Here Was the Moon, the Sun, the Stars, All Gone
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The Relationship Between Plot and Genre in Short Fiction ASHLEY R LISTER a Thesis Submitted in Partial Fulfilment
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Bolton Institutional Repository (UBIR) Five Plots: The Relationship Between Plot and Genre in Short Fiction ASHLEY R LISTER A thesis submitted in partial fulfilment of the requirements of the University of Bolton for the degree of Doctor of Philosophy. February 2018 Contents Acknowledgements ........................................................................................................................ iii Abstract .......................................................................................................................................... iv Introduction ..................................................................................................................................... 1 Chapter 1: Literature Review ...................................................................................................... 9 An Interpretation of Genre .......................................................................................................... 9 The Components of Plot ........................................................................................................... 21 Chapter 2: Methodology ............................................................................................................. 34 A Different Approach ................................................................................................................. 34 Chapter 3: The Horror Genre ................................................................................................... -
Acters Sabrina the Skunkette, Amy the Squirrel, Tabitha, Carli, Tammy Vixen Shiela Vixen, Clarisse, and Carrie Squirrel (C) Eric W
Identity Crisis - Arden's Story By Hikaru Katayama Story (c) 2000 - 2003 by Keith Dickinson. All rights reserved. Characters Sabrina the Skunkette, Amy the Squirrel, Tabitha, Carli, Tammy Vixen Shiela Vixen, Clarisse, and Carrie Squirrel (c) Eric W. Schwartz. Character Roxikat (c) John Barrett. Characters Chris Foxx, Susan Felin, Cindy Lapine, Debbye Squirrel, Clarence Skunk, Mr. Canis, Dexter Collie, Angel Collie, Sarge and Endora Mustelidae, Wendy Vixxen, and Wanda Vixen(c) Chris Yost. Character ZigZag (c) Max BlackRabbit. Character James Sheppard and Marvin Badger (c) James Bruner. Eric W. Schwartz (c) Mr. and Mrs. Schwartz. Arden Eastridge (c) Keith Dickson. All rights to additional characters reserved by their respective owners. Cover art by Joe Turtle. CONTENTS ACT III Chapter 1 - A Journey Begins......................................................................1 Chapter 2 - The long and winding road .......................................................7 Chapter 3 - Rest stop on the road to hell....................................................13 Chapter 4 - A deadly encounter .................................................................21 Chapter 5 - Let the hunt begin ...................................................................29 Chapter 6 - Here comes the rain again.......................................................36 Chapter 7 - Great Escapes..........................................................................43 Chapter 8 - Transitional States...................................................................50 -
Governing New Guinea New
Governing New Guinea New Guinea Governing An oral history of Papuan administrators, 1950-1990 Governing For the first time, indigenous Papuan administrators share their experiences in governing their country with an inter- national public. They were the brokers of development. After graduating from the School for Indigenous Administrators New Guinea (OSIBA) they served in the Dutch administration until 1962. The period 1962-1969 stands out as turbulent and dangerous, Leontine Visser (Ed) and has in many cases curbed professional careers. The politi- cal and administrative transformations under the Indonesian governance of Irian Jaya/Papua are then recounted, as they remained in active service until retirement in the early 1990s. The book brings together 17 oral histories of the everyday life of Papuan civil servants, including their relationship with superiors and colleagues, the murder of a Dutch administrator, how they translated ‘development’ to the Papuan people, the organisation of the first democratic institutions, and the actual political and economic conditions leading up to the so-called Act of Free Choice. Finally, they share their experiences in the UNTEA and Indonesian government organisation. Leontine Visser is Professor of Development Anthropology at Wageningen University. Her research focuses on governance and natural resources management in eastern Indonesia. Leontine Visser (Ed.) ISBN 978-90-6718-393-2 9 789067 183932 GOVERNING NEW GUINEA KONINKLIJK INSTITUUT VOOR TAAL-, LAND- EN VOLKENKUNDE GOVERNING NEW GUINEA An oral history of Papuan administrators, 1950-1990 EDITED BY LEONTINE VISSER KITLV Press Leiden 2012 Published by: KITLV Press Koninklijk Instituut voor Taal-, Land- en Volkenkunde (Royal Netherlands Institute of Southeast Asian and Caribbean Studies) P.O. -
