Artscoops Auction Catalogue 9
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Iraqi Contemporary Art Influenced by Experiences of War and Exile © 2019 Mutualart Services, Inc
Iraqi contemporary art influenced by experiences of war and exile © 2019 MutualArt Services, Inc. 7/9/19, 10(27 AM Iraqi contemporary art influenced by experiences of war and exile December 9, 2010 Driven out of war-torn Iraq and dispersed around the globe, Iraqi contemporary artists - struggling to maintain a unique presence from under the umbrella of “Middle Eastern art” - are regrouping in Dubai and exhibiting art that reflects the complex relationships they have with their homeland. Running until April 2011, a four-part show at the Meem Gallery places the work of 12 contemporary Iraqi artists in the spotlight. Many of the artists showcasing at the exhibitions had shows in Iraq during the 1980s onwards, staying in the country during the Iran-Iraq War, the 1991 Gulf War and economic sanctions, while several have only recently left. Their experiences - both in Iraq and in the diaspora - are often reflected in their fascinating work. The exhibition’s curator Dia Al-Azzawi is intimately familiar with the plight https://www.mutualart.com/Article/Iraqi-contemporary-art-influenced-by-exp/0A1E857532D58ACF Page 1 of 7 Iraqi contemporary art influenced by experiences of war and exile 7/9/19, 10(27 AM of these contemporary artists. Often touted as the “pioneer of modern Arab art,” he is also an Iraqi artist in exile. Azzawi fled Iraq in 1976, three years before Saddam Hussein came to power, returning only briefly to curate an exhibition in September 1980. Two days after he landed, Iraqi tanks were deployed into Iran; as hostilities unfurled, Azzawi escaped to London where he has lived ever since. -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely afreet reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI A Bell & Howell Infonnadon Company 300 North Zeeb Road, Ann Arbor MI 48106-1346 USA 313/761-4700 800/521-0600 A CONTEXTUAL ANALYSIS OF CONTEMPOEU^.RY IRAQI ART USING SIX CASE STUDIES DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Graduate School of The Ohio State University By Mohammed Al-Sadoun ***** The Ohio Sate University 1999 Dissertation Committee Approved by Dr. -
Barjeel Art Foundation Collection: Imperfect Chronology – Debating Modernism I 8 September – 6 December 2015 Large Print Labels and Interpretation Gallery 7
Barjeel Art Foundation Collection: Imperfect Chronology – Debating Modernism I 8 September – 6 December 2015 Large print labels and interpretation Gallery 7 1 Barjeel Art Foundation Collection: Imperfect Chronology An exhibition in four parts: 8 Sept 2015 – 8 Jan 2017 Part of the Whitechapel Gallery’s programme opening up rarely seen art collections from around the world, a series of four chronological displays highlights works from the Barjeel Art Foundation’s collection of Arab art. The theme of an ‘imperfect chronology’ is the series’ starting point: how do we narrate the history of Arab art through the lens of one collection? Over 100 works of art by 60 artists from the beginning of the twentieth century to the present day are brought together here to tell this story. The Barjeel Art Foundation is based in the United Arab Emirates and was founded by Sultan Sooud Al Qassemi in 2010. It holds one of the most extensive collections of art from the Arab world and its diaspora – a region that extends across North Africa and southwestern Asia encompassing the 22 countries of the Arab League. (continues on next page) 2 With a population of over 350 million of various ethnic and religious identities, Arabic (in its various dialects) is the dominant language of expression. Barjeel Art Foundation collection: Debating Modernism I 8 September – 6 December 2015 The first display takes an expansive historical approach and explores the emergence and subsequent development of Arab art through drawings and paintings from the early twentieth century to 1967–68, an important historical period in the region, with landmark works by Munira Al-Kazi , Da Azzawi , Inji Efflatoun , Kadhim Hayder and Hamed Ewais . -
