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October 12-18 Videofest.Org Video Association of Dallas Make Films That Matter
ANGELIKA FILM CENTER OCTOBER 12-18 VIDEOFEST.ORG VIDEO ASSOCIATION OF DALLAS MAKE FILMS THAT MATTER UNIVERSITY OF The Department of Art and TEXAS ARLINGTON Art History at UTA has an ART+ART HISTORY excellent reputation for FILM/VIDEO PROGRAM grooming young filmmakers, preparing WWW.UTA.EDU/ART 817-272-2891 them for the creative challenges and emotional rigors of the motion picture industry. Call our advising sta to find out how you can train to be a vital part of the film industry. Art Art History Department 2 CONTENTS 2 BROUGHT TO YOU BY 3 2015 BOARD OF DIRECTORS 4 SPONSORS & CONTRIBUTORS 8 WELCOME BY BART WEISS 10 ABOUT OUR JURORS 14 TEXAS SHOW JURORS 16 KOVACS AWARD 18 HONOREES 26 SCREENINGS 52 SCHEDULE 1 BROUGHT TO YOU BY BARTON WEISS YA’KE SMITH Artistic Director Festival Bumpers RAQUEL CHAPA MARK WICKERSHAM Managing Director KARL SCHAEFFER Transportation BOXOFFICE: PREKINDLE SELIG POLYSCOPE COMPANY CAMERON NELSON Videography Technical Supervisor REDMAN I AM CHRISTIAN VASQUEZ Trophies DAVID GRANDBERRY Technical Assistant MATTHIEU CARTAL DAKOTA FORD MARISSA ALANIS MATTHEW GEISE MARGARITA BIRNBAUM VIVIAN GRAY AMY MARTIN Outreach MIKE MILLER YUMA MORRIS KELLY J KITCHENS ELEONORA SOLDATI Interns RONI HUMMEL Media Relations/Entertainment Publicity BETH JASPER ALVIN HYSONG DANA TURNER MARSHALL PITMAN Program Editor WES SUTTON Programmers TAMITHA CURIEL Newsletter Editor RON SIMON Curator of Television Pasily Center CYNTHIA CHAPA Program Content ED BARK Critic Uncle Barkey SULLIVANPERKINS MICHAEL CAIN Graphic Design Filmmaker, former head of AFI Dallas Festival DESIGN TEXAS - UT ARLINGTON JOSH MILLS Program Book Design It’s Alive! Media & Management DEV SHAPIRO Kovacs Committee DARREN DITTRICH Webpage 2 BOARD OF DIRECTORS JEFFREY A. -
2007 Fall Television Quarterly
THE JOURNAL OF THE NATIONAL ACADEMY OF TELEVISION ARTS AND SCIENCES VOLUME XXXIX NUMBER 1 FALL 2007 TV Pro Pat Mitchell Runs Paley Media Center by Fritz Jacobi Digital Video Chávez Supports He Does Goes Press in No Such Wireless Venezuela Thing By John V. Pavlik By Andrés Izarra By Carlos Lauria VOLUME XXXIX NUMBER 1 • FALL 2007 THE JOURNAL OF THE NATIONAL ACADEMY OF TELEVISION ARTS & SCIENCES 3 The Paley Media Center: A TV Professional is in Charge By Fritz Jacobi. An exclusive interview with CEO Pat Mitchell. 7 Broadband Mobile Media: Digital Video Goes Wireless By John V. Pavlik. a new-media expert who dramatizes the surging use of hand-held devices. 15 Chávez Promotes Robust, Uncensored News Media in Venezuela By Andrés Izarra, a former independent broadcaster now defending the administration. 18 Chávez Does No Such Thing By Carlos Lauria of the Committee to Protect Journalists, who shows that press freedom conditions have seriously deteriorated under President Hugo Chávez. 22 So You Won’t Have Nixon to Kick Around Any More? By Greg Vitiello, who compares the Broadway play “Frost/Nixon” with the real-life interviews and ascertains that the villain of the play is television! 29 Bob and Ray: Their Rocky Start on Network Radio and Television in 1951 By David Pollock, an award-winning TV comedy writer, who traces the duo’s early difficulties. 36 Sitcoms? Wrong Name By David Horowitz, who believes that situations are not funny: It’s what the people in those situations say and do that make them funny. VOLUME TELEVISIONXXXIX NUMBER QUARTERLY 1 • FALL 2007 42 REVIEW AND COMMENT A Shadow of Red: Communism and the Blacklist in Radio and Television By David Everitt - Reviewed by Bernard S. -
Completeandleft