“Dead Channel”: Writing Cyberpunk
“Dead Channel”: Writing Cyberpunk Daniel “Dann” Lewis, B.A. (Hons) Submitted in the fulfillment of the requirements for the degree of Doctor of Philosophy Deakin University June 2017 Acknowledgements My thesis would not be possible without the love and guidance of my intelligent and lovely supervisors Ann Vickery and Sean Redmond. They have dealt with me for the past four years and have helped me grown into the writer I am today. I cannot express the amount of gratitude I feel, so hopefully top-billing in the acknowledgements section helps to convey my heaping admiration for them. A special thank you to Christopher Moore for helping me cultivate my ideas. Though our time together was short-lived, I will always remember gaming and talking about Frank Herbert’s Dune with him in his office covered with posters of The Dark Crystal and Adventure Time. I’d be remiss if I ignored the diligence of the library staff at Deakin University for sending me many a book through the mail. For every book, paper and overdue notice sent, I thank you. And finally, my family, fiancée Heather Funk, and friends—I thank you for the love, encouragement, support and kindness. Without all of you, I would likely be institutionalised by now. Table of Contents Abstract i Acknowledgements ii His Beautiful Ones 3 Exegesis Introduction 215 Chapter One: ‘C’mon, Deckard, show me what you’re made of’; Redefining the Human & Regeneration in the Posthuman City 226 1. Regeneration 226 2. The City is Alive! 238 Chapter Two: ‘Neuro from the nerves...Romancer. -
A Point of Utter Blackness Formed in the Center of the Fiery Sphere
A point of utter blackness formed in the center of the fiery sphere. From far within it, a voice filled Mannoroth‟s mind, a voice as familiar to him as his own. Mannoroth…it is you… But not that of Sargeras. We have waited too long…it said in a cold, analytical tone that made even the huge demon shrink into himself. The way must be made completely open for him. I will see to it that it is finally done. Be ready for me, Mannoroth…I come to you even now. And with that, the blackness spread, becoming a huge emptiness above the pattern. The portal was not quite as it had been when first the night elves created it, but that was because the one who spoke from the other realm now also strengthened it. This time, it would not collapse. “To your knees!” Mannoroth roared. Still under his sway, the sorcerers had no choice but to immediately obey. The Fel Guard and night elven soldiers in attendance followed suit a moment later. Even Captain Varo‟then quickly knelt. The demon was the last to kneel, but he did so with the most deference. Almost as much as he feared Sargeras, he feared this one. We are ready, he informed the other. Mannoroth now kept his gaze on the floor. Any single act, however minute, that could be construed as defiance might mean his painful demise. We, the unworthy, await your presence…Archimonde… This book is a work of fiction. Names, characters, places and incidents are products of the author‟s imagination or are used fictitiously. -
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THE COLLECTED POEMS of HENRIK IBSEN Translated by John Northam
1 THE COLLECTED POEMS OF HENRIK IBSEN Translated by John Northam 2 PREFACE With the exception of a relatively small number of pieces, Ibsen’s copious output as a poet has been little regarded, even in Norway. The English-reading public has been denied access to the whole corpus. That is regrettable, because in it can be traced interesting developments, in style, material and ideas related to the later prose works, and there are several poems, witty, moving, thought provoking, that are attractive in their own right. The earliest poems, written in Grimstad, where Ibsen worked as an assistant to the local apothecary, are what one would expect of a novice. Resignation, Doubt and Hope, Moonlight Voyage on the Sea are, as their titles suggest, exercises in the conventional, introverted melancholy of the unrecognised young poet. Moonlight Mood, To