Close Encounters with Lebanese Art: Memories, Family and Other Stories Gregory Buchakjian Art from Lebanon
Close Encounters with Lebanese Art: Memories, family and other stories Gregory Buchakjian Art from Lebanon. Modern and Contemporary Artists, volume 1: 1880-1975 Beirut, Wonderful Editions, 2012 Edited by Nour Salamé and Marie Tomb Pages 308-315 One of my earlier memorable encounters with Lebanese modern art was a visit at the 1982 Salon d’Automne. In the late seventies and early eighties, my parents used to bring me at exhibition openings, but this one was very special. It was special because we had to cross the “Ring” from West Beirut to East Beirut, always a thrilling adventure. It was also special, as the venue was the Sursock Museum, and a museum had something much more exciting than the Ministry of Tourism’s glass hall, the Soviet Cultural Center or the Goethe Institute. It was finally special in its timing, taking place a few months after the Israeli invasion that brought to us the highest level of misery and devastation. Two things remain in my mind from that evening: The illuminated neo-venetian façade and one of the exhibited works. It was a beach view with a fleet of vessels bearing US flags. Any 11 years old boy would have been attracted by such a deployment of power, especially that a multinational force was at these times in Beirut and that we could see, live from our windows, a collection of US, French, British and Italian warships. My dad explained that the painter was depicting events that took place in 1958 (of which I had been totally unaware). In 2009, film director Ghassan Salhab was telling me about a film he was about to release, relating his impressions of what happened in 1958. -
CONCOURS DE POESIE – GRAINES DE POETES Special Arabic
Summer 2016 Summer 2016 CONCOURS DE POESIE – GRAINES DE POETES Remise des diplômes concours annuel GRAINES DE POÈTES à l’IC…en vers rimés! Les thèmes tirés au sort lors de la séance de composition: l’exil pour les classes de première et le bruit pour les troisièmes. 21 poètes en herbe venant de Notre Dame de Jamhour, Collège Louise Wegmann, Institut Moderne, IC AinAar & Ras Beyrouth. (JAMHOUR) Merci, M. Ludovic Marty, pour votre organisation de Le 1er Prix est décerné àJUDY NAAMANI (IC Ras l’événement, et aux professeurs pour votre soutien. Beyrouth) GRAND merci aux membres du jury: Antoine Dans la catégorie des 1ères : Le 3ème Prix est décerné Boulad, Nayla Tamraz, Salma Kojok, Rida Saleh et Amal à ANDREW HAIK EL KHOURY (CLW) Charara. TRES GRAND MERCI à M. Pierre Doumet- pour Le 2ème Prix est décerné à MOUNIA EL KHAWAND tout… (JAMHOUR) Dans la catégorie des 3èmes : Le 3ème Prix est décerné Le 1er Prix est décerné à ZIAD MATAR (CLW) à FRANCK KHAYAT (JAMHOUR) Félicitations! ■ Le 2ème Prix est décerné à GAIA ABDEL NOUR Special Arabic Everywhere! When Special Arabic students interact with fellow regular Arabic friends, learning will surely be remarkable! In the Who We Are unit, Grade 4 Special Arabic students enjoyed reading about their favorite fruits and vegetables. They extracted key words and used them to write poems. The learners invited Mrs. Layla Hamasni to their classroom to help them design fruits and vegetable posters on which to place their poems. The children conducted research related to malnutrition: Anemia, obesity, and child diabetes. -
Charles Hossein Zenderoudi, Midi Libre, No 9401, 9 April 1971