MEN WOMEN 1. BA Bryan Adams=Canadian rock singer- Brenda Asnicar=actress, singer, model=423,028=7 songwriter=153,646=15 Bea Arthur=actress, singer, comedian=21,158=184 Ben Adams=English singer, songwriter and record Brett Anderson=English, Singer=12,648=252 producer=16,628=165 Beverly Aadland=Actress=26,900=156 Burgess Abernethy=Australian, Actor=14,765=183 Beverly Adams=Actress, author=10,564=288 Ben Affleck=American Actor=166,331=13 Brooke Adams=Actress=48,747=96 Bill Anderson=Scottish sportsman=23,681=118 Birce Akalay=Turkish, Actress=11,088=273 Brian Austin+Green=Actor=92,942=27 Bea Alonzo=Filipino, Actress=40,943=114 COMPLETEandLEFT Barbara Alyn+Woods=American actress=9,984=297 BA,Beatrice Arthur Barbara Anderson=American, Actress=12,184=256 BA,Ben Affleck Brittany Andrews=American pornographic BA,Benedict Arnold actress=19,914=190 BA,Benny Andersson Black Angelica=Romanian, Pornstar=26,304=161 BA,Bibi Andersson Bia Anthony=Brazilian=29,126=150 BA,Billie Joe Armstrong Bess Armstrong=American, Actress=10,818=284 BA,Brooks Atkinson Breanne Ashley=American, Model=10,862=282 BA,Bryan Adams Brittany Ashton+Holmes=American actress=71,996=63 BA,Bud Abbott ………. BA,Buzz Aldrin Boyce Avenue Blaqk Audio Brother Ali Bud ,Abbott ,Actor ,Half of Abbott and Costello Bob ,Abernethy ,Journalist ,Former NBC News correspondent Bella ,Abzug ,Politician ,Feminist and former Congresswoman Bruce ,Ackerman ,Scholar ,We the People Babe ,Adams ,Baseball ,Pitcher, Pittsburgh Pirates Brock ,Adams ,Politician ,US Senator from Washington, 1987-93 Brooke ,Adams -
NBC MONITOR Begins 1955
11 1 8 .« Discussing "Monitor" opening at NBC's new Radio Central are, left to right Sylvester L. Weaver, Jr., NBC Presi- dent; James Fleming, Executive Producer and Editor of "Monitor," Robert W. Sarnoff, NBC Executive Vice-President; Dave Garroway, "Monitor" Communicator, and Mike Zeamer, program's Entertainment Producer. "Monitor" Takes to the Air A he National Broadcasting Company has — A pickup of Jerry Lewis at Brown's Hotel in the opened a new era in network radio with the revolution- Catskills and a preview of a segment of his latest film. ary service, "Monitor." Using the immediacy and mo- — A discussion of "The Spiritual Climate of Amer- bility of radio, "Monitor" is designed to bring listeners ica," with Dr. William Saltonstall, principal of Phillips- whatever is most interesting, important or entertaining, Exeter Academy, interviewing Dr. Nathan Pusey, Presi- wherever it may be happening. dent of Harvard. The new weekend radio service was introduced — A dress rehearsal of Victor Jory's "The Fairly June 12 with an ear-and-eye-opening one-hour similcast Fortune" at Bucks County Playhouse, with a com- — a program presented on both radio and television — mentary by producer Michael Ellis. from NBC Radio Central, the network's new §150,000 The Opening Team world listening post in New York. Continuing on the NBC radio network for eight hours in its opening The initial simulcast was presided over by Sylvester broadcast, "Monitor" indicated its scope with a virtual L. Weaver, Jr., President of NBC, and featured James kaleidoscope of information and entertainment. Among Fleming, executive producer and editor of "Monitor." its features were: Also on hand were "communicators" Dave Garroway, — A tense interview with a prisoner inside the walls Clifton Fadiman, Walter Kiernan, Morgan Beatty, Frank of the Federal Penitentiary at San Quentin. -
Open Your Heart
Open Your Heart Again this year, you can Open Your Heart to 01(1 in the annual campaign to aid the needy of this area. Beginning December 8th and continuing through the 20th, KFYR will again lend its facilities to the furtherance of the cam- paign. At 10:30 p.m. each week night during this time, KFYR will begin its special Open Your Heart program, with KFYR and its staff donating their services during these broadcasts. Members of the staff - engineers, announcers and others - will be on hand to play your requests and to accept your telephoned offers of gifts, clothing, food, or cash. This is the seventh consecutive year in which KFYR has car- ried on its Open Your Heart broadcasts. Each year listeners throughout the area served by KFYR have been more generous in aiding in the Open Your Heart campaign. This year, let's all join hands to set a new mark - to show that we all want to Open Our Hearts. VOL. IV, No. 6 DECEMBER, 1952 www.americanradiohistory.com Brickbats, Bouquets & Viewpoints LOOK FOR STARS To the Editor: To the Editor: Dialites is a great help to us, be- cause it gives us so much informa- Hope I am not late renewing my tion on program times. We enjoy subscription to Dialites as I would- every minute we listen to KFYR, n't like to miss any. I like the and it's great to hear the announcers Dialites very much. My husband "act ". and I look for the stars from the T. F. -