the Star express a yearning for the typically ethereal, unattainable beloved. In The Giant Oak and To Hungary Ibsen exhorts Norway and Hungary to resist the actual and immediate threat of Prussian aggression, but does so in the entirely conventional imagery of the heroic Viking past. From early on, however, signs begin to appear of a more personal and immediate engagement with real life. There is, for instance, a telling juxtaposition of two poems, each of them inspired by a female visitation. It is Over is undeviatingly an exercise in romantic glamour: the poet, wandering by moonlight mid the ruins of a great palace, is visited by the wraith of the noble lady once its occupant; whereupon the ruins are restored to their old splendour. -
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0 Introduction We, that is Christians, Muslims and Jews can actually get along, work together and most of all, believe in and worship the same God. We must however, agree to ourselves, that we all may be slightly wrong about God and Jesus and indeed His Holy Spirit etc. When Jesus returns as Messiah, at the right hand side of God the Father Almighty (Allah) and with His Angels to Judge the nations there will be only one religion. It is better for us to accept this concept now or at least be open to it before we actually have to, or shall I say it will be compulsory – but it can actually be easy, at least easier than carrying falsehood. The truth is actually light to carry. How many times as a child when we stubbornly held onto a lie, did we feel burdened, until we told the truth to our parents and alas were ‘released’ like “Wow, that’s better, the truth is out”? People have this habit of mixing tradition up with truth and religion and then for some unknown reason hang onto it for dear life, even unto martyrdom, even though sadly, they may be slightly wrong or distanced from the actual truth about God and His Messiah Jesus all along. Just all I ask is, that you may be willing to bend your ideas to God’s Almighty Will. Amen. The philosopher of the Bible sums up “After all this, there is only one thing to say: Have reverence for God and obey His commands, because this is all that man was created for. -
With Great Power: Examining the Representation and Empowerment of Women in DC and Marvel Comics Kylee Kilbourne
East Tennessee State University Digital Commons @ East Tennessee State University Undergraduate Honors Theses Student Works 12-2017 With Great Power: Examining the Representation and Empowerment of Women in DC and Marvel Comics Kylee Kilbourne Follow this and additional works at: https://dc.etsu.edu/honors Part of the American Popular Culture Commons, Children's and Young Adult Literature Commons, and the Women's Studies Commons Recommended Citation Kilbourne, Kylee, "With Great Power: Examining the Representation and Empowerment of Women in DC and Marvel Comics" (2017). Undergraduate Honors Theses. Paper 433. https://dc.etsu.edu/honors/433 This Honors Thesis - Open Access is brought to you for free and open access by the Student Works at Digital Commons @ East Tennessee State University. It has been accepted for inclusion in Undergraduate Honors Theses by an authorized administrator of Digital Commons @ East Tennessee State University. For more information, please contact [email protected]. WITH GREAT POWER: EXAMINING THE REPRESENTATION AND EMPOWERMENT OF WOMEN IN DC AND MARVEL COMICS by Kylee Kilbourne East Tennessee State University December 2017 An Undergraduate Thesis Submitted in Partial Fulfillment For the Midway Honors Scholars Program Department of Literature and Language College of Arts and Sciences ____________________________ Dr. Phyllis Thompson, Advisor ____________________________ Dr. Katherine Weiss, Reader ____________________________ Dr. Michael Cody, Reader 1 ABSTRACT Throughout history, comic books and the media they inspire have reflected modern society as it changes and grows. But women’s roles in comics have often been diminished as they become victims, damsels in distress, and sidekicks. This thesis explores the problems that female characters often face in comic books, but it also shows the positive representation that new creators have introduced over the years. -
TSR6907.MHR2.Webs-Th
