglas Theatre. (Craig Schwartz) Lucas Hnath, part of a bumper crop of playwrights rethinking the parameters of American drama, has written a play about his mother that is rife with contradictions. “Dana H.,” which is having its world premiere at the Kirk Douglas Theatre while Hnath’s “Hillary and Clinton” is on Broadway and his wildly successful “A Doll’s House, Part 2” is being produced across the nation, is composed from interviews yet is stranger than most fiction. Hnath uses not only his mother’s actual words but also her recorded voice, yet her character remains elusive. ADVERTISEMENT But the most curious incongruity is the one that makes me want to see this fascinating 75-minute play a second time: It’s impossible to sort out fact from falsehood in Dana’s story, yet by the end a truth as profound as it is slippery is revealed. “Dana H.” tells a story of trauma, terror and the way victimization continues even after the threat of violence has subsided. -
Lisa Kron & Madeleine George
MARSHA NORMAN: Why THE Matters he Count is an ongoing study survey much like our Count, it was found that the that asks the question, “Who Is percentage of women being interviewed, doing the Being Produced In American interviewing or being the subject of the story – was Theatres?” It is presented here exactly 20%. In the art museums, 80% of the art for the first time using three hanging on the walls is by men. The women’s work years of data from productions is stored in the basement. In orchestras, until the in regional theatres in America. advent of blind auditions, 20% of the players were As you will learn later, only women. This 20% number is the real ceiling we 22% of those productions were are fighting in our lives and in our careers today. written by women. This means that if life worked So what do we miss if we do not hear the voices of like the theatre, four out of five things you had women? Half of life, that’s what. It would be like Tever heard would have been said by men. That ignoring the stories of everything that happens in means you would have missed a lot, given the kinds the night. Or the day. Women have lived half of of things you learn from women. And why are we the experience of the world, but only 20% of it is missing the voices of women in reported in the theaters. Imagine the theatre? There is one simple if the newspapers only presented answer: artistic directors written by 20% of the news. -
PUMP BOYS and DINETTES
PUMP BOYS and DINETTES to star Jordan Dean, Hunter Foster, Mamie Parris, Randy Redd, Katie Thompson, Lorenzo Wolff Directed by Lear deBessonet; Choreographed by Danny Mefford Free Pre-Show Events Include Original Casts of “Pump Boys” and [title of show] July 16 – July 19 2014 Encores! Off- Center Jeanine Tesori, Artistic Director; Chris Fenwick, Music Director New York, N.Y., May 27, 2014 - Pump Boys and Dinettes, the final production of the 2014 Encores! Off-Center series, will star Jordan Dean, Hunter Foster, Mamie Parris, Randy Redd, Katie Thompson and Lorenzo Wolff. Pump Boys, running July 16 – 19, will be directed by Lear deBessonet and choreographed by Danny Mefford. Jeanine Tesori is the Encores! Off-Center artistic director; Chris Fenwick is the music director. Pump Boys and Dinettes was conceived, written and performed by John Foley, Mark Hardwick, Debra Monk, Cass Morgan, John Schimmel and Jim Wann. The show is a musical tribute to life on the roadside, with the actors accompanying themselves on guitar, piano, bass, fiddle, accordion, and kitchen utensils. A hybrid of country, rock and pop music, Pump Boys is the story of four gas station attendants and two waitresses at a small-town dinette in North Carolina. It premiered Off-Broadway at the Chelsea West Side Arts Theatre in July 1981 and opened on Broadway on February 4, 1982 at the Princess Theatre, where it played 573 performances and was nominated for both Tony and Drama Desk Awards for Best Musical. THE ARTISTS Jordan Dean (Jackson) appeared on Broadway in Mamma Mia!, Cymbeline and Cat on a Hot Tin Roof.