Cinematic Representations of Eleanor Roosevelt
Skidmore College Creative Matter MALS Final Projects, 1995-2019 MALS 5-16-2015 Suffering Saint, Asexual Victorian Woman, Or Queer Icon? Cinematic Representations of Eleanor Roosevelt Angela Beauchamp Skidmore College Follow this and additional works at: https://creativematter.skidmore.edu/mals_stu_schol Part of the American Film Studies Commons, Feminist, Gender, and Sexuality Studies Commons, and the Film and Media Studies Commons Recommended Citation Beauchamp, Angela, "Suffering Saint, Asexual Victorian Woman, Or Queer Icon? Cinematic Representations of Eleanor Roosevelt" (2015). MALS Final Projects, 1995-2019. 98. https://creativematter.skidmore.edu/mals_stu_schol/98 This Thesis is brought to you for free and open access by the MALS at Creative Matter. It has been accepted for inclusion in MALS Final Projects, 1995-2019 by an authorized administrator of Creative Matter. For more information, please contact [email protected]. Suffering Saint, Asexual Victorian Woman, Or Queer Icon? Cinematic Representations of Eleanor Roosevelt By Angela Beauchamp FINAL PROJECT SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN LIBERAL STUDIES SKIDMORE COLLEGE April 2015 Advisors: Thomas Lewis and Nina Fonoroff Suffering Saint, Asexual Victorian Woman, or Queer Icon? Cinematic Representations of Eleanor Roosevelt Skidmore College MALS Thesis Angela Beauchamp 4-13-2015 2 Contents lntroduction .................................................................................................................................................. -
Sheepscot River Pottery Pottery and Fine Gifts
Pottery and Fine Gifts Visit us on the web at www.sheepscot.com, or Sheepscot River Potteryat one of our stores: Route One, Edgecomb, 04556, 207-882-9410 Main Street, Damariscotta, 04543, 207-563-6677 Film Hollywood East It’s not just Anna Kendrick–all sorts of Mainers are going ga-ga in La-La land. By Zee Krstic hat must it be like to be Anna be released later this year. Instagram revolution after seeing photos of Kendrick right now, with pals In her Washington Post article “Amy girls mimicking the pose. The actress put to- W like George Clooney and Ja- Schumer and the Rise of the Woman Crush” gether two, posted it to Instagram, and the son Schwartzman and the world at your Lavanya Ramanathan defines the “woman results speak for themselves. door? I mean, you’re on the cover of Glam- crush” as follows: “But that’s not the most amazing thing our, right? “To crush is to want to borrow Mindy about this story. Apparently, the studio Fresh from reprising her role as spunky Kaling’s pencil skirts and tell off street ha- wasn’t quite on board with the stance. As Beca in smash-hit Pitch Perfect 2, Kendrick rassers with The Daily Show’s Jessica Wil- Kendrick pointed out in her second posting: stars in the upcoming comedy Get a Job liams. And yes, that is us all over the Inter- “‘They were sweating because I wouldn’t with Bryan Cranston (Breaking Bad) and net posing like actress Anna Kendrick on strike a sexy pose. -
America Radio Archive Broadcasting Books
