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Legal Use Requires Purchase CONDUCTOR by John L
Road Song By John L. (Wes) Montgomery Arranged by Alan Baylock INSTRUMENTATION Conductor 1st Trombone 1st E Alto Saxophone 2nd Trombone b 2nd E Alto Saxophone 3rd Trombone b 1st B Tenor Saxophone Bass Trombone b 2nd B Tenor Saxophone Guitar Chords b E Baritone Saxophone Guitar b 1st B Trumpet Piano b 2nd B Trumpet Bass b 3rd B Trumpet Drums b 4th B Trumpet b Optional/Alternate Parts Sample Solo C insts Sample Solo B Trumpet b Sample Solo B Tenor Sax b Sample Solo E insts b Sample Solo Trombone C Flute Vibraphone Tuba (Doubles Bass) Horn in F (Doubles 1st Trombone) 1st Baritone Horn T.C./B Tenor Saxophone (Doubles 1st Trombone) b Preview Only(Doubles 2nd Trombone) 2nd Baritone Horn T.C./B Tenor Saxophone b 3rd Baritone Horn T.C./B Tenor Saxophone (Doubles 3rd Trombone) Legal Use Requiresb Purchase NOTES TO THE CONDUCTOR Alan Thanks for your interest in this new arrangement of Wes Montgomery’s classic, Road Song. It’s written to feature your Baylock guitarist on the melody and on the improvised solo passages. I have included written-out suggested solo parts for C, B-flat, Alan Baylock is quickly becoming recognized as E-flat, and bass clef instruments for solo flexibility. Therefore guitar or any wind instrument could be the featured soloist. one of the most creative young voices in the music business today. He is in demand as a composer, To achieve the right vibe and feel, please have the band listen closely to Wes’ 1968 version found on the Road Song album. -
94 DOWNBEAT JUNE 2019 42Nd ANNUAL
94 DOWNBEAT JUNE 2019 42nd ANNUAL JUNE 2019 DOWNBEAT 95 JeJenna McLean, from the University of Northern Colorado in Greeley, is the Graduate College Wininner in the Vocal Jazz Soloist category. She is also the recipient of an Outstanding Arrangement honor. 42nd Student Music Awards WELCOME TO THE 42nd ANNUAL DOWNBEAT STUDENT MUSIC AWARDS The UNT Jazz Singers from the University of North Texas in Denton are a winner in the Graduate College division of the Large Vocal Jazz Ensemble category. WELCOME TO THE FUTURE. WE’RE PROUD after year. (The same is true for certain junior to present the results of the 42nd Annual high schools, high schools and after-school DownBeat Student Music Awards (SMAs). In programs.) Such sustained success cannot be this section of the magazine, you will read the attributed to the work of one visionary pro- 102 | JAZZ INSTRUMENTAL SOLOIST names and see the photos of some of the finest gram director or one great teacher. Ongoing young musicians on the planet. success on this scale results from the collec- 108 | LARGE JAZZ ENSEMBLE Some of these youngsters are on the path tive efforts of faculty members who perpetu- to becoming the jazz stars and/or jazz edu- ally nurture a culture of excellence. 116 | VOCAL JAZZ SOLOIST cators of tomorrow. (New music I’m cur- DownBeat reached out to Dana Landry, rently enjoying includes the 2019 albums by director of jazz studies at the University of 124 | BLUES/POP/ROCK GROUP Norah Jones, Brad Mehldau, Chris Potter and Northern Colorado, to inquire about the keys 132 | JAZZ ARRANGEMENT Kendrick Scott—all former SMA competitors.) to building an atmosphere of excellence. -
Where to Study Jazz 2019
STUDENT MUSIC GUIDE Where To Study Jazz 2019 JAZZ MEETS CUTTING- EDGE TECHNOLOGY 5 SUPERB SCHOOLS IN SMALLER CITIES NEW ERA AT THE NEW SCHOOL IN NYC NYO JAZZ SPOTLIGHTS YOUNG TALENT Plus: Detailed Listings for 250 Schools! OCTOBER 2018 DOWNBEAT 71 There are numerous jazz ensembles, including a big band, at the University of Central Florida in Orlando. (Photo: Tony Firriolo) Cool perspective: The musicians in NYO Jazz enjoyed the view from onstage at Carnegie Hall. TODD ROSENBERG FIND YOUR FIT FEATURES f you want to pursue a career in jazz, this about programs you might want to check out. 74 THE NEW SCHOOL Iguide is the next step in your journey. Our As you begin researching jazz studies pro- The NYC institution continues to evolve annual Student Music Guide provides essen- grams, keep in mind that the goal is to find one 102 NYO JAZZ tial information on the world of jazz education. that fits your individual needs. Be sure to visit the Youthful ambassadors for jazz At the heart of the guide are detailed listings websites of schools that interest you. We’ve com- of jazz programs at 250 schools. Our listings are piled the most recent information we could gath- 120 FIVE GEMS organized by region, including an International er at press time, but some information might have Excellent jazz programs located in small or medium-size towns section. Throughout the listings, you’ll notice changed, so contact a school representative to get that some schools’ names have a colored banner. detailed, up-to-date information on admissions, 148 HIGH-TECH ED Those schools have placed advertisements in this enrollment, scholarships and campus life. -
