Opacity: Lightfastness: Name Colour, Art.No,Lightfastness,Opacity, Washing Out,PriceGroup, Signs andSymbols: The ColourPalette Our finestArtists’ Water Colours Water ColourandVarnish as aguide only. This colourchartisproduced withinthelimitations ofprintingandisintended of thepigmenttype. Pigment Name: Price Group: Washing Out: amateurs alike. ducts that are enjoyed by professional artists and pro- quality top ensureprocedure manufacturing gentle a with together experience years 150 over and research scientific on based formulas dern lours. Best raw materials of excellent quality, mo- co- our producing and developing researching, while account into taken are artist colour water demanding the of requirements specific The bes. tu- ml 24 and pans whole pans, half in available is product premium this of shade Every quality. outstanding in shades 70 of range a comprises palette colour water 1862 Aquarell LUKAS The Fr. Schoenfeld startedin1862. Dr.founder the which standards high the quently conse- pursue Colours Artists’ SCHOENFELD of employees The class. top absolute the of range colour water quality high a as years many known since is colour water 1862 Aquarell LUKAS best protection forthepainting. the provides This instead. glass behind and framed mounted be should picture The and yellowish. brittle become can paper colour water the and varnish the by altered generally are shades finished your colour water delicate The paintings. colour to water varnish apply not should You (P=Pigment) andthedye (e.g.W=),followedbythedigits The twopreceding lettersdeterminethetypeofcolourantused   LUKAS Aquarell 1862isdividedintodifferent pricgroups. noticeable inhigh-pigmentedartists’colours. Therefore the Pigment pricesare verydifferent. Thisisparticularly =semi-opaque =transparent =easytowashout = = (6-7 onthebluewoolscale) very goodtoexcellentlightfast (7-8 onthebluewoolscale) excellent uptooutstandinglightfast =opaque =semi-transparent =difficulttowashout Cadmium light III / III / Cadmium Orange III / III / III / III / III / Alizarin Crimson II / II / Chinese White Cinnabar PR176, PV23 PY53, PBr24 Lukas Red Ruby Red PR254 PR255 PR176 PY175 PO20 PY35 1141 1080 1088 1028 1034 1026 1015 1006 1064 PW4 / / / / / / / / / /2 /2 /2 /2 /3 /3 /2 /2 /3 Cadmium Yellow Permanent Orange Madder Lakedeep Yellow light III / III / III / III / III / III / III / III / III / Permanent Red Opaque White Genuine Rose PW5, PW6 PR264 PR242 PY153 Purple PO71 PY42 PY35 PV19 PV19 1094 1016 1092 1097 1047 1066 1007 1031 1044

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/2 /2 /2 /2 /2 /2 /3 /2 / 2 Permanent Yellow deep Lemon Yellow (Primary) Permanent Yellow light Cadmium Reddeep Cadmium Redlight Magenta (Primary) III / III / III / III / III / III / Dioxazine Violet II / II / II / PR112, PR176 Carmine Red Indian Yellow PR108 PR122 PY153 PY155 PO20 PO62 PV23 1061 1024 1142 1074 1051 1045 1072 1021 1048 PY3 / / /

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/2 /2 /2 /3 /3 /2 /2 /2 / 2 Ultramarine Bluelight Verona Earth III / III / III / III / III / III / III / III / III / Permanent Prussian Blue Cobalt Green Green Yellow Cobalt Violet PY153, PG7 Sap Green Turquoise PB15:1 PY129 PG26 PG50 PB16 PB27 PB29 PV14 1162 1158 1169 1165 1134 1152 1198 1127 1135 / / / / / / / / / /2 /2 /2 /2 /2 /2 /2 /2 /3 Oxide ofChromium Permanent Green III / III / III / III / III / III / III / III / III / Indanthrone Blue Cobalt Turquoise Cyan (Primary) Phthalo Green Cerulean Blue PG36, PY155 PY175, PG7 Cobalt Blue May Green yellowish PB15:3 PG17 PG50 PB36 PB28 PB60 1118 1125 1153 1193 1170 1195 1121 1126 1168 PG7 / / / / / / / / / /2 /2 /2 /2 /2 /2 /3 /3 /2 Ultramarine Bluedeep PR176, PB15:1,PBk7 Cinnabar Green light Permanent Green III / III / III / III / III / III / III / III / II / Prussian Green Phthalo Blue PG36, PO36 PY155, PG7 PY155, PG7 Green PB60, PG7 PB27, PG7 Paris Blue PB15:6 Viridian Indigo PG18 PB29 