ARA Broadcasting Books EXHIBIT A-1 COLLECTION LISTING CALL # AUTHOR TITLE Description Local Note MBookT TYPELocation Second copy location 001.901 K91b [Broadcasting Collection] Krauss, Lawrence Beyond Star Trek : physics from alien xii, 190 p.; 22 cm. Book Reading Room Maxwell. invasions to the end of time / Lawrence M. Krauss. 011.502 M976c [Broadcasting Collection] Murgio, Matthew P. Communications graphics Matthew P. 240 p. : ill. (part Book Reading Room Murgio. col.) ; 29 cm. 016.38454 P976g [Broadcasting Collection] Public Archives of Guide to CBC sources at the Public viii, 125, 141, viii p. Book Reading Room Canada. Archives / Ernest J. Dick. ; 28 cm. 016.7817296073 S628b [Broadcasting Skowronski, JoAnn. Black music in America : a ix, 723 p. ; 23 cm. Book Reading Room Collection] bibliography / by JoAnn Skowronski. 016.791 M498m [Broadcasting Collection] Mehr, Linda Harris. Motion pictures, television and radio : a xxvii, 201 p. ; 25 Book Reading Room union catalogue of manuscript and cm. special collections in the Western United States / compiled and edited by Linda Harris Mehr ; sponsored by the Film and Television Study Center, inc. 016.7914 R797r [Broadcasting Collection] Rose, Oscar. Radio broadcasting and television, an 120 p. 24 cm. Book Reading Room annotated bibliography / edited by Oscar Rose ... 016.79145 J17t [Broadcasting Collection] Television research : a directory of vi, 138 p. ; 23 cm. Book Reading Room conceptual categories, topic suggestions, and selected sources / compiled by Ronald L. Jacobson. 051 [Broadcasting Collection] TV guide index. 3 copies Book Archive Bldg 070.1 B583n [Broadcasting Collection] Bickel, Karl A. (Karl New empires : the newspaper and the 112 p. -
American Radio Archives Tom Koch Collection
American Radio Archives Tom Koch Collection Introduction The Tom Koch Collection of the American Radio Archives consists of approximately 1.5 cubic feet of scripts written by radio and television writer Koch. The bulk of the collection consists of skits written for use on the Bob and Ray Show, starring Bob Elliott and Ray Goulding, ca. 1974-1976. The remainder of the collection includes scripts for television programs, including The Jonathan Winters Show (1968- 69), the Dinah Shore Chevrolet Show (1960), the 11th Annual Emmy Awards (1959), and pilots written for the Phil Silvers Show and All in the Family. Biography Tom Koch (1925-2015), began his radio career with CBS in 1947, shortly after completing a bachelor's degree in journalism and a master's degree in political science at Northwestern University. His assignment at CBS was to work as a staff writer handling news and sports assignments. In 1955, after being hired at NBC, he began writing comedy sketches to be used on the Bob and Ray Show, which at that time aired on the Weekend Monitor program. When Bob and Ray moved to the Mutual Network in 1956, Koch continued to work for them, and he also wrote most of the Fibber McGee and Molly spots that aired on Weekend Monitor from 1957-1959. In 1957, Koch also began contributing occasional articles for Mad magazine, and in the following years started writing for television as well (The Lucy Show (1962) and The Jonathan Winters Show (1967-69)). During this time, Koch continued to occasionally write for the Bob and Ray Show, including their stint on New York radio station WHN in 1963, and their final program on Mutual flagship station WOR in the mid-1970s. -
A BRIEF HISTORY 1974-2020 a THESIS in Theatre Presented to the Faculty of the University of Missouri-Kansa
THE UNICORN THEATRE: A BRIEF HISTORY 1974-2020 A THESIS IN Theatre Presented to the Faculty of the University of Missouri-Kansas City in partial fulfillment of the requirements for the degree MASTER OF ARTS by SARAH JEAN HAYNES-HOHNE B.F.A., Missouri State University, 2013 Kansas City, Missouri 2020 © 2020 SARAH JEAN HAYNES-HOHNE ALL RIGHTS RESERVED THE UNICORN THEATRE: A BRIEF HISTORY 1974-2020 Sarah Jean Haynes-Hohne, Candidate for the Master of Arts Degree University of Missouri-Kansas City, 2020 ABSTRACT The Unicorn Theatre was originally founded under the name Theatre Workshop in 1974. It was a theatre company formed by three UMKC graduates, Jim Cairns, Rohn Dennis, and Liz Gordon who wanted to create an Off-Off-Broadway theatre in Kansas City. Their work focused on experimentation and using theatre as a political statement for social change. For years, the theatre operated as a community of people who wore many hats and performed many functions. In some ways, this still remains true. However, the theatre made a significant shift in its goals and future when they joined Actors’ Equity Association in 1984 shortly after Cynthia Levin was named Producing Artistic Director. The company has operated out of four different locations over the past 45+ years, but it has been in its current location at 3828 Main Street, Kansas City, MO since 1986. Many expansions and financial campaigns have contributed to the success of the theatre, which now houses two stages, The Levin Stage and The Jerome Stage. The Unicorn Theatre now operates under the vision of producing “Bold New Plays” and thrives on a mission that revolves around inclusion and diversity. -