18Th Annual Illinois State University Jazz Festival School of Music Illinois State University
Illinois State University ISU ReD: Research and eData School of Music Programs Music 3-21-2014 18th Annual Illinois State University Jazz Festival School of Music Illinois State University Follow this and additional works at: https://ir.library.illinoisstate.edu/somp Part of the Music Performance Commons Recommended Citation School of Music, "18th Annual Illinois State University Jazz Festival" (2014). School of Music Programs. 378. https://ir.library.illinoisstate.edu/somp/378 This Concert Program is brought to you for free and open access by the Music at ISU ReD: Research and eData. It has been accepted for inclusion in School of Music Programs by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. Illinois State University College of Fine Arts School of Music Presents th 18 Annual Illinois State University Jazz Festival featuring Dave Pietro With ISU Jazz Ensemble I ISU Center for the Performing Arts March 21 and 22, 2014 This is the one hundred and twentieth program of the 2013-2014 season. 18th Annual ISU Jazz Festival Tentative Schedule (please confirm times with the FINAL SCHEDULE upon arrival) FRIDAY, March 21, ISU CPA Concert Hall 1:00 PM Hickory Creek MS Jazz Band I Frankfort, IL 1:25 Hickory Creek MS Jazz Band II Frankfort, IL 1:50 Pekin Community HS Pekin, IL 2:15 H.L. Richards HS Big Band Oak Lawn, IL 2:40 H.L. Richards HS combo Oak Lawn, IL 3:05- 4:05 Dave Pietro Masterclass 4:45 Williamsville HS Williamsville, IL 5:10 Metamora Township HS Big Band Metamora, IL 5:35 Jacksonville High School Jacksonville, IL 6:00 Metamora Township HS Combo Metamora, IL 8:00 CONCERT: 1) ISU Jazz Ensemble II 2) Dave Pietro w/ ISU Jazz Ensemble I SATURDAY, March 22, ISU CPA Concert Hall 11:00 Morton Jr. -
How to Play in a Band with 2 Chordal Instruments
FEBRUARY 2020 VOLUME 87 / NUMBER 2 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert. -
George Lesiw Recognized As One of the Most Prolific and Versatile
George Lesiw Recognized as one of the most prolific and versatile jazz performers on the Connecticut music scene, guitarist George Lesiw has made his surge a topic of conversation and interest amongst the Northeast audience. Lesiw combines the true improvisational essence and language of jazz, the daring electricity of rock-fusion and the gritty fire of blues. Known as a bandleader and sideman for some time now, Lesiw initiates a spark of rock-fusion with a combination of the emotional fire of the blues sprinkled with funk, soul and R& B, making him a desired performer in music venues across the state and beyond. Whether playing a straight-ahead jazz gig with his quartet at Bar 140 in Shelton, Connecticut or wailing his blues with his new blues project, Black Snake Boots, at Connecticut’s premier blues clubs, Black- Eyed Sally’s in Hartford, or playing original jazz fusion music on the main stage of the Long Beach Jazz Festival in California, one thing remains constant – Lesiw exemplifies a passion, virtuosity, versatility and fire to his music like no other. His most recent performances include a duo residency with Lee-Ann Lovelace at Crave, a Latin fusion restaurant and night club in Ansonia. Once a month, he leads the popular blues jam at Café Nine in New Haven. Twice a month, he leads the jazz jam at Bar 140 in Shelton, Connecticut. Lesiw was also the main guitarist with “A Nordic Sound Jazz Orchestra” (2016-17). In 2017, his band “Black Snake Boots” was a finalist at the 2017 Connecticut Blues Challenge. -
Biography and Film of His Life
Phil Upchurch 1 A prolific guitarist whose distinctively funky, blues-steeped jazz style has graced well over a thousand recordings across the popular music spectrum, the legendary Phil Upchurch has also recorded 27 albums of his own leadership, as well as movie soundtracks. Jazz enthusiasts love and respect Phil Upchurch for his singular approach to composition. In developing his sound, Phil demonstrates no allegiance to any of his contemporaries and is indisputably one of the best in his field. He goes from classical to jazz to contemporary funk as easy as walking from one room to another. He is also an amazing electric bassist. In honor of Upchurch’s instrumental mastery, D’Angelico Guitars is soon to release a Second Edition of his