1176 1171 1136 1122 1133 1157 1163 1124 1154 / / / / / / / / / /2 /2 /2 /2 /2 /2 /2 /2 /2 PY42, PY155,PR176,PBk7 Caput Mortuumdeep Your retailer: Pearlescent Pigment III / III / III / III / III / III / Van DyckBrown PR101, PBk11 Burnt Sienna Burnt Raw Sienna Black PBk7 1112 1109 1052 1012 1039 1182 PBr7 PBr7 / / / / / / /3 /2 /2 /2 /2 /2 PR176, PB15:1,PBk7 PY155, PR176,PBk7 PY155, PR176,PBk7 PY42, PR101,PBk7 Burnt GreenBurnt Earth III / III / English Redlight II / II / II / Payne‘s Grey Raw Umber Gold Ochre PR101 1184 1023 1054 1104 1110 www.lukas.eu ·Phone:+49 Düsseldorf ·Germany Artists’ Colours Dr. Fr. Schoenfeld GmbH&Co. a brandof / / / / / /2 /2 /2 /2 /2 PY153, PV19,PB15:1, Naples Yellow reddish PY155, PR176,PBk7 English Reddeep III / III / III / II / II / PR176, PBR24 Burnt Umber Burnt PY42, PBk7 Neutral Tint PR101 Sepia 1106 1111 1186 1036 1055 PG7 / /

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WERB 2102 GB Stand 03/2012 The „MoistConsistency“ makestheDifference Finest Moist Artists’Water Colour Introduction Highest possible Lightfastness is achieved with the fi - The excellent gradient Characteristics make LUKAS Brushes Painting Accessories and Mediums Since 1862, Dr. Fr. Schoen- nest artists’s water colour from SCHOENFELD. The Aquarell 1862 a premium product. Every recipe is Brushes are important tools for the water colour Useful Tools feld and LUKAS have we use for production are obtained from tailored to the individual colour shade and the pro- artist. They determine the characteristic handwrit- LUKAS naturally also offers high quality acces- been a sign of top qua- top quality raw materials: none of our colour shades duction process is extremely gentle to the raw ma- ing of the artist and have a great infl uence on the sories for water colour painting. Drawing pencils lity artists’ colours. Even has a lower lightfastness rating than 6 to 7 on the terials. Thus our water colour is still pressed into fi nal effect of the painting and the joy experienced and chalks are very useful for sketching initial de- Vincent van Gogh, as international, standardised 8 step blue wool scale. the pans by hand. In order to ensure the highest during the learning process. That is why the artist signs and motifs. A natural artists’ sponge can be can be proved, has quality of the product we deliberately avoid hea- should take special care to choose a high quality used to soak up excess water colour paint or to used the products of our LUKAS fi nest artists’ water colour is easy to lift up be- ting the colours, a procedure which is conventio- product. create interesting texture effects (Art. No. 5549). house - the well known cause of its permanently moist consistency. This is nally used by other manufacturers during the pro- And no artist can do without gum tape to fi x the master ordered the po- achieved through special wetting agents and a gen- duction process. As a result of this, LUKAS water moist water colour paper during painting and dry- pular colour extra from tle production manner which avoids strong heating colours enable the artist to achieve even and easily ing (Art. No. 5570 0000 / 5570 0001). Düsseldorf. Up to the of the colour. controllable gradients and an application of colour current day numerous artists all over the world trust without clouds or veins. the 150-year-old tradition of our house. This makes it possible to lift colour easily without The best brushes for water colour technique are the painter having to „scrub“ the pan or half pan with without doubt genuine red sable hair brushes. We do not disappoint this trust especially in the area the brush. Not only does this spare expensive spe- Equipment They are fi ne and elastic and have excellent col- of water colour because, in order to achieve the spe- cialist water colour brushes, but also it allows colour Colours our absorption ability. The very best quality red cial character of a water colour