MOTION PICTURE PRODUCTION in BRITISH COLUMBIA, 1941-1965 by Dennis J
MOTION PICTURE PRODUCTION IN BRITISH COLUMBIA, 1941-1965 by Dennis J. Duffy Present-day film production in British Columbia has attracted a lot of attention. Local filmmaking is not a new phenomenon, however, but the continuation of an activity which has gone on in the province since the early part of this century. The west coast has had an eventful filmmaking heritage -- perhaps more so than any other English-speaking region in Canada. This heritage has been largely ignored until recent years, when the revitalization of the Canadian film industry has sparked interest in our new cinema and in its historical precedents. The early development of filmmaking in British Columbia took place largely in isolation from the rest of Canada. Cameramen first came to film the province for the sake of its novel and photogenic landscapes, and to promote immigration and tourism.1 The first incursion of Hollywood film crews, in the 1920s, was also drawn primarily by the varied scenery available for outdoor adventure pictures. In the 1930s, they set up a branch plant here and made features of dubious quality, taking advantage of Canada's membership in the British Empire to exploit the British quota restriction on imported films. Meanwhile, domestic film production developed separately, usually growing from existing photographic or advertising concerns. British Columbia's first locally- based commercial cinematographer was A.D. "Cowboy" Kean, who got his start in movies filming the Vancouver Exhibition and the departure of troops for Europe during Copyright © 1986 by Dennis J. Duffy. This essay originally appeared in Camera West: British Columbia on Film, 1941-1965 (Victoria: Provincial Archives of British Columbia, 1986). -
Marriott Library Unrequired Reading
Marriott Library Unrequired Reading http://dream.lib.utah.edu/services/prog/unreq/fb/3mp_humor.html GET HELP | LIBRARY CATALOG | ARTICLE DATABASES | WEBCT | Search Library Website Go STUDENT LABS | DONATE return to: Marriott Picks | UnRequired Reading Marriott Library Home Humorous Novels (and one essay collection) Many of my favorite novels are the ones that have made me laugh. Some of the books on this list may have real literary merit; others are just funny. I intentionally avoided the classics (Candide, Catch-22, et al.) to focus on contemporary works and lesser-known titles that I feel deserve a wider readership. Daddy's Boy: The Shocking Account of Life with a Famous Father / Chris Elliott; with Rebuttals by Bob Elliott / PN6162 .E47 1989 / Stacks, Level Two. This mock autobiography borrows liberally from Mommie Dearest, The Poseidon Adventure, and a host of celebrity tell-all cliches. Great photos too! Blue Heaven / Joe Keenan / PS3561.E365 B56 1988 / Stacks, Level Two. A phony marriage (just for the presents) and the mob get tangled up in this novel by the Executive Producer of the television show Frasier. Thank You For Smoking / Christopher Buckley / PS3552.U339 T48 1994 / Stacks, Level Two. The adventures of a desperate tobacco lobbyist: conspiracies, Hollywood producers, and Beltway politics. Little Green Men / PS3552.U339 L58 1999 / Stacks, Level Two. What if alien abductions were the work of a top secret government agency? And what if a disgruntled operative got drunk and decided to make a respected television pundit his next target? And what if that pundit went public with his story? The Winshaw Legacy or What a Carve Up! / Jonathan Coe / PR6053 .O26 1995 / Stacks, Level Two.