signature Phil Upchurch Guitar. Adding to his media profile is Phil’s newfound second career as a fresh face for television advertising. Phil's most recent on-camera commercials have been Secured Horizon, "AARP," Tropicana and Verizon Wireless. He also has had, Cameo filmappearances in, “His Eyes Are Watching God” and White Men Can’t Jump” to name a few. Phil Upchurch has been a prominent figure in the blues, soul, R&B and jazz circles for more than 50 years. In addition to his work with the legendary Jimmy Smith, Upchurch has performed and recorded, in the United States and internationally, with some of the music industry’s biggest names. His talents have teamed him with musical legends such as Quincy Jones, Bob Dylan, Julio Iglesias, Ray Charles, Ramsey Lewis, Carmen McRae, George Benson, Donny Hathaway, Chaka Khan, Michael Jackson, Carmen McRae, Marlena Shaw, Eddie Harris, Brother Jack McDuff, Joe Williams, Stan Getz, Cannonball Adderley, Herbie Hancock, Grover Washington, Jr. -
Wavelength (June 1983)
University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 6-1983 Wavelength (June 1983) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (June 1983) 32 https://scholarworks.uno.edu/wavelength/32 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. DEVELOPING THE NEW LEADERSHIP IN NEW ORLEANS MUSIC A Symposium on New Orlea Music Business Sponsored by the University of New Orleans Music Department and the Division of Continuing Education and wavelength Magazine. Moderator John Berthelot, UNO Continuing Education Coordinator/Instructor in the non-credit music business program. PROGRAM SCHEDULE How To Get A Job In A New Orleans Music Club 2 p.m.-panel discussion on the New Orleans club scene. Panelists include: Sonny Schneidau, Talent Manager. Tipitina's, John Parsons, owner and booking manager, Maple Leaf Bar. personal manager of • James Booker. one of the prcx:lucers of the new recording by James Booker. Classified. Jason Patterson. music manager of the Snug Harbor. associate prcx:lucer/consultant for the Faubourg Jazz Club, prcx:lucer for the first public showing of One Mo· Time, active with ABBA. foundation and concerts in the Park. Toulouse Theatre and legal proceedings to allow street music in the French Quarter. Steve Monistere, independent booking and co-owner of First Take Studio. -
Stevie Ray Vaughan
An the Bullcrafe news US~ that's tH paldpennlt to pitch no. 2419 C' PITCtI KCMO February '1986 Kansas City's ffee music and entertainment newspaper Issue 62 A Texas tidal wave Blues, rock, rarb, ballads, you name it from the latest- Hammond discovery the Chantones, Blackbird and Nightcrawlers. by Roger Naber His senior year of high school, he dropped out He's been the most talked-about guitarist in and left his hometown of Dallas in the early 70s. blues and rock circles for the last three years. He followed his brother Jimmie to AUstin, which He dominated reader's and critic's polls in has been his home base ever since. various magazines. For the last two years he has From 1975-77 Stevie played with Austin's been the recipient of "Best Blues Instrumentalist" most popular r&b club band, the Cobras. He at the W.C. Handy Awards in Memphis. And then formed his own r&b revue, Triple Threat, there is no indication that the crest Stevie Ray which featured vocaUst Lu Ann Barton. In ear ~ Vaughan is riding is ready to level off. ly '81 Lu Ann quit the band in the middle of I first met the guitar genius four-and-a-half a tour, and that forced Vaughan to take over years ago. After spending several weeks trying lead vocals. He regrouped the band and named to locate him, I hired Vaughan and his band it Double Trouble pr an Otis Rush song. The Double Trouble to perform at HarUng's. The group consisted of Tommy Shannon on elec man who urged me to book him was his older tric bass and Chris Layton on drums. -
Jazz Faculty and Friends: an Evening of Great Music
Kennesaw State University Upcoming Music Events Tuesday, November 18 Kennesaw State University Jazz Combos 8:00 pm • Bailey Performance Center Performance Hall School of Music Wednesday, November 19 Kennesaw State University Wind Ensemble and Concert Band presents 8:00 pm • Bailey Performance Center Performance Hall Thursday, November 20 Kennesaw State University Gospel Choir 8:00 pm • Bailey Performance Center Performance Hall Kennesaw State University Saturday, November 22 Kennesaw State University Jazz Faculty and Friends Opera Gala 8:00 pm • Bailey Performance Center Performance Hall Monday, November 24 Kennesaw State University Percussion Ensemble 8:00 pm • Bailey Performance Center Performance Hall Tuesday, December 