painting, using the once dried up to be re-dissolved easily. An example of an excellent starter sable hair brushes are made from the tail hair of right materials is of supreme importance. That’s why set would be one of the high qua- the Siberian Kolinsky sable (Art. No. 5449 and we at SCHOENFELD have the highest standards for Surface Tension lity LUKAS Aquarell 1862 water 5451). Brushes from European origin are also of the quality of our products. These standards become colour paint boxes. These paint high quality (Art. No. 5456 und 5458). As a cheap- especially apparent in research, development and boxes are ideal for storing and er alternative for the beginner we recommend the Masking areas which are not to be painted on production of our LUKAS Aquarell 1862 Water Colour. protecting the water colour. They elastic nylon-brushes LUKAS Red Taklon (Art. No. You can use our Priming Medium (Masking Fluid) also offer two integrated and fol- 5455). for water colours (Art. No. 2239) for this purpose. In the year 1862, the year our company was estab- A drop of water rests like a balloon on a dry surface, dable palettes for easy mixing of The areas coated with this medium will not ab- lished, one of the fi rst artists’ water colours made in a small fi nely milled … the colours. Painting Surfaces sorb any colour and it can afterwards be removed Germany was developed according to the recipe of Generally speaking water colours are executed on by simply rubbing it off with a soft eraser. the company’s founder Dr. Fr. Schoenfeld. Hence the Even the smallest of LUKAS Aquarell 1862 water special water colour paper. A broad selection of name of the water colour: LUKAS Aquarell 1862.This colour paint boxes contains 12 half pans that pro- those papers is available, those papers differ in Painting on problematic surfaces. colour was carefully further developed over time to Pigment vide a broad and well balanced colour selection weight, surface structure and in the raw materials Through adding Synthetic Wetting Agent (Art. No. include the most recent scientifi c research and artis- - dry Mikrodrop (Art. No. 6728). Bigger paint boxes of our premi- used. The LUKAS range of artists’ paper current- 2255) or Synthetic Ox-Gall (Art. No. 2256) the tic knowledge, this premium product continues to um product contain up to 48 half pans. ly encompasses 5 different water colour papers surface tension of water can be reduced and thus satisfy the needs of demanding artists across the which are available in different block formats. From even less absorbent or greasy surfaces can be globe. study to professional and master quality, every art- painted on. ...pigment is not able to pass through the skin of the ist will fi nd his or her preferred paper within the drop due to its surface tension. LUKAS range. Repainting of water colour paints Normally, water colour paints remain water solu- ble even after drying. By adding Shellac Soap Characteristics (Art. No. 2350) to the water, solubility can be re- Pronounced Colour Intensity and Highest Transparen- Pigment duced and this will enable the artist to paint over Mikrodrop cy distinguish LUKAS Aquarell 1862. This we achie- - moist the once dried water colour paint. ve by using selected pigments of the best quality in the highest possible concentration. Increasing the glossiness of a water colour painting. Adding Gum Arabic (Art. No. 2352) which is a The extraordinary Brilliance and the Outstanding Mix- In contrast to this, a pigment of LUKAS Aquarell main component of the water colour paint binder ing Ability of the colours meet the requirements of 1862 with its wetting agents is literally soaked up by will increase the brilliance, glossiness and trans- the most demanding professional artist. The colours the water, this way the excellent colour characteris- par-ency of the painting. consist of one pigment only, wherever possible. tics can be guaranteed.