MODERN AND CONTEMPORARY MIDDLE EASTERN ART Wednesday 26 April 2017 MODERN AND CONTEMPORARY MIDDLE EASTERN ART Wednesday 26 April 2017, at 3pm 101 New Bond Street, London VIEWING BIDS ENQUIRIES CUSTOMER SERVICES Friday 21 April +44 (0) 20 7447 7447 Nima Sagharchi Monday to Friday 8.30am - 6pm 9am - 4.30pm +44 (0) 20 7447 7401 fax +44 (0) 20 7468 8342 +44 (0) 20 7447 7447 Sunday 23 April To bid via the internet please [email protected] 11am - 3pm visit bonhams.com As a courtesy to intending Monday 24 April Noor Soussi bidders, Bonhams will provide a 9am - 4.30pm Please note that bids should be +44 (0) 20 7468 8345 written Indication of the physical Tuesday 25 April submitted no later than 4pm [email protected] condition of lots in this sale if 9am - 4.30pm on the day prior to the sale. a request is received up to 24 Wednesday 26 April New bidders must also provide Ralph Taylor hours before the auction starts. 9am - 1pm proof of identity when +44 (0) 20 7447 7403 This written Indication is issued submitting bids. Failure to do [email protected] subject to Clause 3 of the Notice SALE NUMBER this may result in your bid not to Bidders. 24210 being processed. PRESS ENQUIRIES [email protected] ILLUSTRATIONS CATALOGUE Telephone bidding can only Front cover: Lot 22 £30.00 be accepted on lots with a Back cover: Lot 14 low-estimate in excess of Inside front cover: Lot 20 £1000. Inside back cover: Lot 39 Live online bidding is IMPORTANT INFORMATION available for this sale The United States Please email bids@bonhams. -
Shabout, Ph.D
Nada M. Shabout, Ph.D. College of Visual Arts and Design, University of North Texas, 1155 Union Circle, # 305100, Denton TX 76203-5017 [email protected] ______________________________________________________________________________ Education Ph.D. in the Humanities, 1999, The University of Texas at Arlington. Criticism and Art History, Cross-Cultural Studies, and Arab Studies, Dissertation: "Modern Arab Art and the Metamorphosis of the Arabic Letter." Chair: Dr. Beth Wright Master of Arts in the Humanities, 1991, The University of Texas at Arlington, Texas. Areas of concentration: Art Criticism and Art History, and Cross-Cultural Studies Bachelor of Fine Arts in Arts, 1988, The University of Texas at Arlington, Arlington, Texas Concentration in Painting Architectural Association School of Architecture, London, England, 1985-1986, Project: London Docklands, supervised by Ove Arup Consulting Engineers; Consultants: Richard Rogers & Associates Bachelor of Science in Architecture, 1984, The University of Texas at Arlington, Texas, Minor in Urban Planning New York Institute of Technology, New York, 1980-1982, Architecture Program Teaching Appointments 2014-present, Professor of Art History, Department of Art Education and Art History, College of Visual Arts and Design, University of North Texas, Denton, Texas 2008-2014, Associate Professor of Art History, Department of Art Education and Art History, College of Visual Arts and Design, University of North Texas, Denton, Texas Fall 2008, Visiting Associate Professor-Fulbright Senior Scholar, University -
Shabout, Ph.D
Nada M. Shabout, Ph.D. College of Visual Arts and Design, University of North Texas, 1155 Union Circle, # 305100, Denton TX 76203-5017 [email protected] ______________________________________________________________________________ Education Ph.D. in the Humanities, 1999, The University of Texas at Arlington. Criticism and Art History, Cross-Cultural Studies, and Arab Studies, Dissertation: "Modern Arab Art and the Metamorphosis of the Arabic Letter." Chair: Dr. Beth Wright Master of Arts in the Humanities, 1991, The University of Texas at Arlington, Texas. Areas of concentration: Art Criticism and Art History, and Cross-Cultural Studies Bachelor of Fine Arts in Arts, 1988, The University of Texas at