2 Kennesaw State University Choral Ensembles Holiday Concert 8:00 pm • Bailey Performance Center Performance Hall Monday, November 17, 2008 8:00 pm Dr. Bobbie Bailey & Family Performance Center Concert Hall For the most current information, please visit http://www.kennesaw.edu/arts/events/ Twenty-third Concert of the 2008-2009 season Kennesaw State University Justin Varnes drums School of Music Born in Jacksonville, Florida, Justin Varnes studied music at the Monday, November 17, 2008 University of North Florida. After a brief stint with the Noel Freidline 8:00 pm Quintet, Mr. Varnes relocated to New York City to pursue a master's Dr. Bobbie Bailey & Family Performance Center degree in jazz studies at the New School. In New York, Justin toured for six years with vocalist Phoebe Snow, with whom he performed on the Performance Hall Roseanne Barr Show, as well as National Public Radio's "World Cafe" (he would later perform on "World Cafe" with pop group "Five for Fighting"). -
Guitar Channel)
RENEGADE CREATION Michael Landau (Guitar); Robben Ford (Guitar); Jimmy Haslip (Bass); Gary Novak (Drums) Renegade Creation is the new record by veteran musical giants, Michael Landau, Robben Ford, Jimmy Haslip and Gary Novak. Blending together to create a blues-driven sound that not only will satisfy their individual fans but is fresh enough to attract a legion of new fans as well. Delivering bothrootsy, blues/rock vocal tunes and fiery instrumentals, the band draws on the unique guitar interplay between guitar giants Robben Ford and Michael Landau who inspire each other to new personal bests. Review Renegade Creation (Blues Bureau International - a division of Shrapnel Records) is a thinking man's blues rock album featuring a dream-team of four top shelf musicians - Michael Landau (guitar), Robben Ford (guitar), Jimmy Haslip (bass) and Gary Novak (drums). Though this is the first time the four have recorded an album together, it's not as though there's no history between these players. Ford and Haslip go back to the pre-Yellowjackets days, Landau has played with Ford many times (including a late-70s west coast tour that included Haslip), both Landau and Ford have used Novak on various tours and recordings, you get the idea. Some of you may envision "west coast jazz" when you think of these musicians, but what they've done here is far removed from that scene. Renegade Creation is a guitar-driven, predominantly vocal rock album, with a heavy emphasis on blues; more akin to Ford and Landau's vocal recordings than any manner of jazz or fusion. -
Muddy Waters Electric Mud Mp3, Flac, Wma
Muddy Waters Electric Mud mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Blues Album: Electric Mud Country: Canada Released: 1996 Style: Electric Blues, Chicago Blues MP3 version RAR size: 1257 mb FLAC version RAR size: 1625 mb WMA version RAR size: 1190 mb Rating: 4.8 Votes: 671 Other Formats: WMA MP1 MP4 AIFF WAV VOC DTS Tracklist 1 I Just Want To Make Love To You 4:14 2 I'm Your Hoochie Coochie Man 4:41 3 Let's Spend The Night Together 3:07 4 She's All Right 6:44 5 Mannish Boy 3:21 6 Herbert Harper's Free Press News 4:32 7 Tom Cat 3:37 8 The Same Thing 5:37 Companies, etc. Copyright (c) – MCA Records, Inc. Manufactured By – MCA Records (Canada) Distributed By – MCA Records (Canada) Credits Bass – Louis Satterfield Drums – Morris Jennings Engineer – Stu Black Guitar – Pete Cosey, Phil Upchurch, Roland Faulkner Organ – Charles Stepney Producer – Charles Stepney, Gene Barge, Marshall Chess Reissue Producer – Andy McKaie Tenor Saxophone – Gene Barge Vocals – Muddy Waters Notes Recorded at Ter Mar Studios, Chicago, May, 1968. Barcode and Other Identifiers Barcode: 0 76732 93642 9 Other versions Category Artist Title (Format) Label Category Country Year Cadet LPS 314, Muddy Electric Mud (LP, LPS 314, Concept, US 1968 LPS-314 Waters Album, Gat) LPS-314 Cadet Concept Cadet LPS 314, CC Muddy Electric Mud (LP, LPS 314, CC Concept, US 1978 314 Waters Album, RE) 314 Cadet Muddy Electric Mud (CD, CHD-9364 Chess CHD-9364 US 1996 Waters Album, RE) Muddy Electric Mud (CD, *CHD-9364 Chess *CHD-9364 US 1996 Waters Album, RE) Muddy Electric Mud (CD, MCA Records, UICY-3201 UICY-3201 Japan 2001 Waters Album, RE, RM) Chess Related Music albums to Electric Mud by Muddy Waters Muddy Waters / Memphis Slim - Chicago Blues Masters Volume One: Muddy Waters & Memphis Slim Howlin' Wolf - The Howlin' Wolf Album Muddy Waters - Electric Muddy Muddy Waters - Muddy, Brass & The Blues Gene Barge - Blowin' In The Wind Muddy Waters - Sail On Muddy Waters - The London Muddy Waters Sessions Muddy Waters - They Call Me Muddy Waters.