WEBS: The SPIDER-MAN Dossier The GRANDMASTER Log by Scott Davis Table of Contents Introduction ……………………………………………………………………………………………….. 2 GRANDMASTER Log Entries …………………………………………………………………………... 3 SPIDER-MAN ……………………………………………………………………………………………… 3 SPIDER-MAN Supporting Cast ……………………………………………………………………………. 7 SPIDER-MAN Allies ……………………………………………………………………………………… 10 SPIDER-MAN Foes ……………………………………………………………………………………….. 18 An Adventurous Week …………………………………………………………………………………… 56 Set-up ………………………………………………………………………………………………………. 56 Timelines …………………………………………………………………………………………………… 58 Future Storyline Tips ……………………………………………………………………………………….. 64 Credits: Design: Scott Davis Art Coordination: Peggy Cooper Editing: Dale A. Donovan Typography: Tracey Zamagne Cover Art: Mark Bagley & John Romita Cartography: Steven Sullivan Interior & Foldup Art: The Marvel Bullpen Design & Production: Paul Hanchette This book is protected under the copyright law of the United States of America. Any reproduction or unauthorized use of the material or artwork herein is prohibited without the express written consent of TSR, Inc. and Marvel Entertainment Group, Inc. The names of the characters used herein are fictitious and do not refer to any persons living or dead. Any descriptions including similarities to persons living or dead are merely coincidental. Random House and its affiliate companies have worldwide distribution rights in the book trade for English language products of TSR, Inc. Distributed to the book and hobby trade in the United Kingdom by TSR Ltd. Distributed to the toy and hobby trade by regional distributors. MARVEL SUPER HEROES and MARVEL UNIVERSE are trademarks of Marvel Entertainment Group, Inc. All Marvel characters, character names, and the distinctive likenesses thereof are trademarks of Marvel Entertainment Group, Inc. 1992 Marvel Entertainment Group, Inc. All Rights Reserved. The TSR logo is a trademark owned by TSR, Inc. 1992 TSR, Inc. All Rights Reserved. Printed in the U.S.A. TSR, Inc. -
TEN YEARS TEN YEARS of 1978-1988 NIAGAZINE Ten Years of 1978-1988 Edited by Andries Walter Oliphant and Ivan Vladislavi Ravan Pr
TEN YEARS TEN YEARS OF 1978-1988 NIAGAZINE Ten Years of 1978-1988 Edited by Andries Walter Oliphant and Ivan Vladislavi Ravan Press Johannesburg 6 © The contributors as listed on the contents page of this book All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise without the prior permission of the copyright owner. Copyright is held by the individual contributors of all material, including all visual and graphic material. Anyone wishing to reproduce material from this publication should approach the individual contributors c/o the publishers. First published 1988 ISSN 0258-7211 Cover art (Train to Mitchells Plain) by Tyrone Appollis Stories set in 10 on 11pt Triumvirate Essays set in 10 on 12pt Times Poetry set in 9 on lOpt Times Typeset by Industrial Graphics (Pty) Ltd. Printed by Sigma Press (Pty) Ltd. Staffrider is published quarterly by Ravan Press Editor: Andries Walter Oliphant Assistant Editor: Ivan Vladislavi6 Editorial Advisors: Njabulo S Ndebele, Nadine Gordimer, Kelwyn Sole, Paul Weinberg, David Koloane, Gary Rathbone, Christopher van Wyk Designer: Jeff Lok Published by Ravan Press (Pty) Ltd P 0 Box 31134 Braamfontein, Johannesburg, 2017 South Africa For Mike Kirkwood and all those Still Riding Contents P reface ............................................... First Editorial 1978 ............................ Staffrider ............................................ Remembering Staffrider -
Planescape: Torment Guide
Presents an Unofficial Guide to: Planescape: Torment By Samuel Brown Baker, II Brought to you by: Introduction This is not a complete walkthrough of Planescape: Torment. Short of playing the game several times as different classes, exhaustively going through every dialog path with every possible set of stats, spending months of time to do so, there’s no way to do that. This is how I played through the game, step by step. I won't even say it is the best way. I sometimes missed and forgot things and had to come back to them. So do what you want to do, play how you want to play. It's your game. The conversation paths that I took playing the game are presented here as a narrative and will not necessarily match the choices on screen or the responses word for word and frequently differ in tense. They are also truncated and condensed where I could do so without spoiling the flow of the tale. However in every case where a conversational choice is made I included key phrases so that someone reading along could easily tell which path I followed. There are conversations that took place that I did not include because they offered no new information or experience, or were short and without branches. Planescape is the most amazing computer role-playing game I've ever had the pleasure of playing. In many respects I feel it is the first CRPG that is really worthy of the name. I found myself thinking about how I felt about people and actions in the course of play, being drawn further into the game and the persona of my character the longer I played.