Arlington, Arlington, Texas Concentration in Painting Architectural Association School of Architecture, London, England, 1985-1986, Project: London Docklands, supervised by Ove Arup Consulting Engineers; Consultants: Richard Rogers & Associates Bachelor of Science in Architecture, 1984, The University of Texas at Arlington, Texas, Minor in Urban Planning New York Institute of Technology, New York, 1980-1982, Architecture Program Teaching Appointments 2014-present, Professor of Art History, Department of Art Education and Art History, College of Visual Arts and Design, University of North Texas, Denton, Texas 2008-2014, Associate Professor of Art History, Department of Art Education and Art History, College of Visual Arts and Design, University of North Texas, Denton, Texas Fall 2008, Visiting Associate Professor-Fulbright Senior Scholar, -
Icons and Rising Stars of the Middle East
MODERN AND CONTEMPORARY ART AUCTION: ICONS AND RISING STARS OF THE MIDDLE EAST Beirut, 19 September 2017 Artscoops MODERN AND CONTEMPORARY ART AUCTION: ICONS AND RISING STARS OF THE MIDDLE EAST Viewing Saturday September 16th 11:00-8:00 pm Sunday September 17th 12:00-8:00 pm Monday September 18th 12:00-8:00 pm Tuesday September 19th 2:00-6:00 pm Auction Tuesday 19 September 2017 at 7:00 pm Le Yacht Club Gallery, Zaituna Bay, Beirut Phone: +961 (0)1 762 800 View catalogue online at www.artscoops.com Auctioneer Joy MARDINI Curators May MAMARBACHI Janet RADY Laura Lati Contact Raya MAMARBACHI Phone: +961 (0)3 127 069 Email: [email protected] May MAMARBACHI Phone: +961 (0)3 429 800 Email: [email protected] Laura LATI Phone: +1 (347) 697 3620 Email: [email protected] Front cover lot 24, Back cover lot 34 Inside front cover lot 5, Inside back cover lot 19 1 2 JAMIL MOLAEB LAURE GHORAYEB ‘And if reincarnation exists, years, its struggles and losses, and also its (LEBANESE, B.1948) (LEBANESE, B.1931) I wish to be the pencil with hopes, with humour, wit and an exceptional which the stories are drawn.’ creative genius. Ghorayeb, filled with Untitled Untitled energy, depicts Lebanon like no one else, The artist quoted in her interview with Zena Zalzal, breaking conventions and unafraid to use signed in Arabic, signed and signed and dated ‹L Ghorayeb Mars Quatre-vingt-quatre printemps au compteur! Et toujours une fabuleuse énergie, un bouillonnement sarcasm to relay her thoughts. dated ‹MOLAEB 85› (lower left) 1995› (lower left) créatif, des projets et des défis pour cette dévoreuse chalk on paper ink on paper de vie..., L’Orient-Le-Jour, Beirut 2016. -
Dia Azzawi Selected Works 1964–1973
Dia Azzawi Dia courtesy of the artist presented Selected works 1964–1973 works Selected in pdf. copy to www.ibrahimicollection for publishing on the site courtesy of the artist presented in pdf. copy to www.ibrahimicollection for publishing on the site Dia Azzawi Dia courtesy 1964–1973 works Selected of the artist Booth S16 15 - 19 October 2014 presented in pdf. copy to www.ibrahimicollection for publishing on the site courtesy Dia Azzawi is internationally renowned as one of the pioneers of modern Arab art. Azzawi’s oeuvre includes a range of subjects derived from Iraq’s of Mesopotamian heritage, Arabic poetry and topical the political issues, executed in a variety of media: painting, sculpture, prints, drawings, and book art. artist He lives and works in London but continues to draw inspiration from his homeland, Iraq. Colophon presented Born in Baghdad in 1939, Azzawi started his artistic This catalogue is published in conjunction with the Frieze career in 1964, after graduating from the Institute Masters exhibition held in Regent’s Park, London, 15–19 October 2014. of Fine Arts in Baghdad and completing a degree in archaeology from Baghdad University in 1962. Published in 2014. In 1969, Azzawi co-founded the New Vision group, © Charles Pocock uniting fellow artists ideologically and culturally as © Saleem Al-Bahloly in opposed to stylistically. Through his involvement © Nada Shabout © Art Advisory Associates Ltd. pdf. with New Vision, Azzawi found inspiration in contemporary subjects and issues, particularly All works by Dia Azzawi © Dia Azzawi copy the plight of the Palestinians. From 1968 to 1976, Used by permission. -
Theater of Operations: the Gulf Wars 1991-2011 Moma PS1, November 03, 2019 - March 01, 2020
Theater of Operations: The Gulf Wars 1991-2011 MoMA PS1, November 03, 2019 - March 01, 2020 THOMAS HIRSCHHORN (Swiss, born 1957) Necklace CNN 2002 Cardboard, foil, plastic, gold wrapping paper, and tape 98 1/2 x 31 1/2 x 4 inches (250 x 80 x 10 cm) Courtesy the artist, Gladstone Gallery, New York, Brussels, and Galerie Chantal Crousel, Paris MONIRA AL QADIRI (Kuwaiti, born 1983) Behind the Sun 2013 Video (color, sound) 10 min. Courtesy the artist KHALIFA QATTAN (Kuwaiti, 1934–2003) Polluted Earth 1981 Oil on fiber 19 11/16 × 23 5/8" (50 × 60 cm) The Khalifa & Lidia Qattan Art Museum (The Mirror House), Kuwait KHALIFA QATTAN (Kuwaiti, 1934–2003) The Unknown Martyr 1992 Oil on canvas 19 11/16 × 23 5/8" (50 × 60 cm) The Khalifa & Lidia Qattan Art Museum (The Mirror House), Kuwait 10/29/2019 Theater of Operations: The Gulf Wars 1991-2011 Page 1 of 78 Theater of Operations: The Gulf Wars 1991-2011 MoMA PS1, November 03, 2019 - March 01, 2020 KHALIFA QATTAN (Kuwaiti, 1934–2003) Desert Storm 1979 Oil on fiber 19 11/16 × 23 5/8" (50 × 60 cm) The Khalifa & Lidia Qattan Art Museum (The Mirror House), Kuwait KHALIFA QATTAN (Kuwaiti, 1934–2003) Kuwait is Burning 1971 Oil on fiber 23 5/8 × 19 11/16" (60 × 50 cm) The Khalifa & Lidia Qattan Art Museum (The Mirror House), Kuwait KHALIFA QATTAN (Kuwaiti, 1934–2003) The Deep Wound 1983-1984 Oil on canvas 31 1/2 × 39 3/8" (80 × 100 cm) The Khalifa & Lidia Qattan Art Museum (The Mirror House), Kuwait MICHEL AUDER (American, born France 1945) Gulf War TV War 1991 (Edited 2017) Hi8 video and mini-DV transferred to digital video (color, sound) 102 min. -
Art in Iraq Today by Charles Pocock
94 Essay The reason for the Project – Art In Iraq Today By Charles Pocock a series of exhibitions displaying the work of a group of contemporary Iraqi artists. We knew that the project would be a critical success, though not necessarily a commercial one, but we both believed that it was essential, not just for Iraq but also for the entire region. Two months later, in his critique of Col. Qais Hussein’s report surveying Baghdad’s explosions, Anthony Shadid of the New York Times noted that the house of Jabra Ibrahim Jabra (b. Bethlehem, 1919-1994) had been destroyed along with all his papers. ‘Jabra’s house represented something far greater that has been lost,’ Shadid writes, ‘To some, its destruction serves as an epitaph of sorts, the end of eras in Iraq and the Arab world and the eclipse, in war and strife, of the ideal he represented.1 It was then that we decided to dedicate the project to the memory of Jabra Ibrahim Jabra and his seminal essays about modern Iraqi art, titled ‘Art in Iraq Today’ (1961) and ‘Iraq Art Today’ (1972). The exhibition series and corresponding publication, Art Jabra Ibrahim Jabra, Baghdad, 1970s. in Iraq Today, thus marks the fiftieth anniversary of Jabra’s scholarly contribution, which was initiated in a I am often asked why we chose the title “Art in Iraq different era, when Iraq was a very different country. Today” for the book and exhibition series when the Modern Iraqi art represents one of the main foundation artists discussed are now part of the Iraqi diaspora and stones of modern Arab culture and by proxy, modern their recent work, exhibited at our Gallery, is more Middle Eastern culture.